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Great British Films Of The 1950s
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Book Synopsis Great British Films of the 1950s by : Scott V. Palmer
Download or read book Great British Films of the 1950s written by Scott V. Palmer and published by . This book was released on 2019-04-02 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book covers a number of films made in Great Britain between 1950 and 1959. It includes complete cast lists, story synposes, directorial credits, running times, and numerous photographs. There are more than forty films included in this unique reference work.
Book Synopsis British cinema of the 1950s by : Ian Mackillop
Download or read book British cinema of the 1950s written by Ian Mackillop and published by Manchester University Press. This book was released on 2018-07-30 with total page 249 pages. Available in PDF, EPUB and Kindle. Book excerpt: This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. Offers a startling re-evaluation of what has until now been seen as the most critically lacklustre period of the British film history. Covers a variety of genres, such as B-movies, war films, women's pictures and theatrical adaptations; as well as social issues which affect film-making, such as censorship. Includes fresh assessment of maverick directors; Pat Jackson, Robert Hamer and Joseph Losey, and even of a maverick critic Raymond Durgnat. Features personal insights from those inidividually implicated in 1950s cinema; Corin Redgrave on Michael Redgrave, Isabel Quigly on film reviewing, and Bryony Dixon of the BFI on archiving and preservation. Presents a provocative challenge to conventional wisdom about 1950s film and rediscovers the Festival of Britain decade.
Book Synopsis British Cinema of the 1950s by : Sue Harper
Download or read book British Cinema of the 1950s written by Sue Harper and published by Oxford University Press on Demand. This book was released on 2003 with total page 436 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this history of 1950s British cinema, the authors draw extensively on previously unknown archive material to chart the growing rejection of post-war deference by both film-makers and cinema audiences.
Book Synopsis British Cinema of the 1950s by : Sue Harper
Download or read book British Cinema of the 1950s written by Sue Harper and published by OUP Oxford. This book was released on 2003-09-11 with total page 436 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this definitive and long-awaited history of 1950s British cinema, Sue Harper and Vincent Porter draw extensively on previously unknown archive material to chart the growing rejection of post-war deference by both film-makers and cinema audiences. Competition from television and successive changes in government policy all forced the production industry to become more market-sensitive. The films produced by Rank and Ealing, many of which harked back to wartime structures of feeling, were challenged by those backed by Anglo-Amalgamated and Hammer. The latter knew how to address the rebellious feelings and growing sexual discontents of a new generation of consumers. Even the British Board of Film Censors had to adopt a more liberal attitude. The collapse of the studio system also meant that the screenwriters and the art directors had to cede creative control to a new generation of independent producers and film directors. Harper and Porter explore the effects of these social, cultural, industrial, and economic changes on 1950s British cinema.
Book Synopsis The British 'B' Film by : Steve Chibnall
Download or read book The British 'B' Film written by Steve Chibnall and published by Bloomsbury Publishing. This book was released on 2019-07-25 with total page 521 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first book to provide a thorough examination of the British 'B' movie, from the war years to the 1960s. The authors draw on archival research, contemporary trade papers and interviews with key 'B' filmmakers to map the 'B' movie phenomenon both as artefact and as industry product, and as a reflection on their times.
Book Synopsis The Best Years of British Film Music, 1936-1958 by : Jan G. Swynnoe
Download or read book The Best Years of British Film Music, 1936-1958 written by Jan G. Swynnoe and published by Boydell & Brewer. This book was released on 2002 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: A study of the British contribution to film music, detailing the idiosyncracies of British film, and showing how the differences between it and Hollywood affected composers on both sides of the Atlantic. Jan Swynnoe's study is concerned with the special British contribution to film music, detailing how the idiosyncracies of British film, and of the British character, set it apart from its Hollywood counterpart. She shows how the differences between the two industries in all aspects of film making variously affected composers on both sides of the Atlantic. In the mid 1930s, when film composers in America were perfecting the formulae of the classical Hollywood score, film music in Britain scarcely existed; within a year or so, however, top British composers were scoring British films. How this transformation was brought about, and how established British concert composers, including Vaughan Williams and Arnold Bax, faced the challenge of the exacting and often bewildering art of scoring for feature film, is vividly described here, and the resulting scores compared with the work of seasoned Hollywood composers. JAN SWYNNOE researched the material on which her book is based over several years, at the same time pursuing her musical life as pianist, percussionist and composer.
