Genealogies of Art, Or the History of Art As Visual Art

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Author :
Publisher : Fundacion Juan March
ISBN 13 : 9788470756610
Total Pages : 450 pages
Book Rating : 4.7/5 (566 download)

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Book Synopsis Genealogies of Art, Or the History of Art As Visual Art by : Manuel Fontan del Junco

Download or read book Genealogies of Art, Or the History of Art As Visual Art written by Manuel Fontan del Junco and published by Fundacion Juan March. This book was released on 2020-01-21 with total page 450 pages. Available in PDF, EPUB and Kindle. Book excerpt: How artists, historians and theorists have diagrammed art's lineages, from the Middle Ages to Fluxus Genealogies of Art analyzes the visual representations of art history made by artists, critics, designers, theorists and poets alike, from the genealogical trees of the 12th through the 15th centuries and the Renaissance to more recent information graphics, including paintings, sketches, maps, plans, prints, drawings and diagrams. The conceptual core of the book is the famed chart that Alfred H. Barr, first director of the Museum of Modern Art, composed for the cover of his landmark exhibition Cubism and Abstract Art in 1936, which sought to trace the origins of abstract art from 1890 to 1936. Around this paradigmatic chart is gathered a tremendous pageant of works by great polymaths and thinkers, including Guy Debord's situationist maps; the Guerrilla Girls' "Guerrillas in the Midst of History"; Athanasius Kircher's baroque-era trees of knowledge; George Maciunas' Fluxus diagrams; André Malraux's Museum without Walls; Otto Neurath's charts and isotypes; Ad Reinhardt's collaged histories of art; Ward Shelley's Who Invented the Avant-Garde?; Maurice Stein, Larry Miller and Marshall Henrichs' Blueprint for Counter Education; Aby Warburg's legendary Mnemosyne Atlas; and many others. Across 450 pages, Genealogies of Art reproduces more than 500 images. In addition to these, Astrit Schmidt-Burkhardt contributes an essay titled "The Diagrammatic Shift," following by Manuel Lima's "Trees of Knowledge: The Diagrammatic Traditions of the Middle Ages and the Renaissance," both of which contextualize the relevance of this form throughout history. Uwe Fleckner explores the use of diagrammatic visualization in curatorial and collecting activities, as in the cases of Carl Einstein or Aby Warburg; and the Picasso specialist Eugenio Carmona looks at Alfred H. Barr's conception of Picasso's work, in his text "Barr, Cubism and Picasso: Paradigm and 'Anti-paradigm.'"

Enfoldment and Infinity

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Publisher : MIT Press
ISBN 13 : 0262537362
Total Pages : 423 pages
Book Rating : 4.2/5 (625 download)

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Book Synopsis Enfoldment and Infinity by : Laura U. Marks

Download or read book Enfoldment and Infinity written by Laura U. Marks and published by MIT Press. This book was released on 2010-08-13 with total page 423 pages. Available in PDF, EPUB and Kindle. Book excerpt: Tracing the connections—both visual and philosophical—between new media art and classical Islamic art. In both classical Islamic art and contemporary new media art, one point can unfold to reveal an entire universe. A fourteenth-century dome decorated with geometric complexity and a new media work that shapes a dome from programmed beams of light: both can inspire feelings of immersion and transcendence. In Enfoldment and Infinity, Laura Marks traces the strong similarities, visual and philosophical, between these two kinds of art. Her argument is more than metaphorical; she shows that the “Islamic” quality of modern and new media art is a latent, deeply enfolded, historical inheritance from Islamic art and thought. Marks proposes an aesthetics of unfolding and enfolding in which image, information, and the infinite interact: image is an interface to information, and information (such as computer code or the words of the Qur'an) is an interface to the infinite. After demonstrating historically how Islamic aesthetics traveled into Western art, Marks draws explicit parallels between works of classical Islamic art and new media art, describing texts that burst into image, lines that multiply to form fractal spaces, “nonorganic life” in carpets and algorithms, and other shared concepts and images. Islamic philosophy, she suggests, can offer fruitful ways of understanding contemporary art.

