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J Arthur Rank The Rise And Fall Of His Film Empire
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Book Synopsis J. Arthur Rank - The Rise and Fall of His Film Empire (hardback) by : Gareth Owen
Download or read book J. Arthur Rank - The Rise and Fall of His Film Empire (hardback) written by Gareth Owen and published by BearManor Media. This book was released on 2022-01-24 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: Biography of the great film producer, J. Arthur Rank.
Book Synopsis J. Arthur Rank - The Rise and Fall of His Film Empire by : Gareth Owen
Download or read book J. Arthur Rank - The Rise and Fall of His Film Empire written by Gareth Owen and published by BearManor Media. This book was released on 2022-02-15 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: J. Arthur Rank was the biggest and perhaps the most unlikely of film moguls. The staunch Methodist, and blunt Yorkshire miller, maintained he only became involved in movies after discovering the popularity of some religious films he ran at his local Sunday school; after exhausting their supply he decided to fund the production of more himself to help spread 'the word of god'. Many mocked him, many didn't understand him, some even tried to rip him off, but all - ultimately - were in awe of him as he moved into more mainstream entertainment and went on to preside over Britain's largest ever film empire with studios, laboratories, distribution, and exhibition, along with a stable of contract directors, producers, and artistes under his control. The Rank Organisation's film division was unrivaled - before or since - and all of their movies were graced by a man hitting a large golden gong. Films ranging from the definitive Titanic disaster A Night To Remember, to the hugely successful Doctor, Norman Wisdom, Carry On comedy film series, the enchantingly delightful Genevieve, Hitchcock thrillers The Lady Vanishes and The Thirty Nine Steps, Powell and Pressburger masterpieces such as The Red Shoes, Black Narcissus and The Tales Of Hoffman, David Lean's Oliver Twist and Great Expectations, through to British modern-classics Defence Of The Realm, The Fourth Protocol, Four Weddings And A Funeral and Circle Of Friends all came out of the company. Separately its studios, Pinewood, housed blockbusters ranging from most of the James Bond films, Superman, Aliens, Batman, Harry Potter, the more recent Star Wars films and is now a long-term base for Disney's many big-budget productions; and it's distribution arm Rank Film Distributors oversaw the release of 700-plus productions. Through interviews conducted by the author from 1999 onwards with stars, producers, directors, technicians, and executives this book charts Rank's initial involvement in film, through to the many experiments and initiatives he backed, the crises he carried the British film industry through, to the company's ultimate downfall and disposal - with all film divisions being sold in the late 1990s and early 2000s. This is the definitive history of one of the film world's biggest players. Gareth Owen has written 20 books and has been based at Pinewood Studios since 1994.
Book Synopsis Creativity And Constraint In The British Film Industry by : Duncan J Petrie
Download or read book Creativity And Constraint In The British Film Industry written by Duncan J Petrie and published by Springer. This book was released on 1991-08-09 with total page 267 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis J. Arthur Rank and the British Film Industry by : Geoffrey Macnab
Download or read book J. Arthur Rank and the British Film Industry written by Geoffrey Macnab and published by Routledge. This book was released on 2013-01-11 with total page 319 pages. Available in PDF, EPUB and Kindle. Book excerpt: Presiding over the "golden era" of the British Film Industry from the mid to late 1940s, J. Arthur Rank financed movies such as Oliver Twist, The Red Shoes, Brief Encounter, Caesar and Cleopatra and Black Narcissus. Never before, and never since, has the industry risen to such heights. J. Arthur Rank charts every aspect of the robust film culture that Rank helped to create. Having started out with relatively little knowledge of the cinema, Rank's sponsorship was to bring about astounding progress within the industry, and by establishing an organization comparable in size to any of the major Hollywood studios, Rank briefly managed to reconcile and consolidate the competing demands of "art" and "business" - an achievement very much absent from today's diminished and fragmented film industry. Macnab goes on to explain the eventual collapse of the Rank experiment amidst the economic and political maelstrom of post-war Britain, highlighting the problems still facing the industry today. By meshing archival research with interviews with Rank's contemporaries and members of his family, this definitive study firmly restores Rank to his rightful place at the hub of British film history.