Book Synopsis British Cinema in the 1950s by : Ian Duncan MacKillop
Download or read book British Cinema in the 1950s written by Ian Duncan MacKillop and published by . This book was released on 2003 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: This book offers a startling re-evaluation of what has until now been seen as the most critically lacklustre period of the British cinema. Twenty writers contribute essays that rediscover and reassess the productions of the Festival of Britain decade, during which the vitality of wartime film-making flowed into new forms. Topics covered include genres such as the B-film, the war film, the woman's picture, the theatrical adaptation and comedy; also social issues such as censorship and the screen representation of childhood. The book includes fresh assessments of maverick directors such as Pat Jackson, Robert Hamer and Joseph Losey, and even of a maverick critic, Raymond Durgnat. There are also three personal views from people individually implicated in 1950s cinema: Corin Redgrave on Michael Redgrave, Isabel Quigly on film reviewing, and Bryony Dixon of the British Film Institute on film archiving and preservation. In its evocation and coverage of a fascinating time when the national cinema enjoyed an unprecedented popularity amongst home audiences, this volume offers the most exhilarating survey yet of 1950s British film. In its provocative challenge to conventional wisdom about this decade's movies, the book will prove indispensable to students of the cinema at all levels and a stimulating companion for the critic and the historian.
Author :Great Britain: Parliament: House of Lords: Select Committee on Communications Publisher :The Stationery Office ISBN 13 :9780108459290 Total Pages :108 pages Book Rating :4.4/5 (592 download)
Book Synopsis The British film and television industries by : Great Britain: Parliament: House of Lords: Select Committee on Communications
Download or read book The British film and television industries written by Great Britain: Parliament: House of Lords: Select Committee on Communications and published by The Stationery Office. This book was released on 2010-01-24 with total page 108 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first report from the House of Lords Select Committee on Communications of the 2009-10 session (HLP 37-I, ISBN 9780108459290) and examines "The British film and television industries - decline or opportunity?". The report looks at how these industries have developed, the challenges they are currently facing and what practical help might be provided to enable them to develop further. The film and television industries make an important contribution to the British economy. They contribute to national income and employment, and make a net contribution to exports, which has the capacity to grow. Despite the competition from abroad, particularly the US, UK-produced content on film and television has a strong international reputation and makes a major contribution to the entertainment and education of British audiences. The publication is divided into 6 chapters and looks in detail at the following areas: Chapter 1: The British film industry; Chapter 2: A better future for British films; Chapter 3: British television; Chapter 4: Promoting British television; Chapter 5: Skills and training. With Chapter 6 setting out recommendations, including, in respect of television: that the Government should urge public service broadcasters to revive their investment in training; encourage the expansion of online video on demand; promote greater production of UK TV content by a tax credit or through the use of the proceeds of spectrum sale and sharing part of the BBC licence fee; expand the role played by BBC Worldwide in distributing UK content overseas. Recommendations in respect of film, include: new legislation specifically targeted at making the recording of a film in a cinema by camcorder a criminal offence; provide more support to smaller films and allowing British films to be partly shot abroad without suffering a financial penalty; encourage more private investment in film production. For Vol. 2, Evidence, see (ISBN 9780108459306).
Book Synopsis British Cinema in the 1950's by : Ian MacKillop
Download or read book British Cinema in the 1950's written by Ian MacKillop and published by Manchester University Press. This book was released on 2003-06-28 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: Covering a variety of genres, such as war films and women's pictures, as well as social issues which affect film-making, this is a re-evaluation of what has until now been seen as the most critically lacklustre period of the British film industry.
