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Exposition Nationale Des Beaux Arts
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Book Synopsis Bibliotheca Lindesiana ... by : James Ludovic Lindsay Earl of Crawford
Download or read book Bibliotheca Lindesiana ... written by James Ludovic Lindsay Earl of Crawford and published by . This book was released on 1910 with total page 1302 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Impressionism written by John House and published by Yale University Press. This book was released on 2004-01-01 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: A new perspective on Impressionist art that offers revealing, fresh interpretations of familiar paintings In this handsome book, a leading authority on Impressionist painting offers a new view of this admired and immensely popular art form. John House examines the style and technique, subject matter and imagery, exhibiting and marketing strategies, and social, political, and ideological contexts of Impressionism in light of the perspectives that have been brought to it in the last twenty years. When all of these diverse approaches are taken into account, he argues, Impressionism can be seen as a movement that challenged both artistic and political authority with its uncompromisingly modern subject matter and its determinedly secular worldview. Moving from the late 1860s to the early 1880s, House analyzes the paintings and career strategies of the leading Impressionist artists, pointing out the ways in which they countered the dominant conventions of the contemporary art world and evolved their distinctive and immediately recognizable manner of painting. Focusing closely on the technique, composition, and imagery of the paintings themselves and combining this fresh appraisal with recent historical studies of Impressionism, House explores how pictorial style could generate social and political meanings and opens new ways of looking at this luminous art.
Download or read book Corot written by Gary Tinterow and published by Metropolitan Museum of Art. This book was released on 1996 with total page 497 pages. Available in PDF, EPUB and Kindle. Book excerpt: Published to accompany a major exhibition of Jean-Baptiste-Camille Corot's paintings held in Paris and Ottawa during 1996, and forthcoming to New York. From nearly 3,000 paintings by this poetic 19th-century artist, the curators chose 163 works, which are reproduced here along with full art-historical discussions of each. Three major essays chronicle Corot's life and the development of his art; additional essays elucidate the subject of forgeries and describe the collecting of his works. Much original new scholarship is included along with a review of the scholarly literature, a concordance, and a chronology. 9.5x12.5"Annotation copyrighted by Book News, Inc., Portland, OR
Book Synopsis Marketing Modernism in Fin-de-Siècle Europe by : Robert Jensen
Download or read book Marketing Modernism in Fin-de-Siècle Europe written by Robert Jensen and published by Princeton University Press. This book was released on 2022-02-08 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this fundamental rethinking of the rise of modernism from its beginnings in the Impressionist movement, Robert Jensen reveals that market discourses were pervasive in the ideological defense of modernism from its very inception and that the avant-garde actually thrived on the commercial appeal of anti-commercialism at the turn of the century. The commercial success of modernism, he argues, depended greatly on possession of historical legitimacy. The very development of modern art was inseparable from the commercialism many of its proponents sought to transcend. Here Jensen explores the economic, aesthetic, institutional, and ideological factors that led to its dominance in the international art world by the early 1900s. He emphasizes the role of the emerging dealer/gallery market and of modernist art historiographies in evaluating modern art and legitimizing it through the formation of a canon of modernist masters. In describing the canon-building of modern dealerships, Jensen considers the new "ideological dealer" and explores the commercial construction of artistic identity through such rhetorical concepts as temperament and "independent art" and through such institutional structures as the retrospective. His inquiries into the fate of the juste milieu, a group of dissidents who saw themselves as "true heirs" of Impressionism, and his look at a new form of art history emerging in Germany further expose a linear, dealer- oriented history of modernist art constructed by or through the modernists themselves.
