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Freaks In Late Modernist American Culture
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Book Synopsis Freaks in Late Modernist American Culture by : Nancy Bombaci
Download or read book Freaks in Late Modernist American Culture written by Nancy Bombaci and published by Peter Lang. This book was released on 2006 with total page 188 pages. Available in PDF, EPUB and Kindle. Book excerpt: Freaks in Late Modernist American Culture explores the emergence of what Nancy Bombaci terms «late modernist freakish aesthetics» - a creative fusion of «high» and «low» themes and forms in relation to distorted bodies. Literary and cinematic texts about «freaks» by Nathanael West, Djuna Barnes, Tod Browning, and Carson McCullers subvert and reinvent modern progress narratives in order to challenge high modernist literary and social ideologies. These works are marked by an acceptance of the disteleology, anarchy, and degeneration that racist discourses of the late nineteenth and early twentieth centuries associated with racial and ethnic outsiders, particularly Jews. In a period of American culture beset with increasing pressures for social and political conformity and with the threat of fascism from Europe, these late modernist narratives about «freaks» defy oppressive norms and values as they search for an anarchic and transformational creativity.
Book Synopsis Culture and Dialogue by : Gerald Cipriani
Download or read book Culture and Dialogue written by Gerald Cipriani and published by Cambridge Scholars Publishing. This book was released on 2013-07-16 with total page 181 pages. Available in PDF, EPUB and Kindle. Book excerpt: Vol.3, No.1 of Culture and Dialogue is a Special Issue in many ways. This issue marks the takeover by a new publisher. Because of contractual constraints and practical reasons the decision was made to continue our journey with Cambridge Scholars Publishing, whose great enthusiasm foreshadows a bright future for the journal. Our words of thanks, however, must also go to Airiti Press without which the journal would not have seen the light of day. We are indebted to Airiti Press for having invested into the launch of a new journal, with all the risks entailed, and for their dedicated hard work. We are most grateful for this. The Journal was officially launched in March 2011 and has since produced four issues, all of which focusing on a particular facet of dialogical practice within the field of culture, be it philosophy, art, or politics. Forthcoming issues will offer platforms to explore how dialogue impacts on the shaping of identity, aesthetic meaning, and historical significance. One issue will also be devoted to how dialogue manifests itself in language. This brings us to autumn 2015, after which other pressing themes will, no doubt, be proposed and treated. In whatever case, the thread remains the cultural forms of dialogue; many of us know how critical ignorance about the nature of the dialogue can be, in all fields, at all levels. Argentinian poet Antonio Porchia once wrote that “To be someone is solitude.” Any self-felt genius or world-leading mortal will identify with this. The solitude at stake is that of the one who fails to link with others, or an Other, by denying the possibility to relinquish some of him or herself. In fact, the true someone is never alone; the true someone never leads. This is the message Culture and Dialogue is striving to convey, express, or analyse in its various forms across the humanities, the arts, and the social sciences. Besides, the Journal has always sought, when possible, to preserve a certain spirit of writing in addition to academic rigour and creativity – a spirit that is undeniably fading in the midst of the publish or perish ethos adopted by advanced techno-capitalist systems of education in some parts of the world. Vol.3, No.1 is a Special Issue devoted to the theme of “religion and dialogue.” Cosimo Zene, of the School of Oriental and African Studies of the University of London, kindly accepted our invitation to be the Guest Editor, and our words of thanks must first go to him. Cosimo has managed to bring together a range of outstanding essays of which the Journal can only be proud. To various degrees and in different ways all essays discuss dialogue and religion, or show dialogue at work in religious studies. We are most grateful to all the authors who generously contributed to this Special Issue and therefore to the life of the Journal; in alphabetical order, T.H. Barrett, Stephen Chan, Jan-Peter Hartung, Sîan Hawthorne, Catherine Heszer, Tullio Lobetti, Theodore Proferes, and Cosimo Zene.
Download or read book The Freak-garde written by Robin Blyn and published by U of Minnesota Press. This book was released on 2013-11-01 with total page 470 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the 1890s, American artists have employed the arts of the freak show to envision radically different ways of being. The result is a rich avant-garde tradition that critiques and challenges capitalism from within. The Freak-garde traces the arts of the freak show from P. T. Barnum to Matthew Barney and demonstrates how a form of mass culture entertainment became the basis for a distinctly American avant-garde tradition. Exploring a wide range of writers, filmmakers, photographers, and artists who have appropriated the arts of the freak show, Robin Blyn exposes the disturbing power of human curiosities and the desires they unleash. Through a series of incisive and often startling readings, Blyn reveals how such figures as Mark Twain, Djuna Barnes, Tod Browning, Lon Chaney, Nathanael West, and Diane Arbus use these desires to propose alternatives to the autonomous and repressed subject of liberal capitalism. Blyn explains how, rather than grounding revolutionary subjectivities in imaginary realms innocent of capitalism, freak-garde works manufacture new subjectivities by exploiting potentials inherent to capitalism. Defying conventional wisdom, The Freak-garde ultimately argues that postmodernism is not the death of the avant-garde but the inheritor of a vital and generative legacy. In doing so, the book establishes innovative approaches to American avant-garde practices and embodiment and lays the foundation for a more nuanced understanding of the disruptive potential of art under capitalism.