Book Synopsis The Man Who Got Carter by : Andrew Spicer
Download or read book The Man Who Got Carter written by Andrew Spicer and published by Bloomsbury Publishing. This book was released on 2013-10-24 with total page 345 pages. Available in PDF, EPUB and Kindle. Book excerpt: Michael Klinger was the most successful indpendent producer in the British film industry over a 20 year period from 1960 to 1980, responsible for 32 films, including classics such as Repulsion (1965) and Get Carter (1971). Despite working with many famous figures- including actors Michael Caine, Peter Finch, Lee Marvin, Roger Moore, Mickey Rooney and Susannah York; directors Claude Chabrol,Mike Hodges and Roman Polanski and author Wilbur Smith- Klinger's contribution to British cinema has been almost largely ignored. This definitive book on Micheal Klinger, largely based on his previously unseen personal papers, examines his origins in Sixties Soho 'sexploitation' cinema and 'shockumentaries' through to major international productions including Gold (1974) and Shout at the Devil (1976). It reveals how Klinger deftly combined commercial product-the hugely popular 'Confessions' series (1974-78)- with artistic, experimental cinema that nurtured young talent, including Polanski and Hodges, Peter Colinson, Alastair Reid, Linda Hayden and Moshe Mizrahi, the Israeli director of Rachel's Man (1975). Klinger's career is contextualised through a reassessment of the British film industry during a period of unprecedented change and volatility as well as highlighting the importance of his Jewishness. The Man Who Got Carter offers a detailed analysis of the essential but often misunderstood role played by the producer.
Download or read book Past and Present written by James Chapman and published by Bloomsbury Publishing. This book was released on 2005-09-23 with total page 417 pages. Available in PDF, EPUB and Kindle. Book excerpt: This ground-breaking book takes as its focal point director Ken Loach's view that 'The only reason to make films that are a reflection on history is to talk about the present.' In the first book to take on this major genre in all its complexity, James Chapman argues that historical films say as much about the times in which they are made as about the past they purport to portray. Through in-depth case studies of fourteen key films spanning the 1930s up to the turn of the twenty first century, from The Private Life of Henry VIII and Zulu to Chariots of Fire and Elizabeth, Chapman examines the place of historical films in British cinema history and film culture. Looking closely at the issues that they present, from gender, class and ethnicity to militarism and imperialism, he also discusses controversies over historical accuracy, and the ways in which devices such as voice overs, title captions, and visual references to photographs and paintings assert a sense of historical verisimilitude. Exploring throughout the book the dialectical relationship between past and present, Chapman reveals how such films promote British achievements - but also sometimes question them - and how they project images of 'Britishness' to audiences both in the UK and internationally.
Book Synopsis Richard Rodney Bennett: The Complete Musician by : Paul Harris
Download or read book Richard Rodney Bennett: The Complete Musician written by Paul Harris and published by Omnibus Press. This book was released on 2011-08-01 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sir Richard Rodney Bennett, in the enormous diversity of his activities, is arguably the most complete musician of all time. Not only does he have a remarkable 300 commissioned concert works to his credit, which have established him among the leading British twentieth-century composers, yet at the same time, with supreme success, he has also contrived to lead several completely different musical lives. For some, he is the ultimate exponent of 'crossover', as epitomised in his remarkable Concerto for Stan Getz and concert works for Cleo Laine. Others remember him as a concert pianist with a special enthusiasm for pioneering contemporary music, his partnerships with Susan Bradshaw, Jane Manning and Barry Tuckwell being particularly notable. Meanwhile, he also has over 70 film and television scores to his credit, the many classic titles ranging from Murder on the Orient Express and Far From the Madding Crowd to Equus and Four Weddings and a Funeral. For cabaret and jazz club devotees, he is, again, something completely different: one of the finest and most knowledgeable of all exponents of the Great American Songbook, a much-in-demand singer and accompanist over the past thirty-five years, and, as such, the stage partner of some of the most glamorous performers in the business. This, then, is a book about a uniquely gifted musician. It is also a study of a most engaging personality and a fascinatingly complex human being. Anthony Meredith, whose two previous collaborations with co-researcher Paul Harris were the highly praised biographies of Malcolm Arnold and Malcolm Williamson, has been a widely published writer over the past twenty-five years. He is a member of MCC, a Friend of Covent Garden and Northern Ballet. His co-researcher, Paul Harris, is a leading music educationalist, well-known for his seminars, workshops and masterclasses, with over 500 books to his name.
