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Hollywoods Indian
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Book Synopsis Hollywood's Indian by : Peter C. Rollins
Download or read book Hollywood's Indian written by Peter C. Rollins and published by . This book was released on 1998 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this collection of essays, seventeen scholars explore the changing depictions of Hollywood's Indian and how those representations have reflected larger changes in American society.
Book Synopsis Hollywood's Indian by : Peter Rollins
Download or read book Hollywood's Indian written by Peter Rollins and published by University Press of Kentucky. This book was released on 2011-01-23 with total page 267 pages. Available in PDF, EPUB and Kindle. Book excerpt: Offering both in-depth analyses of specific films and overviews of the industry's output, Hollywood's Indian provides insightful characterizations of the depiction of the Native Americans in film. This updated edition includes a new chapter on Smoke Signals , the groundbreaking independent film written by Sherman Alexie and directed by Chris Eyre. Taken as a whole the essays explore the many ways in which these portrayals have made an impact on our collective cultural life.
Book Synopsis Seeing Red—Hollywood's Pixeled Skins by : LeAnne Howe
Download or read book Seeing Red—Hollywood's Pixeled Skins written by LeAnne Howe and published by MSU Press. This book was released on 2013-03-01 with total page 491 pages. Available in PDF, EPUB and Kindle. Book excerpt: At once informative, comic, and plaintive, Seeing Red—Hollywood’s Pixeled Skins is an anthology of critical reviews that reexamines the ways in which American Indians have traditionally been portrayed in film. From George B. Seitz’s 1925 The Vanishing American to Rick Schroder’s 2004 Black Cloud, these 36 reviews by prominent scholars of American Indian Studies are accessible, personal, intimate, and oftentimes autobiographic. Seeing Red—Hollywood’s Pixeled Skins offers indispensible perspectives from American Indian cultures to foreground the dramatic, frequently ridiculous difference between the experiences of Native peoples and their depiction in film. By pointing out and poking fun at the dominant ideologies and perpetuation of stereotypes of Native Americans in Hollywood, the book gives readers the ability to recognize both good filmmaking and the dangers of misrepresenting aboriginal peoples. The anthology offers a method to historicize and contextualize cinematic representations spanning the blatantly racist, to the well-intentioned, to more recent independent productions. Seeing Red is a unique collaboration by scholars in American Indian Studies that draws on the stereotypical representations of the past to suggest ways of seeing American Indians and indigenous peoples more clearly in the twenty-first century.
Book Synopsis Native Apparitions by : Steve Pavlik
Download or read book Native Apparitions written by Steve Pavlik and published by University of Arizona Press. This book was released on 2017-11-07 with total page 249 pages. Available in PDF, EPUB and Kindle. Book excerpt: "A timely and much-needed analysis and critique of Hollywood's representation of Native Americans in mainstream films"--Provided by publisher.
Book Synopsis Making the White Man's Indian by : Angela Aleiss
Download or read book Making the White Man's Indian written by Angela Aleiss and published by Bloomsbury Publishing USA. This book was released on 2005-05-30 with total page 233 pages. Available in PDF, EPUB and Kindle. Book excerpt: The image in Hollywood movies of savage Indians attacking white settlers represents only one side of a very complicated picture. In fact sympathetic portrayals of Native Americans stood alongside those of hostile Indians in the silent films of D. W. Griffith and Cecil B. DeMille, and flourished during the early 1930s with Hollywood's cycle of pro-Indian adventures. Decades later, the stereotype became even more complicated, as films depicted the savagery of whites (The Searchers) in contrast to the more peaceful Indian (Broken Arrow). By 1990 the release of Dances with Wolves appeared to have recycled the romantic and savage portrayals embedded in early cinema. In this new study, author Angela Aleiss traces the history of Native Americans on the silver screen, and breaks new ground by drawing on primary sources such as studio correspondence, script treatments, trade newspapers, industry censorship files, and filmmakers' interviews to reveal how and why Hollywood created its Indian characters. Behind-the-scenes anecdotes of filmmakers and Native Americans, as well as rare archival photographs, supplement the discussion, which often shows a stark contrast between depiction and reality. The book traces chronologically the development of the Native American's screen image while also examining many forgotten or lost Western films. Each chapter will feature black and white stills from the films discussed.