Book Synopsis Grotesque Progeny by : Mark Heimermann
Download or read book Grotesque Progeny written by Mark Heimermann and published by Univ. Press of Mississippi. This book was released on 2024-11-20 with total page 144 pages. Available in PDF, EPUB and Kindle. Book excerpt: In contemporary Western society, childhood appears more protected than ever to the casual onlooker. Yet, we are increasingly fascinated by narratives in which children are depicted as unsettling beings, both dangerous and endangered, sometimes chaotic or even evil. In Grotesque Progeny: The Commodification of Dangerous and Endangered Children, author Mark Heimermann argues that these representations reflect cultural anxiety regarding a shifting conception of youths from emotional assets to economic ones. In the early to mid-twentieth century, children, who had previously been viewed in part as economic investments, were largely moved out of the work force. For decades, children were instead valued primarily as emotional assets. However, the rise of neoliberal capitalism in the 1970s and 1980s, and its eventual proliferation throughout our politics and our lives, has led to the widespread commodification of social arenas previously kept separate from the capitalist quest for profit. Not even children have escaped being objectified and dehumanized in this manner. Heimermann examines a variety of texts that center on children and adolescents who are marked as different from the adult characters and consequently viewed as grotesque. Chapters cover Jeff Lemire’s Sweet Tooth, M. R. Carey’s The Girl with All the Gifts, Katherine Dunn’s Geek Love, Richard Starkings’s Elephantmen, Kazuo Ishiguro’s Never Let Me Go, and more. Because the young characters are not viewed as equal members of society, they must either strike back at those who commodify them or risk facing a lifetime of dehumanization. Grotesque Progeny argues that these monstrous depictions reveal societal unease over shortsighted economic and political thinking, the exploitation of children, and the changing nature of childhood. The book addresses a growing concern over which spaces ought to be excluded or removed from the harsh valuations of neoliberalism.
Book Synopsis Virtual Modernism by : Katherine Biers
Download or read book Virtual Modernism written by Katherine Biers and published by U of Minnesota Press. This book was released on 2013-10-01 with total page 311 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Virtual Modernism, Katherine Biers offers a fresh view of the emergence of American literary modernism from the eruption of popular culture in the early twentieth century. Employing dynamic readings of the works of Stephen Crane, Henry James, James Weldon Johnson, Djuna Barnes, and Gertrude Stein, she argues that American modernist writers developed a “poetics of the virtual” in response to the rise of mass communications technologies before World War I. These authors’ modernist formal experimentation was provoked by the immediate, individualistic pleasures and thrills of mass culture. But they also retained a faith in the representational power of language—and the worth of common experience—more characteristic of realism and naturalism. In competition with new media experiences such as movies and recorded music, they simultaneously rejected and embraced modernity. Biers establishes the virtual poetics of these five writers as part of a larger “virtual turn” in the United States, when a fascination with the writings of Henri Bergson, William James, and vitalist philosophy—and the idea of virtual experience—swept the nation. Virtual Modernism contends that a turn to the virtual experience of language was a way for each of these authors to carve out a value for the literary, both with and against the growth of mass entertainments. This technologically inspired reengagement with experience was formative for American modernism. Situated at the crossing points of literary criticism, philosophy, media studies, and history, Virtual Modernism provides an examination of Progressive Era preoccupations with the cognitive and corporeal effects of new media technologies that traces an important genealogy of present-day concerns with virtuality.