A History of Art History

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Publisher : Princeton University Press
ISBN 13 : 0691204764
Total Pages : 472 pages
Book Rating : 4.6/5 (912 download)

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Book Synopsis A History of Art History by : Christopher S. Wood

Download or read book A History of Art History written by Christopher S. Wood and published by Princeton University Press. This book was released on 2021-03-02 with total page 472 pages. Available in PDF, EPUB and Kindle. Book excerpt: "In this authoritative book, the first of its kind in English, Christopher Wood tracks the evolution of the historical study of art from the late middle ages through the rise of the modern scholarly discipline of art history. Synthesizing and assessing a vast array of writings, episodes, and personalities, this original and accessible account of the development of art-historical thinking will appeal to readers both inside and outside the discipline. The book shows that the pioneering chroniclers of the Italian Renaissance--Lorenzo Ghiberti and Giorgio Vasari--measured every epoch against fixed standards of quality. Only in the Romantic era did art historians discover the virtues of medieval art, anticipating the relativism of the later nineteenth century, when art history learned to admire the art of all societies and to value every work as an index of its times. The major art historians of the modern era, however--Jacob Burckhardt, Aby Warburg, Heinrich Wölfflin, Erwin Panofsky, Meyer Schapiro, and Ernst Gombrich--struggled to adapt their work to the rupture of artistic modernism, leading to the current predicaments of the discipline. Combining erudition with clarity, this book makes a landmark contribution to the understanding of art history."--from book jacket

Embodied Avatars

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Publisher : NYU Press
ISBN 13 : 1479852473
Total Pages : 307 pages
Book Rating : 4.4/5 (798 download)

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Book Synopsis Embodied Avatars by : Uri McMillan

Download or read book Embodied Avatars written by Uri McMillan and published by NYU Press. This book was released on 2015-11-04 with total page 307 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Tracing a dynamic genealogy of performance from the nineteenth century to the twenty-first, McMillian contends that black women artists practiced a purposeful self-objectification, transforming themselves into art objects. In doing so, these artists raised new ways to ponder the intersections of art, performance, and black female embodiment."--Back cover.

The Love of Painting

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Publisher : MIT Press
ISBN 13 : 3956792513
Total Pages : 0 pages
Book Rating : 4.9/5 (567 download)

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Book Synopsis The Love of Painting by : Isabelle Graw

Download or read book The Love of Painting written by Isabelle Graw and published by MIT Press. This book was released on 2019-04-02 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: A study of how the rhetoric of painting remains omnipresent in the field of art. Painting seems to have lost its dominant position in the field of the arts. However, looking more closely at exhibited photographs, assemblages, installations, or performances, it is evident how the rhetorics of painting still remain omnipresent. Following the tradition of classical theories of painting based on exchanges with artists, Isabelle Graw's The Love of Painting considers the art form not as something fixed, but as a visual and discursive material formation with the potential to fascinate owing to its ability to produce the fantasy of liveliness. Thus, painting is not restricted to the limits of its own frame, but possesses a specific potential that is located in its material and physical signs. Its value is grounded in its capacity to both reveal and mystify its conditions of production. Alongside in-depth analyses of the work of artists like Édouard Manet, Jutta Koether, Martin Kippenberger, Jana Euler, and Marcel Broodthaers, the book includes conversations with artists in which Graw's insights are further discussed and put to the test.