Book Synopsis The History of Live Music in Britain, Volume I: 1950-1967 by : Simon Frith
Download or read book The History of Live Music in Britain, Volume I: 1950-1967 written by Simon Frith and published by Routledge. This book was released on 2016-03-09 with total page 249 pages. Available in PDF, EPUB and Kindle. Book excerpt: The social history of music in Britain since 1950 has long been the subject of nostalgic articles in newspapers and magazines, nostalgic programmes on radio and television and collective memories on music websites, but to date there has been no proper scholarly study. The three volumes of The History of Live Music in Britain address this gap, and do so from the unique perspective of the music promoter: the key theme is the changing nature of the live music industry. The books are focused upon popular music but cover all musical genres and the authors offer new insights into a variety of issues, including changes in musical fashions and tastes; the impact of developing technologies; the balance of power between live and recorded music businesses; the role of the state as regulator and promoter; the effects of demographic and other social changes on music culture; and the continuing importance of do-it-yourself enthusiasts. Drawing on archival research, a wide range of academic and non-academic secondary sources, participant observation and industry interviews, the books are likely to become landmark works within Popular Music Studies and broader cultural history.
Book Synopsis Transatlantic Crossings by : Sarah Street
Download or read book Transatlantic Crossings written by Sarah Street and published by Bloomsbury Publishing. This book was released on 2016-10-06 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: Transatlantic Crossings is a major study of the distribution and exhibition of British films in the USA. Charting the cross-cultural reception of many British films, Sarah Street draws on a wide range of sources including studio records, film posters, press books and statistics. While the power of Hollywood made it difficult for films that crossed the Atlantic, Street's research demonstrates that some strategies were more successful than others. She considers which British films made an impact and analyzes conditions that facilitated a positive reception from critics, censors, exhibitors and audiences. Case studies include Nell Gwyn (1926), The Private Life of Henry VIII (1933), The Ghost Goes West (1935), Henry V (1946), Black Narcissus (1947), The Red Shoes (1948), Ealing comedies, The Horror of Dracula (1958), Tom Jones (1963), A Hard Day's Night (1964), Goldfinger (1964), The Remains of the Day (1993), Four Weddings and a Funeral (1994) and Trainspotting (1996). Against a background of the economic history of the British and Hollywood film industries, Transatlantic Crossings considers the many fascinating questions surrounding the history of British films in the USA, their relevance to wider issues of Anglo-American relations and to notions of "Britishness" on screen.
Download or read book Mr Rank written by Alan Wood and published by . This book was released on 1952 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis When Hollywood Loved Britain by : Mark Glancy
Download or read book When Hollywood Loved Britain written by Mark Glancy and published by Manchester University Press. This book was released on 1999-08-20 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: When Hollywood Loved Britain examines the Hollywood "British" film--American feature films that were set in Britain, based on British history or literature and included the work of British producers, directors, writers and actors. "British" films include many of the most popular and memorable films of the 1930s and 1940s, yet they have received little individual attention from film historians and even less attention as a body of films. While the book is centered on wartime "British" films, it also investigates wider issues: the influence of censorship and propaganda agencies during Hollywood’s studio era, studio finances, the isolationist campaign in the United States between 1939 and 1941, and American perceptions of Britain at war.
