Read Books Online and Download eBooks, EPub, PDF, Mobi, Kindle, Text Full Free.
James Joyce And Cinematicity
Download James Joyce And Cinematicity full books in PDF, epub, and Kindle. Read online James Joyce And Cinematicity ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Book Synopsis James Joyce and Cinematicity by : Keith Williams
Download or read book James Joyce and Cinematicity written by Keith Williams and published by Edinburgh University Press. This book was released on 2020-03-27 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this book, Keith Williams explores Victorian culture's emergent 'cinematicity' as a key creative driver of Joyce's experimental fiction, showing how Joyce's style and themes share the cinematograph's roots in Victorian optical entertainment and science.
Download or read book Joycean Frames written by Thomas Burkdall and published by Routledge. This book was released on 2018-02-02 with total page 134 pages. Available in PDF, EPUB and Kindle. Book excerpt: Employing concepts from film theory, this much-needed study explores in-depth the "cinematic" quality of James Joyce's fiction from Dubliners to Finnegan's Wake.
Book Synopsis James Joyce and the Phenomenology of Film by : Cleo Hanaway-Oakley
Download or read book James Joyce and the Phenomenology of Film written by Cleo Hanaway-Oakley and published by Oxford University Press. This book was released on 2017-06-30 with total page 160 pages. Available in PDF, EPUB and Kindle. Book excerpt: James Joyce and the Phenomenology of Film reappraises the lines of influence said to exist between Joyce's writing and early cinema and provides an alternative to previous psychoanalytic readings of Joyce and film. Through a compelling combination of historical research and critical analysis, Cleo Hanaway-Oakley demonstrates that Joyce, early film-makers, and phenomenologists (Maurice Merleau-Ponty, in particular) share a common enterprise: all are concerned with showing, rather than explaining, the 'inherence of the self in the world'. Instead of portraying an objective, neutral world, bereft of human input, Joyce, the film-makers, and the phenomenologists present embodied, conscious engagement with the environment and others: they are interested in the world-as-it-is-lived and transcend the seemingly-rigid binaries of seer/seen, subject/object, absorptive/theatrical, and personal/impersonal. This book re-evaluates the history of body- and spectator-focused film theories, placing Merleau-Ponty at the centre of the discussion, and considers the ways in which Joyce may have encountered such theories. In a wealth of close analyses, Joyce's fiction is read alongside the work of early film-makers such as Charlie Chaplin, Georges Méliès, and Mitchell and Kenyon, and in relation to the philosophical dimensions of early-cinematic devices such as the Mutoscope, the stereoscope, and the panorama. By putting Joyce's literary work—Ulysses above all—into dialogue with both early cinema and phenomenology, this book elucidates and enlivens literature, film, and philosophy.
Book Synopsis Cinematicity in Media History by : Jeffrey Geiger
Download or read book Cinematicity in Media History written by Jeffrey Geiger and published by Edinburgh University Press. This book was released on 2015-03-02 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: Highlights the complex ways in which media anticipate, interfere with and draw on one other
Book Synopsis James Joyce and Photography by : Georgina Binnie-Wright
Download or read book James Joyce and Photography written by Georgina Binnie-Wright and published by Bloomsbury Publishing. This book was released on 2022-05-19 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: James Joyce and Photography is the first book to explore in-depth James Joyce's personal and professional engagement with photography. Photographs, photographic devices and photographically-inspired techniques appear throughout Joyce's work, from his narrator's furtive proto-photographic framing in Silhouettes (c. 1897), to the aggressively-minded 'Tulloch-Turnbull girl with her coldblood kodak' in Finnegans Wake (1939). Through an exploration of Joyce's manuscripts and photographic and newspaper archival material, as well as the full range of his major works, this book sheds new light on his sustained interest in this visual medium. This project takes Joyce's intention in Dubliners (1914) to 'betray the soul of that hemiplegia or paralysis which many consider a city' as key to his interaction with photography, which in his literature occupies a dual position between stasis and innovation.
Book Synopsis On the Cracked Screen of Consciousness: James Joyce and Cinema by : Lia Guerra
Download or read book On the Cracked Screen of Consciousness: James Joyce and Cinema written by Lia Guerra and published by . This book was released on 2022 with total page 170 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Montage in James Joyce's Ulysses by : Craig Wallace Barrow
Download or read book Montage in James Joyce's Ulysses written by Craig Wallace Barrow and published by Yourdon Press. This book was released on 1980 with total page 238 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Roll Away the Reel World by : John McCourt
Download or read book Roll Away the Reel World written by John McCourt and published by . This book was released on 2010 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This title focuses on Joyce's interest and involvement in early modern cinema and his subsequent thematic and formal borrowing for this genre. It looks at cinema's interest in Joyce as seen in important film versions of his work.
