"Art, Theatre, and Opera in Paris, 1750-1850 "

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Author :
Publisher : Routledge
ISBN 13 : 135157535X
Total Pages : 288 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis "Art, Theatre, and Opera in Paris, 1750-1850 " by : Richard Wrigley

Download or read book "Art, Theatre, and Opera in Paris, 1750-1850 " written by Richard Wrigley and published by Routledge. This book was released on 2017-07-05 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: Art, Theatre, and Opera in Paris, 1750-1850: Exchanges and Tensions maps some of the many complex and vivid connections between art, theatre, and opera in a period of dramatic and challenging historical change, thereby deepening an understanding of familiar (and less familiar) artworks, practices, and critical strategies in the eighteenth and nineteenth centuries. Throughout this period, new types of subject matter were shared, fostering both creative connections and reflection on matters of decorum, legibility, pictorial, and dramatic structure. Correspondances were at work on several levels: conception, design, and critical judgement. In a time of vigorous social, political, and cultural contestation, the status and role of the arts and their interrelation came to be a matter of passionate public scrutiny. Scholars from art history, French theatre studies, and musicology trace some of those connections and clashes, making visible the intimately interwoven and entangled world of the arts. Protagonists include Diderot, Sedaine, Jacques-Louis David, Ignace-Eug?-Marie Degotti, Marie Malibran, Paul Delaroche, Casimir Delavigne, Marie Dorval, the 'Bleeding Nun' from Lewis's The Monk, the Com?e-Fran?se and Etienne-Jean Del?uze.

Dance and Drama in French Baroque Opera

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Publisher : Cambridge University Press
ISBN 13 : 1107137896
Total Pages : 505 pages
Book Rating : 4.1/5 (71 download)

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Book Synopsis Dance and Drama in French Baroque Opera by : Rebecca Harris-Warrick

Download or read book Dance and Drama in French Baroque Opera written by Rebecca Harris-Warrick and published by Cambridge University Press. This book was released on 2016-10-27 with total page 505 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examines the evolving practices in music, librettos, choreographed dance, and staging throughout the history of French Baroque opera.

Music and Theatre in France, 1600-1680

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Publisher : Clarendon Press
ISBN 13 : 9780198165996
Total Pages : 622 pages
Book Rating : 4.1/5 (659 download)

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Book Synopsis Music and Theatre in France, 1600-1680 by : John S. Powell

Download or read book Music and Theatre in France, 1600-1680 written by John S. Powell and published by Clarendon Press. This book was released on 2000 with total page 622 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the course of the 17th century, the dramatic arts reached a pinnacle of development in France; but despite the volumes devoted to the literature and theatre of the ancien régime, historians have largely neglected the importance of music and dance. This study defines the musical practices of comedy, tragicomedy, tragedy, and mythological and non-mythological pastoral drama, from the arrival of the first repertory companies in Paris until the establishment of the Comédie-Française.

Opera and the Political Imaginary in Old Regime France

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Publisher : University of Chicago Press
ISBN 13 : 022652275X
Total Pages : 301 pages
Book Rating : 4.2/5 (265 download)

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Book Synopsis Opera and the Political Imaginary in Old Regime France by : Olivia Bloechl

Download or read book Opera and the Political Imaginary in Old Regime France written by Olivia Bloechl and published by University of Chicago Press. This book was released on 2017 with total page 301 pages. Available in PDF, EPUB and Kindle. Book excerpt: From its origins in the 1670s through the French Revolution, serious opera in France was associated with the power of the absolute monarchy, and its ties to the crown remain at the heart of our understanding of this opera tradition (especially its foremost genre, the tragédie en musique). In Opera and the Political Imaginary in Old Regime France, however, Olivia Bloechl reveals another layer of French opera’s political theater. The make-believe worlds on stage, she shows, involved not just fantasies of sovereign rule but also aspects of government. Plot conflicts over public conduct, morality, security, and law thus appear side-by-side with tableaus hailing glorious majesty. What’s more, opera’s creators dispersed sovereign-like dignity and powers well beyond the genre’s larger-than-life rulers and gods, to its lovers, magicians, and artists. This speaks to the genre’s distinctive combination of a theological political vocabulary with a concern for mundane human capacities, which is explored here for the first time. By looking at the political relations among opera characters and choruses in recurring scenes of mourning, confession, punishment, and pardoning, we can glimpse a collective political experience underlying, and sometimes working against, ancienrégime absolutism. Through this lens, French opera of the period emerges as a deeply conservative, yet also more politically nuanced, genre than previously thought.

Drama and Opera: French drama

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Publisher :
ISBN 13 :
Total Pages : 754 pages
Book Rating : 4.:/5 (891 download)

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Book Synopsis Drama and Opera: French drama by : Alfred Bates

Download or read book Drama and Opera: French drama written by Alfred Bates and published by . This book was released on 1909 with total page 754 pages. Available in PDF, EPUB and Kindle. Book excerpt:

The Keys to French Opera in the Nineteenth Century

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Publisher : Univ of California Press
ISBN 13 : 9780520217195
Total Pages : 440 pages
Book Rating : 4.2/5 (171 download)

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Book Synopsis The Keys to French Opera in the Nineteenth Century by : Hervé Lacombe

Download or read book The Keys to French Opera in the Nineteenth Century written by Hervé Lacombe and published by Univ of California Press. This book was released on 2001-01-12 with total page 440 pages. Available in PDF, EPUB and Kindle. Book excerpt: A lively history of French opera in its cultural and historical context by one of France's leading musicologists.

Popular Opera in Eighteenth-Century France

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Publisher : Cambridge University Press
ISBN 13 : 9781009011754
Total Pages : 0 pages
Book Rating : 4.0/5 (117 download)

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Book Synopsis Popular Opera in Eighteenth-Century France by : David Charlton

Download or read book Popular Opera in Eighteenth-Century France written by David Charlton and published by Cambridge University Press. This book was released on 2023-12-21 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first book for a century to explore the development of French opera with spoken dialogue from its beginnings. Musical comedy in this form came in different styles and formed a distinct genre of opera, whose history has been obscured by neglect. Its songs were performed in private homes, where operas themselves were also given. The subject-matter was far wider in scope than is normally thought, with news stories and political themes finding their way onto the popular stage. In this book, David Charlton describes the comedic and musical nature of eighteenth-century popular French opera, considering topics such as Gherardi's theatre, Fair Theatre and the 'musico-dramatic art' created in the mid-eighteenth century. Performance practices, singers, audience experiences and theatre staging are included, as well as a pioneering account of the formation of a core of 'canonical' popular works.

Grand Opera Outside Paris

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Publisher : Routledge
ISBN 13 : 1315466430
Total Pages : 267 pages
Book Rating : 4.3/5 (154 download)

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Book Synopsis Grand Opera Outside Paris by : Jens Hesselager

Download or read book Grand Opera Outside Paris written by Jens Hesselager and published by Routledge. This book was released on 2017-12-14 with total page 267 pages. Available in PDF, EPUB and Kindle. Book excerpt: Nineteenth-century French grand opera was a musical and cultural phenomenon with an important and widespread transnational presence in Europe. Primary attention in the major studies of the genre has so far been on the Parisian context for which the majority of the works were originally written. In contrast, this volume takes account of a larger geographical and historical context, bringing the Europe-wide impact of the genre into focus. The book presents case studies including analyses of grand opera in small-town Germany and Switzerland; grand operas adapted for Scandinavian capitals, a cockney audience in London, and a court audience in Weimar; and Portuguese and Russian grand operas after the French model. Its overarching aim is to reveal how grand operas were used – performed, transformed, enjoyed and criticised, emulated and parodied – and how they became part of musical, cultural and political life in various European settings. The picture that emerges is complex and diversified, yet it also testifies to the interrelated processes of cultural and political change as bourgeois audiences, at varying paces and with local variations, increased their influence, and as discourses on language, nation and nationalism influenced public debates in powerful ways.

Theatre, Opera, and Audiences in Revolutionary Paris

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Publisher : Praeger
ISBN 13 : 0313289603
Total Pages : 0 pages
Book Rating : 4.3/5 (132 download)

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Book Synopsis Theatre, Opera, and Audiences in Revolutionary Paris by : Emmet Kennedy

Download or read book Theatre, Opera, and Audiences in Revolutionary Paris written by Emmet Kennedy and published by Praeger. This book was released on 1996-02-16 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: ...A comprehensive inventory of theatre performances announced in Parisian newspapers during the decade of the French Revolution; introduced by an intelligent revisionist overview of the historiography of French Revolutionary theatre.

Opera and Drama

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Publisher : U of Nebraska Press
ISBN 13 : 9780803297654
Total Pages : 444 pages
Book Rating : 4.2/5 (976 download)

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Book Synopsis Opera and Drama by : Richard Wagner

Download or read book Opera and Drama written by Richard Wagner and published by U of Nebraska Press. This book was released on 1995-01-01 with total page 444 pages. Available in PDF, EPUB and Kindle. Book excerpt: With Richard Wagner, opera reached the apex of German Romanticism. Originally published in 1851, when Wagner was in political exile, Opera and Drama outlines a new, revolutionary type of musical stage work, which would finally materialize as The Ring of the Nibelung. Wagner's music drama, as he called it, aimed at a union of poetry, drama, music, and stagecraft. ø In a rare book-length study, the composer discusses the enhancement of dramas by operatic treatment and the subjects that make the best dramas. The expected Wagnerian voltage is here: in his thinking about myths such as Oedipus, his theories about operatic goals and musical possibilities, his contempt for musical politics, his exaltation of feeling and fantasy, his reflections about genius, and his recasting of Schopenhauer. ø This edition includes the full text of volume 2 of William Ashton Ellis's 1893 translation commissioned by the London Wagner Society.

Coquettes, Wives, and Widows

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Publisher : Eastman Studies in Music
ISBN 13 : 1580469884
Total Pages : 201 pages
Book Rating : 4.5/5 (84 download)

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Book Synopsis Coquettes, Wives, and Widows by : Marcie Ray

Download or read book Coquettes, Wives, and Widows written by Marcie Ray and published by Eastman Studies in Music. This book was released on 2020 with total page 201 pages. Available in PDF, EPUB and Kindle. Book excerpt: A revelatory study of how composers and dramatists of seventeenth- and eighteenth-century France criticized and trivialized independent women in their portrayals of them in works of theater and opera.

French Opera

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Publisher :
ISBN 13 : 9780300117653
Total Pages : 0 pages
Book Rating : 4.1/5 (176 download)

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Book Synopsis French Opera by : Vincent Giroud

Download or read book French Opera written by Vincent Giroud and published by . This book was released on 2010 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "A brilliant overview of the history of French opera, scrupulously researched and eminently readable. The people, the politics, the scandalsûinformative and entertaining."-Richard Bonynge AO, CBE --

French Opera Posters, 1868-1930

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Publisher :
ISBN 13 :
Total Pages : 90 pages
Book Rating : 4.:/5 (318 download)

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Book Synopsis French Opera Posters, 1868-1930 by : Lucy Broido

Download or read book French Opera Posters, 1868-1930 written by Lucy Broido and published by . This book was released on 1976 with total page 90 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Charles Garnier's Paris Opéra

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Publisher : MIT Press (MA)
ISBN 13 :
Total Pages : 360 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis Charles Garnier's Paris Opéra by : Christopher Curtis Mead

Download or read book Charles Garnier's Paris Opéra written by Christopher Curtis Mead and published by MIT Press (MA). This book was released on 1991 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: By making systematic use of the mostly unpublished Opera Archive, Mead fills in the missing links to previous investigations and unlocks the significance of this seminal masterpiece.

Staging the French Revolution

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Publisher : Oxford University Press
ISBN 13 : 0199773807
Total Pages : 416 pages
Book Rating : 4.1/5 (997 download)

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Book Synopsis Staging the French Revolution by : Mark Darlow

Download or read book Staging the French Revolution written by Mark Darlow and published by Oxford University Press. This book was released on 2012-05-03 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: Over the last decade, the theatre and opera of the French Revolution have been the subject of intense scholarly reassessment, both in terms of the relationship between theatrical works and politics or ideology in this period and on the question of longer-scale structures of continuity or rupture in aesthetics. Staging the French Revolution: Cultural Politics and the Paris Opera, 1789-1794 moves these discussions boldly forward, focusing on the Paris Opéra (Académie Royale de Musique) in the cultural and political context of the early French Revolution. Both institutional history and cultural study, this is the first ever full-scale study of the Revolution and lyric theatre. The book concentrates on three aspects of how a royally-protected theatre negotiates the transition to national theatre: the external dimension, such as questions of ownership and governance and the institution's relationship with State institutions and popular assemblies; the internal management, finances, selection and preparation of works; and the cultural and aesthetic study of the works themselves and of their reception. In Staging the French Revolution, author Mark Darlow offers an unprecedented view of the material context of opera production, combining in-depth archival research with a study of the works themselves. He argues that a mixture of popular and State interventions created a repressive system in which cultural institutions retained agency, compelling individuals to follow and contribute to a shifting culture. Theatre thereby emerged as a locus for competing discourses on patriotism, society, the role of the arts in the Republic, and the articulation of the Revolution's relation with the 'Old Regime', and is thus an essential key to the understanding of public opinion and publicity at this crucial historical moment. Combining recent approaches to institutions, sociability, and authors' rights with cultural studies of opera, Staging the French Revolution takes a historically grounded and methodologically innovative cross-disciplinary approach to opera and persuasively re-evaluates the long-standing, but rather sterile, concept of propaganda.

The Comedians of the King

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Publisher : University of Chicago Press
ISBN 13 : 022674339X
Total Pages : 327 pages
Book Rating : 4.2/5 (267 download)

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Book Synopsis The Comedians of the King by : Julia Doe

Download or read book The Comedians of the King written by Julia Doe and published by University of Chicago Press. This book was released on 2021-03-21 with total page 327 pages. Available in PDF, EPUB and Kindle. Book excerpt: Lyric theater in ancien régime France was an eminently political art, tied to the demands of court spectacle. This was true not only of tragic opera (tragédie lyrique) but also its comic counterpart, opéra comique, a form tracing its roots to the seasonal trade fairs of Paris. While historians have long privileged the genre’s popular origins, opéra comique was brought under the protection of the French crown in 1762, thus consolidating a new venue where national music might be debated and defined. In The Comedians of the King, Julia Doe traces the impact of Bourbon patronage on the development of opéra comique in the turbulent prerevolutionary years. Drawing on both musical and archival evidence, the book presents the history of this understudied genre and unpacks the material structures that supported its rapid evolution at the royally sponsored Comédie-Italienne. Doe demonstrates how comic theater was exploited in, and worked against, the monarchy’s carefully cultivated public image—a negotiation that became especially fraught after the accession of the music-loving queen, Marie Antoinette. The Comedians of the King examines the aesthetic and political tensions that arose when a genre with popular foundations was folded into the Bourbon propaganda machine, and when a group of actors trained at the Parisian fairs became official representatives of the sovereign, or comédiens ordinaires du roi.

Theatre Under Louis XIV

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Publisher : Palgrave MacMillan
ISBN 13 :
Total Pages : 216 pages
Book Rating : 4.F/5 ( download)

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Book Synopsis Theatre Under Louis XIV by : Julia Prest

Download or read book Theatre Under Louis XIV written by Julia Prest and published by Palgrave MacMillan. This book was released on 2006-09-05 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the fascinating phenomenon of cross-casting and related gender issues in different theatrical genres and different performance contexts during the heyday of French theatre. Although professional acting troupes under Louis XIV were mixed, cross-casting remained an important feature of French court ballet (in which the King himself performed a number of women's roles) and an occasional feature of spoken comedy and tragic opera. Cross-casting also persisted out of necessity in the school drama of the period. This book fills an important gap in the history of French theatre and provides new insight into wider theoretical questions of gender and theatricality. The inclusion of chapters on ballet and opera (as well as spoken drama) opens up the richness of French theatre under Louis XIV in a way that has not been achieved before.