Is Copyright Perpetual?

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Publisher :
ISBN 13 :
Total Pages : 30 pages
Book Rating : 4.A/5 ( download)

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Book Synopsis Is Copyright Perpetual? by : Eaton Sylvester Drone

Download or read book Is Copyright Perpetual? written by Eaton Sylvester Drone and published by . This book was released on 1875 with total page 30 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Is Copyright Perpetual?

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Publisher : Legare Street Press
ISBN 13 : 9781019450703
Total Pages : 0 pages
Book Rating : 4.4/5 (57 download)

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Book Synopsis Is Copyright Perpetual? by : Eaton Sylvester Drone

Download or read book Is Copyright Perpetual? written by Eaton Sylvester Drone and published by Legare Street Press. This book was released on 2023-07-18 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this groundbreaking 1893 work, Eaton Sylvester Drone challenges the prevailing view that literary property is inherently perpetual and unalienable. Drawing on legal, historical, and philosophical sources, Drone argues that copyright is a social construct that must be continually renegotiated in light of changing social and technological factors. His arguments remain relevant to contemporary debates around intellectual property law. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Privilege and Property

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Publisher : Open Book Publishers
ISBN 13 : 190692418X
Total Pages : 438 pages
Book Rating : 4.9/5 (69 download)

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Book Synopsis Privilege and Property by : Ronan Deazley

Download or read book Privilege and Property written by Ronan Deazley and published by Open Book Publishers. This book was released on 2010 with total page 438 pages. Available in PDF, EPUB and Kindle. Book excerpt: What can and can't be copied is a matter of law, but also of aesthetics, culture, and economics. The act of copying, and the creation and transaction of rights relating to it, evokes fundamental notions of communication and censorship, of authorship and ownership - of privilege and property. This volume conceives a new history of copyright law that has its roots in a wide range of norms and practices. The essays reach back to the very material world of craftsmanship and mechanical inventions of Renaissance Italy where, in 1469, the German master printer Johannes of Speyer obtained a five-year exclusive privilege to print in Venice and its dominions. Along the intellectual journey that follows, we encounter John Milton who, in his 1644 Areopagitica speech 'For the Liberty of Unlicensed Printing', accuses the English parliament of having been deceived by the 'fraud of some old patentees and monopolizers in the trade of bookselling' (i.e. the London Stationers' Company). Later revisionary essays investigate the regulation of the printing press in the North American colonies as a provincial and somewhat crude version of European precedents, and how, in the revolutionary France of 1789, the subtle balance that the royal decrees had established between the interests of the author, the bookseller, and the public, was shattered by the abolition of the privilege system. Contributions also address the specific evolution of rights associated with the visual and performing arts. These essays provide essential reading for anybody interested in copyright, intellectual history and current public policy choices in intellectual property. The volume is a companion to the digital archive Primary Sources on Copyright (1450-1900), funded by the UK Arts and Humanities Research Council (AHRC): www.copyrighthistory.org.

The Copyright Wars

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Publisher : Princeton University Press
ISBN 13 : 0691169098
Total Pages : 546 pages
Book Rating : 4.6/5 (911 download)

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Book Synopsis The Copyright Wars by : Peter Baldwin

Download or read book The Copyright Wars written by Peter Baldwin and published by Princeton University Press. This book was released on 2016-05-17 with total page 546 pages. Available in PDF, EPUB and Kindle. Book excerpt: Today's copyright wars can seem unprecedented. Sparked by the digital revolution that has made copyright—and its violation—a part of everyday life, fights over intellectual property have pitted creators, Hollywood, and governments against consumers, pirates, Silicon Valley, and open-access advocates. But while the digital generation can be forgiven for thinking the dispute between, for example, the publishing industry and Google is completely new, the copyright wars in fact stretch back three centuries—and their history is essential to understanding today’s battles. The Copyright Wars—the first major trans-Atlantic history of copyright from its origins to today—tells this important story. Peter Baldwin explains why the copyright wars have always been driven by a fundamental tension. Should copyright assure authors and rights holders lasting claims, much like conventional property rights, as in Continental Europe? Or should copyright be primarily concerned with giving consumers cheap and easy access to a shared culture, as in Britain and America? The Copyright Wars describes how the Continental approach triumphed, dramatically increasing the claims of rights holders. The book also tells the widely forgotten story of how America went from being a leading copyright opponent and pirate in the eighteenth and nineteenth centuries to become the world’s intellectual property policeman in the late twentieth. As it became a net cultural exporter and its content industries saw their advantage in the Continental ideology of strong authors’ rights, the United States reversed position on copyright, weakening its commitment to the ideal of universal enlightenment—a history that reveals that today’s open-access advocates are heirs of a venerable American tradition. Compelling and wide-ranging, The Copyright Wars is indispensable for understanding a crucial economic, cultural, and political conflict that has reignited in our own time.

