EIGA

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Publisher : Anvil Publishing, Inc.
ISBN 13 : 6214200839
Total Pages : 696 pages
Book Rating : 4.2/5 (142 download)

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Book Synopsis EIGA by : Nick Deocampo

Download or read book EIGA written by Nick Deocampo and published by Anvil Publishing, Inc.. This book was released on 2017-11-09 with total page 696 pages. Available in PDF, EPUB and Kindle. Book excerpt: Nick Deocampo’s continuing film saga investigates on its third volume how World War II affected the growth of cinema in the Philippines (1942-1945). Revealed in the book is a vast wealth of information about Japanese wartime manipulation of motion pictures that would only lead to the inglorious end of the colonial film cycle at war’s conclusion. This valuable construction of the country’s wartime film history uncovers significant intellectual efforts made by Japanese film critics and film artists who formed the Propaganda Corps assigned to the country. They conceived for Filipinos a “national” identity for their cinema, even while this was wrapped in a fascist, colonial, and militaristic context. Seventy years after the end of World War II, Deocampo triumphs over trauma and forgetfulness as he revisits the wartime period and its cinema. He provides a landmark contribution to historical memory as he uncovers one of the bleakest moments in Philippine film history.

Cinema Babel

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Publisher : U of Minnesota Press
ISBN 13 : 0816650411
Total Pages : 299 pages
Book Rating : 4.8/5 (166 download)

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Book Synopsis Cinema Babel by : Markus Nornes

Download or read book Cinema Babel written by Markus Nornes and published by U of Minnesota Press. This book was released on 2007 with total page 299 pages. Available in PDF, EPUB and Kindle. Book excerpt: Uncovering the vital role of interpreters, dubbers and subtitlers in global film, Nornes examines the relationships between moving-image media and translation and contends that film was a globalized medium from its beginning and that its transnational traffic has been greatly influenced by interpreters.

Developments in the Japanese Documentary Mode

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Publisher : MDPI
ISBN 13 : 3039439138
Total Pages : 140 pages
Book Rating : 4.0/5 (394 download)

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Book Synopsis Developments in the Japanese Documentary Mode by : Marcos Centeno

Download or read book Developments in the Japanese Documentary Mode written by Marcos Centeno and published by MDPI. This book was released on 2021-06-10 with total page 140 pages. Available in PDF, EPUB and Kindle. Book excerpt: Writing on Japanese cinema has prioritized aesthetic and cultural difference, and obscured Japan's contribution to the representation of real life in cinema and related forms. Donald Richie, who was instrumental in introducing Japanese cinema to the West, even claimed that Japan did not have a true documentary tradition due to the apparent preference of Japanese audiences for stylisation over realism, a preference that originated from its theatrical tradition. However, a closer look at the history of Japanese documentary and feature film production reveals an emphasis on actuality and everyday life as a major part of Japanese film culture. That 'documentary mode' – crossing genre and medium like Peter Brooks' 'melodramatic mode' rather than limited to styles of documentary filmmaking alone – identifies rhetoric of authenticity in cinema and related media, even as that rhetoric was sometimes put in service to political and economic ends. The articles in this Special Issue, ‘Developments in the Japanese Documentary Mode’, trace important changes in documentary film schools and movements from the 1930s onwards, sometimes in relation to other media, and the efforts of some post-war filmmakers to adapt the styles and ethical commitments that underpin documentary's "impression of authenticity" to their representation of fictional worlds

The Attractive Empire

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Publisher : University of Hawaii Press
ISBN 13 : 0824831632
Total Pages : 226 pages
Book Rating : 4.8/5 (248 download)

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Book Synopsis The Attractive Empire by : Michael Baskett

