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Festchrift Fur Walter Wiora Zum 30 Dezember 1966
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Book Synopsis Festschrift Für Walter Wiora Zum 30. Dezember 1966. Herausgegeben Von Ludwig Finscher und Christoph-Hellmut Mahling. [By Various Authors. With Plates, Including a Portrait, and Musical Illustrations.]. by : Walter WIORA
Download or read book Festschrift Für Walter Wiora Zum 30. Dezember 1966. Herausgegeben Von Ludwig Finscher und Christoph-Hellmut Mahling. [By Various Authors. With Plates, Including a Portrait, and Musical Illustrations.]. written by Walter WIORA and published by . This book was released on 1967 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Festschrift für Walter Walter Wiora zum 30. Dezember 1966 by : Ludwig Finscher
Download or read book Festschrift für Walter Walter Wiora zum 30. Dezember 1966 written by Ludwig Finscher and published by . This book was released on 1967 with total page 677 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Festschrift Walter Wiora zum 30. Dezember 1966 by : Christoph-Hellmut Mahling
Download or read book Festschrift Walter Wiora zum 30. Dezember 1966 written by Christoph-Hellmut Mahling and published by . This book was released on 1967 with total page 678 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Festschrift für Walter Wiora zum 30. Dezember 1966, herausgegeben von Ludwig Finscher und Christoph-Hellmut Mahling. [Geleitwort von Joseph Müller-Blattau. Verzeichnis der Schriften Walter Wioras, von Hellmut Kühn]. by : Walter Wioras
Download or read book Festschrift für Walter Wiora zum 30. Dezember 1966, herausgegeben von Ludwig Finscher und Christoph-Hellmut Mahling. [Geleitwort von Joseph Müller-Blattau. Verzeichnis der Schriften Walter Wioras, von Hellmut Kühn]. written by Walter Wioras and published by . This book was released on 1967 with total page 678 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Festschrift für Walter Wiora by : Ludwig Fischer
Download or read book Festschrift für Walter Wiora written by Ludwig Fischer and published by . This book was released on 1967 with total page 678 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The The Theoretical-Practical Elements of Music, Parts III and IV by : Francesco Galeazzi
Download or read book The The Theoretical-Practical Elements of Music, Parts III and IV written by Francesco Galeazzi and published by University of Illinois Press. This book was released on 2012-06-21 with total page 434 pages. Available in PDF, EPUB and Kindle. Book excerpt: A virtuoso violinist, conductor, composer, and a professor of mathematics and botany, Francesco Galeazzi (1758–1819) firmly believed that musical education should be clear, demonstrable, and practical. In 1791 and 1796, he published the two volumes of his Elementi teorico-practici di musica, a treatise that demonstrated both his thorough grounding in the work of earlier theorists and his own approach to musical study. The first volume gave precise instructions on the violin and how to play it; the second demonstrated his command of other instruments and genres and provided comprehensive introductions to music theory, music history, and music aesthetics. The treatise also addresses the nature of compositional process and eighteenth-century concerns about natural and acquired talent and creativity. This volume offers an unprecedented English translation of the second volume of Elementi teorico-practici di musica, with annotations and commentary. The translation is introduced with a study of Galeazzi's life and milieu, the genesis and sources for the Elementi, and its reception through the present day.
Book Synopsis Music in Medieval Europe by : Alma Santosuosso
Download or read book Music in Medieval Europe written by Alma Santosuosso and published by Routledge. This book was released on 2017-07-05 with total page 413 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book presents the most recent findings of twenty of the foremost European and North American researchers into the music of the Middle Ages. The chronological scope of their topics is wide, from the ninth to the fifteenth century. Wide too is the range of the subject matter: included are essays on ecclesiastical chant, early and late (and on the earliest and latest of its supernumerary tropes, monophonic and polyphonic); on the innovative and seminal polyphony of Notre-Dame de Paris, and the Latin poetry associated with the great cathedral; on the liturgy of Paris, Rome and Milan; on musical theory; on the emotional reception of music near the end of the medieval period and the emergence of modern sensibilities; even on methods of encoding the melodies that survive from the Middle Ages, encoding that makes it practical to apply computer-assisted analysis to their vast number. The findings presented in this book will be of interest to those engaged by music and the liturgy, active researchers and students. All the papers are carefully and extensively documented by references to medieval sources.