Intellectual Privilege

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Publisher : Mercatus Center at George Mason University
ISBN 13 : 0989219380
Total Pages : 238 pages
Book Rating : 4.9/5 (892 download)

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Book Synopsis Intellectual Privilege by : Tom W. Bell

Download or read book Intellectual Privilege written by Tom W. Bell and published by Mercatus Center at George Mason University. This book was released on 2014-04-14 with total page 238 pages. Available in PDF, EPUB and Kindle. Book excerpt: A consensus has recently emerged among academics and policymakers that US copyright law has fallen out of balance. Lawmakers have responded by taking up proposals to reform the Copyright Act. But how should they proceed? This book offers a new and insightful view of copyright, marking the path toward a world less encumbered by legal restrictions and yet richer in art, music, and other expressive works. Two opposing viewpoints have driven the debate over copyright policy. One side questions copyright for the same reasons it questions all restraints on freedoms of expression, and dismisses copyright, like other forms of property, as a mere plaything of political forces. The opposing side regards copyrights as property rights that deserve—like rights in houses, cars, and other forms of property—the fullest protection of the law. Each of these viewpoints defends important truths. Both fail, however, to capture the essence of copyright. In Intellectual Privilege, Tom W. Bell reveals copyright as a statutory privilege that threatens our natural and constitutional rights. From this fresh perspective come fresh solutions to copyright’s problems. Published by the Mercatus Center at George Mason University.

Rethinking Copyright

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Publisher : Edward Elgar Publishing
ISBN 13 : 1847201628
Total Pages : 217 pages
Book Rating : 4.8/5 (472 download)

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Book Synopsis Rethinking Copyright by : R. Deazley

Download or read book Rethinking Copyright written by R. Deazley and published by Edward Elgar Publishing. This book was released on 2006 with total page 217 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rethinking Copyright is a small gem for an audience broader than copyright and intellectual property scholars, and well worth acquiring by a variety of general, corporate, law and academic libraries. Laurence Seidenberg, International Journal of Legal Information This excellent book raises again the controversial issue of whether we can learn anything and, if so, what from revisiting our past. Jeremy Phillips, ipkat.com All histories are about the present, not the past. Histories of copyright are no different: the pitched battles today over the nature of copyright frequently re-create a mythical past to shore up support for a partisan present. Deazley s Rethinking Copyright is a must have book for those who care about getting things right. Rethinking Copyright carefully reviews the critical formative years of statutory copyright (1710 1912), and then masterfully ties this foundational period to the current culture wars. It is a tour de force to be savored and returned to over and over again. William Patry, Senior Copyright Counsel, Google Inc., New York, US Two books in one, the first half of this manifesto offers a contrarian account of eighteenth and nineteenth-century English copyright history; the second contributes to the burgeoning rhetoric of the public domain in contemporary copyright scholarship. Deazley contends that, contrary to the common wisdom, common law copyright never existed in the eighteenth-century, but was a concerted creation of nineteenth-century treatise writers. He may not convince us that common law copyright was a myth, but he does compellingly demonstrate that, like the mythical giant Antaeus, whenever common law copyright seemed beaten down to the ground, it rose again with renewed force. He also persuades us that it may be a Herculean task to strangle the life out of the impulse, historical or otherwise, to believe that authors labors justify the contemporary default setting of the positive law in favor of proprietary rights. The second half, calling for reconceptualization of copyright as a derogation from the public s freedom to engage with works of authorship will surely provoke disagreement from many readers knowledgeable about copyright, but Deazley is an apt expositor of this increasingly popular trend in the legal academy. Jane C. Ginsburg, Columbia University School of Law, New York, US Copyright law remains hotly debated with the public domain contested territory. Ronan Deazley brings some welcome sanity to the discussion by revisiting the history of UK copyright law with a fresh eye and also by exploring the theoretical justifications for intellectual property in light of recent scholarship. The roles of rhetoric and legal writing in constructing copyright paradigms are the particular target of Deazley s critique. This is a provocative and challenging book which deserves a wide audience. Simon Stokes, Blake Lapthorn Tarlo Lyons and Bournemouth Law School, UK I have just finished reading Ronan Deazley s manuscript. It s a very enjoyable, readable book. As to content, I found it interesting, carefully researched, wide in scope, and thought-provoking even where I didn t agree with his conclusions. Catherine Seville, Newnham College, Cambridge, UK This book provides the reader with a critical insight into the history and theory of copyright within contemporary legal and cultural discourse. It exposes as myth the orthodox history of the development of copyright law in eighteenth-century Britain and explores the way in which that myth became entrenched throughout the nineteenth and early twentieth centuries. To this historical analysis are added two theoretical approaches to copyright not otherwise found in mainstream contemporary texts. Rethinking Copyright introduces the reader to copyright through the prism of the public domain before turning to the question as to how best to locate copyright within the parameters of traditional property discourse. Moreover, underpinning