Download or read book 'Injuns!' written by Edward Buscombe and published by Reaktion Books. This book was released on 2006-10-02 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: The indispensable sage, fierce enemy, silent sidekick: the role of Native Americans in film has been largely confined to identities defined by the “white” perspective. Many studies have analyzed these simplistic stereotypes of Native American cultures in film, but few have looked beyond the Hollywood Western for further examples. Distinguished film scholar Edward Buscombe offers here an incisive study that examines cinematic depictions of Native Americans from a global perspective. Buscombe opens with a historical survey of American Westerns and their controversial portrayals of Native Americans: the wild redmen of nineteenth-century Wild West shows, the more sympathetic depictions of Native Americans in early Westerns, and the shift in the American film industry in the 1920s to hostile characterizations of Indians. Questioning the implicit assumptions of prevailing critiques, Buscombe looks abroad to reveal a distinctly different portrait of Native Americans. He focuses on the lesser known Westerns made in Germany—such as East Germany’s Indianerfilme, in which Native Americans were Third World freedom fighters battling against Yankee imperialists—as well as the films based on the novels of nineteenth-century German writer Karl May. These alternative portrayals of Native Americans offer a vastly different view of their cultural position in American society. Buscombe offers nothing less than a wholly original and readable account of the cultural images of Native Americans through history andaround the globe, revealing new and complex issues in our understanding of how oppressed peoples have been represented in mass culture.
Book Synopsis The Only Good Indian by : Ralph E. Friar
Download or read book The Only Good Indian written by Ralph E. Friar and published by Drama Publishers. This book was released on 1972 with total page 362 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Here is a book fired with the belief that Hollywood must be held publicly accountable for its complicity in the continual distortion and destruction of Native American cultures. Beginning in the sixteenth century with the white man's early descriptions, the authors show how a schizophrenic stereotype of the "Indian" as "both a bloodthirsty savage and a noble but simple child of the forest" has continued to dominate the popular art of this continent. It continues to intrigue Europeans who line up for Hollywood westerns just as they once flocked to Buffalo Bill's Wild West Show. The authors expose the exploitative nature and hypocrisy of dime novels, plays, operas, popular songs, photographs, and paintings, all contributors to the notion that "the only good Indian... is a dead one." But their special outrage is reserved for Hollywood, whose golden age was plated in good part with box office receipts from movies glorifying cultural genocide"--Book jacket
Book Synopsis Celluloid Indians by : Jacquelyn Kilpatrick
Download or read book Celluloid Indians written by Jacquelyn Kilpatrick and published by U of Nebraska Press. This book was released on 1999-01-01 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt: An overview of Indian representation in Hollywood films. The author notes the change in tone for the better when--as a result of McCarthyism--filmmakers found themselves among the oppressed. By an Irish-Cherokee writer.
Book Synopsis Iron Eyes, My Life as a Hollywood Indian by : Iron Eyes Cody
Download or read book Iron Eyes, My Life as a Hollywood Indian written by Iron Eyes Cody and published by . This book was released on 1982 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Cherokee actor, veteran of more than two hundred films, recounts his movie career and his work on behalf of the American Indian.
Book Synopsis American Indian Image Makers of Hollywood by : Frank Javier Garcia Berumen
Download or read book American Indian Image Makers of Hollywood written by Frank Javier Garcia Berumen and published by McFarland. This book was released on 2019-12-04 with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt: Images from movies and film have had a powerful influence in how Native Americans are seen. In many cases, they have been represented as violent, uncivilized, and an impediment to progress and civilization. This book analyzes the representation of Native Americans in cinematic images from the 1890s to the present day, deconstructing key films in each decade. This book also addresses efforts by Native Americans to improve and have a part in their filmic representations, including mini-biographies of important indigenous filmmakers and performers.
Download or read book Picturing Indians written by Liza Black and published by U of Nebraska Press. This book was released on 2022-12-20 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt: Liza Black critically examines the inner workings of post–World War II American films and production studios that cast American Indian extras and actors as Native people, forcing them to come face to face with mainstream representations of “Indianness.”