Download or read book The Attractive Empire written by Michael Baskett and published by University of Hawaii Press. This book was released on 2008-03-19 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Because imperialism has had such an appalling ideological reputation, we’ve lost sight of its excitement, the breathless anticipation of adventures in far-off lands. The Attractive Empire is a tour de force of enthralling historical scholarship that puts the appeal, and seductions, of imperialism on display, without underestimating its ugly consequences. Like its chosen subject, the book covers an astonishing array of texts, events, people, and issues. The clarity and vividness of the writing make it work effortlessly. Baskett’s organizational skills, narrative, and rhetoric deftly orchestrate a complex subject." —Darrell William Davis, University of New South Wales "Michael Baskett removes imperial Japanese film from its solitary confinement and commandingly analyzes how it functioned internationally. He commits a depth of research rarely found in English-language studies of Japanese cinema, and his mastery of the primary and secondary sources from beyond Japan’s borders distinctly set his book apart from previous scholarship on the subject. Not only is this a work that historians and film scholars will appreciate but also one that I look forward to assigning to undergraduates." —Barak Kushner, Cambridge University Japanese film crews were shooting feature-length movies in China nearly three decades before Akira Kurosawa’s Rashomon (1950) reputedly put Japan on the international film map. Although few would readily associate Japan’s film industry with either imperialism or the domination of world markets, the country’s film culture developed in lock step with its empire, which, at its peak in 1943, included territories from the Aleutians to Australia and from Midway Island to India. With each military victory, Japanese film culture’s sphere of influence expanded deeper into Asia, first clashing with and ultimately replacing Hollywood as the main source of news, education, and entertainment for millions. The Attractive Empire is the first comprehensive examination of the attitudes, ideals, and myths of Japanese imperialism as represented in its film culture. In this stimulating new study, Michael Baskett traces the development of Japanese film culture from its unapologetically colonial roots in Taiwan and Korea to less obvious manifestations of empire such as the semicolonial markets of Manchuria and Shanghai and occupied territories in Southeast Asia. Drawing on a wide range of previously untapped primary sources from public and private archives across Asia, Europe, and the United States, Baskett provides close readings of individual films and trenchant analyses of Japanese assumptions about Asian ethnic and cultural differences. Finally, he highlights the place of empire in the struggle at legislative, distribution, and exhibition levels to wrest the "hearts and minds" of Asian film audiences from Hollywood in the 1930s as well as in Japan’s attempts to maintain that hegemony during its alliance with Nazi Germany and Fascist Italy.

Forest of Pressure

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Publisher : U of Minnesota Press
ISBN 13 : 1452909148
Total Pages : 346 pages
Book Rating : 4.4/5 (529 download)

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Book Synopsis Forest of Pressure by : Markus Nornes

Download or read book Forest of Pressure written by Markus Nornes and published by U of Minnesota Press. This book was released on with total page 346 pages. Available in PDF, EPUB and Kindle. Book excerpt: “Extraordinarily valuable, illuminating, and even entertaining, Forest of Pressure brims with the types of information that only a key insider can get his hands on.” —Mitsuhiro Yoshimoto, New York University Ogawa Productions—known in Asia as Ogawa Pro—was an influential filmmaking collective that started in the 1960s under the direction of Ogawa Shinsuke (1936–1992). Between 1968 and the mid-1970s, Ogawa Pro electrified the Japanese student movement with its Sanrizuka documentary series—eight films chronicling the massive protests over the construction of the Narita airport—which has since become the standard against which documentaries are measured in Japan. A critical biography of a collective, Forest of Pressure explores the emergence of socially committed documentary filmmaking in postwar Japan. Analyzing Ogawa Pro’s films and works by other Japanese filmmakers, Ab Mark Nornes addresses key issues in documentary theory and practice, including individual and collective cinema production modes and the relationship between subject and object. Benefiting from unprecedented access to Ogawa Pro’s archives and interviews with former members, Forest of Pressure is an innovative look at the fate of political filmmaking in the wake of the movement’s demise. Ab Mark Nornes is associate professor of screen arts and cultures and Asian languages and cultures at the University of Michigan. He is a coordinator at the Yamagata International Documentary Film Festival and the author of Japanese Documentary Film: The Meiji Era through Hiroshima (Minnesota, 2003).