Is Copyright Perpetual?

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Publisher : Nabu Press
ISBN 13 : 9781294767589
Total Pages : 26 pages
Book Rating : 4.7/5 (675 download)

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Book Synopsis Is Copyright Perpetual? by : Eaton Sylvester Drone

Download or read book Is Copyright Perpetual? written by Eaton Sylvester Drone and published by Nabu Press. This book was released on 2014-02 with total page 26 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

The Nature of Copyright

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Publisher : University of Georgia Press
ISBN 13 : 0820313629
Total Pages : 297 pages
Book Rating : 4.8/5 (23 download)

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Book Synopsis The Nature of Copyright by : Lyman Ray Patterson

Download or read book The Nature of Copyright written by Lyman Ray Patterson and published by University of Georgia Press. This book was released on 1991-01-01 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: Presents a new perspective on copyright law and the legal rights of individuals to use copyright material.

What if we could reimagine copyright?

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Publisher : ANU Press
ISBN 13 : 1760460818
Total Pages : 344 pages
Book Rating : 4.7/5 (64 download)

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Book Synopsis What if we could reimagine copyright? by : Rebecca Giblin

Download or read book What if we could reimagine copyright? written by Rebecca Giblin and published by ANU Press. This book was released on 2017-01-09 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: What if we could start with a blank slate, and write ourselves a brand new copyright system? What if we could design a law, from scratch, unconstrained by existing treaty obligations, business models and questions of political feasibility? Would we opt for radical overhaul, or would we keep our current fundamentals? Which parts of the system would we jettison? Which would we keep? In short, what might a copyright system designed to further the public interest in the current legal and sociological environment actually look like? Taking this thought experiment as their starting point, the leading international thinkers represented in this collection reconsider copyright’s fundamental questions: the subject matter that should be protected, the ideal scope and duration of those rights, and how it should be enforced. Tackling the biggest challenges affecting the current law, their essays provocatively explore how the law could better secure to creators the fruits of their labours, ensure better outcomes for the world’s more marginalised populations and solve orphan works. And while the result is a collection of impossible ideas, it also tells us much about what copyright could be – and what prescriptive treaty obligations currently force us to give up. The book shows that, reimagined, copyright could serve creators and the broader public far better than it currently does – and exposes intriguing new directions for achievable reform.

Shamans, Software, and Spleens

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Publisher : Harvard University Press
ISBN 13 : 0674028635
Total Pages : 289 pages
Book Rating : 4.6/5 (74 download)

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Book Synopsis Shamans, Software, and Spleens by : James BOYLE

Download or read book Shamans, Software, and Spleens written by James BOYLE and published by Harvard University Press. This book was released on 2009-06-30 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shamans, Software and Spleens presents a look at the tricky problems posed by the information society. Boyle's book discusses topics ranging from blackmail and insider trading to artificial intelligence, microeconomics and cultural studies.

Without Copyrights

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Publisher : Oxford University Press
ISBN 13 : 0190469161
Total Pages : 374 pages
Book Rating : 4.1/5 (94 download)

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Book Synopsis Without Copyrights by : Robert Spoo

Download or read book Without Copyrights written by Robert Spoo and published by Oxford University Press. This book was released on 2016 with total page 374 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Tells the story of how the clashes between authors, publishers, and literary "pirates" influenced both American copyright law and literature itself."--Dust jacket flap

Digital Copyright and the Consumer Revolution

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Publisher : Edward Elgar Publishing
ISBN 13 : 1847207146
Total Pages : 377 pages
Book Rating : 4.8/5 (472 download)