Book Synopsis Faulkner, Writer of Disability by : Taylor Hagood
Download or read book Faulkner, Writer of Disability written by Taylor Hagood and published by LSU Press. This book was released on 2015-01-12 with total page 233 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the emerging field of disability studies, Taylor Hagood offers the first book-length consideration of impairment in William Faulkner's life and writing. Blending biography, textual analysis, and theory in an experimental style, Hagood explores in both form and content the constructs of normality and their power. Hagood brings to light little-known and rarely discussed ways in which Faulkner's personal and familial background were marked by disability and discusses the ways the writer incorporates disability into his fiction. He reevaluates Faulkner's so-called "idiots"-Benjy Compson, Ike Snopes, and others-as characters whose narratives both satisfy and shock the reader. Hagood also examines the roles that impairment and abnormality play in texts such as the stories "The Leg" and "The Kingdom of God" and the novels A Fable and Flags in the Dust. Highly original readings result, including new understandings of: the centrality of the visually impaired Pap in Sanctuary; the disability-centric social order based on interdependence in Pylon; and the disabled speech of Linda Snopes Kohl in The Mansion. Hagood argues that Faulkner's poetics are deeply invested in disability, both in promoting a disability-inclusive fictional world and in exposing and subverting the devaluation of disabled bodies and minds. Hagood draws on firsthand knowledge of his native of Ripley, Mississippi, the ancestral home of the Faulkners, to offer readers otherwise inaccessible contextual information. Moreover, by framing each section of his study within a different kind of discourse-newspaper style, biography, email, and advertisement-he uses the very structure of the book to underscore the questions of normalcy prevalent in disability studies. This rich and unconventional study offers insight into a Faulkner haunted by experiences of disablement and compelled to narrate them in his own writing.
Download or read book The Illegible Man written by WillKanyusik and published by Indiana University Press. This book was released on 2025-01-07 with total page 210 pages. Available in PDF, EPUB and Kindle. Book excerpt: How does the sudden onset of disability impact the sense of self in a person whose identity was, at least in part, predicated on the possession of what is culturally understood to be an "able" body? How does this experience make visible the structures enabling society's shared notions of heteronormative masculinity? In the United States, the Second World War functioned as a key moment in the emergence of modern understandings of disability, demonstrating that an increased concern with disability in the postwar period would ultimately lead to greater incoherence in the definitions and cultural meanings of disability in America. The Illegible Man examines depictions of disability in American film and literature in twentieth-century postwar contexts, beginning with the first World War and continuing through America's war in Vietnam. Will Kanyusik searches for the origin of discourse surrounding disability and masculinity after the Second World War, examining both literature and film—both fiction and documentary—their depictions of disability and masculinity, and how many of these texts were created by the relationship between the culture industry and the Office of War Information in the 1940s. Supported by original archival research, The Illegible Man presents a new understanding of disability, masculinity, and war in American culture.
Download or read book Carson McCullers written by Harold Bloom and published by Infobase Publishing. This book was released on 2009 with total page 201 pages. Available in PDF, EPUB and Kindle. Book excerpt: Presents a collection of critical essays on the works of Carson McCullers.
Book Synopsis The Cinema of Tod Browning by : Bernd Herzogenrath
Download or read book The Cinema of Tod Browning written by Bernd Herzogenrath and published by McFarland. This book was released on 2008-09-22 with total page 251 pages. Available in PDF, EPUB and Kindle. Book excerpt: As a director, actor, writer and producer, Tod Browning was one of the most dynamic Hollywood figures during the birth of commercial cinema. Known for his fantastic collaborations with Lon Chaney in numerous silents, and for directing the horror classic Dracula and the still-controversial Freaks, Browning has been called "the Edgar Allan Poe of the cinema." Despite not entering the profession until he began acting in his early thirties, he went on to helm more than 60 films in a 25-year career. His work continues to influence directors such as David Lynch, John Waters, and Alejandro Jodorowsky. These essays critically explore such topics as the connection between Browning, Poe and Kant; Browning's cinematic techniques; disability; masochism; sound and suspense; duality; parenthood; narrative and cinematic trickery; George Melford; surrealism; and the occult. A Browning filmography is included.
Book Synopsis Improper Modernism by : Daniela Caselli
Download or read book Improper Modernism written by Daniela Caselli and published by Routledge. This book was released on 2016-12-05 with total page 477 pages. Available in PDF, EPUB and Kindle. Book excerpt: In her compelling reexamination of Djuna Barnes's work, Daniela Caselli raises timely questions about Barnes, biography and feminist criticism, identity and authority, and modernist canon formation. Through close readings of Barnes's manuscripts, correspondence, critically acclaimed and little-known texts, Caselli tackles one of the central unacknowledged issues in Barnes: intertextuality. She shows how throughout Barnes's corpus the repetition of texts, by other authors (from Blake to Middleton) and by Barnes herself, forces us to rethink the relationship between authority and gender and the reasons for her marginal place within modernism. All her texts, linked as they are by correspondences and permutations, wage a war against the common sense of the straight mind. Caselli begins by analyzing how literary criticism has shaped our perceptions of Barnes, showing how the various personae assigned to Barnes are challenged when the right questions are posed: Why is Barnes such a famous author when many of her texts remain unread, even by critics? Why has criticism reduced Barnes's work to biographical speculations? How can Barnes's hybrid, eccentric, and unconventional corpus be read as part of literary modernism when it often seems to sever itself from it? How can an oeuvre reject the labels of feminist and lesbian literature, whilst nevertheless holding at its centre the relationships between language, sexuality, and the real? How can Barnes's work help us to rethink the relation between simplicity and difficulty within literary modernism? Caselli concludes by arguing that Barnes's complex and bewildering work is committed to a high modernist notion of art as a supremely difficult undertaking whilst refusing to conform to standards of modernist acceptability.