Japanese Documentary Film

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Publisher : U of Minnesota Press
ISBN 13 : 9780816640461
Total Pages : 292 pages
Book Rating : 4.6/5 (44 download)

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Book Synopsis Japanese Documentary Film by : Markus Nornes

Download or read book Japanese Documentary Film written by Markus Nornes and published by U of Minnesota Press. This book was released on 2003 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: Among Asian countries--where until recently documentary filmmaking was largely the domain of central governments--Japan was exceptional for the vigor of its nonfiction film industry. And yet, for all its aesthetic, historical, and political interest, the Japanese documentary remains little known and largely unstudied outside of Japan. This is the first English-language study of the subject, an enlightening close look at the first fifty years of documentary film theory and practice in Japan. Beginning with films made by foreigners in the nineteenth century and concluding with the first two films made after Japan's surrender in 1945, Abe Mark Nornes moves from a "prehistory of the documentary, " through innovations of the proletarian film movement, to the hardening of style and conventions that started with the Manchurian Incident films and continued through the Pacific War. Nornes draws on a wide variety of archival sources--including Japanese studio records, secret police reports, government memos, letters, military tribunal testimonies, and more--to chart shifts in documentary style against developments in the history of modern Japan.

The Aesthetics of Shadow

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Publisher : Duke University Press
ISBN 13 : 0822354225
Total Pages : 395 pages
Book Rating : 4.8/5 (223 download)

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Book Synopsis The Aesthetics of Shadow by : Daisuke Miyao

Download or read book The Aesthetics of Shadow written by Daisuke Miyao and published by Duke University Press. This book was released on 2013-03-04 with total page 395 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this revealing study, Daisuke Miyao explores "the aesthetics of shadow" in Japanese cinema in the first half of the twentieth century. This term, coined by the production designer Yoshino Nobutaka, refers to the perception that shadows add depth and mystery. Miyao analyzes how this notion became naturalized as the representation of beauty in Japanese films, situating Japanese cinema within transnational film history. He examines the significant roles lighting played in distinguishing the styles of Japanese film from American and European film and the ways that lighting facilitated the formulation of a coherent new Japanese cultural tradition. Miyao discusses the influences of Hollywood and German cinema alongside Japanese Kabuki theater lighting traditions and the emergence of neon commercial lighting during this period. He argues that lighting technology in cinema had been structured by the conflicts of modernity in Japan, including capitalist transitions in the film industry, the articulation of Japanese cultural and national identity, and increased subjectivity for individuals. By focusing on the understudied element of film lighting and treating cinematographers and lighting designers as essential collaborators in moviemaking, Miyao offers a rereading of Japanese film history.

The Cold War and Asian Cinemas

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Publisher : Routledge
ISBN 13 : 0429757298
Total Pages : 317 pages
Book Rating : 4.4/5 (297 download)

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Book Synopsis The Cold War and Asian Cinemas by : Poshek Fu

Download or read book The Cold War and Asian Cinemas written by Poshek Fu and published by Routledge. This book was released on 2019-11-28 with total page 317 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book offers an interdisciplinary, historically grounded study of Asian cinemas’ complex responses to the Cold War conflict. It situates the global ideological rivalry within regional and local political, social, and cultural processes, while offering a transnational and cross-regional focus. This volume makes a major contribution to constructing a cultural and popular cinema history of the global Cold War. Its geographical focus is set on East Asia, Southeast Asia, and South Asia. In adopting such an inclusive approach, it draws attention to the different manifestations and meanings of the connections between the Cold War and cinema across Asian borders. Many essays in the volume have a transnational and cross-regional focus, one that sheds light on Cold War-influenced networks (such as the circulation of socialist films across communist countries) and on the efforts of American agencies (such as the United States Information Service and the Asia Foundation) to establish a transregional infrastructure of "free cinema" to contain the communist influences in Asia. With its interdisciplinary orientation and broad geographical focus, the book will appeal to scholars and students from a wide variety of fields, including film studies, history (especially the burgeoning field of cultural Cold War studies), Asian studies, and US-Asian cultural relations.

