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Forays Into Contemporary South African Theatre
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Book Synopsis Forays into Contemporary South African Theatre by :
Download or read book Forays into Contemporary South African Theatre written by and published by BRILL. This book was released on 2019-11-11 with total page 362 pages. Available in PDF, EPUB and Kindle. Book excerpt: After the end of Apartheid, South African theatre was characterized by a remarkable process of constant aesthetic reinvention. This multivocal volume documents some of the various ways in which the “rainbow” nation has forged these innovative stage idioms.
Book Synopsis The Methuen Drama Guide to Contemporary South African Theatre by : Martin Middeke
Download or read book The Methuen Drama Guide to Contemporary South African Theatre written by Martin Middeke and published by Bloomsbury Publishing. This book was released on 2015-11-19 with total page 393 pages. Available in PDF, EPUB and Kindle. Book excerpt: South Africa has a uniquely rich and diverse theatre tradition which has responded energetically to the country's remarkable transition, helping to define the challenges and contradictions of this young democracy. This volume considers the variety of theatre forms, and the work of the major playwrights and theatre makers producing work in democratic South Africa. It offers an overview of theatre pioneers and theatre forms in Part One, before concentrating on the work of individual playwrights in Part Two. Through its wide-ranging survey of indigenous drama written predominantly in the English language and the analysis of more than 100 plays, a detailed account is provided of post-apartheid South African theatre and its engagement with the country's recent history. Part One offers six overview chapters on South African theatre pioneers and theatre forms. These include consideration of the work of artists such as Barney Simon, Mbongeni Ngema, Phyllis Klotz; the collaborations of William Kentridge and the Handspring Puppet Company; the work of Magnet Theatre, and of physical and popular community theatre forms. Part Two features chapters on twelve major playwrights, including Athol Fugard, Reza de Wet, Lara Foot, Zakes Mda, Yaël Farber, Mpumelelo Paul Grootboom, Mike van Graan and Brett Bailey. It includes a survey of emerging playwrights and significant plays, and the book closes with an interview with Aubrey Sekhabi, the Artistic Director of the South African State Theatre in Pretoria. Written by a team of over twenty leading international scholars, The Methuen Drama Guide to Contemporary South African Theatre is a unique resource that will be invaluable to students and scholars from a range of different disciplines, as well as theatre practitioners.
Book Synopsis Theatre & Change in South Africa by : Geoffrey Davis
Download or read book Theatre & Change in South Africa written by Geoffrey Davis and published by Routledge. This book was released on 2020-04-27 with total page 358 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 1997. Can South African theatre continue to maintain its autonomy and exercise its critical role? Can one rethink form and find new content? Can a concept of post-protest theatre be developed? How might theatre contribute to post-apartheid soceity? These are just of the questions addressed in this book. The real and present difficulties South Africian theatre is facing, as well as possible future orientations, are clearly shown, at one of the most complex moments of political transition in the history of the South African society. The authors include contributions from playwrights, actors, visual artists, poets, directors, administrators, critics and theatre academics. Their comments and thoughts portray the active process of reflection and reappraisal, redefining their artistic and political aims, searching for new and vital theatrical forms.
Book Synopsis The Palgrave Handbook of Theatre and Race by : Tiziana Morosetti
Download or read book The Palgrave Handbook of Theatre and Race written by Tiziana Morosetti and published by Springer Nature. This book was released on 2021-04-20 with total page 517 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first comprehensive publication on the subject, this book investigates interactions between racial thinking and the stage in the modern and contemporary world, with 25 essays on case studies that will shed light on areas previously neglected by criticism while providing fresh perspectives on already-investigated contexts. Examining performances from Europe, the Americas, the Middle East, Africa, China, Australia, New Zealand, and the South Pacifi c islands, this collection ultimately frames the history of racial narratives on stage in a global context, resetting understandings of race in public discourse.