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Book Synopsis Digital Copyright and the Consumer Revolution by : Matthew Rimmer

Download or read book Digital Copyright and the Consumer Revolution written by Matthew Rimmer and published by Edward Elgar Publishing. This book was released on 2007-01-01 with total page 377 pages. Available in PDF, EPUB and Kindle. Book excerpt: A very helpful and accessible collection of contemporary issues in digital copyright law. . . Rimmer s book is quite possibly the most enjoyable and easy to read guide to selected issues of digital copyright law on the market today. . . Its core strength is undoubtedly its accessibility it is a pleasure to read. Martin Arthur Kuppers, Journal of Intellectual Property Law and Practice Matthew Rimmer s book provides much needed insight into the current status of digital copyright and its relationship to the general purchasing public. . . This book, which has a structure that flows with concinnity and concision, makes it easy to navigate some of the most complicated and controversial issues. Lisa Wong, Osgoode Hall Law Journal This engaging account of US copyright law (and copyright wars) is thorough and informative. Following a comprehensive and compelling introduction, encompassing a literature review and outline of the methodology and arguments to be adopted. . . His deep understanding of the subject matter, as well as his profound empathy with consumers, are evident throughout the work; the book will, no doubt, foster a similar interest in another generation of copyright law scholars. Louise Buckingham, Copyright Reporter Digital Copyright and the Consumer Revolution is a very important and timely book. . . and is a crucial vade mecum on the ever evolving global maze of case law and copyright reform . Colin Steele, Australian Library Journal It will most definitely prove to be an indispensable tool for researchers concerned with recent legal developments in the copyright field, both in America and Australia. Rimmer s Hands Off My iPod is a comprehensive and detailed analysis of current problems facing copyright holders as the struggle (and often fumble) to find a balance between profiting off their property and keeping the newly-powerful, increasingly agile user happy. Adam Sulewski, Journal of High Technology Law Rimmer brings the tension between law and technology to life in this important and accessible work. Digital Copyright and the Consumer Revolution helps make sense of the global maze of caselaw and copyright reform that extend from San Francisco to Sydney. The book provides a terrific guide to the world s thorniest digital legal issues as Rimmer demonstrates how the consumer interest is frequently lost in the crossfire. Michael A. Geist, the Canada Research Chair of Internet and E-Commerce Law, the University of Ottawa, Canada This book documents and evaluates the growing consumer revolution against digital copyright law, and makes a unique theoretical contribution to the debate surrounding this issue. With a focus on recent US copyright law, the book charts the consumer rebellion against the Sonny Bono Copyright Term Extension Act 1998 (US) and the Digital Millennium Copyright Act 1998 (US). The author explores the significance of key judicial rulings and considers legal controversies over new technologies, such as the iPod, TiVo, Sony Playstation II, Google Book Search, and peer-to-peer networks. The book also highlights cultural developments, such as the emergence of digital sampling and mash-ups, the construction of the BBC Creative Archive, and the evolution of the Creative Commons. Digital Copyright and the Consumer Revolution will be of prime interest to academics, law students and lawyers interested in the ramifications of copyright law, as well as policymakers given its focus upon recent legislative developments and reform proposals. The book will also appeal to librarians, information managers, creative artists, consumers, technology developers, and other users of copyright material.

Melancholy Elephants

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Publisher : Tor Books
ISBN 13 : 9780812552317
Total Pages : 244 pages
Book Rating : 4.5/5 (523 download)

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Book Synopsis Melancholy Elephants by : Spider Robinson

Download or read book Melancholy Elephants written by Spider Robinson and published by Tor Books. This book was released on 1985 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: The award-winning author portrays a quirky cosmic world where memories span centuries, mankind's vast potential has been reached, and the farthest frontiers of space have been conquered

"Pirate" Publishing

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Publisher : International Research Center for Japanese Studies
ISBN 13 :
Total Pages : pages
Book Rating : 4./5 ( download)

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Book Synopsis "Pirate" Publishing by : Shoji Yamada