Book Synopsis Rivals and Conspirators by : Fae Brauer
Download or read book Rivals and Conspirators written by Fae Brauer and published by Cambridge Scholars Publishing. This book was released on 2014-07-08 with total page 457 pages. Available in PDF, EPUB and Kindle. Book excerpt: Once the State-run Salon in Paris closed, an array of independent Salons mushroomed starting with the French Artists Salon and Women’s Salon in 1881 followed by the Independent Artists’ Salon, National Salon of Fine Arts and Autumn Salon. Offering an unparalleled choice of art identities and alliances, together with undreamed-of opportunities for sales, commissions, prizes and art criticism, these great Salons guaranteed the centripetal and centrifugal power of Paris as the “modern art centre”. Lured by the prospect of being exhibited annually in Salons the size of Biennales today, a huge number and national diversity of artists, from the Australian Rupert Bunny to the Spaniards Pablo Picasso and Juan Gris, flocked to Paris. Yet by no means were these Salons equal in power, nor did they work consensually to forge this “modern art centre”. Formed on the basis of their different cultural politics, constantly they rivalled one another for State acquisitions and commissions, exhibition places and spaces, awards, and every other means of enhancing their legitimacy. By no means were the avant-garde salons those that most succeeded. Instead, as this culturo-political history demonstrates, the French Artists’ and National Fine Art Salons were the most successful, with the genderist French Artists' Salon being the most powerful and “official”. Despite the renown today of Neo-Impressionism, Art Nouveau, Fauvism, Cubism and Orphism, the most powerful artists in this “modern art centre” were not Sonia Delaunay, Émile Gallé, Paul Signac, Henri Matisse or even Picasso but such Academicians as Léon Bonnat, William Bouguereau, Fernand Cormon, Edouard Detaille, Gabriel Ferrier, Jean-Paul Laurens, Luc-Oliver Merson and Aimé Morot, who exhibited at the “official” Salon supported by the machinery of the State. In its exposure of the rivalry, conflict and struggle between the Salons and their artists, this is an unprecedented history of dissension. It also exposes how, just below the welcoming internationalist veneer of this “modern art centre”, intense persecutionist paranoia lay festering. Whenever France’s “civilizing mission” seemed culturally, commercially or colonially threatened, it erupted in waves of nationalist xenophobia turning artistic rivalry into bitter enmity. In exposing how rivals became transmuted into conspirators, ultimately this book reveals a paradox resonant in histories that celebrate the international triumph of French modern art: that this magnetic “centre”, which began by welcoming international modernists, ended by attacking them for undermining its cultural supremacy, contaminating its “civilizing mission” and politically persecuting the very modernist culture for which it has received historical renown.
Book Synopsis Art in an Age of Civil Struggle, 1848-1871 by : Albert Boime
Download or read book Art in an Age of Civil Struggle, 1848-1871 written by Albert Boime and published by University of Chicago Press. This book was released on 2008-09-15 with total page 906 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the European revolutions of 1848 through the Italian independence movement, the American Civil War, and the French Commune, the era Albert Boime explores in this fourth volume of his epic series was, in a word, transformative. The period, which gave rise to such luminaries as Karl Marx and Charles Darwin, was also characterized by civic upheaval, quantum leaps in science and technology, and the increasing secularization of intellectual pursuits and ordinary life. In a sweeping narrative that adds critical depth to a key epoch in modern art’s history, Art in an Age of Civil Struggle shows how this turbulent social environment served as an incubator for the mid-nineteenth century’s most important artists and writers. Tracing the various movements of realism through the major metropolitan centers of Europe and America, Boime strikingly evokes the milieus that shaped the lives and works of Gustave Courbet, Edouard Manet, Émile Zola, Honoré Daumier, Walt Whitman, Abraham Lincoln, and the earliest photographers, among countless others. In doing so, he spearheads a powerful new way of reassessing how art emerges from the welter of cultural and political events and the artist’s struggle to interpret his surroundings. Boime supports this multifaceted approach with a wealth of illustrations and written sources that demonstrate the intimate links between visual culture and social change. Culminating at the transition to impressionism, Art in an Age of Civil Struggle makes historical sense of a movement that paved the way for avant-garde aesthetics and, more broadly, of how a particular style emerges at a particular moment.