Heritage and Debt

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Publisher : MIT Press
ISBN 13 : 0262043696
Total Pages : 344 pages
Book Rating : 4.2/5 (62 download)

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Book Synopsis Heritage and Debt by : David Joselit

Download or read book Heritage and Debt written by David Joselit and published by MIT Press. This book was released on 2020-03-10 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: How global contemporary art reanimates the past as a resource for the present, combating modern art's legacy of Eurocentrism. If European modernism was premised on the new—on surpassing the past, often by assigning it to the “traditional” societies of the Global South—global contemporary art reanimates the past as a resource for the present. In this account of what globalization means for contemporary art, David Joselit argues that the creative use of tradition by artists from around the world serves as a means of combatting modern art's legacy of Eurocentrism. Modernism claimed to live in the future and relegated the rest of the world to the past. Global contemporary art shatters this myth by reactivating various forms of heritage—from literati ink painting in China to Aboriginal painting in Australia—in order to propose new and different futures. Joselit analyzes not only how heritage becomes contemporary through the practice of individual artists but also how a cultural infrastructure of museums, biennials, and art fairs worldwide has emerged as a means of generating economic value, attracting capital and tourist dollars. Joselit traces three distinct forms of modernism that developed outside the West, in opposition to Euro-American modernism: postcolonial, socialist realism, and the underground. He argues that these modern genealogies are synchronized with one another and with Western modernism to produce global contemporary art. Joselit discusses curation and what he terms “the curatorial episteme,” which, through its acts of framing or curating, can become a means of recalibrating hierarchies of knowledge—and can contribute to the dual projects of decolonization and deimperialization.

The Visual Turn

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Publisher : Rutgers University Press
ISBN 13 : 9780813531731
Total Pages : 300 pages
Book Rating : 4.5/5 (317 download)

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Book Synopsis The Visual Turn by : Angela Dalle Vacche

Download or read book The Visual Turn written by Angela Dalle Vacche and published by Rutgers University Press. This book was released on 2003 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of essays demonstrates the usefulness of looking at cinema with the analytical methods provided by art theory. "The Visual Turn" is a dialogue between art historians and film theorists from the silent period to the aftermath of World War II.

Representing History, 900-1300

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Publisher : Penn State Press
ISBN 13 : 0271036362
Total Pages : 290 pages
Book Rating : 4.2/5 (71 download)

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Book Synopsis Representing History, 900-1300 by : Robert Allan Maxwell

Download or read book Representing History, 900-1300 written by Robert Allan Maxwell and published by Penn State Press. This book was released on 2010 with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Brings together the disciplines of art, music, and history to explore the importance of the past to conceptions of the present in the central Middle Ages"--Provided by publisher.

Critical Live Art

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Publisher : Routledge
ISBN 13 : 1134907435
Total Pages : 188 pages
Book Rating : 4.1/5 (349 download)

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Book Synopsis Critical Live Art by : Dominic Johnson

Download or read book Critical Live Art written by Dominic Johnson and published by Routledge. This book was released on 2016-04-29 with total page 188 pages. Available in PDF, EPUB and Kindle. Book excerpt: Live Art is a contested category, not least because of the historical, disciplinary and institutional ambiguities that the term often tends to conceal. Live Art can be usefully defined as a peculiarly British variation on particular legacies of cultural experimentation – a historically and culturally contingent translation of categories including body art, performance art, time-based art, and endurance art. The recent social and cultural history of the UK has involved specific factors that have crucially influenced the development of Live Art since the late 1970s. These have included issues in national cultural politics relating to sexuality, gender, disability, technology, and cultural policy. In the past decade there has been a proliferation of festivals of Live Art in the UK and growing support for Live Art in major venues. Nevertheless, while specific artists have been afforded critical essays and monographs, there is a relative absence of scholarly work on Live Art as a historically and culturally specific mode of artistic production. Through essays by leading scholars and critical interviews with influential artists in the sector, Critical Live Art addresses the historical and cultural specificity of contemporary experimental performance, and explores the diversity of practices that are carried out, programmed, read or taught as Live Art. This book is based on a special issue of Contemporary Theatre Review.