Book Synopsis Aspects of the Secular Cantata in Late Baroque Italy by : Michael Talbot
Download or read book Aspects of the Secular Cantata in Late Baroque Italy written by Michael Talbot and published by Routledge. This book was released on 2017-07-05 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: As shown by the ever-increasing volume of recordings, editions and performances of the vast repertory of secular cantatas for solo voice produced, primarily in Italy, in the second half of the seventeenth century and the first half of the eighteenth century, this long neglected genre has at last 'come of age'. However, scholarly interest is currently lagging behind musical practice: incredibly, there has been no general study of the Baroque cantata since Eugen Schmitz's handbook of 1914, and although many academic theses have examined microscopically the cantatas of individual composers, there has been little opportunity to view these against the broader canvas of the genre as a whole. The contributors in this volume choose aspects of the cantata relevant to their special interests in order to say new things about the works, whether historical, analytical, bibliographical, discographical or performance-based. The prime focus is on Italian-born composers working between 1650 and 1750 (thus not Handel), but the opportunity is also taken in one chapter (by Graham Sadler) to compare the French cantata tradition with its Italian parent in association with a startling new claim regarding the intended instrumentation. Many key figures are considered, among them Tomaso Albinoni, Giovanni Bononcini, Giovanni Legrenzi, Benedetto Marcello, Alessandro Scarlatti, Alessandro Stradella, Leonardo Vinci and Antonio Vivaldi. The poetic texts of the cantatas, all too often treated as being of little intrinsic interest, are given their due weight. Space is also found for discussions of the history of Baroque solo cantatas on disc and of the realization of the continuo in cantata arias - a topic more complex and contentious than may at first be apparent. The book aims to stimulate interest in, and to win converts to, this genre, which in its day equalled the instrumental sonata in importance, and in which more than a few composers invested a major part of their creativity.
Book Synopsis The Critical Nexus by : Charles M. Atkinson
Download or read book The Critical Nexus written by Charles M. Atkinson and published by Oxford University Press. This book was released on 2009 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Critical Nexus is the first book to trace the development of the notational matrix of Western music from Antiquity to the fourteenth century. It shows how principles of ancient Greek theory were grafted onto medieval practice, leading to a theory of both tone-system and mode, and a concomitant system of musical notation, that is uniquely Western.
Book Synopsis Music in Medieval and Early Modern Europe by : Iain Fenlon
Download or read book Music in Medieval and Early Modern Europe written by Iain Fenlon and published by Cambridge University Press. This book was released on 1981-05-29 with total page 448 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume consists of original papers first read at King's College, Cambridge, in 1979 at an international conference on medieval and Renaissance music. The contributors are distinguished in a wide variety of musicological interests but all are concerned in one way or another with pursuing the most urgent and promising directions for research in early music history. The result, far from being merely a further collection of essays applying well-tried approaches to familiar material, constantly seeks to expand the scope of musicology itself, and many of the contributions arc inter-disciplinary in method. The four main topics of the conference were carefully chosen, with some editorial control exercised for each session. This is reflected in four sections of closely related papers in the book. Two of these are concerned with the patronage of music: by the Church in fifteenth-century England, Italy and France, and in a broader context in Italy from 1450 to 1550. A group of essays on sixteenth-century instrumental music separates these, and the book concludes with five papers on theories of filiation as applied to music sources from the tenth to the sixteenth century.
Book Synopsis Early Music History: Volume 17 by : Iain Fenlon
Download or read book Early Music History: Volume 17 written by Iain Fenlon and published by Cambridge University Press. This book was released on 1999-03-04 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt: Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume seventeen include: Tropis semper variantibus: Compositional strategies in the offertories of Old Roman chant; Music, identity and the Inquisition in fifteenth-century Spain; Musical aspects of Old Testament canticles in their biblical setting.