Book Synopsis Hollywood As Historian by : Peter C. Rollins
Download or read book Hollywood As Historian written by Peter C. Rollins and published by University Press of Kentucky. This book was released on 2021-03-17 with total page 459 pages. Available in PDF, EPUB and Kindle. Book excerpt: “A commendably comprehensive analysis of the issue of Hollywood’s ability to shape our minds . . . invigorating reading.” ?Booklist Film has exerted a pervasive influence on the American mind, and in eras of economic instability and international conflict, the industry has not hesitated to use motion pictures for propaganda purposes. During less troubled times, citizens’ ability to deal with political and social issues may be enhanced or thwarted by images absorbed in theaters. Tracking the interaction of Americans with important movie productions, this book considers such topics as racial and sexual stereotyping; censorship of films; comedy as a tool for social criticism; the influence of “great men” and their screen images; and the use of film to interpret history. Hollywood As Historian benefits from a variety of approaches. Literary and historical influences are carefully related to The Birth of a Nation and Apocalypse Now, two highly tendentious epics of war and cultural change. How political beliefs of filmmakers affected cinematic styles is illuminated in a short survey of documentary films made during the Great Depression. Historical distance has helped analysts decode messages unintended by filmmakers in the study of The Snake Pit and Dr. Strangelove. Hollywood As Historian offers a versatile, thought-provoking text for students of popular culture, American studies, film history, or film as history. Films considered include: The Birth of a Nation (1915), The Plow that Broke the Plains (1936), The River (1937), March of Time (1935-1953), City Lights (1931), Modern Times (1936), The Great Dictator (1940), The Grapes of Wrath (1940), Native Land (1942), Wilson (1944), The Negro Soldier (1944), The Snake Pit (1948), On the Waterfront (1954), Dr. Strangelove (1964), Who’s Afraid of Virginia Woolf? (1966), and Apocalypse Now (1979). “Recommended reading for anyone concerned with the influence of popular culture on the public perception of history.” ?American Journalism
Book Synopsis Native Americans on Film by : M. Elise Marubbio
Download or read book Native Americans on Film written by M. Elise Marubbio and published by University Press of Kentucky. This book was released on 2013-02-22 with total page 343 pages. Available in PDF, EPUB and Kindle. Book excerpt: “An essential book for courses on Native film, indigenous media, not to mention more general courses . . . A very impressive and useful collection.” —Randolph Lewis, author of Navajo Talking Picture The film industry and mainstream popular culture are notorious for promoting stereotypical images of Native Americans: the noble and ignoble savage, the pronoun-challenged sidekick, the ruthless warrior, the female drudge, the princess, the sexualized maiden, the drunk, and others. Over the years, Indigenous filmmakers have both challenged these representations and moved past them, offering their own distinct forms of cinematic expression. Native Americans on Film draws inspiration from the Indigenous film movement, bringing filmmakers into an intertextual conversation with academics from a variety of disciplines. The resulting dialogue opens a myriad of possibilities for engaging students with ongoing debates: What is Indigenous film? Who is an Indigenous filmmaker? What are Native filmmakers saying about Indigenous film and their own work? This thought-provoking text offers theoretical approaches to understanding Native cinema, includes pedagogical strategies for teaching particular films, and validates the different voices, approaches, and worldviews that emerge across the movement. “Accomplished scholars in the emerging field of Native film studies, Marubbio and Buffalohead . . . focus clearly on the needs of this field. They do scholars and students of Native film a great service by reprinting four seminal and provocative essays.” —James Ruppert, author of Meditation in Contemporary Native American Literature “Succeed[s] in depicting the complexities in study, teaching, and creating Native film . . . Regardless of an individual’s level of knowledge and expertise in Native film, Native Americans on Film is a valuable read for anyone interested in this topic.” —Studies in American Indian Literatures
Book Synopsis Killing the Indian Maiden by : M. Elise Marubbio
Download or read book Killing the Indian Maiden written by M. Elise Marubbio and published by University Press of Kentucky. This book was released on 2006-12-15 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: Killing the Indian Maiden examines the fascinating and often disturbing portrayal of Native American women in film. Through discussion of thirty-four Hollywood films from the silent period to the present, M. Elise Marubbio examines the sacrificial role of what she terms the "Celluloid Maiden" -- a young Native woman who allies herself with a white male hero and dies as a result of that choice. Marubbio intertwines theories of colonization, gender, race, and film studies to ground her study in sociohistorical context all in an attempt to define what it means to be an American. As Marubbio charts the consistent depiction of the Celluloid Maiden, she uncovers two primary characterizations -- the Celluloid Princess and the Sexualized Maiden. The archetype for the exotic Celluloid Princess appears in silent films such as Cecil B. DeMille's The Squaw Man (1914) and is thoroughly established in American iconography in Delmer Daves's Broken Arrow (1950). Her more erotic sister, the Sexualized Maiden, emerges as a femme fatale in such films as DeMille's North West Mounted Police (1940), King Vidor's Duel in the Sun (1946), and Charles Warren's Arrowhead (1953). The two characterizations eventually combine to form a hybrid Celluloid Maiden who first appears in John Ford's The Searchers (1956) and reappears in the 1970s and the 1990s in such films as Arthur Penn's Little Big Man (1970) and Michael Apted's Thunderheart (1992). Killing the Indian Maiden reveals a cultural iconography about Native Americans and their role in the frontier embedded in the American psyche. The Native American woman is a racialized and sexualized other -- a conquerable body representing both the seductions and the dangers of the frontier. These films show her being colonized and suffering at the hands of Manifest Destiny and American expansionism, but Marubbio argues that the Native American woman also represents a threat to the idea of a white America. The complexity and longevity of the Celluloid Maiden icon -- persisting into the twenty-first century -- symbolizes an identity crisis about the composition of the American national body that has played over and over throughout different eras and political climates. Ultimately, Marubbio establishes that the ongoing representation of the Celluloid Maiden signals the continuing development and justification of American colonialism.
