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Author : National Gallery of Canada
Publisher : National Gallery of Canada
ISBN 13 :
Total Pages : 12 pages
Book Rating : 4.3/5 (129 download)
Download or read book Form-colour Exhibition written by National Gallery of Canada and published by National Gallery of Canada. This book was released on 1969 with total page 12 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Form Colour Exhibition
Publisher :
ISBN 13 :
Total Pages : 6 pages
Book Rating : 4.:/5 (17 download)
Download or read book FORM COLOUR EXHIBITION written by Form Colour Exhibition and published by . This book was released on 1969 with total page 6 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Ellsworth Kelly
Publisher : Harvard Univ Art Museum
ISBN 13 : 9781891771101
Total Pages : 108 pages
Book Rating : 4.7/5 (711 download)
Download or read book Line, Form, Color written by Ellsworth Kelly and published by Harvard Univ Art Museum. This book was released on 1999 with total page 108 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ellsworth Kelly first conceived Line Form Color in 1951 as a series of studies, both drawings and collages. In this volume, Kelly has brought Line Form Color to completion. Its 40 plates correspond to the original collages. This is the French language edition.
Author : Andrew Parker
Publisher :
ISBN 13 : 9781842467336
Total Pages : 112 pages
Book Rating : 4.4/5 (673 download)
Download or read book Naturally Brilliant Colour written by Andrew Parker and published by . This book was released on 2021-10 with total page 112 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Ann Temkin
Publisher : The Museum of Modern Art
ISBN 13 : 9780870707315
Total Pages : 256 pages
Book Rating : 4.7/5 (73 download)
Download or read book Color Chart written by Ann Temkin and published by The Museum of Modern Art. This book was released on 2008 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: Color Chart celebrates a paradox: the lush beauty that results when contemporary artists assign colour decisions to chance, readymade source or arbitrary system. Midway through the 20th century, long-held convictions regarding the spiritual truth or scientific validity of particular colours gave way to an excitement about colour as a mass-produced and standardized commercial product. The Romantic quest for personal expression instead became Andy Warhol's 'I want to be a machine'; the artistry of mixing pigments was eclipsed by Frank Stella's 'Straight out of the can; it can't get better than that'. This book, and the exhibition it accompanies, is the first devoted to this pivotal transformation, and features work by some forty artists ranging from Ellsworth Kelly and Gerhard Richter to Sherrie Levine and Damien Hirst.
Author : Kootz Gallery (New York)
Publisher :
ISBN 13 :
Total Pages : 4 pages
Book Rating : 4.:/5 (51 download)
Download or read book Exhibition written by Kootz Gallery (New York) and published by . This book was released on 1964 with total page 4 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Detroit Institute of Arts
Publisher :
ISBN 13 :
Total Pages : pages
Book Rating : 4.:/5 (815 download)
Download or read book Form, Color, Image written by Detroit Institute of Arts and published by . This book was released on 1967 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Optical Society of America. Committee on Colorimetry
Publisher :
ISBN 13 :
Total Pages : 440 pages
Book Rating : 4.F/5 ( download)
Download or read book The Science of Color written by Optical Society of America. Committee on Colorimetry and published by . This book was released on 1963 with total page 440 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author :
Publisher :
ISBN 13 :
Total Pages : 20 pages
Book Rating : 4.:/5 (52 download)
Download or read book Exhibition of Paintings written by and published by . This book was released on 1964 with total page 20 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Detroit Institute of Arts
Publisher :
ISBN 13 :
Total Pages : 16 pages
Book Rating : 4.:/5 (222 download)
Download or read book Color, Image, Form written by Detroit Institute of Arts and published by . This book was released on 1967 with total page 16 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Gary Ernest Smith
Publisher :
ISBN 13 :
Total Pages : 36 pages
Book Rating : 4.F/5 ( download)
Download or read book Form, Color, Symbol written by Gary Ernest Smith and published by . This book was released on 1988 with total page 36 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Color, Form, Image written by and published by . This book was released on 1967 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Carlos Cruz Diez
Publisher : Yale University Press
ISBN 13 : 030027212X
Total Pages : 161 pages
Book Rating : 4.3/5 (2 download)