Download or read book Johannes Brahms written by Heather Platt and published by Routledge. This book was released on 2004-03-01 with total page 546 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Download or read book Robert Schumann written by John Daverio and published by Oxford University Press, USA. This book was released on 1997 with total page 624 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work focuses on the work of the romantic composer Robert Schumann.
Book Synopsis Theory of African Music, Volume I by : Gerhard Kubik
Download or read book Theory of African Music, Volume I written by Gerhard Kubik and published by University of Chicago Press. This book was released on 2010-08-27 with total page 465 pages. Available in PDF, EPUB and Kindle. Book excerpt: Taken together, these comprehensive volumes offer an authoritative account of the music of Africa. One of the most prominent experts on the subject, Gerhard Kubik draws on his extensive travels and three decades of study in many parts of the continent to compare and contrast a wealth of musical traditions from a range of cultures. In the first volume, Kubik describes and examines xylophone playing in southern Uganda and harp music from the Central African Republic; compares multi-part singing from across the continent; and explores movement and sound in eastern Angola. And in the second volume, he turns to the cognitive study of African rhythm, Yoruba chantefables, the musical Kachamba family of Malaŵi, and African conceptions of space and time. Each volume features an extensive number of photographs and is accompanied by a compact disc of Kubik’s own recordings. Erudite and exhaustive, Theory of African Music will be an invaluable reference for years to come.
Download or read book Beethoven 1806 written by Mark Ferraguto and published by Oxford University Press. This book was released on 2019-08-27 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: Between early 1806 and early 1807, Ludwig van Beethoven completed a remarkable series of instrumental works. But critics have struggled to reconcile the music of this banner year with Beethoven's "heroic style," the paradigm through which his middle-period works have typically been understood. Drawing on theories of mediation and a wealth of primary sources, Beethoven 1806 explores the specific contexts in which the music of this year was conceived, composed, and heard. As author Mark Ferraguto argues, understanding this music depends on appreciating the relationships that it both creates and reflects. Not only did Beethoven depend on patrons, performers, publishers, critics, and audiences to earn a living, but he also tailored his compositions to suit particular sensibilities, proclivities, and technologies.
Book Synopsis Beethoven on Beethoven by : William S. Newman
Download or read book Beethoven on Beethoven written by William S. Newman and published by W. W. Norton & Company. This book was released on 1988 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: "'Must' reading for any pianist concerned with Beethoven's music, which is to say almost every pianist alive." --William Rothstein, Musical Times
Book Synopsis Nationality vs Universality by : Sławomira Żerańska-Kominek
Download or read book Nationality vs Universality written by Sławomira Żerańska-Kominek and published by Cambridge Scholars Publishing. This book was released on 2016-01-14 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: For the last few decades, historiography, considered as the central discipline of musicology, has explored new directions and sought inspiration for further research, consequently redefining the fundamental premises of historical musicology. This is especially true with regard to the concept of music history as the work of great individuals and the domain of artistic works, resulting from either tradition or new inventions. The validity of global and universal perspectives has been questioned, and researchers have emphasized the need to focus on local realities and day-to-day musical life. Another key topic in this ongoing debate is the (im)possibility of writing an “objective” historical narrative. The methodological foundations of the traditional Western model of music historiography have been deconstructed – a process which has revealed its profound and purely one-sided ideological profile. This publication deals with the history of music as a way of representing historical memory and as an instrument of shaping society’s present. It introduces selected European historiographic concepts created outside the “official” mainstream of Western historiography. The contributions to this volume not only demonstrate the cultural diversity of the conventions in which music history is narrated, but also reveal their ideological and political determinants. As such, the book represents fascinating reading for anyone interested in the mechanisms that shape notions of the musical past, which for many nations in Central and Eastern Europe is also a key element of their identity.
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