Film's Musical Moments

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Publisher : Edinburgh University Press
ISBN 13 : 0748627278
Total Pages : 240 pages
Book Rating : 4.7/5 (486 download)

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Book Synopsis Film's Musical Moments by : Ian Conrich

Download or read book Film's Musical Moments written by Ian Conrich and published by Edinburgh University Press. This book was released on 2006-07-14 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: The scope of this collection is indicative of the breadth and diversity of music's role in cinema, as is its emphasis on musical contributions to 'non-musical' films. By bringing together chapters that are concerned both with the relationship between performance, music and film and the specificity of national, historical, social, and cultural contexts, Film's Musical Moments will be of equal importance to students of film studies, cultural studies and music. The book is organised into four sections: Music, Film, Culture focuses on cinema representations of music forms; Stars, Performance and Reception explores stars, fan cultures and intertextuality; The Post-Classical Hollywood Musical considers the importance of popular music to contemporary cinema; and Beyond Hollywood looks to specific national contexts.

US Youth Films and Popular Music

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Publisher : Routledge
ISBN 13 : 1317367391
Total Pages : 186 pages
Book Rating : 4.3/5 (173 download)

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Book Synopsis US Youth Films and Popular Music by : Tim McNelis

Download or read book US Youth Films and Popular Music written by Tim McNelis and published by Routledge. This book was released on 2017-04-21 with total page 186 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book brings theory from popular music studies to an examination of identity and agency in youth films while building on, and complementing, film studies literature concerned with genre, identity, and representation. McNelis includes case studies of Hollywood and independent US youth films that have had commercial and/or critical success to illustrate how films draw on specific discourses surrounding popular music genres to convey ideas about gender, race, ethnicity, sexuality, and other aspects of identity. He develops the concept of ‘musical agency’, a term he uses to discuss the relationship between film music and character agency, also examining the music characters listen to and discuss, as well as musical performances by the characters themselves

When Music Takes Over in Film

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Author :
Publisher : Springer Nature
ISBN 13 : 3030891550
Total Pages : 265 pages
Book Rating : 4.0/5 (38 download)

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Book Synopsis When Music Takes Over in Film by : Anna K. Windisch

Download or read book When Music Takes Over in Film written by Anna K. Windisch and published by Springer Nature. This book was released on 2023-05-02 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: This open access collection deals with musical moments in film as one of the most pivotal and compelling issues of current film music research. Musical moments as defined by Amy Herzog occur when a musical number inverts the normal relationship between the image track and the soundtrack in a film in such a way that what we see is determined by what we hear. As one potential approach, this definition provokes a variety of perspectives to investigate the disruptive potential of these moments and numbers as a creative device in the production of audiovisual narratives. In this sense, the book responds to a need for an anthology that introduces students as well as scholars of cinema, musicology, media studies and cultural studies more broadly, to recent discourses in film music scholarship. The volume includes contributions by early career researchers as well as by established experts in the fields of musicology, film studies, media studies, and cultural studies, promoting cross-disciplinary collaboration in film music research.

Musicals at the Margins

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Publisher : Bloomsbury Publishing USA
ISBN 13 : 1501357093
Total Pages : 264 pages
Book Rating : 4.5/5 (13 download)

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Book Synopsis Musicals at the Margins by : Julie Lobalzo Wright

Download or read book Musicals at the Margins written by Julie Lobalzo Wright and published by Bloomsbury Publishing USA. This book was released on 2021-04-22 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: But is it a musical? This question is regularly asked of films, television shows and other media objects that sit uncomfortably in the category despite evident musical connections. Musicals at the Margins argues that instead of seeking to resolve such questions, we should leave them unanswered and unsettled, proposing that there is value in examining the unstable edges of genre. This collection explores the marginal musical in a diverse range of historical and global contexts. It encompasses a range of different forms of marginality including boundary texts (films/media that are sort of/not quite musicals), musical sequences (marginalized sequences in musicals; musical sequences in non-musicals), music films, musicals of the margins (musicals produced from social, cultural, geographical, and geopolitical margins), and musicals across media (television and new media). Ultimately these essays argue that marginal genre texts tell us a great deal about the musical specifically and genre more broadly.