Book Synopsis Theatre and Change in South Africa by : Geoffrey V. Davis
Download or read book Theatre and Change in South Africa written by Geoffrey V. Davis and published by Routledge. This book was released on 1996 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
Book Synopsis Dream of the Dog by : Craig Higginson
Download or read book Dream of the Dog written by Craig Higginson and published by Bloomsbury Publishing. This book was released on 2010-04-27 with total page 73 pages. Available in PDF, EPUB and Kindle. Book excerpt: KwaZulu-Natal, South Africa, shortly after the millennium. Patricia and Richard Wiley, an elderly white couple, are packing up to leave the farm they’ve sold to developers. Their preparations are interrupted by the arrival of a young man – ‘Look Smart’ – who used to be one of the black workers on their estate until he disappeared fifteen years ago. The day before Look Smart left, something terrible happened on the Wileys’ farm. But everyone has a different memory of the dreadful event and their own role in it. As the different accounts of their shared past are unravelled, they are all forced to confront their own versions of the truth – with shocking ramifications for their lives today. Dream of the Dog is a richly textured and complex story of South Africa’s emerging democracy, and its continued negotiation with its past in order to find a workable identity for its future. Critically acclaimed in South Africa, this new play takes an unflinching look at the twin mantras of the post-Mandela age – reconciliation and forgiveness – as it asks whether black and white can ever live together peacefully.
Book Synopsis The Methuen Drama Guide to Contemporary South African Theatre by : Martin Middeke
Download or read book The Methuen Drama Guide to Contemporary South African Theatre written by Martin Middeke and published by . This book was released on with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: South Africa has a uniquely rich and diverse theatre tradition which has responded energetically to the country's remarkable transition, helping to define the challenges and contradictions of this young democracy. This volume considers the variety of theatre forms, and the work of the major playwrights and theatre makers producing work in democratic South Africa.
Book Synopsis The Ground on which I Stand by : August Wilson
Download or read book The Ground on which I Stand written by August Wilson and published by Theatre Communications Grou. This book was released on 2001 with total page 54 pages. Available in PDF, EPUB and Kindle. Book excerpt: August Wilson's radical and provocative call to arms.
Book Synopsis Routledge Handbook of African Theatre and Performance by : Kene Igweonu
Download or read book Routledge Handbook of African Theatre and Performance written by Kene Igweonu and published by Taylor & Francis. This book was released on 2024-06-10 with total page 811 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Routledge Handbook of African Theatre and Performance brings together the very latest international research on the performing arts across the continent and the diaspora into one expansive and wide-ranging collection. The book offers readers a compelling journey through the different ideas, people and practices that have shaped African theatre and performance, from pre-colonial and colonial times, right through to the 20th and early 21st centuries. Resolutely Pan-African and inter- national in its coverage, the book draws on the expertise of a wide range of Africanist scholars, and also showcases the voices of performers and theatre practitioners working on the cutting-edge of African theatre and performance practice. Contributors aim to answer some of the big questions about the content (nature, form) and context (processes, practice) of theatre, whilst also painting a pluralistic and complex picture of the diversity of cultural, political and artistic exigencies across the continent. Covering a broad range of themes including postcolonialism, transnationalism, interculturalism, Afropolitanism, development and the diaspora, the handbook concludes by projecting possible future directions for African theatre and performance as we continue to advance into the 21st century and beyond. This ground-breaking new handbook will be essential reading for students and researchers studying theatre and performance practices across Africa and the diaspora. Kene Igweonu is Professor of Creative Education at University of the Arts London, where he is also Pro Vice-Chancellor and Head of London College of Communication. An interdisciplinary researcher, Professor Igweonu has extensive experience of senior academic leadership in immersive and interactive practices and performance practice. His practice research and publication interests are in storytelling, theatre, and performance in Africa and its Diaspora, as well as the Feldenkrais Method in health, wellbeing, and performance training. A champion for arts and creative industries, Professor Igweonu is Chair of DramaHE, Council Member for Creative UK, and until August 2023, President of the African Theatre Association.
Book Synopsis Women, Politics and Performance in South African Theatre Today by : Lizbeth Goodman
Download or read book Women, Politics and Performance in South African Theatre Today written by Lizbeth Goodman and published by Routledge. This book was released on 2012-10-02 with total page 112 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 1999, 'Women, Politics and Performance in South African Theatre Today' is an important contribution to Performance.
Book Synopsis Wom Pol Perf S/Afr Thre by : Goodman L
Download or read book Wom Pol Perf S/Afr Thre written by Goodman L and published by Routledge. This book was released on 2005-08-08 with total page 74 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
Book Synopsis Strategies for Survival at SIBIKWA 1988 – 2021 by : Phyllis Klotz
Download or read book Strategies for Survival at SIBIKWA 1988 – 2021 written by Phyllis Klotz and published by Taylor & Francis. This book was released on 2022-12-30 with total page 217 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book provides an engaging and contextualised insight into a South African township-based arts centre that has survived the vicissitudes of steady militarisation in townships during some of the worst years of apartheid as well as the exhilaration of a new democratic policy while attempting to circumnavigate different policies and funding dispensations. Sibikwa provides arts centres across the world and especially those in decolonising countries with strategies for survival in tumultuous times. This multi-disciplinary book maps and co-ordinates wider historical, political, and social contextual concerns and events with matters specific to a community-based east of Johannesburg and provides an exploration and analysis by experts of authentic theatre-making and performance, dance, indigenous music, arts in education and NGO governance. It has contemporary significance and raises important questions regarding inclusivity and transformation, the function and future of arts centres, community-based applied arts practices, creativity, and international partnerships. This study will be of great interest to students and scholars in theatre and performance, indigenous music, dance, and South African history.
