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Franz Liszt And The Vocabularies Of Transcription 1833 1865
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Book Synopsis Franz Liszt and the Vocabularies of Transcription, 1833-1865 by : Jonathan Sanvi Kregor
Download or read book Franz Liszt and the Vocabularies of Transcription, 1833-1865 written by Jonathan Sanvi Kregor and published by . This book was released on 2007 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Franz Liszt written by Michael Saffle and published by Routledge. This book was released on 2013-02-01 with total page 538 pages. Available in PDF, EPUB and Kindle. Book excerpt: Franz Liszt: A Research and Information Guide is an annotated bibliography concerning both the nature of primary sources related to the composer and the scope and significance of the secondary sources which deal with him, his compositions, and his influence as a composer and performer. The second edition includes research published since the publication of the first edition and provide electronic resources. Franz Liszt was born on 22 October 1811 at Raiding, today located in Austria’s Burgenland. He received his first piano lessons from his father, Adam Liszt, an employee of the celebrated Eszterházy family. Young Franz was quickly acclaimed a prodigy, and in 1820 a group of Hungarian magnates offered to underwrite his musical education. Shortly thereafter the Liszts moved to Vienna, where Franz studied piano and composition with Carl Czerny and Anton Salieri. Performances there earned Liszt local fame; even Beethoven expressed interest in him.
Book Synopsis Liszt as Transcriber by : Jonathan Kregor
Download or read book Liszt as Transcriber written by Jonathan Kregor and published by Cambridge University Press. This book was released on 2010-11-18 with total page 315 pages. Available in PDF, EPUB and Kindle. Book excerpt: Providing illuminating insights into Liszt's working methods, this book investigates the composer's transcriptions in their musical, cultural, and historical contexts.
Book Synopsis Liszt's Representation of Instrumental Sounds on the Piano by : Hyun Joo Kim
Download or read book Liszt's Representation of Instrumental Sounds on the Piano written by Hyun Joo Kim and published by . This book was released on 2019 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examines Liszt's piano arrangements of music originally created for other instruments, especially the symphony orchestra and the Hungarian Gypsy band.
Book Synopsis Music and Monumentality by : Alexander Rehding
Download or read book Music and Monumentality written by Alexander Rehding and published by Oxford University Press. This book was released on 2009-08-19 with total page 522 pages. Available in PDF, EPUB and Kindle. Book excerpt: This critical study locates musical monumentality, a central property of the nineteenth-century German repertoire, at the intersections of aesthetics and memory. In examples including Beethoven, Liszt, Wagner and Bruckner, Rehding explores how monumentality contributes to an experiential music history and how it conveys the sublime to the listening public.
Book Synopsis Ferruccio Busoni and the Ontology of the Musical Work by : Erinn Elizabeth Knyt
Download or read book Ferruccio Busoni and the Ontology of the Musical Work written by Erinn Elizabeth Knyt and published by Stanford University. This book was released on 2010 with total page 641 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ferruccio Busoni's conception of the musical work derives from his multiple roles as performer, aesthetician, editor, composer, arranger, and intellectual. Drawing on unpublished scores, manuscripts, sketches and documents from the Staatsbibliothek in Berlin, concert programs from a private collection in Berkeley, acoustic recordings, information about Busoni's intellectual interests gleaned from an auction catalogue featuring the contents of his extensive library, and the published aesthetic writings, letters, and compositions, the present study offers the first comprehensive account of Busoni's work concept. By establishing connections between his ideas and his musical practice, it explores and clarifies the reasoning behind his idiosyncratic compositional style, a style characterized by a blurring of boundaries between original and borrowed material. Polystylistic mixtures of the old and new and a distinctive performance style, in which Busoni creatively altered and embellished existing texts, exemplify his practice in an age in thrall to Werktreue, when originality of idea was prized above all else.
Download or read book Mozart's Ghosts written by Mark Everist and published by Oxford University Press. This book was released on 2013-06-11 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: Mozart's Ghosts traces the many lives of this great composer that emerged following his early death in 1791. Crossing national boundaries and traversing two hundred years-worth of interpretation and reception, author Mark Everist investigates how Mozart's past status can be understood as part of today's veneration. Everist forges new paths to reach the composer, examining a number of ways in which Western culture has absorbed the idea of Mozart, how various cultural agents have appropriated, deployed, and exploited Mozart toward both authoritarian and subversive ends, and how the figure of Mozart and his impact illuminate the cultural history of the last two centuries in Europe, England, and America. Modern reverence for the composer is conditioned by earlier responses to his music, and Everist argues that such earlier responses are more complex than allowed by a simple "reception studies" model. Closely linking nine case studies in an innovative cultural and theoretical framework, the book approaches the developing reputation of the composer from death to the present day along three paths: "Phantoms of the Opera" deals with stage music, "Holy Spirits" addresses the trope of the sacred, and "Specters at the Feast" considers the impact of Mozart's music in literature and film. Mozart's Ghosts adeptly moves the study of Mozart reception away from hagiography and closer to cultural and historical criticism, and will be avidly read by Mozart scholars and students of eighteenth-century music history, as well as literary critics, historians of philosophy and aesthetics, and cultural historians in general.