Book Synopsis Cinematic TV by : Rashna Wadia Richards
Download or read book Cinematic TV written by Rashna Wadia Richards and published by Oxford University Press. This book was released on 2021-04-30 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: For decades after its invention, television was considered by many to be culturally deficient when compared to cinema, as analyses rooted in communication studies and the social sciences tended to focus primarily on television's negative impact on consumers. More recently, however, denigration has largely been replaced by serious critical consideration of what television represents in the post-network era. Once derided as a media wasteland, TV is now praised for its visual density and complexity. In the last two decades, media scholars have often suggested that television has become cinematic. Serial dramas, in particular, are acclaimed for their imitations of cinema's formally innovative and narratively challenging conventions. But what exactly does "cinematic TV" mean? In Cinematic TV, author Rashna Wadia Richards takes up this question comprehensively, arguing that TV dramas quote, copy, and appropriate (primarily) American cinema in multiple ways and toward multiple ends. Constructing an innovative theoretical framework by combining intertextuality and memory studies, Cinematic TV focuses on four modalities of intermedial borrowings: homage, evocation, genre, and parody. Through close readings of such exemplary shows as Stranger Things, Mad Men, Damages, and Dear White People, the book demonstrates how serial dramas reproduce and rework, undermine and idolize, and, in some cases, compete with and outdo cinema.
Book Synopsis Cinema and Intermediality by : Ágnes Pethő
Download or read book Cinema and Intermediality written by Ágnes Pethő and published by Cambridge Scholars Publishing. This book was released on 2011-05-25 with total page 525 pages. Available in PDF, EPUB and Kindle. Book excerpt: Within the last two decades “intermediality” has emerged as one of the most challenging concepts in media theory with no shortage of various taxonomies and definitions. What prompted the writing of the essays gathered in this volume, however, was not a desire for more classifications applied to the world of moving pictures, but a strong urge to investigate what the “inter-” implied by the idea of “intermediality” stands for, and what it actually entails in the cinema. The book offers in each of the individual chapters a cross-section view of specific instances in which cinema seems to consciously position itself “in-between” media and arts, employing techniques that tap into the multimedial complexity of cinema, and bring into play the tensions generated by media differences. The introductory theoretical writings deal with the historiography of approaching intermedial phenomena in cinema presenting at the same time some of the possible “gateways” that can open up the cinematic image towards the perceptual frames of other media and arts. The book also contains essays that examine more closely specific paradigms in the poetics of cinematic intermediality, like the allure of painting in Hitchcock’s films, the exquisite ways of framing and un-framing haptical imagery in Antonioni’s works, the narrative allegories of media differences, the word and image plays and ekphrastic techniques in Jean-Luc Godard’s “total” cinema, the flâneuristic intermedial gallery of moving images created by José Luis Guerín, or the types of intermedial metalepses in Agnès Varda’s “cinécriture.” From a theoretical vantage point these essays break with the tradition of thinking of intermediality in analogy with intertextuality and attempt a phenomenological (re)definition of intermedial relations. Moreover, some of the analyses target films that expose the coexistence of the hypermediated experience of intermediality and the illusion of reality, connecting the questions of intermediality both to the indexical nature of cinematic representation and to the specific ideological and cultural context of the films, thus offering insights into a few questions regarding the “politics” of intermediality as well.
Download or read book Materialist Film written by Peter Gidal and published by Routledge. This book was released on 2013-12-13 with total page 207 pages. Available in PDF, EPUB and Kindle. Book excerpt: A polemical introduction to the avant-garde and experimental in film (including making and viewing), Materialist Film is a highly original, thought-provoking book. Thirty-seven short chapters work through a series of concepts which will enable the reader to deal imaginatively with the contradictory issues produced by experimental film. Each concept is explored in conjunction with specific films by Andy Warhol, Malcolm LeGrice, Lis Rhodes, Jean-Luc Goddard, Rose Lowder, Kurt Kren, and others. Peter Gidal draws on important politico-aesthetic writings, and uses some of his own previously published essays from Undercut, Screen, October, and Millennium Film Journal to undertake this concrete process of working through abstract concepts. Originally published in 1989.
Book Synopsis Film and Literary Modernism by : Robert P. McParland
Download or read book Film and Literary Modernism written by Robert P. McParland and published by Cambridge Scholars Publishing. This book was released on 2014-08-26 with total page 255 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Film and Literary Modernism, the connections between film, modernist literature, and the arts are explored by an international group of scholars. The impact of cinema upon our ways of seeing the world is highlighted in essays on city symphony films, avant-garde cinema, European filmmaking and key directors and personalities from Charlie Chaplin, Sergei Eisenstein and Alain Renais to Alfred Hitchcock and Mae West. Contributors investigate the impact of film upon T. S. Eliot, time and stream of consciousness in Virginia Woolf and Henri Bergson, the racial undercurrents in the film adaptations of Ernest Hemingway’s fiction, and examine the film writing of William Faulkner, James Agee, and Graham Greene. Robert McParland assembles an international group of researchers including independent film makers, critics and professors of film, creative writers, teachers of architecture and design, and young doctoral scholars, who offer a multi-faceted look at modernism and the art of the film.