Download or read book New Serial Titles written by and published by . This book was released on 1990 with total page 1848 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis ... Catalogue of Printed Books by : British Museum. Department of Printed Books
Download or read book ... Catalogue of Printed Books written by British Museum. Department of Printed Books and published by . This book was released on 1901 with total page 674 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Origins of Impressionism by : Gary Tinterow
Download or read book Origins of Impressionism written by Gary Tinterow and published by Metropolitan Museum of Art. This book was released on 1994 with total page 504 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This handsome publication, which accompanies a major exhibition at The Metropolitan Museum of Art, is a lively and engaging account of the artistic scene in Paris in the 1860s, the years that witnessed the beginnings of Impressionism. For the first time the interactions and relationships among the group of painters who became known as the Impressionists are examined without the overworn art historical polarities commonly evoked: academic versus avant-garde, classicist versus romantic, realist versus impressionist. A host of strong personalities contributed to this history, and their style evolved into a new way of looking at the world. These artists wanted above all to give an impression of truth and to have an impact on or even to shock the public. And they wanted to measure up to or surpass their elders. This complex and rich environment is presented here - the grand old men and the young turks encounter each other, the Salon pontificates, and the new generation moves fitfully ahead, benignly but always with determination." "Origins of Impressionism gives a day-by-day, year-by-year study of the genesis of an epoch-making style." "Bibliographies and provenances are provided for each of the almost two hundred works in the exhibition, and there is an illustrated chronology. With more than two hundred superb colorplates, this informative survey is an essential work for both the general reader and the scholar."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author :Jean-Auguste-Dominique Ingres Publisher :Metropolitan Museum of Art ISBN 13 :0870998919 Total Pages :610 pages Book Rating :4.8/5 (79 download)
Book Synopsis Portraits by Ingres by : Jean-Auguste-Dominique Ingres
Download or read book Portraits by Ingres written by Jean-Auguste-Dominique Ingres and published by Metropolitan Museum of Art. This book was released on 1999 with total page 610 pages. Available in PDF, EPUB and Kindle. Book excerpt: Om portrætter af den franske maler Jean Auguste Dominique Ingres (1780-1867)
Author :Rhode Island School of Design. Museum of Art Publisher :University of Pennsylvania Press ISBN 13 :0911517553 Total Pages :296 pages Book Rating :4.9/5 (115 download)
Book Synopsis European Painting and Sculpture, Ca. 1770-1937, in the Museum of Art, Rhode Island School of Design by : Rhode Island School of Design. Museum of Art
Download or read book European Painting and Sculpture, Ca. 1770-1937, in the Museum of Art, Rhode Island School of Design written by Rhode Island School of Design. Museum of Art and published by University of Pennsylvania Press. This book was released on 1991 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: This documents the distinguished collection of European art—from the late eighteenth through the early twentieth centuries—that forms a significant part of the collections belonging to the Museum of Art, Rhode Island School of Design. This book includes stunning canvases by Gericault, Delacroix, Degas, Manet, Monet, Cezanne, Renoir, Picasso, and Matisse. What makes the collection so noteworthy are the extraordinary works by unknown artists and the unknown works by known artists.
Book Synopsis National Identity and Nineteenth-Century Franco-Belgian Sculpture by : Jana Wijnsouw
Download or read book National Identity and Nineteenth-Century Franco-Belgian Sculpture written by Jana Wijnsouw and published by Routledge. This book was released on 2017-09-27 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book elaborates on the social and cultural phenomenon of national schools during the nineteenth century, via the less studied field of sculpture and using Belgium as a case study. The role, importance of, and emphasis on certain aspects of national identity evolved throughout the century, while a diverse array of criteria were indicated by commissioners, art critics, or artists that supposedly constituted a "national sculpture." By confronting the role and impact of the four most crucial actors within the artistic field (politics, education, exhibitions, public commissions) with a linear timeframe, this book offers a chronological as well as a thematic approach. Artists covered include Guillaume Geefs, Eugène Simonis, Charles Van der Stappen, Julien Dillens, Paul Devigne, Constantin Meunier, and George Minne.
Author :Metropolitan Museum of Art (New York, N.Y.) Publisher :Metropolitan Museum of Art ISBN 13 :1588392406 Total Pages :344 pages Book Rating :4.5/5 (883 download)
Book Synopsis Masterpieces of European Painting, 1800-1920, in the Metropolitan Museum of Art by : Metropolitan Museum of Art (New York, N.Y.)