Book Synopsis Re-envisaging the First Age of Cinematic Horror, 1896-1934 by : David Annwn Jones
Download or read book Re-envisaging the First Age of Cinematic Horror, 1896-1934 written by David Annwn Jones and published by University of Wales Press. This book was released on 2018-11-14 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: • This study is an exciting and new look at and expansion of our sense of horror films. • Re-envisaging the First Age of Cinematic Horror covers horror films which have never been discussed before. • It includes an interesting and accessible discussions of Early and Silent Film.
Book Synopsis Freak Show Legacies by : Gary S. Cross
Download or read book Freak Show Legacies written by Gary S. Cross and published by Bloomsbury Publishing. This book was released on 2021-05-06 with total page 249 pages. Available in PDF, EPUB and Kindle. Book excerpt: Society has long been fascinated with the freakish, shocking and strange. In this book Gary Cross shows how freakish elements have been embedded in modern popular culture over the course of the 20th century despite the evident disenchantment with this once widespread cultural outlet. Exploring how the spectacle of freakishness conflicted with genteel culture, he shows how the condemnation of the freak show by middle-class America led to a transformation and merging of genteel and freak culture through the cute, the camp and the creepy. Though the carnival and circus freak was marginalised by the 1960s and had largely disappeared by the 1980s, forms of freakish culture survived and today appear in reality TV, horror movies, dark comedies and the popularity of tattoos. Freak Show Legacies will focus less on the individual 'freak' as 'the other' in society, and more on the audience for the freakish and the transformation of wonder, sensibility and sensitivity that this phenomenon entailed. It will use the phenomenon of 'the freak' to understand the transformation of American popular culture across the 20th century, identify elements of 'the freak' in popular culture both past and present, and ask how it has prevailed despite its apparent unpopularity.
Book Synopsis MLA International Bibliography of Books and Articles on the Modern Languages and Literatures by :
Download or read book MLA International Bibliography of Books and Articles on the Modern Languages and Literatures written by and published by . This book was released on 2007 with total page 2426 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Films of Tod Browning by : Bernd Herzogenrath
Download or read book The Films of Tod Browning written by Bernd Herzogenrath and published by Black Dog Press. This book was released on 2006 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: Known as the 'Edgar Allan Poe of cinema', Tod Browning is the dark master of filmmaking. However, despite the commercial success he enjoyed during his lifetime, he has never received the critical acclaim his work deserves. The Films of Tod Browning at last pays tribute to his cinematic legacy. With contributors including Vivian Sobchack, Bernd Herzogenrath and Nicole Brenez, The Films of Tod Browning covers subjects including images of disability, the body as spectacle, the transition from silent to 'talkie' films and theatrical illusion in Browning's films as well as analysing films such as Dracula, Mark of the Vampire and the often overlooked Iron Man in detail. An essential for film buffs and academics alike.
Book Synopsis Dissertation Abstracts International by :
Download or read book Dissertation Abstracts International written by and published by . This book was released on 2005 with total page 690 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Joyce in the Belly of the Big Truck; Workbook by : Joyce A. Cascio
Download or read book Joyce in the Belly of the Big Truck; Workbook written by Joyce A. Cascio and published by . This book was released on 2005-05 with total page 1230 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Freak to Chic written by Dominic Janes and published by Bloomsbury Publishing. This book was released on 2021-07-01 with total page 309 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this unique intervention in the study of queer culture, Dominic Janes highlights that, under the gaze of social conservatism, 'gay' life was hiding in plain sight. Indeed, he argues that the worlds of glamour, fashion, art and countercultural style provided rich opportunities for the construction of queer spectacle in London. Inspired by the legacies of Oscar Wilde, interwar and later 20th-century men such as Cecil Beaton expressed transgressive desires in forms inspired by those labelled 'freaks' and, thereby, made major contributions to the histories of art, design, fashion, sexuality, and celebrity. Janes reinterprets the origins of gay and queer cultures by charting the interactions between marginalized freaks and chic fashionistas. He establishes a new framework for future analyses of other cities and media, and of the roles of women and diverse identities.