Book Synopsis Opera in the Viennese Home from Mozart to Rossini by : Nancy November
Download or read book Opera in the Viennese Home from Mozart to Rossini written by Nancy November and published by Cambridge University Press. This book was released on 2024-01-18 with total page 494 pages. Available in PDF, EPUB and Kindle. Book excerpt: Domestic musical arrangements of opera provide a unique window on the world of nineteenth-century amateur music-making. These arrangements flourished in especially rich variety in early nineteenth-century Vienna. This study reveals ways in which the Viennese culture of musical arrangements opened up opportunities, especially for women, for connoisseurship, education, and sociability in the home, and extended the meanings and reach of public concert life. It takes a novel stance for musicology, prioritising musical arrangements over original compositions, and female amateurs' perspectives over those of composers, and asks: what cultural, musical, and social functions did opera arrangements serve in Vienna c.1790–1830? Multivalent musical analyses explore ways Viennese arrangers tailored large-scale operatic works to the demands and values of domestic consumers. Documentary analysis, using little-studied evidence of private and semi-private music-making, investigates the agency of musical amateurs and reinstates the central importance of women's roles.
Book Synopsis Dissertation Abstracts International by :
Download or read book Dissertation Abstracts International written by and published by . This book was released on 2007 with total page 790 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Wagner's Melodies by : David Trippett
Download or read book Wagner's Melodies written by David Trippett and published by Cambridge University Press. This book was released on 2013-05-02 with total page 463 pages. Available in PDF, EPUB and Kindle. Book excerpt: Wagner's Melodies places the composer's ideas about melody in the context of the scientific discourse of his age.
Book Synopsis The Cambridge Berlioz Encyclopedia by : Julian Rushton
Download or read book The Cambridge Berlioz Encyclopedia written by Julian Rushton and published by . This book was released on 2018 with total page 398 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Stravinsky's Piano by : Graham Griffiths
Download or read book Stravinsky's Piano written by Graham Griffiths and published by Cambridge University Press. This book was released on 2013-02-21 with total page 355 pages. Available in PDF, EPUB and Kindle. Book excerpt: An unprecedented exploration of Stravinsky's use of the piano as the genesis of all his music - Russian, neoclassical and serial.
Book Synopsis The Cambridge Companion to Jewish Music by : Joshua S. Walden
Download or read book The Cambridge Companion to Jewish Music written by Joshua S. Walden and published by Cambridge University Press. This book was released on 2015-11-19 with total page 311 pages. Available in PDF, EPUB and Kindle. Book excerpt: A global history of Jewish music from the biblical era to the present day, with chapters by leading international scholars.
Book Synopsis A Popular History of the Art of Music by : William Smythe Babcock Mathews
Download or read book A Popular History of the Art of Music written by William Smythe Babcock Mathews and published by . This book was released on 1891 with total page 518 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Composers in the Movies by : John C. Tibbetts
Download or read book Composers in the Movies written by John C. Tibbetts and published by Yale University Press. This book was released on 2008-10-01 with total page 381 pages. Available in PDF, EPUB and Kindle. Book excerpt: Amadeus . . . Yankee Doodle Dandy . . . Swanee River . . . Rhapsody in Blue. Even before movies had sound, filmmakers dramatized the lives of composers. Movie biographies—or biopics—have depicted composers as diverse as Wolfgang Amadeus Mozart, George M. Cohan, Stephen Foster, and George Gershwin. In this enticing book, the first devoted entirely to such films, John C. Tibbetts surveys different styles and periods from the Hollywood of the 1920s and 1930s to the international cinema of today, exploring the role that film biographies play in our understanding of history and culture. Tibbetts delves into such questions as: How historically accurate are composer biopics? How and why have inaccuracies and distortions been perpetrated? What strategies have been used to represent visually the creative process? The book examines the films in several contexts and considers their role in commodifying and popularizing music. Extensive archival research, dozens of illustrations, and numerous interviews make this an appealing book for film and music enthusiasts at all levels.
Book Synopsis Nineteenth-Century Opera and the Scientific Imagination by : David Trippett
Download or read book Nineteenth-Century Opera and the Scientific Imagination written by David Trippett and published by Cambridge University Press. This book was released on 2019-08-22 with total page 399 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explores the rich and varied interactions between nineteenth-century science and the world of opera for the first time.
Book Synopsis The Critical Reception of Beethoven's Compositions by His German Contemporaries by : Wayne M. Senner
Download or read book The Critical Reception of Beethoven's Compositions by His German Contemporaries written by Wayne M. Senner and published by U of Nebraska Press. This book was released on 1999-05-25 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: Compiled here are reviews, reports, notes, and essays found in German-language periodicals published between 1783 and 1830. The documents are translated into English with copious notes and annotations, an introductory essay, and indexes of names, subjects, and works. This volume contains a general section and documents on specific opus numbers up to opus 54, with musical examples redrawn from the original publications. ø The collection brings to light contemporary perceptions of Beethoven?s music, including matters such as audience, setting, facilities, orchestra, instruments, and performers as well as the relationship of Beethoven?s music to theoretical and critical ideas of the eighteenth and nineteenth centuries. These documents, most of which appear in English for the first time, present a wide spectrum of insights into the perceptions that Beethoven?s contemporaries had of his monumental music.