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Good Icons And Russian Works Of Art
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Download or read book Icons written by Olga A. Polyakova and published by Artis. This book was released on 2011 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "from the collection of the Moscow State Integrated Museum-Reserve at Kolomenskoye."
Book Synopsis The Avant-garde Icon by : Andrew Spira
Download or read book The Avant-garde Icon written by Andrew Spira and published by Lund Humphries Publishers Limited. This book was released on 2008 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: Is there a relationship between Russian icons and Russian avant-garde art? Andrew Soira tackles this question and comes to some surprising conclusions. He demonstrates how icons underpin the development of 19th- and 20-th century Russian art.
Download or read book Russian Painting written by Peter Leek and published by Parkstone International. This book was released on 2012-05-08 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the 18th century to the 20th, this book gives a panorama of Russian painting not equalled anywhere else. Russian culture developed in contact with the wider European influence, but retained strong native intonations. It is a culture between East and West, and both influences in together. The book begins with Icons, and it is precisely Icon-painting which gave Russian artist their peculiar preoccupation with ethical questions and a certain kind of palette. It goes on the expound the duality of their art, and point out the originality of their contribution to world art. The illustrations cover all genres and styles of painting in astonishing variety. Such figures as Borovokovsky, Rokotov, Levitsky, Brullov, Fedatov, Repin, Shishkin and Levitan and many more are in these pages.
Download or read book Icon and Devotion written by Oleg Tarasov and published by Reaktion Books. This book was released on 2004-01-03 with total page 428 pages. Available in PDF, EPUB and Kindle. Book excerpt: Icon and Devotion offers the first extensive presentation in English of the making and meaning of Russian icons. The craft of icon-making is set into the context of forms of worship that emerged in the Russian Orthodox Church in the mid-seventeenth century. Oleg Tarasov shows how icons have held a special place in Russian consciousness because they represented idealized images of Holy Russia. He also looks closely at how and why icons were made. Wonder-working saints and the leaders of such religious schisms as the Old Believers appear in these pages, which are illustrated in halftones with miniature paintings, lithographs and engravings never before published in the English-speaking world. By tracing the artistic vocabulary, techniques and working methods of icon painters, Tarasov shows how icons have been integral to the history of Russian art, influenced by folk and mainstream currents alike. As well as articulating the specifically Russian piety they invoke, he analyzes the significance of icons in the cultural life of modern Russia in the context of popular prints and poster design.
Book Synopsis The Icon and the Square by : Maria Taroutina
Download or read book The Icon and the Square written by Maria Taroutina and published by Penn State Press. This book was released on 2018-11-26 with total page 761 pages. Available in PDF, EPUB and Kindle. Book excerpt: In The Icon and the Square, Maria Taroutina examines how the traditional interests of institutions such as the crown, the church, and the Imperial Academy of Arts temporarily aligned with the radical, leftist, and revolutionary avant-garde at the turn of the twentieth century through a shared interest in the Byzantine past, offering a counternarrative to prevailing notions of Russian modernism. Focusing on the works of four different artists—Mikhail Vrubel, Vasily Kandinsky, Kazimir Malevich, and Vladimir Tatlin—Taroutina shows how engagement with medieval pictorial traditions drove each artist to transform his own practice, pushing beyond the established boundaries of his respective artistic and intellectual milieu. She also contextualizes and complements her study of the work of these artists with an examination of the activities of a number of important cultural associations and institutions over the course of several decades. As a result, The Icon and the Square gives a more complete picture of Russian modernism: one that attends to the dialogue between generations of artists, curators, collectors, critics, and theorists. The Icon and the Square retrieves a neglected but vital history that was deliberately suppressed by the atheist Soviet regime and subsequently ignored in favor of the secular formalism of mainstream modernist criticism. Taroutina’s timely study, which coincides with the centennial reassessments of Russian and Soviet modernism, is sure to invigorate conversation among scholars of art history, modernism, and Russian culture.