Modern Art in Cold War Beirut

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Publisher : Routledge
ISBN 13 : 0429615310
Total Pages : 259 pages
Book Rating : 4.4/5 (296 download)

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Book Synopsis Modern Art in Cold War Beirut by : Sarah Rogers

Download or read book Modern Art in Cold War Beirut written by Sarah Rogers and published by Routledge. This book was released on 2021-06-14 with total page 259 pages. Available in PDF, EPUB and Kindle. Book excerpt: Modern Art in Cold War Beirut: Drawing Alliances examines the entangled histories of modern art and international politics during the decades of the 1950s and 1960s. Positing the Cold War as a globalized conflict, fraught with different political ideologies and intercultural exchanges, this study asks how these historical circumstances shaped local debates in Beirut over artistic pedagogy, the social role of the artist, the aesthetics of form, and, ultimately, the development of a national art. Drawing on a range of archival material and taking an interdisciplinary approach, Sarah Rogers argues that the genealogies of modern art can never be understood as isolated, national histories, but rather that they participate in an ever contingent global modernism. This book will be of particular interest to scholars in art history, Cold War studies, and Middle East studies.

Critical Terms for Art History, Second Edition

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Publisher : University of Chicago Press
ISBN 13 : 9780226571669
Total Pages : 558 pages
Book Rating : 4.5/5 (716 download)

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Book Synopsis Critical Terms for Art History, Second Edition by : Robert S. Nelson

Download or read book Critical Terms for Art History, Second Edition written by Robert S. Nelson and published by University of Chicago Press. This book was released on 2003-04 with total page 558 pages. Available in PDF, EPUB and Kindle. Book excerpt: The words used to describe and analyse art are the subject of this examination of the new scope of art history and the terms used by those involved in visual and pictorial theory.

Methods & Theories of Art History Third Edition

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Publisher : Laurence King Publishing
ISBN 13 : 1529423201
Total Pages : 260 pages
Book Rating : 4.5/5 (294 download)

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Book Synopsis Methods & Theories of Art History Third Edition by : Anne D'Alleva

Download or read book Methods & Theories of Art History Third Edition written by Anne D'Alleva and published by Laurence King Publishing. This book was released on 2021-08-05 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is an accessible introduction to the critical theories used in analysing art. It covers a broad range of approaches, presenting individual arguments, controversies and divergent perspectives. This edition has been updated to reflect recent scholarship in contemporary art and has been broken down into smaller sections for greater accessibility. The book begins with a revised discussion of the difference between method and theory. The following chapters apply the varying approaches to works of art, some of them new to this edition. The book ends with a new conclusion that focuses on the way the study of art is informed by theory.

Visualizing Ancestry in the High and Late Middle Ages

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Publisher : Cambridge University Press
ISBN 13 : 1108470181
Total Pages : 417 pages
Book Rating : 4.1/5 (84 download)

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Book Synopsis Visualizing Ancestry in the High and Late Middle Ages by : Joan A. Holladay

Download or read book Visualizing Ancestry in the High and Late Middle Ages written by Joan A. Holladay and published by Cambridge University Press. This book was released on 2019-01-17 with total page 417 pages. Available in PDF, EPUB and Kindle. Book excerpt: Appearing in all figural media from the mid-twelfth century, family trees and lineages made political claims for their patrons.

Colour, Art and Empire

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Publisher : Bloomsbury Publishing
ISBN 13 : 085772276X
Total Pages : 416 pages
Book Rating : 4.8/5 (577 download)

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Book Synopsis Colour, Art and Empire by : Natasha Eaton