Book Synopsis Transfigurations by : Asbjørn Grønstad
Download or read book Transfigurations written by Asbjørn Grønstad and published by Amsterdam University Press. This book was released on 2008 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: In many senses, viewers have cut their teeth on the violence in American cinema: from Anthony Perkins slashing Janet Leigh in the most infamous of shower scenes; to the 1970s masterpieces of Martin Scorsese, Sam Peckinpah and Francis Ford Coppola; to our present-day undertakings in imagining global annihilations through terrorism, war, and alien grudges. Transfigurations brings our cultural obsession with film violence into a renewed dialogue with contemporary theory. Grønstad argues that the use of violence in Hollywood films should be understood semiotically rather than viewed realistically; Tranfigurations thus alters both our methodology of reading violence in films and the meanings we assign to them, depicting violence not as a self-contained incident, but as a convoluted network of our own cultural ideologies and beliefs.
Book Synopsis Antonioni and the Aesthetics of Impurity by : Nardelli Matilde Nardelli
Download or read book Antonioni and the Aesthetics of Impurity written by Nardelli Matilde Nardelli and published by Edinburgh University Press. This book was released on 2020-09-04 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: Influential, innovative and aesthetically experimental, the films of Michelangelo Antonioni are widely recognized as both exemplars of cinema and key in ushering in its 'new' or 'modern' incarnation around 1960. Antonioni and the Aesthetics of Impurity offers a radical rethinking of the director's work. It argues against prevalent understandings of it in terms of both cinematic purity and indebtedness to painting. Reconnecting Antonioni's aesthetically audacious films of the 1960s and 1970s to the ferment of their historical time, Antonioni and the Aesthetics of Impurity brings into relief these works' crucial, yet overlooked, affinity with the new, 'impure', art practices - of John Cage, Franco Vaccari, Robert Smithson, Piero Gilardi and Andy Warhol among others - that precipitated the demotion of painting from its privileged position as a paradigm for all the arts. Revealing an Antonioni who embraced both mixed and mass media and reflected on them via cinema, the book replaces auteuristic, if not hagiographic, accounts of the director's work with a new understanding of its critical significance across the modern visual arts and culture more broadly.
Book Synopsis Art and Science in Word and Image by :
Download or read book Art and Science in Word and Image written by and published by BRILL. This book was released on 2019-03-27 with total page 373 pages. Available in PDF, EPUB and Kindle. Book excerpt: Art and Science in Word and Image explores how discovery and innovation have functioned inter-dependently across art, literature and the sciences, focusing on engagements with natural forms and forces, and other fields of knowledge across a spectrum of creative media.
Book Synopsis James Joyce and the Matter of Paris by : Catherine Flynn
Download or read book James Joyce and the Matter of Paris written by Catherine Flynn and published by Cambridge University Press. This book was released on 2019-09-12 with total page 253 pages. Available in PDF, EPUB and Kindle. Book excerpt: James Joyce must be understood as drawing on French nineteenth- and twentieth-century literary innovations to grapple with the challenges of Paris.
Book Synopsis A History of Experimental Film and Video by : A.L. Rees
Download or read book A History of Experimental Film and Video written by A.L. Rees and published by Bloomsbury Publishing. This book was released on 2019-07-25 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: Avant-garde film is almost indefinable. It is in a constant state of change and redefinition. In his highly-acclaimed history of experimental film, A.L. Rees tracks the movement of the film avant-garde between the cinema and modern art (with its postmodern coda). But he also reconstitutes the film avant-garde as an independent form of art practice with its own internal logic and aesthetic discourse. In this revised and updated edition, Rees introduces experimental film and video to new readers interested in the wider cinema, as well as offering a guide to enthusiasts of avant-garde film and new media arts. Ranging from Cézanne and Dada, via Cocteau, Brakhage and Le Grice, to the new wave of British film and video artists from the 1990s to the present day, this expansive study situates avant-garde film between the cinema and the gallery, with many links to sonic as well as visual arts. The new edition includes a review of current scholarship in avant-garde film history and includes updated reading and viewing lists. It also features a new introduction and concluding chapter, which assess the rise of video projection in the gallery since the millennium, and describe new work by the latest generation of experimental film-makers. The new edition is richly illustrated with images of the art works discussed.