Book Synopsis Reservation Reelism by : Michelle H. Raheja
Download or read book Reservation Reelism written by Michelle H. Raheja and published by U of Nebraska Press. This book was released on 2011-01-01 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this deeply engaging account Michelle H. Raheja offers the first book-length study of the Indigenous actors, directors, and spectators who helped shape Hollywood’s representation of Indigenous peoples. Since the era of silent films, Hollywood movies and visual culture generally have provided the primary representational field on which Indigenous images have been displayed to non-Native audiences. These films have been highly influential in shaping perceptions of Indigenous peoples as, for example, a dying race or as inherently unable or unwilling to adapt to change. However, films with Indigenous plots and subplots also signify at least some degree of Native presence in a culture that largely defines Native peoples as absent or separate. Native actors, directors, and spectators have had a part in creating these cinematic representations and have thus complicated the dominant, and usually negative, messages about Native peoples that films portray. In Reservation Reelism Raheja examines the history of these Native actors, directors, and spectators, reveals their contributions, and attempts to create positive representations in film that reflect the complex and vibrant experiences of Native peoples and communities.
Book Synopsis Visualities 2 by : Denise K. Cummings
Download or read book Visualities 2 written by Denise K. Cummings and published by MSU Press. This book was released on 2019-03-01 with total page 306 pages. Available in PDF, EPUB and Kindle. Book excerpt: Echoing and expanding the aims of the first volume, Visualities: Perspectives on Contemporary American Indian Film and Art, this second volume contains illuminating global Indigenous visualities concerning First Nations, Aboriginal Australian, Maori, and Sami peoples. This insightful collection of essays explores how identity is created and communicated through Indigenous film-, video-, and art-making; what role these practices play in contemporary cultural revitalization; and how indigenous creators revisit media pasts and resignify dominant discourses through their work. Taking an interdisciplinary approach, Visualities Two draws on American Indian studies, film studies, art history, cultural studies, visual culture studies, women’s studies, and postcolonial studies. Among the artists and media makers examined are Tasha Hubbard, Rachel Perkins, and Ehren “Bear Witness” Thomas, as well as contemporary Inuit artists and Indigenous agents of cultural production working to reimagine digital and social platforms. Films analyzed include The Exiles, Winter in the Blood, The Spirit of Annie Mae, Radiance, One Night the Moon, Bran Nue Dae, Ngati, Shimásání, and Sami Blood.
Book Synopsis Shooting Cowboys and Indians by : Andrew Brodie Smith
Download or read book Shooting Cowboys and Indians written by Andrew Brodie Smith and published by . This book was released on 2003 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: Academics have generally dismissed Hollywood's cowboy and Indian movies - one of its defining successful genres - as specious, one-dimensional, and crassly commercial. In Shooting Cowboys and Indians, Andrew Brodie Smith challenges this simplistic characterization of the genre, illustrating the complex and sometimes contentious process by which business interests commercialized images of the West. Tracing the western from its hazy silent-picture origins in the 1890s to the advent of talking pictures in the 1920s, Smith examines the ways in which silent westerns contributed to the overall development of the film industry. Focusing on such early important production companies as Selig Polyscope, New York Motion Picture, and Essanay, Smith revises current thinking about the birth of Hollywood and the establishment of Los Angeles as the nexus of filmmaking in the United States. Smith also reveals the role silent westerns played in the creation of the white male screen hero that dominated American popular culture in the twentieth century. Illustrated with dozens of historic photos and movie stills, this engaging and substantive story will appeal to scholars interested in Western history, film history, and film studies as well as general readers hoping to learn more about this little-known chapter in popular filmmaking.