Book Synopsis A Century of South African Theatre by : Loren Kruger
Download or read book A Century of South African Theatre written by Loren Kruger and published by Bloomsbury Publishing. This book was released on 2019-11-28 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: “Theatre is not part of our vocabulary”: Sipho Sepamla's provocation in 1981, the year of famous anti-apartheid play Woza Albert!, prompts the response, yes indeed, it is. A Century of South African Theatre demonstrates the impact of theatre and other performances-pageants, concerts, sketches, workshops, and performance art-over the last hundred years. Its coverage includes African responses to pro-British pageants celebrating white Union in 1910, such as the Emancipation Centenary of the abolition of British colonial slavery in 1934 organized by Griffiths Motsieloa and HIE Dhlomo, through anti-apartheid testimonial theatre by Athol Fugard, Maishe Maponya, Gcina Mhlophe, and many others, right up to the present dramatization of state capture, inequality and state violence in today's unevenly democratic society, where government has promised much but delivered little. Building on Loren Kruger's personal observations of forty years as well as her published research, A Century of South African Theatre provides theoretical coordinates from institution to public sphere to syncretism in performance in order to highlight South Africa's changing engagement with the world from the days of Empire, through the apartheid era to the multi-lateral and multi-lingual networks of the 21st century. The final chapters use the Constitution's injunction to improve wellbeing as a prompt to examine the dramaturgy of new problems, especially AIDS and domestic violence, as well as the better known performances in and around the Truth and Reconciliation Commission. Kruger critically evaluates internationally known theatre makers, including the signature collaborations between animator/designer William Kentridge, and Handspring Puppet Company, and highlights the local and transnational impact of major post-apartheid companies such as Magnet Theatre.
Book Synopsis Bafana Republic and Other Satires by : Mike van Graan
Download or read book Bafana Republic and Other Satires written by Mike van Graan and published by NYU Press. This book was released on 2020-06-01 with total page 181 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of satirical sketches takes readers on a sometimes cynical, sometimes hilarious trip through many of the issues that face democratic South Africa The seed of this collection was sown in 2007 when South Africa won the right to host the 2010 FIFA World Cup. The debate about huge amounts of public funds being spent on a 'vanity project' instead of being used to improve the lives of the majority of the country’s citizens inspired Mike van Graan, one of South Africa's leading contemporary political playwrights, to use sport as an entry point for satirical commentary. Van Graan follows this with piercing attention towards matters of the state. With themes ranging from the World Cup to the political football of land, from the violent abuse of women to state capture, this selection of satirical sketches takes readers on a rollercoaster trip through many of the issues that face democratic South Africa. The sketches come from six one-person revues, Bafana Republic (2007), Bafana Republic: Extra Time (2008), Bafana Republic: Penalty Shootout (2009), Pay Back the Curry (2016), State Fracture (2017) and Land Acts (2018). Van Graan uses a potent mix of comedy, poetry and drama to make points that hit hard at core issues which 21st-century South Africans are struggling with. Readers will laugh and cringe and sometimes cry, but one thing they will not be able to do is remain unaffected.