Book Synopsis Russian Church Art Today by : Sergeĭ V. Timchenko
Download or read book Russian Church Art Today written by Sergeĭ V. Timchenko and published by . This book was released on 1993 with total page 234 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Modernism and the Spiritual in Russian Art by : Louise Hardiman
Download or read book Modernism and the Spiritual in Russian Art written by Louise Hardiman and published by Open Book Publishers. This book was released on 2017-11-13 with total page 243 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1911 Vasily Kandinsky published the first edition of ‘On the Spiritual in Art’, a landmark modernist treatise in which he sought to reframe the meaning of art and the true role of the artist. For many artists of late Imperial Russia – a culture deeply influenced by the regime’s adoption of Byzantine Orthodoxy centuries before – questions of religion and spirituality were of paramount importance. As artists and the wider art community experimented with new ideas and interpretations at the dawn of the twentieth century, their relationship with ‘the spiritual’ – broadly defined – was inextricably linked to their roles as pioneers of modernism. This diverse collection of essays introduces new and stimulating approaches to the ongoing debate as to how Russian artistic modernism engaged with questions of spirituality in the late nineteenth to mid-twentieth centuries. Ten chapters from emerging and established voices offer new perspectives on Kandinsky and other familiar names, such as Kazimir Malevich, Mikhail Larionov, and Natalia Goncharova, and introduce less well-known figures, such as the Georgian artists Ucha Japaridze and Lado Gudiashvili, and the craftswoman and art promoter Aleksandra Pogosskaia. Prefaced by a lively and informative introduction by Louise Hardiman and Nicola Kozicharow that sets these perspectives in their historical and critical context, Modernism and the Spiritual in Russian Art: New Perspectives enriches our understanding of the modernist period and breaks new ground in its re-examination of the role of religion and spirituality in the visual arts in late Imperial Russia. Of interest to historians and enthusiasts of Russian art, culture, and religion, and those of international modernism and the avant-garde, it offers innovative readings of a history only partially explored, revealing uncharted corners and challenging long-held assumptions.
Book Synopsis Framing Russian Art by : Oleg I︠U︡rʹevich Tarasov
Download or read book Framing Russian Art written by Oleg I︠U︡rʹevich Tarasov and published by . This book was released on 2011-03-15 with total page 424 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Framing Russian Art, Oleg Tarasov investigates the role of the frame both literally and conceptually, both in the organization of the artistic space of a work of art and in the very perception of a visual image - an icon, a building, a painting, an etching or photograph. Part One is dedicated to exploring the frame of the Russian icon and related arks, folding images and prints, from the Middle Ages to the late nineteenth century, including analyses of Grigoriy Shumayev's vast and extraordinary Baroque masterpiece, which he called 'the iconostasis of the life-giving Cross', and the sumptuous blending of medievalism and the late Romanticism in the Church Not Made by Hands at Savva Momontov's estate of Abramtsevo outside Moscow. Part Two examines the successive roles of the frame in Baroque imperial portraiture, the dynastic grandiloquence of the nineteenth century, the impact of Western ideas and new technology (photography in particular) on the celebrated battle painter Vasiliy Vereshchagin, and finally the impact of the vanishing frame in abstract art and Modernism. --Book Jacket.
Book Synopsis The Russian Icon by : Nikodim Pavlovich Kondakov
Download or read book The Russian Icon written by Nikodim Pavlovich Kondakov and published by . This book was released on 1927 with total page 374 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Made in Russia written by Bela Shayevich and published by Rizzoli International publication. This book was released on 2011-04-12 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: Offers a survey of commercial products created in Russia during the 1960s and 1970s through photographs and essays that describe the inspiration, design, and consumer success of each product.