Music in Contemporary French Cinema

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Publisher : Springer
ISBN 13 : 3319523627
Total Pages : 273 pages
Book Rating : 4.3/5 (195 download)

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Book Synopsis Music in Contemporary French Cinema by : Phil Powrie

Download or read book Music in Contemporary French Cinema written by Phil Powrie and published by Springer. This book was released on 2017-06-29 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores composed scores and pre-existing music in French cinema from 1985 to 2015 so as to identify critical musical moments. It shows how heritage films construct space through music, generating what Powrie calls “third space music,” while also working to contain the strong women characters found in French heritage films through the use of leitmotifs and musical cues. He analyses fiction films in which the protagonists perform at the piano, showing how musical performance supports the performance of gender. Building on aspects of musical performance, and in particular the use of songs performed in films, Powrie uses a database of 300 films since 2010 to theorize the intervention of music at critical moments as a “crystal-song”. Applying Roland Barthes’s concept of the “punctum” and Gille Deleuze’s concept of the “crystal-image,” Powrie establishes the importance of the crystal-song, which reconfigures time as a crystallization of past, present and future.

Contemporary Musical Film

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Publisher : Edinburgh University Press
ISBN 13 : 1474413145
Total Pages : 208 pages
Book Rating : 4.4/5 (744 download)

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Book Synopsis Contemporary Musical Film by : Kevin J. Donnelly

Download or read book Contemporary Musical Film written by Kevin J. Donnelly and published by Edinburgh University Press. This book was released on 2017-06-26 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the turn of the millennium, films such as Chicago (2002) and Phantom of the Opera (2004) have reinvigorated the popularity of the screen musical. This edited collection, bringing together a number of international scholars, looks closely at the range and scope of contemporary film musicals, from stage adaptations like Mamma Mia! (2008) and Les Miserables (2012), to less conventional works that elide the genre, like Team America: World Police (2004) and Quentin Tarantino's Kill Bill (2003/04). Looking at the varying aesthetic function of soundtrack and lyric in films like Disney's wildly popular Frozen (2013) and the Fast and the Furious franchise, or the self-reflexive commentary of the 'post-millennial rock musical', this wide-ranging collection breaks new ground in its study of this multifaceted genre.

Film Music: A History

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Publisher : Routledge
ISBN 13 : 1135851425
Total Pages : 328 pages
Book Rating : 4.1/5 (358 download)

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Book Synopsis Film Music: A History by : James Wierzbicki

Download or read book Film Music: A History written by James Wierzbicki and published by Routledge. This book was released on 2009-01-21 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: Film Music: A History explains the development of film music by considering large-scale aesthetic trends and structural developments alongside socioeconomic, technological, cultural, and philosophical circumstances. The book’s four large parts are given over to Music and the "Silent" Film (1894--1927), Music and the Early Sound Film (1895--1933), Music in the "Classical-Style" Hollywood Film (1933--1960), and Film Music in the Post-Classic Period (1958--2008). Whereas most treatments of the subject are simply chronicles of "great film scores" and their composers, this book offers a genuine history of film music in terms of societal changes and technological and economic developments within the film industry. Instead of celebrating film-music masterpieces, it deals—logically and thoroughly—with the complex ‘machine’ whose smooth running allowed those occasional masterpieces to happen and whose periodic adjustments prompted the large-scale twists and turns in film music’s path.

Popular Film Music and Masculinity in Action

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Publisher : Routledge
ISBN 13 : 1134109342
Total Pages : 188 pages
Book Rating : 4.1/5 (341 download)

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Book Synopsis Popular Film Music and Masculinity in Action by : Amanda Howell

Download or read book Popular Film Music and Masculinity in Action written by Amanda Howell and published by Routledge. This book was released on 2015-02-11 with total page 188 pages. Available in PDF, EPUB and Kindle. Book excerpt: Amanda Howell offers a new perspective on the contemporary pop score as the means by which masculinities not seen—or heard—before become a part of post-World War II American cinema. Popular Film Music and Masculinity in Action addresses itself to an eclectic mix of film, from Elvis and Travolta star vehicles to Bruckheimer-produced blockbuster action, including the work of musically-innovative directors, Melvin Van Peebles, Martin Scorsese, Gregg Araki, and Quentin Tarantino. Of particular interest is the way these films and their representations of masculinity are shaped by generic exchanges among contemporary music, music cultures, and film, combining American cinema's long-standing investment in violence-as-spectacle with similarly body-focused pleasures of contemporary youth music. Drawing on scholarship of popular music and the pop score as well as feminist film and media studies, Howell addresses an often neglected area of gender representation by considering cinematic masculinity as an audio-visual construction. Through her analyses of music’s role in action and other film genres that share its investment in violence, she reveals the mechanisms by which the pop score has helped to reinvent gender—and gendered fictions of male empowerment—in contemporary screen entertainment.

'Grease Is the Word'

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Publisher : Anthem Press
ISBN 13 : 1785271113
Total Pages : 238 pages
Book Rating : 4.7/5 (852 download)

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Book Synopsis 'Grease Is the Word' by : Oliver Gruner

Download or read book 'Grease Is the Word' written by Oliver Gruner and published by Anthem Press. This book was released on 2019-11-22 with total page 238 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bringing together a group of international scholars from diverse academic backgrounds, ‘Grease Is the Word’ analyses the cultural phenomenon Grease. From the stage show’s first appearance in 1971 to the Hollywood film of 1978 and twenty-first century responses to the ‘Grease Megamix’, ‘Grease Is the Word’ reflects on the musical’s impact and enduring legacy. With essays covering everything from the film’s production history, political representations and industrial impact to its stars and reception, the book shines a spotlight on one of Broadway’s and Hollywood’s biggest commercial successes. By adopting a range of perspectives and drawing on various visual, textual and archival sources, the contributors maintain a vibrant dialogue throughout, offering a timely reappraisal of a musical that continues to resonate with fans and commentators the world over.

The Oxford Handbook of Cinematic Listening

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Publisher : Oxford University Press
ISBN 13 : 0190853611
Total Pages : 789 pages
Book Rating : 4.1/5 (98 download)

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Book Synopsis The Oxford Handbook of Cinematic Listening by : Carlo Cenciarelli

Download or read book The Oxford Handbook of Cinematic Listening written by Carlo Cenciarelli and published by Oxford University Press. This book was released on 2021 with total page 789 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Oxford Handbook of Cinematic Listening explores the intersection between the history of listening and the history of the moving image. Featuring established and emergent scholars from musicology, film studies, and literary studies, ethnomusicology and sound studies, popular music,sociology, media and communications, and psychology, this Handbook offers a wide range of case studies and methodological perspectives on the archaeologies, aesthetics, and extensions of cinematic listening.Chapters are structured around six themes: Part I ("Genealogies and Beginnings") considers film sound in light of pre-existing genres such as opera and shadow theatre, and explores changes in listening taking place at critical junctures in the early history of cinema. Part II ("Locations andRelocations") focuses on specific venues and presentational practices (from roadshow movies to and contemporary live-score screenings). Part III ("Representations and Re-presentations") zooms into the formal properties of specific films, analysing representations of listening on screen as well as onthe role of sound as a representational surplus. Part IV ("The Listening Body") focuses on cinematic sound as a powerful and sensual stimulus that has the power to engage the full body sensorium. Part V ("Listening again") discusses a range of ways in which film sound is encountered andreinterpreted outside the cinema, through ancillary materials like songs and soundtrack albums, in experimental conditions, and in pedagogical contexts. Part VI ("Between Media") compares the listening protocols of cinema with those of TV series and music video, promenade theatre and personalstereos, video games and Virtual Reality.

Cult Cinema

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Publisher : John Wiley & Sons
ISBN 13 : 1444396439
Total Pages : 326 pages
Book Rating : 4.4/5 (443 download)

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Book Synopsis Cult Cinema by : Ernest Mathijs

Download or read book Cult Cinema written by Ernest Mathijs and published by John Wiley & Sons. This book was released on 2012-03-30 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cult Cinema: an Introduction presents the first in-depth academic examination of all aspects of the field of cult cinema, including audiences, genres, and theoretical perspectives. Represents the first exhaustive introduction to cult cinema Offers a scholarly treatment of a hotly contested topic at the center of current academic debate Covers audience reactions, aesthetics, genres, theories of cult cinema, as well as historical insights into the topic

Free and Easy?