Book Synopsis South African Drama and Theatre from Pre-colonial Times to the 1990s: An Alternative Reading by : Mzo Sirayi
Download or read book South African Drama and Theatre from Pre-colonial Times to the 1990s: An Alternative Reading written by Mzo Sirayi and published by Xlibris Corporation. This book was released on 2012 with total page 211 pages. Available in PDF, EPUB and Kindle. Book excerpt: Mzo Sirayi has embarked on a highly impressive and daring enterprise with the unfl inching boldness of a scholar who is driven by a passionate pursuit to set the record straight. He manages to pull no punches and make no apologies by being true to his convictions, especially within the context of a new South Africa. The book adopts a largely historicized, critical and analytical perspective, which strikingly approximates that of postcolonial theory. — Owen Seda This new and authoritative book is an excellent addition to the few existing books on black South African drama and theatre. South African Drama and Th eatre from Pre-colonial Times to 1990s: An Alternative Reading takes the reader on a tour of the indigenous as well as the modern South African theatre zones. The chapters reverberate with echoes of Africanisation and rock on renaissance waves. This exciting and stimulating book is transparently readable, accessible and is of inestimable value to academics and general readers. — Patrick Ebewo
Book Synopsis Remaking Pacific Pasts by : Diana Looser
Download or read book Remaking Pacific Pasts written by Diana Looser and published by University of Hawaii Press. This book was released on 2014-10-31 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the late 1960s, drama by Pacific Island playwrights has flourished throughout Oceania. Although many Pacific Island cultures have a broad range of highly developed indigenous performance forms—including oral narrative, clowning, ritual, dance, and song—scripted drama is a relatively recent phenomenon. Emerging during a period of region-wide decolonization and indigenous self-determination movements, most of these plays reassert Pacific cultural perspectives and performance techniques in ways that employ, adapt, and challenge the conventions and representations of Western theater. Drawing together discussions in theater and performance studies, historiography, Pacific studies, and postcolonial studies, Remaking Pacific Pasts offers the first full-length comparative study of this dynamic and expanding body of work. It introduces readers to the field with an overview of significant works produced throughout the region over the past fifty years, including plays in English and in French, as well as in local vernaculars and lingua francas. The discussion traces the circumstances that have given rise to a particular modern dramatic tradition in each site and also charts routes of theatrical circulation and shared artistic influences that have woven connections beyond national borders. This broad survey contextualizes the more detailed case studies that follow, which focus on how Pacific dramatists, actors, and directors have used theatrical performance to critically engage the Pacific’s colonial and postcolonial histories. Chapters provide close readings of selected plays from Hawai‘i, Aotearoa/New Zealand, New Caledonia/Kanaky, and Fiji that treat events, figures, and legacies of the region’s turbulent past: Captain Cook’s encounters, the New Zealand Wars, missionary contact, the overthrow of the Hawaiian monarchy, and the Fiji coups. The book explores how, in their remembering and retelling of these pasts, theater artists have interrogated and revised repressive and marginalizing models of historical understanding developed through Western colonialism or exclusionary indigenous nationalisms, and have opened up new spaces for alternative historical narratives and ways of knowing. In so doing, these works address key issues of identity, genealogy, representation, political parity, and social unity, encouraging their audiences to consider new possibilities for present and future action. This study emphasizes the contribution of artistic production to social and political life in the contemporary Pacific, demonstrating how local play production has worked to facilitate processes of creative nation building and the construction of modern regional imaginaries. Remaking Pacific Pasts makes valuable contributions to Pacific literature, world theater history, Pacific studies, and postcolonial studies. The book opens up to comparative critical discussion a geopolitical region that has received little attention from theater and performance scholars, extending our understanding of the form and function of theater in different cultural contexts. It enriches existing discussions in postcolonial studies about the decolonizing potential of literary and artistic endeavors, and it suggests how theater might function as a mode of historical enquiry and debate, adding to discussions about ways in which Pacific histories might be developed, challenged, or recalibrated. Consequently, the book stimulates new discussions in Pacific studies where theater has, to date, suffered from a lack of critical exposure. Carefully researched and original in its approach, Remaking Pacific Pasts will appeal to scholars, graduate students, and upper-level undergraduate students in theater and performance studies and Pacific Islands studies; it will also be of interest to cultural historians and to specialists in cultural studies and postcolonial studies.
Book Synopsis World Encyclopedia of Contemporary Theatre by : Ousmane Diakhate
Download or read book World Encyclopedia of Contemporary Theatre written by Ousmane Diakhate and published by Routledge. This book was released on 2013-10-18 with total page 732 pages. Available in PDF, EPUB and Kindle. Book excerpt: Now available in paperback for the first time this edition of the World Encyclopedia of Contemporary Theatre series examines theatrical developments in Africa since 1945. Entries on thirty-two African countries are featured in this volume, preceded by specialist introductory essays on Anglophone Africa, Francophone Africa, History and Culture, Cosmology, Music, Dance, Theatre for Young Audiences and Puppetry. There are also special introductory general essays on African theatre written by Nobel Prize Laureate Wole Soyinka and the outstanding Congolese playwright, Sony Labou Tansi, before his untimely death in 1995. More up-to-date and more wide-ranging than any other publication, this is undoubtedly a major ground-breaking survey of contemporary African theatre.