A Companion to Japanese Cinema

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Publisher : John Wiley & Sons
ISBN 13 : 111895534X
Total Pages : 724 pages
Book Rating : 4.1/5 (189 download)

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Book Synopsis A Companion to Japanese Cinema by : David Desser

Download or read book A Companion to Japanese Cinema written by David Desser and published by John Wiley & Sons. This book was released on 2022-04-22 with total page 724 pages. Available in PDF, EPUB and Kindle. Book excerpt: Go beyond Kurosawa and discover an up-to-date and rigorous examination of historical and modern Japanese cinema In A Companion to Japanese Cinema, distinguished cinematic researcher David Desser delivers insightful new material on a fascinating subject, ranging from the introduction and exploration of under-appreciated directors, like Uchida Tomu and Yoshimura Kozaburo, to an appreciation of the Golden Age of Japanese cinema from the point of view of little-known stars and genres of the 1950s. This Companion includes new resources that deal in-depth with the issue of gender in Japanese cinema, including a sustained analysis of Kawase Naomi, arguably the most important female director in Japanese film history. Readers will appreciate the astute material on the connections and relationships that tie together Japanese television and cinema, with implications for understanding the modern state of Japanese film. The Companion concludes with a discussion of the Japanese media’s response to the 3/11 earthquake and tsunami that devastated the nation. The book also includes: A thorough introduction to the History, Ideology, and Aesthetics of Japanese cinema, including discussions of Kyoto as the cinematic center of Japan and the Pure Film Movement and modern Japanese film style An exploration of the background to the famous story of Taki no Shiraito and the significant and underappreciated contributions of directors Uchida Tomu, as well as Yoshimura Kozaburo A rigorous comparison of old and new Japanese cinema, including treatments of Ainu in documentary films and modernity in film exhibition Practical discussions of intermediality, including treatments of scriptwriting in the 1930s and the influence of film on Japanese television Perfect for upper-level undergraduate and graduate students studying Japanese and Asian cinema, A Companion to Japanese Cinema is a must-read reference for anyone seeking an insightful and contemporary discussion of modern scholarship in Japanese cinema in the 20th and 21st centuries.

Making Icons

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Publisher : Hong Kong University Press
ISBN 13 : 9888208993
Total Pages : 245 pages
Book Rating : 4.8/5 (882 download)

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Book Synopsis Making Icons by : Jennifer Coates

Download or read book Making Icons written by Jennifer Coates and published by Hong Kong University Press. This book was released on 2016-10-01 with total page 245 pages. Available in PDF, EPUB and Kindle. Book excerpt: One distinctive feature of post-war Japanese cinema is the frequent recurrence of imagistic and narrative tropes and formulaic characterizations in female representations. These repetitions are important, Jennifer Coates asserts, because sentiments and behaviours forbidden during the war and post-war social and political changes were often articulated by or through the female image. Moving across major character types, from mothers to daughters, and schoolteachers to streetwalkers, Making Icons studies the role of the media in shaping the attitudes of the general public. Japanese cinema after the defeat is shown to be an important ground where social experiences were explored, reworked, and eventually accepted or rejected by the audience emotionally invested in these repetitive materials. An examination of 600 films produced and distributed between 1945 and 1964, as well as numerous Japanese-language sources, forms the basis of this rigorous study. Making Icons draws on an art-historical iconographic analysis to explain how viewers derive meanings from images during this peak period of film production and attendance in Japan. ‘It is very difficult not to heap superlatives upon Making Icons. This splendid work sheds a shining light on the situation of women in post-war Japan, and on post-war Japan itself. Not only is this a deft reading of text and context, it expands the very notion of context, seeing stardom through the lens of filmic and extra-filmic texts. A must-read for anyone interested in Japanese cinema.’ —David Desser, Professor Emeritus, University of Illinois at Urbana-Champaign ‘This is a compelling book. I am excited by Jennifer Coates’s art-historically informed iconographic approach towards female representation in post-war Japanese cinema. Making Icons will certainly make a splash in the field of Japanese film studies.’ —Daisuke Miyao, Professor and the Hajime Mori Chair in Japanese Language and Literature, University of California, San Diego

Writing in Light

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Publisher : Wayne State University Press
ISBN 13 : 9780814329610
Total Pages : 366 pages
Book Rating : 4.3/5 (296 download)

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Book Synopsis Writing in Light by : Joanne Bernardi