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Publisher : John Wiley & Sons
ISBN 13 : 1405194960
Total Pages : 342 pages
Book Rating : 4.4/5 (51 download)

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Book Synopsis Free and Easy? by : Sean Griffin

Download or read book Free and Easy? written by Sean Griffin and published by John Wiley & Sons. This book was released on 2017-07-24 with total page 342 pages. Available in PDF, EPUB and Kindle. Book excerpt: A History of the American Musical narrates the evolution of the film musical genre, discussing its influences and how it has come to be defined; the first text on this subject for over two decades, it employs the very latest concepts and research. The most up-to-date text on the subject, with uniquely comprehensive coverage and employing the very latest concepts and research Surveys centuries of music history from the music and dance of Native Americans to contemporary music performance in streaming media Examines the different ways the film musical genre has been defined, what gets counted as a musical, why, and who gets to make that decision The text is written in an accessible manner for general cinema and musical theatre buffs, whilst retaining theoretical rigour in research Describes the contributions made to the genre by marginalized or subordinated identity groups who have helped invent and shape the musical

The Musicality of Narrative Film

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Publisher : Springer
ISBN 13 : 1137489995
Total Pages : 220 pages
Book Rating : 4.1/5 (374 download)

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Book Synopsis The Musicality of Narrative Film by : D. Kulezic-Wilson

Download or read book The Musicality of Narrative Film written by D. Kulezic-Wilson and published by Springer. This book was released on 2015-04-14 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Musicality of Narrative Film is the first book to examine in depth the film/music analogy. Using comparative analysis, Kulezic-Wilson explores film's musical potential, arguing that film's musicality can be achieved through various cinematic devices, with or without music.

A Companion to Japanese Cinema

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Publisher : John Wiley & Sons
ISBN 13 : 111895534X
Total Pages : 724 pages
Book Rating : 4.1/5 (189 download)

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Book Synopsis A Companion to Japanese Cinema by : David Desser

Download or read book A Companion to Japanese Cinema written by David Desser and published by John Wiley & Sons. This book was released on 2022-04-22 with total page 724 pages. Available in PDF, EPUB and Kindle. Book excerpt: Go beyond Kurosawa and discover an up-to-date and rigorous examination of historical and modern Japanese cinema In A Companion to Japanese Cinema, distinguished cinematic researcher David Desser delivers insightful new material on a fascinating subject, ranging from the introduction and exploration of under-appreciated directors, like Uchida Tomu and Yoshimura Kozaburo, to an appreciation of the Golden Age of Japanese cinema from the point of view of little-known stars and genres of the 1950s. This Companion includes new resources that deal in-depth with the issue of gender in Japanese cinema, including a sustained analysis of Kawase Naomi, arguably the most important female director in Japanese film history. Readers will appreciate the astute material on the connections and relationships that tie together Japanese television and cinema, with implications for understanding the modern state of Japanese film. The Companion concludes with a discussion of the Japanese media’s response to the 3/11 earthquake and tsunami that devastated the nation. The book also includes: A thorough introduction to the History, Ideology, and Aesthetics of Japanese cinema, including discussions of Kyoto as the cinematic center of Japan and the Pure Film Movement and modern Japanese film style An exploration of the background to the famous story of Taki no Shiraito and the significant and underappreciated contributions of directors Uchida Tomu, as well as Yoshimura Kozaburo A rigorous comparison of old and new Japanese cinema, including treatments of Ainu in documentary films and modernity in film exhibition Practical discussions of intermediality, including treatments of scriptwriting in the 1930s and the influence of film on Japanese television Perfect for upper-level undergraduate and graduate students studying Japanese and Asian cinema, A Companion to Japanese Cinema is a must-read reference for anyone seeking an insightful and contemporary discussion of modern scholarship in Japanese cinema in the 20th and 21st centuries.