Book Synopsis Cars We Loved in the 1950s by : Giles Chapman
Download or read book Cars We Loved in the 1950s written by Giles Chapman and published by Cars We Loved. This book was released on 2015-04-06 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: After the Second World War, new cars in Britain were very hard to come by. Petrol was rationed, roads inadequate, and modern technology lacking. At the start of the 1950s, Morris, Austin and Ford put increasing numbers of British families on four wheels, while new sports cars from MG, Jaguar, Triumph and Austin-Healey promised motoring excitement. Giles Chapman investigates the fascinating motoring decade of the 1950s.
Book Synopsis British Film Culture in the 1970s by : Sue Harper
Download or read book British Film Culture in the 1970s written by Sue Harper and published by Edinburgh University Press. This book was released on 2013-01-28 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume draws a map of British film culture in the 1970s and provides a wide-ranging history of the period.
Download or read book British Film Music written by Paul Mazey and published by Springer Nature. This book was released on 2020-01-03 with total page 213 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book offers a fresh approach to British film music by tracing the influence of Britain’s musical heritage on the film scores of this era. From the celebration of landscape and community encompassed by pastoral music and folk song, and the connection of both with the English Musical Renaissance, to the mystical strains of choral sonorities and the stirring effects of the march, this study explores the significance of music in British film culture. With detailed analyses of the work of such key filmmakers as Michael Powell and Emeric Pressburger, Laurence Olivier and Carol Reed, and composers including Ralph Vaughan Williams, William Walton and Brian Easdale, this systematic and in-depth study explores the connotations these musical styles impart to the films and considers how each marks them with a particularly British inflection.
Book Synopsis British Comedy Cinema by : I.Q. Hunter
Download or read book British Comedy Cinema written by I.Q. Hunter and published by Routledge. This book was released on 2012-05-04 with total page 242 pages. Available in PDF, EPUB and Kindle. Book excerpt: British comedy cinema has been a mainstay of domestic production since the beginning of the last Century and arguably the most popular and important genre in British film history. This edited volume will offer the first comprehensive account of the rich and popular history of British comedy cinema from silent slapstick and satire to contemporary romantic comedy. Using a loosely chronological approach, essays cover successive decades of the 20th and 21st Century with a combination of case studies on key personalities, production cycles and studio output along with fresh approaches to issues of class and gender representation. It will present new research on familiar comedy cycles such as the Ealing Comedies and Carry On films as well as the largely undocumented silent period along with the rise of television spin offs from the 1970s and the development of animated comedy from 1915 to the present. Films covered include: St Trinians, A Fish Called Wanda, Brassed Off, Local Hero, The Full Monty, Four Lions and In the Loop. Contributors: Melanie Bell, Alan Burton, James Chapman, Richard Dacre, Ian Hunter, James Leggott, Sharon Lockyer, Andy Medhurst, Lawrence Napper, Tim O’Sullivan, Laraine Porter, Justin Smith, Sarah Street, Peter Waymark, Paul Wells
Book Synopsis British Film Noir Guide by : Michael F. Keaney
Download or read book British Film Noir Guide written by Michael F. Keaney and published by McFarland. This book was released on 2015-05-20 with total page 271 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work presents 369 British films produced between 1937 and 1964 that embody many of the same filmic qualities as those "black films" made in the United States during the classic film noir era. This reference work makes a case for the inclusion of the British films in the film noir canon, which is still considered by some to be an exclusively American inventory. In the book's main section, the following information is presented for each film: a quote from the film; the title and release date; a rating based on the five-star system; the production company, director, cinematographer, screenwriter, and main performers; and a plot synopsis with author commentary. Appendices categorize films by rating, release date, director and cinematographer and also provide a noir and non-noir breakdown of the 47 films presented on the Edgar Wallace Mystery Theatre, a 1960s British television series that was also shown in the United States.