Download or read book Masterpieces of European Painting, 1800-1920, in the Metropolitan Museum of Art written by Metropolitan Museum of Art (New York, N.Y.) and published by Metropolitan Museum of Art. This book was released on 2007 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis British and Foreign State Papers by : Great Britain. Foreign and Commonwealth Office
Download or read book British and Foreign State Papers written by Great Britain. Foreign and Commonwealth Office and published by . This book was released on 1862 with total page 2124 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Delacroix written by Sébastien Allard and published by Metropolitan Museum of Art. This book was released on 2018-09-12 with total page 331 pages. Available in PDF, EPUB and Kindle. Book excerpt: p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana} Eugène Delacroix (1798–1863) was one of the towering figures to emerge in France in the wake of Napoleon. No other artist of the nineteenth century balanced a reverence for the past with such a strong ambition and spirit of innovation. Distinguishing himself from many other talented young artists in Paris, he gained renown in the 1820s for his novel subject matter, theatrical sense of composition, vibrant palette, and vigorous painterly technique. His vast production—including some eight hundred paintings, prints in a variety of media, and thousands of drawings and pages of writing—won the admiration of countless writers and artists, including Charles Baudelaire, Paul Cèzanne, and Pablo Picasso. This comprehensive monograph closely examines the full breadth of Delacroix’s career, including his engagement with the work of his predecessors, his fascination with the natural world, his interest in Lord Byron and the Greek War of Independence, and the profound influence of his voyage to North Africa in 1832. It brings to life his relationships with his contemporaries, ranging from the painters Pierre Narcisse Guèrin and Antoine Jean Gros to Gustave Courbet, as well as his exploration of literary, historical, and biblical themes, his writing in personal journals, and his triumphant exhibition at the Exposition Universelle of 1855. Richly illustrated and encompassing the entire range and diversity of his art, from grand paintings to intimate drawings, Delacroix illuminates how this intrepid figure changed the course of European painting by heeding “a call for the liberty of art.”
Download or read book Art Nouveau Glass written by Helmut Ricke and published by Prestel Publishing. This book was released on 2004 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: Over a period of more than thirty years Gerda Koepff devoted herself passionately to collecting Art Nouveau glass, which reached a previously unattained quality towards the end of the nineteenth century in France. The exceptional collection she amassed during those years, comprising 126 pieces of considerable international importance, provides an overview of the very best in Art Nouveau glass while hearing the unmistakable stamp of a personal selection. Among the earliest pieces are works by Francois Eugene Rousseau, Ernest Bapuste Leveille and Auguste Jean, who, with vessels exuding a distinctly Japanese air, paved the way for Art Nouveau's sweeping success in Paris. These were followed by exquisite works created by another artist working in Paris Eugene Michel. The focus of the collection is placed on two comprehensive groups, each consisting of more than forty pieces, by Emile Galle and by the Daum Freres glassworks in Nancy. Virtually all are studio pieces of the highest quality; produced in limited editions, each piece was designed individually. Vases made by Burgun, Schverer & Co. and by the company's sometime studio manager Desire Christian, as well as works by Muller Freres and Paul Nicolas, provide a representative overview of an era that has gone down in the history of glass design as one of its supreme highlights. Art Nouveau Glass includes in-depth commentaries on individual pieces, supplemented by a number of illuminating essays and contributions published in English for the first time. In addition, intensive archive research has brought new material to light, particularly on Daum Freres. A comprehensive, scholarly appendix includes artists' biographies, details on the various glass manufacturers and, of particular note, thirty-five drawings from Galle's studio. Book jacket.
Book Synopsis Théodore Rousseau and the Rise of the Modern Art Market by : Simon Kelly
Download or read book Théodore Rousseau and the Rise of the Modern Art Market written by Simon Kelly and published by Bloomsbury Publishing USA. This book was released on 2021-03-25 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: The 19th century in France witnessed the emergence of the structures of the modern art market that remain until this day. This book examines the relationship between the avant-garde Barbizon landscape painter, Théodore Rousseau (1812-1867), and this market, exploring the constellation of patrons, art dealers and critics who surrounded the artist. It argues for the pioneering role of Rousseau, his patrons and his public in the origins of the modern art market, and, in so doing, shifts attention away from the more traditional focus on the novel careers of the Impressionists and their supporters. Drawing on extensive archival research, the book provides new insight into the role of the modern artist as professional. It provides a new understanding of the complex iconographical and formal choices within Rousseau's work, rediscovering the original radical charge that once surrounded the artist's work and led to extensive and peculiarly modern tensions with the market place.