Soundtrack Available

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Author :
Publisher : Duke University Press
ISBN 13 : 0822380986
Total Pages : 503 pages
Book Rating : 4.8/5 (223 download)

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Book Synopsis Soundtrack Available by : Arthur Knight

Download or read book Soundtrack Available written by Arthur Knight and published by Duke University Press. This book was released on 2001-12-03 with total page 503 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the silent era to the present day, popular music has been a key component of the film experience. Yet there has been little serious writing on film soundtracks that feature popular music. Soundtrack Available fills this gap, as its contributors provide detailed analyses of individual films as well as historical overviews of genres, styles of music, and approaches to film scoring. With a cross-cultural emphasis, the contributors focus on movies that use popular songs from a variety of genres, including country, bubble-gum pop, disco, classical, jazz, swing, French cabaret, and showtunes. The films discussed range from silents to musicals, from dramatic and avant-garde films to documentaries in India, France, England, Australia, and the United States. The essays examine both “nondiegetic” music in film—the score playing outside the story space, unheard by the characters, but no less a part of the scene from the perspective of the audience—and “diegetic” music—music incorporated into the shared reality of the story and the audience. They include analyses of music written and performed for films, as well as the now common practice of scoring a film with pre-existing songs. By exploring in detail how musical patterns and structures relate to filmic patterns of narration, character, editing, framing, and mise-en-scene, this volume demonstrates that pop music is a crucial element in the film experience. It also analyzes the life of the soundtrack apart from the film, tracing how popular music circulates and acquires new meanings when it becomes an official soundtrack. Contributors. Rick Altman, Priscilla Barlow, Barbara Ching, Kelley Conway, Corey Creekmur, Krin Gabbard, Jonathan Gill, Andrew Killick, Arthur Knight, Adam Knee, Jill Leeper, Neepa Majumdar, Allison McCracken, Murray Pomerance, Paul Ramaeker, Jeff Smith, Pamela Robertson Wojcik, Nabeel Zuberi

Celluloid Symphonies

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Publisher : Univ of California Press
ISBN 13 : 0520947436
Total Pages : 1050 pages
Book Rating : 4.5/5 (29 download)

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Book Synopsis Celluloid Symphonies by : Julie Hubbert

Download or read book Celluloid Symphonies written by Julie Hubbert and published by Univ of California Press. This book was released on 2011-03-02 with total page 1050 pages. Available in PDF, EPUB and Kindle. Book excerpt: Celluloid Symphonies is a unique sourcebook of writings on music for film, bringing together fifty-three critical documents, many previously inaccessible. It includes essays by those who created the music—Max Steiner, Erich Korngold, Jerry Goldsmith, Elmer Bernstein and Howard Shore—and outlines the major trends, aesthetic choices, technological innovations, and commercial pressures that have shaped the relationship between music and film from 1896 to the present. Julie Hubbert’s introductory essays offer a stimulating overview of film history as well as critical context for the close study of these primary documents. In identifying documents that form a written and aesthetic history for film music, Celluloid Symphonies provides an astonishing resource for both film and music scholars and for students.

Dreams of Difference, Songs of the Same

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Publisher : U of Minnesota Press
ISBN 13 : 0816660875
Total Pages : 245 pages
Book Rating : 4.8/5 (166 download)

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Book Synopsis Dreams of Difference, Songs of the Same by : Amy Herzog

Download or read book Dreams of Difference, Songs of the Same written by Amy Herzog and published by U of Minnesota Press. This book was released on 2010 with total page 245 pages. Available in PDF, EPUB and Kindle. Book excerpt: Musical spectacles are excessive and abstract, reconfiguring time and space and creating intense bodily responses. Amy Herzog's engaging work examines those instances where music and movement erupt from within more linear narrative frameworks. The representational strategies found in these films are often formulaic, repeating familiar story lines and stereotypical depictions of race, gender, and class. Yet she finds the musical moment contains a powerful disruptive potential. Dreams of Difference, Songs of the Same investigates the tension and the fusion of difference and repetition in films to ask, How does the musical moment work? Herzog looks at an eclectic mix of works, including the Soundie and Scopitone jukebox films, the musicals of French director Jacques Demy, the synchronized swimming spectacles of Esther Williams, and an apocalyptic musical by Taiwanese director Tsai Ming-liang. Several refrains circulate among these texts: their reliance on clichés, their rewriting of cultural narratives, and their hallucinatory treatment of memory and history. Drawing on the philosophical work of Gilles Deleuze, she explores all of these dissonances as productive forces, and in doing so demonstrates the transformative power of the unexpected.