Download or read book Writing in Light written by Joanne Bernardi and published by Wayne State University Press. This book was released on 2001 with total page 366 pages. Available in PDF, EPUB and Kindle. Book excerpt: While most people associate Japanese film with modern directors like Akira Kurosawa, Japan's cinema has a rich tradition going back to the silent era. Japan's "pure film movement" of the 1910s is widely held to mark the birth of film theory as we know it and is a touchstone for historians of early cinema. Yet this work has been difficult to access because so few prints have been preserved. Joanne Bernardi offers the first book-length study of this important era, recovering a body of lost film and establishing its significance in the development of Japanese cinema. Building on a wealth of original-language sources-much of it translated here for the first time-she examines how the movement challenged the industry's dependence on pre-existing stage repertories, preference for lecturers of intertitles, and the use of female impersonators. Bernardi provides in-depth analysis of key scripts-The Glory of Life, A Father's Tears, Amateur Club, and The Lust of the White Serpent-and includes translations in an appendix. These films offer case studies for understanding the craft of screenwriting during the silent era and shed light on such issues as genre, authorship and control, and gender representation. Writing in Light helps fill important gaps in the history of Japanese silent cinema. By identifying points at which "pure film" discourse merges with changing international trends and attitudes toward film, it offers an important resource for film, literary, and cultural historians.

Nihon Eiga No Meisaku

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Author :
Publisher :
ISBN 13 :
Total Pages : 328 pages
Book Rating : 4.:/5 (44 download)

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Book Synopsis Nihon Eiga No Meisaku by :

Download or read book Nihon Eiga No Meisaku written by and published by . This book was released on 1975 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt:

The Toho Studios Story

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Publisher : Scarecrow Press
ISBN 13 : 1461673747
Total Pages : 556 pages
Book Rating : 4.4/5 (616 download)

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Book Synopsis The Toho Studios Story by : Stuart Galbraith

Download or read book The Toho Studios Story written by Stuart Galbraith and published by Scarecrow Press. This book was released on 2008-05-16 with total page 556 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since its inception in 1933, Toho Co., Ltd., Japan's most famous movie production company and distributor, has produced and/or distributed some of the most notable films ever to come out of Asia, including Seven Samurai, Godzilla, When a Woman Ascends the Stairs, Kwaidan, Woman in the Dunes, Ran, Shall We Dance?, Ringu, and Spirited Away. While the western world often defines Toho by its iconic classics, which include the Godzilla franchise and many of the greatest films of the legendary director Akira Kurosawa and actor Toshiro Mifune, these pictures represent but a tiny fraction of Toho's rich history. The Toho Studios Story: A History and Complete Filmography provides a complete picture of every Toho feature the Japanese studio produced and released—as well as foreign films that it distributed—during its first 75 years. Presented chronologically, each entry in the filmography includes, where applicable, the original Japanese title, a direct translation of that title, the film's international, U.S. release, and alternate titles; production credits, including each film's producers, director, screenwriters, cinematographers, art directors, and composers, among others; casts with character names; production companies, technical specs, running times, and release dates; U.S. release data including distributor, whether the film was released subtitled or dubbed, and alternate versions; domestic and international awards; and plot synopses.

A Page of Madness

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Publisher : University of Michigan Press
ISBN 13 : 1929280521
Total Pages : 141 pages
Book Rating : 4.9/5 (292 download)

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Book Synopsis A Page of Madness by : Aaron Gerow

Download or read book A Page of Madness written by Aaron Gerow and published by University of Michigan Press. This book was released on 2008 with total page 141 pages. Available in PDF, EPUB and Kindle. Book excerpt: Kinugasa Teinosuke’s 1926 film A Page of Madness (Kurutta ichipeiji) is celebrated as one of the masterpieces of silent cinema. It was an independently produced, experimental, avant-garde work from Japan whose brilliant use of cinematic technique was equal to if not superior to that of contemporary European cinema. Those studying Japan, focusing on the central involvement of such writers as Yokomitsu Riichi and the Nobel Prize winner Kawabata Yasunari, have seen it as a pillar of the close relationship in the Taisho era between film and artistic modernism, as well as a marker of the uniqueness of prewar Japanese film culture. But is this film really what it seems to be? Aaron Gerow brings meticulous research to the film’s production, distribution, exhibition, and reception and closely analyzes the film’s shooting script and shooting notes, which were recently made available. He draws a new picture of this complex work, revealing a film divided between experiment and convention, modernism and melodrama, the image and the word, cinema and literature, conflicts that play out in the story and structure of the film and its context. A Page of Madness, a film fundamentally about differing perceptions and conflicting worlds, was received at the time in different versions and with varying interpretations, and ironically, the film that exists today is not in fact the one originally released. Including a detailed analysis of the film and translations of contemporary reviews and shooting notes for scenes missing from the current print, Gerow’s book offers provocative insight into the fascinating film A Page of Madness was—and still is—and into the struggles over this work that tried to articulate the place of cinema in Japanese society and modernity.