Download or read book Reflection on Color written by Carlos Cruz Diez and published by Yale University Press. This book was released on 2023-02-28 with total page 161 pages. Available in PDF, EPUB and Kindle. Book excerpt: The seminal writing of Carlos Cruz-Diez, best known for his experiential works exploring color and its properties Trained as a painter, Carlos Cruz-Diez (1923-2019) developed a conceptual platform for his work based on optical and chromatic phenomena, which led him to take a revolutionary new approach to his work beginning in 1959. Building on the chromatic experiments of figures like Sir Isaac Newton, the impressionists, and Josef Albers, Cruz-Diez explored the perception of color as an autonomous reality evolving in space and time, unaided by form or support, in a perpetual present. Originally published in Spanish in 1989, Reflection on Color details Cruz-Diez's theories of color and traces the aesthetic and conceptual evolution of his practice. Though the book was translated into English in Cruz-Diez's lifetime, it never saw broad distribution. In this text, Cruz-Diez explores eight of his major investigations into color phenomena, including his signature Physichromie and Chromosaturation series. Generously illustrated with examples of Cruz-Diez's work, this important text introduces Cruz-Diez's writing and thinking to a new generation of artists and scholars. Distributed for the Cruz-Diez Foundation
Author :
Publisher :
ISBN 13 :
Total Pages : 346 pages
Book Rating : 4.1/5 (481 download)
Download or read book Illustrated Catalogue of the International Exhibition 1862 written by and published by . This book was released on 1862 with total page 346 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author :
Publisher :
ISBN 13 :
Total Pages : 18 pages
Book Rating : 4.:/5 (68 download)
Download or read book Color, Image, Form written by and published by . This book was released on 1967 with total page 18 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Matthew Affron
Publisher :
ISBN 13 :
Total Pages : 56 pages
Book Rating : 4.3/5 (91 download)
Download or read book Fernand Léger written by Matthew Affron and published by . This book was released on 2007 with total page 56 pages. Available in PDF, EPUB and Kindle. Book excerpt: Between 1912 and 1914, Fernand Léger executed a large cycle of works known as the Contrasts of Forms. The series embraces the genres of landscape, still life, and figure, but at its core are numerous arresting compositions that sweep aside observation to focus on formal principles. The common denominator is a complex vocabulary of mingled cones, cylinders, cubes, and planes, vigorously outlined and scrubbed with color (in the paintings) or with black ink and white gouache (in the works on paper). The Contrasts of Forms are essential to two great chapters in the history of modern art in the years before the First World War: first, the development of cubism, and second, the emergence of abstract art. Curated by Léger scholar Matthew Affron and organized by the University of Virginia Art Museum, this tightly focused exhibition unites two landmark paintings with eleven works on paper from major museums and private collections. Fernand Léger: Contrasts of Forms was presented at the University of Virginia Art Museum from January 19 to March 18, 2007, and will be at the Fogg Art Museum, Harvard University Art Museums, from April 14 to June 10, 2007. The full-color catalogue features two essays. Affron examines the logic of the Contrasts of Forms and the importance of this cycle in shaping the character of Léger's art. Maria Gough (Stanford University) focuses on the drawings and on Léger's notion of abstraction.
Author : Darby English
Publisher : University of Chicago Press
ISBN 13 : 022627473X
Total Pages : 300 pages
Book Rating : 4.2/5 (262 download)
Download or read book 1971 written by Darby English and published by University of Chicago Press. This book was released on 2016-12-20 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this book, art historian Darby English explores the year 1971, when two exhibitions opened that brought modernist painting and sculpture into the burning heart of United States cultural politics: Contemporary Black Artists in America, at the Whitney Museum of American Art, and The DeLuxe Show, a racially integrated abstract art exhibition presented in a renovated movie theater in a Houston ghetto. 1971: A Year in the Life of Color looks at many black artists’ desire to gain freedom from overt racial representation, as well as their efforts—and those of their advocates—to further that aim through public exhibition. Amid calls to define a “black aesthetic,” these experiments with modernist art prioritized cultural interaction and instability. Contemporary Black Artists in America highlighted abstraction as a stance against normative approaches, while The DeLuxe Show positioned abstraction in a center of urban blight. The importance of these experiments, English argues, came partly from color’s special status as a cultural symbol and partly from investigations of color already under way in late modern art and criticism. With their supporters, black modernists—among them Peter Bradley, Frederick Eversley, Alvin Loving, Raymond Saunders, and Alma Thomas—rose above the demand to represent or be represented, compromising nothing in their appeals for interracial collaboration and, above all, responding with optimism rather than cynicism to the surrounding culture’s preoccupation with color.