Book Synopsis Science Fiction Cinema and 1950s Britain by : Matthew Jones
Download or read book Science Fiction Cinema and 1950s Britain written by Matthew Jones and published by Bloomsbury Publishing USA. This book was released on 2017-11-30 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: For the last sixty years discussion of 1950s science fiction cinema has been dominated by claims that the genre reflected US paranoia about Soviet brainwashing and the nuclear bomb. However, classic films, such as Invasion of the Body Snatchers (1956) and It Came from Outer Space (1953), and less familiar productions, such as It! The Terror from Beyond Space (1958), were regularly exported to countries across the world. The histories of their encounters with foreign audiences have not yet been told. Science Fiction Cinema and 1950s Britain begins this task by recounting the story of 1950s British cinema-goers and the aliens and monsters they watched on the silver screen. Drawing on extensive archival research, Matthew Jones makes an exciting and important intervention by locating American science fiction films alongside their domestic counterparts in their British contexts of release and reception. He offers a radical reassessment of the genre, demonstrating for the first time that in Britain, which was a significant market for and producer of science fiction, these films gave voice to different fears than they did in America. While Americans experienced an economic boom, low immigration and the conferring of statehood on Alaska and Hawaii, Britons worried about economic uncertainty, mass immigration and the dissolution of the Empire. Science Fiction Cinema and 1950s Britain uses these and other differences between the British and American experiences of the 1950s to tell a new history of the decade's science fiction cinema, exploring for the first time the ways in which the genre came to mean something unique to Britons.
Book Synopsis The British Cinema Book by : Robert Murphy
Download or read book The British Cinema Book written by Robert Murphy and published by Bloomsbury Publishing. This book was released on 2019-07-25 with total page 867 pages. Available in PDF, EPUB and Kindle. Book excerpt: The new edition of The British Cinema Book has been thoroughly revised and updated to provide a comprehensive introduction to the major periods, genres, studios, film-makers and debates in British cinema from the 1890s to the present. The book has five sections, addressing debates and controversies; industry, genre and representation; British cinema 1895-1939; British cinema from World War II to the 1970s, and contemporary British cinema. Within these sections, leading scholars and critics address a wide range of issues and topics, including British cinema as a 'national' cinema; its complex relationship with Hollywood; film censorship; key British genres such as horror, comedy and costume film; the work of directors including Alfred Hitchcock, Anthony Asquith, Alexander Mackendrick, Michael Powell, Lindsay Anderson, Ken Russell and Mike Leigh; studios such as Gainsborough, Ealing, Rank and Gaumont, and recent signs of hope for the British film industry, such as the rebirth of the low-budget British horror picture, and the emergence of a British Asian cinema. Discussions are illustrated with case studies of key films, many of which are new to this edition, including Piccadilly (1929) It Always Rains on Sunday (1947), The Ladykillers (1955), This Sporting Life (1963), The Devils (1971), Withnail and I (1986), Bend it Like Beckham (2002) and Control (2007), and with over 100 images from the BFI's collection. The Editor: Robert Murphy is Professor in Film Studies at De Montfort University and has written and edited a number of books on British cinema, including British Cinema and the Second World War (2000) and Directors in British and Irish Cinema (2006). The contributors: Ian Aitken, Charles Barr, Geoff Brown, William Brown, Stella Bruzzi, Jon Burrows, James Chapman, Steve Chibnall, Pamela Church Gibson, Ian Conrich, Richard Dacre, Raymond Durgnat, Allen Eyles, Christine Geraghty, Christine Gledhill, Kevin Gough-Yates, Sheldon Hall, Benjamin Halligan, Sue Harper, Erik Hedling, Andrew Hill, John Hill, Peter Hutchings, Nick James, Marcia Landy, Barbara Korte, Alan Lovell, Brian McFarlane, Martin McLoone, Andrew Moor, Robert Murphy, Lawrence Napper, Michael O'Pray, Jim Pines, Vincent Porter, Tim Pulleine, Jeffrey Richards, James C. Robertson, Tom Ryall, Justin Smith, Andrew Spicer, Claudia Sternberg, Sarah Street, Melanie Williams and Linda Wood.
Book Synopsis The British Film Industry in the 1970s by : S. Barber
Download or read book The British Film Industry in the 1970s written by S. Barber and published by Springer. This book was released on 2013-01-22 with total page 221 pages. Available in PDF, EPUB and Kindle. Book excerpt: Is there more to 1970s British cinema than sex, horror and James Bond? This lively account argues that this is definitely the case and explores the cultural landscape of this much maligned decade to uncover hidden gems and to explode many of the well-established myths about 1970s British film and cinema.