Download or read book Colour, Art and Empire written by Natasha Eaton and published by Bloomsbury Publishing. This book was released on 2013-10-28 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: Colour, Art and Empire explores the entanglements of visual culture, enchanted technologies, waste, revolution, resistance and otherness. The materiality of colour offers a critical and timely force-field for approaching afresh debates on colonialism. This book analyses the formation of colour and politics as qualitative overspill. Colour can be viewed both as central and supplemental to early photography, the totem, alchemy, tantra and mysticism. From the eighteenth-century Austrian Empress Maria Theresa to Rabindranath Tagore and Gandhi, to 1970s Bollywood, colour makes us adjust our take on the politics of the human sensorium as defamiliarising and disorienting. The four chapters conjecture how European, Indian and Papua New Guinean artists, writers, scientists, activists, anthropologists or their subjects sought to negotiate the highly problematic stasis of colour in the repainting of modernity. Specifically, the thesis of this book traces Europeans' admiration and emulation of what they termed 'Indian colour' to its gradual denigration and the emergence of a 'space of exception'. This space of exception pitted industrial colours against the colonial desire for a massive workforce whose slave-like exploitation ignited riots against the production of pigments - most notably indigo. Feared or derided, the figure of the vernacular dyer constituted a force capable of dismantling the imperial machinations of colour. Colour thus wreaks havoc with Western expectations of biological determinism, objectivity and eugenics. Beyond the cracks of such discursive practice, colour becomes a sentient and nomadic retort to be pitted against a perceived colonial hegemony. The ideological reinvention of colour as a resource for independence struggles make it fundamental to multivalent genealogies of artistic and political action and their relevance to the present.

American Art to 1900

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Publisher : Univ of California Press
ISBN 13 : 0520257561
Total Pages : 1100 pages
Book Rating : 4.5/5 (22 download)

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Book Synopsis American Art to 1900 by : Sarah Burns

Download or read book American Art to 1900 written by Sarah Burns and published by Univ of California Press. This book was released on 2009-03-31 with total page 1100 pages. Available in PDF, EPUB and Kindle. Book excerpt: American Art to 1900 presents an astonishing variety of unknown, little-known, or undervalued documents to convey the story of American art through the many voices of its contemporary practitioners, consumers, and commentators. The volume highlights such critically important themes as women artists, African American representation and expression, regional and itinerant artists, Native Americans and the frontier, and more. With its hundreds of explanatory headnotes, this book reveals the documentary riches of American art and its many intersecting histories. -back cover.

Genealogy and Ontology of the Western Image and Its Digital Future

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Author :
Publisher : Routledge
ISBN 13 : 0415887151
Total Pages : 218 pages
Book Rating : 4.4/5 (158 download)

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Book Synopsis Genealogy and Ontology of the Western Image and Its Digital Future by : John Lechte

Download or read book Genealogy and Ontology of the Western Image and Its Digital Future written by John Lechte and published by Routledge. This book was released on 2012 with total page 218 pages. Available in PDF, EPUB and Kindle. Book excerpt: What are the key moments in the genealogy of the Western image which might illuminate the present status of the image? And what exactly is the situation to which we have arrived as far as the image is concerned? These are the questions guiding the reflections in this book. The book examines images from the Greek to the Byzantine, from the Renaissance and the Enlightenment to Industrial Revolution. Part II 2 examines key aspects of the image today, such as the digital and the cinema image, as well as the work of philosophers of the image, including: Roland Barthes, Walter Benjamin, Gilles Deleuze, Jean-Paul Sartre and Bernard Stiegler.

A Companion to Contemporary Art Since 1945

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Publisher : John Wiley & Sons
ISBN 13 : 1405135425
Total Pages : 658 pages
Book Rating : 4.4/5 (51 download)

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Book Synopsis A Companion to Contemporary Art Since 1945 by : Amelia Jones

Download or read book A Companion to Contemporary Art Since 1945 written by Amelia Jones and published by John Wiley & Sons. This book was released on 2006-04-03 with total page 658 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Companion to Contemporary Art is a major survey covering the major works and movements, the most important theoretical developments, and the historical, social, political, and aesthetic issues in contemporary art since 1945, primarily in the Euro-American context. Collects 27 original essays by expert scholars describing the current state of scholarship in art history and visual studies, and pointing to future directions in the field. Contains dual chronological and thematic coverage of the major themes in the art of our time: politics, culture wars, public space, diaspora, the artist, identity politics, the body, and visual culture. Offers synthetic analysis, as well as new approaches to, debates central to the visual arts since 1945 such as those addressing formalism, the avant-garde, the role of the artist, technology and art, and the society of the spectacle.