映画学ノススメ : 牧野守に捧げる

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Publisher : Trafford ; Yokohama : Kinema Kurabu
ISBN 13 :
Total Pages : 280 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis 映画学ノススメ : 牧野守に捧げる by : Mark Howard Nornes

Download or read book 映画学ノススメ : 牧野守に捧げる written by Mark Howard Nornes and published by Trafford ; Yokohama : Kinema Kurabu. This book was released on 2001 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Praise of Film Studies brings together essays by scholars of Japanese cinema from around the world, all of whom have drawn on the collection of Makino Mamoru for their research. Makino Mamoru was a filmmaker and essayist who began assembling an enormous collection of film-related materials. While most collectors concentrate on image-centric items like posters and stills, Makino recognized the importance of books, magazines and other written texts for scholarship. His collection spans the entire history of Japanese cinema, and contains periodicals, books, pamphlets, posters, programs, scripts, diaries, studio records, fan zines, catalogs, textbooks, photographs, newspapers, clipping files, and the personal libraries of a number of film personalities. Makino opened the collection to a variety of film scholars, enabling them to write histories that were otherwise unimaginable. This volume brings together a number of these scholars to honor Makino Mamoru and his dedication to the study of Japanese cinema. (In English and Japanese.)

Race for Empire

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Publisher : Univ of California Press
ISBN 13 : 0520262239
Total Pages : 513 pages
Book Rating : 4.5/5 (22 download)

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Book Synopsis Race for Empire by : Takashi Fujitani

Download or read book Race for Empire written by Takashi Fujitani and published by Univ of California Press. This book was released on 2011-11 with total page 513 pages. Available in PDF, EPUB and Kindle. Book excerpt: “This is one of the finest studies to appear in the field of East Asian studies in recent years. In this highly readable book, Fujitani offers superior thinking and analysis on race relations, empire, and wartime collaboration with the enemy.” —Bruce Cumings, University of Chicago “Pushing against national archives and historiographies and linguistic and disciplinary formations, Race for Empire is a singular, remarkable achievement.” —Gary Y. Okihiro, author of Pineapple Culture: A History of the Tropical and Temperate Zones “Race for Empire offers a profound and thought-provoking re-interpretation. Through excellent use of a wide range of material, Fujitani presents a meticulously researched analysis. This is a milestone in the study of wartime Japan and the U.S.” —Teresa Morris-Suzuki, author of Borderline Japan: Foreigners and Frontier Controls in the Postwar Era

Dialectics without Synthesis

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Publisher : Univ of California Press
ISBN 13 : 0520975901
Total Pages : 248 pages
Book Rating : 4.5/5 (29 download)

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Book Synopsis Dialectics without Synthesis by : Naoki Yamamoto

Download or read book Dialectics without Synthesis written by Naoki Yamamoto and published by Univ of California Press. This book was released on 2020-08-25 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dialectics without Synthesis explores Japan’s active but previously unrecognized participation in the global circulation of film theory during the first half of the twentieth century. Examining a variety of Japanese theorists working in the fields of film, literature, avant-garde art, Marxism, and philosophy, Naoki Yamamoto offers a new approach to cinematic realism as culturally conditioned articulations of the shifting relationship of film to the experience of modernity. In this study, long-held oppositions between realism and modernism, universalism and particularism, and most notably, the West and the non-West are challenged through a radical reconfiguration of the geopolitics of knowledge production and consumption.