Download or read book "Pirate" Publishing written by Shoji Yamada and published by International Research Center for Japanese Studies. This book was released on 2012-12-01 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1774, Edinburgh “pirate publisher” Alexander Donaldson boldly challenged a group of major London booksellers who sought to monopolize the right to copy books in perpetuity. Why is there a time limit on copyright? This book goes back to the beginning on this question by focusing on a pivotal eighteenth-century court debate in England from a social and cultural point of view. Its historical investigation of the issues of copyright is based on detailed documentary research. The book explores the relationships among the booksellers, lawyers, members of the nobility, and writers who formed the backdrop to the eighteenth-century publishing industry, a backdrop that offers many insights in considering the issues of copyright today. It is also a history of publishing culture, introducing the ideas and debates about literary works prevailing at that time and the people who figured in those debates. “It is difficult to treat ‘monopoly’ or ‘piracy’ as a clear dichotomy of good and bad,” writes Yamada in his conclusion. “Both were ultimately acting in the pursuit of economic gain, and both claimed to either represent the rights of authors or the convenience of readers to defend their own position. This book tries to illustrate how their head-on clash in the courtroom, intertwined with the interpersonal relationships among lawyers and judges. This approach may seem curious to scholars of law who may be interested primarily in a detailed analysis of the logical structure of court debates. I am convinced, however, that matters not to be found in the courtroom debates alone can show us the forces that set history in motion.” Copyright is an artificial thing, which was born out of the pulsing magma that was the emergence of modern society. Today in the twenty-first century, once again society is undergoing great changes wrought by advances in digital technology and the development of global capitalism. Renewed debate over copyright is indispensable. A parable for the digital media era, this book’s examination of the historic case of Donaldson offers valuable hints as we develop our own stance on the issues of copyright.

Scoping Study on Copyright and Related Rights and the Public Domain

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Publisher : WIPO
ISBN 13 :
Total Pages : 89 pages
Book Rating : 4./5 ( download)

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Book Synopsis Scoping Study on Copyright and Related Rights and the Public Domain by : World Intellectual Property Organization

Download or read book Scoping Study on Copyright and Related Rights and the Public Domain written by World Intellectual Property Organization and published by WIPO. This book was released on 2016-11-28 with total page 89 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study assesses the scope of the public domain, as defined by copyright laws, history and philosophy, before turning to the issue of its effectiveness and greater availability to the public and society at large.

Theft!

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Publisher : Createspace Independent Publishing Platform
ISBN 13 : 9781535543675
Total Pages : 0 pages
Book Rating : 4.5/5 (436 download)

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Book Synopsis Theft! by : James Boyle

Download or read book Theft! written by James Boyle and published by Createspace Independent Publishing Platform. This book was released on 2017 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "A tale of law and music that leads through the gates of time!"

How to Fix Copyright

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Publisher : Oxford University Press
ISBN 13 : 0199912912
Total Pages : 336 pages
Book Rating : 4.1/5 (999 download)

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Book Synopsis How to Fix Copyright by : William Patry

Download or read book How to Fix Copyright written by William Patry and published by Oxford University Press. This book was released on 2012-01-02 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: Do copyright laws directly cause people to create works they otherwise wouldn't create? Do those laws directly put substantial amounts of money into authors' pockets? Does culture depend on copyright? Are copyright laws a key driver of competitiveness and of the knowledge economy? These are the key questions William Patry addresses in How to Fix Copyright. We all share the goals of increasing creative works, ensuring authors can make a decent living, furthering culture and competitiveness and ensuring that knowledge is widely shared, but what role does copyright law actually play in making these things come true in the real world? Simply believing in lofty goals isn't enough. If we want our goals to come true, we must go beyond believing in them; we must ensure they come true, through empirical testing and adjustment. Patry argues that laws must be consistent with prevailing markets and technologies because technologies play a large (although not exclusive) role in creating consumer demand; markets then satisfy that demand. Patry discusses how copyright laws arose out of eighteenth-century markets and technology, the most important characteristic of which was artificial scarcity. Artificial scarcity was created by the existence of a small number gatekeepers, by relatively high barriers to entry, and by analog limitations on copying. Markets and technologies change, in a symbiotic way, Patry asserts. New technologies create new demand, requiring new business models. The new markets created by the Internet and digital tools are the greatest ever: Barriers to entry are low, costs of production and distribution are low, the reach is global, and large sums of money can be made off of a multitude of small transactions. Along with these new technologies and markets comes the democratization of creation; digital abundance is replacing analog artificial scarcity. The task of policymakers is to remake our copyright laws to fit our times: our copyright laws, based on the eighteenth century concept of physical copies, gatekeepers, and artificial scarcity, must be replaced with laws based on access not ownership of physical goods, creation by the masses and not by the few, and global rather than regional markets. Patry's view is that of a traditionalist who believes in the goals of copyright but insists that laws must match the times rather than fight against the present and the future.