La Cle Du Caveau A Lusage De Tous Les Chansonniers Francais Des Amateurs Auteurs Acteurs Du Vaudeville Et De Tous Les Amis De La Chanson

Author : Caroline Vézina
Publisher : Univ. Press of Mississippi
ISBN 13 : 1496842456
Total Pages : 228 pages
Book Rating : 4.4/5 (968 download)

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Download or read book Jazz à la Creole written by Caroline Vézina and published by Univ. Press of Mississippi. This book was released on 2022-11-29 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the formative years of jazz (1890–1917), the Creoles of Color—as they were then called—played a significant role in the development of jazz as teachers, bandleaders, instrumentalists, singers, and composers. Indeed, music penetrated all aspects of the life of this tight-knit community, proud of its French heritage and language. They played and/or sang classical, military, and dance music as well as popular songs and cantiques that incorporated African, European, and Caribbean elements decades before early jazz appeared. In Jazz à la Creole: French Creole Music and the Birth of Jazz, the author describes the music played by the Afro-Creole community since the arrival of enslaved Africans in La Louisiane, then a French colony, at the beginning of the eighteenth century, emphasizing the many cultural exchanges that led to the development of jazz. Caroline Vézina has compiled and analyzed a broad scope of primary sources found in diverse locations from New Orleans to Quebec City, Washington, DC, New York City, and Chicago. Two previously unpublished interviews add valuable insider knowledge about the music on French plantations and the danses Créoles held in Congo Square after the Civil War. Musical and textual analyses of cantiques provide new information about the process of their appropriation by the Creole Catholics as the French counterpart of the Negro spirituals. Finally, a closer look at their musical practices indicates that the Creoles sang and improvised music and/or lyrics of Creole songs, and that some were part of their professional repertoire. As such, they belong to the Black American and the Franco-American folk music traditions that reflect the rich cultural heritage of Louisiana.