Book Synopsis Russian Icons, 14th-16th Centuries by : Gosudarstvenny I Istoricheski I Muze I
Download or read book Russian Icons, 14th-16th Centuries written by Gosudarstvenny I Istoricheski I Muze I and published by . This book was released on 1988 with total page 148 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Russian Pictures, Works of Art, and Icons by : Sotheby's (Firm)
Download or read book Russian Pictures, Works of Art, and Icons written by Sotheby's (Firm) and published by . This book was released on 1993 with total page 530 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A History of Icon Painting written by and published by . This book was released on 2005 with total page 287 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Behold the Beauty of the Lord by : Henri J. M. Nouwen
Download or read book Behold the Beauty of the Lord written by Henri J. M. Nouwen and published by Ave Maria Press. This book was released on 2007-09-15 with total page 136 pages. Available in PDF, EPUB and Kindle. Book excerpt: This twentieth anniversary edition (more than 111,000 copies sold) brings Henri J.M. Nouwen's writings on Eastern Orthodox icons to a new generation and adds to the Nouwen collection published by Ave Maria Press. With a foreword by Br. Robert Lentz, a well-known painter of contemporary icons, this classic Nouwen book invites readers to pray with four Russian icons with their eyes open by emphasizing seeing or gazing, which are at the heart of Eastern spirituality. Nouwen's meditations reveal his viewing of the icons not as decorations, but holy places. The book includes four full-color icons for private contemplation or meditation.
Book Synopsis Iconography of Power by : Victoria E. Bonnell
Download or read book Iconography of Power written by Victoria E. Bonnell and published by Univ of California Press. This book was released on 1998-02-05 with total page 404 pages. Available in PDF, EPUB and Kindle. Book excerpt: Masters at visual propaganda, the Bolsheviks produced thousands of vivid and compelling posters after they seized power in October 1917. Intended for a semi-literate population that was accustomed to the rich visual legacy of the Russian autocracy and the Orthodox Church, political posters came to occupy a central place in the regime's effort to imprint itself on the hearts and minds of the people and to remold them into the new Soviet women and men. In this first sociological study of Soviet political posters, Victoria Bonnell analyzes the shifts that took place in the images, messages, styles, and functions of political art from 1917 to 1953. Everyone who lived in Russia after the October revolution had some familiarity with stock images of the male worker, the great communist leaders, the collective farm woman, the capitalist, and others. These were the new icons' standardized images that depicted Bolshevik heroes and their adversaries in accordance with a fixed pattern. Like other "invented traditions" of the modern age, iconographic images in propaganda art were relentlessly repeated, bringing together Bolshevik ideology and traditional mythologies of pre-Revolutionary Russia. Symbols and emblems featured in Soviet posters of the Civil War and the 1920s gave visual meaning to the Bolshevik worldview dominated by the concept of class. Beginning in the 1930s, visual propaganda became more prescriptive, providing models for the appearance, demeanor, and conduct of the new social types, both positive and negative. Political art also conveyed important messages about the sacred center of the regime which evolved during the 1930s from the celebration of the heroic proletariat to the deification of Stalin. Treating propaganda images as part of a particular visual language, Bonnell shows how people "read" them—relying on their habits of seeing and interpreting folk, religious, commercial, and political art (both before and after 1917) as well as the fine art traditions of Russia and the West. Drawing on monumental sculpture and holiday displays as well as posters, the study traces the way Soviet propaganda art shaped the mentality of the Russian people (the legacy is present even today) and was itself shaped by popular attitudes and assumptions. Iconography of Power includes posters dating from the final decades of the old regime to the death of Stalin, located by the author in Russian, American, and English libraries and archives. One hundred exceptionally striking posters are reproduced in the book, many of them never before published. Bonnell places these posters in a historical context and provides a provocative account of the evolution of the visual discourse on power in Soviet Russia.
Book Synopsis Searching for Icons in Russia by : Владимир Солоухин
Download or read book Searching for Icons in Russia written by Владимир Солоухин and published by . This book was released on 1972 with total page 218 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Russian Icon by : Gerolʹd Ivanovich Vzdornov
Download or read book The Russian Icon written by Gerolʹd Ivanovich Vzdornov and published by . This book was released on 1997 with total page 402 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This volume provides the history of Russian icon painting from its origins to the beginning of the sixteenth century. Viktor Lazarev deliberately followed these chronological limits, since the "Golden Age" of icon painting in Russia was the fourteenth and fifteenth centuries, after which followed a rapid decline." "In a clear and intelligible form, using extensive scholarly material, Lazarev describes the birth of the Russian national painting on wood plate, the technique and aesthetics of Russian icons, the main schools of icon painting, and discusses the work of significant artists."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved