Author : Hande Cayir
Publisher : Vernon Press
ISBN 13 : 9781622737598
Total Pages : 118 pages
Book Rating : 4.7/5 (375 download)
Book Synopsis Documentary as Autoethnography by : Hande Cayir
Download or read book Documentary as Autoethnography written by Hande Cayir and published by Vernon Press. This book was released on 2020-03-26 with total page 118 pages. Available in PDF, EPUB and Kindle. Book excerpt: In a system where my identity, that is to say, my surname, was taken from me when I got married, an act supported by both the state and families, I simply became a wife. When I refused both that stereotype and the marital surname, I became curious about other women's decisions. I made a politically-grounded documentary promoting individual power and shared it via old and new media. The seventeen-minute documentary Yok Anas?n?n Soyad? (Mrs. His Name, 2012), a form of self-narrative that places the self within a social context, had an impact on the community and created a collaborative meaning. My filmmaking experience spread the seeds, gave birth to this book, created a researcher-me, in this case-and as such, 'theory in practice' and 'practice in theory' go hand-in-hand.Women in Turkey are legally required to change their surnames when they marry and divorce. If they want to continue using their ex-husband's surname after the divorce, they must seek permission from both him and the state. Has this unfair policy affected women financially? Has the forced surname change been a barrier for women's careers? What about the protection of equal legal, social and economic rights?Autoethnographic researchers analyse their subjectivity and life experiences, in which they treat the self as 'other'. This examination of social-cultural structures also calls attention to the issues of power. The interdisciplinary nature of this enquiry highlights the crucial human rights debate of the link between surnames and identity, and also focuses on the feminist maxim 'the personal is political'. In short, the private inevitably became public in a process that bridged the autobiographical, personal, cultural, social and political. I believe that eventually-through this process-my story became (y)ours.