Book Synopsis Death of the Moguls by : Wheeler Winston Dixon
Download or read book Death of the Moguls written by Wheeler Winston Dixon and published by Rutgers University Press. This book was released on 2012-08-28 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: Death of the Moguls is a detailed assessment of the last days of the “rulers of film.” Wheeler Winston Dixon examines the careers of such moguls as Harry Cohn at Columbia, Louis B. Mayer at MGM, Jack L. Warner at Warner Brothers, Adolph Zukor at Paramount, and Herbert J. Yates at Republic in the dying days of their once-mighty empires. He asserts that the sheer force of personality and business acumen displayed by these moguls made the studios successful; their deaths or departures hastened the studios’ collapse. Almost none had a plan for leadership succession; they simply couldn't imagine a world in which they didn’t reign supreme. Covering 20th Century-Fox, Selznick International Pictures, Metro-Goldwyn-Mayer, Paramount Pictures, RKO Radio Pictures, Warner Brothers, Universal Pictures, Republic Pictures, Monogram Pictures and Columbia Pictures, Dixon briefly introduces the studios and their respective bosses in the late 1940s, just before the collapse, then chronicles the last productions from the studios and their eventual demise in the late 1950s and early 1960s. He details such game-changing factors as the de Havilland decision, which made actors free agents; the Consent Decree, which forced the studios to get rid of their theaters; how the moguls dealt with their collapsing empires in the television era; and the end of the conventional studio assembly line, where producers had rosters of directors, writers, and actors under their command. Complemented by rare, behind-the-scenes stills, Death of the Moguls is a compelling narrative of the end of the studio system at each of the Hollywood majors as television, the de Havilland decision, and the Consent Decree forced studios to slash payrolls, make the shift to color, 3D, and CinemaScope in desperate last-ditch efforts to save their kingdoms. The aftermath for some was the final switch to television production and, in some cases, the distribution of independent film.
Download or read book Picturing the Past written by Sue Harper and published by British Film Institute. This book was released on 1994 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: This survey of British historical films of the 1930s and 1940s offers an account of the attitudes of official bodies, film-makers and audiences to the costume film. Archive records unearthed by Sue Harper reveal the extent to which government agencies and institutions attempted to influence the cinematic representation of history. This book goes on to contrast the work of a range of key producers and charts the vagaries of audience response.
Book Synopsis The British 'B' Film by : Steve Chibnall
Download or read book The British 'B' Film written by Steve Chibnall and published by Bloomsbury Publishing. This book was released on 2019-07-25 with total page 521 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first book to provide a thorough examination of the British 'B' movie, from the war years to the 1960s. The authors draw on archival research, contemporary trade papers and interviews with key 'B' filmmakers to map the 'B' movie phenomenon both as artefact and as industry product, and as a reflection on their times.
Download or read book Canadian Moving Picture Digest written by and published by . This book was released on 1955 with total page 558 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Great British Dream Factory by : Dominic Sandbrook
Download or read book The Great British Dream Factory written by Dominic Sandbrook and published by Penguin UK. This book was released on 2015-10-01 with total page 688 pages. Available in PDF, EPUB and Kindle. Book excerpt: SPECTATOR BOOKS OF THE YEAR 2015 Britain's empire has gone. Our manufacturing base is a shadow of its former self; the Royal Navy has been reduced to a skeleton. In military, diplomatic and economic terms, we no longer matter as we once did. And yet there is still one area in which we can legitimately claim superpower status: our popular culture. It is extraordinary to think that one British writer, J. K. Rowling, has sold more than 400 million books; that Doctor Who is watched in almost every developed country in the world; that James Bond has been the central character in the longest-running film series in history; that The Lord of the Rings is the second best-selling novel ever written (behind only A Tale of Two Cities); that the Beatles are still the best-selling musical group of all time; and that only Shakespeare and the Bible have sold more books than Agatha Christie. To put it simply, no country on earth, relative to its size, has contributed more to the modern imagination. This is a book about the success and the meaning of Britain's modern popular culture, from Bond and the Beatles to heavy metal and Coronation Street, from the Angry Young Men to Harry Potter, from Damien Hirst toThe X Factor.
Book Synopsis EMI Films and the Limits of British Cinema by : Paul Moody
Download or read book EMI Films and the Limits of British Cinema written by Paul Moody and published by Springer. This book was released on 2018-10-19 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is the first of its kind to trace the development of one of the largest and most important companies in British cinema history, EMI Films. From 1969 to its eventual demise in 1986, EMI would produce many of the key works of seventies and eighties British cinema, ranging from popular family dramas like The Railway Children (Lionel Jeffries, 1970) through to critically acclaimed arthouse successes like Britannia Hospital (Lindsay Anderson, 1982). However, EMI’s role in these productions has been recorded only marginally, as footnotes in general histories of British cinema. The reasons for this critical neglect raise important questions about the processes involved in the creation of cultural canons and the definition of national culture. This book argues that EMI’s amorphous nature as a transnational film company has led to its omission from this history and makes it an ideal subject to explore the ‘limits’ of British cinema.
