Developing Technical Control, Ensemble Interaction, and Flow Within Jazz Performance

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Publisher :
ISBN 13 :
Total Pages : 212 pages
Book Rating : 4.:/5 (11 download)

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Book Synopsis Developing Technical Control, Ensemble Interaction, and Flow Within Jazz Performance by : Paul Williamson

Download or read book Developing Technical Control, Ensemble Interaction, and Flow Within Jazz Performance written by Paul Williamson and published by . This book was released on 2014 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt: This exegesis explicates the approaches, processes and experiences within my performance practice. It explores relationships among studio practice, performance, the flow state, improvisation and composition. The exegesis also looks into balancing individual conception and technical control with interactive ensemble performance. The outcomes of this research project include compositions, commercially released recordings, and a major recital. The practice-led research model has been a pertinent methodology in this research for experimenting, documenting, and reflecting within my studio practice, rehearsals, performances, recordings, and compositions. Research-led practice has also been a key methodology in this project, establishing concepts and theoretical constructs, such as the idea of flow. Additionally, the investigation of trends within Australian jazz and the examination of seminal practitioners and ensembles has contextualised and influenced my approach as a composer and contemporary jazz trumpeter.The advantages of performing in flow, the development of technique that enables the practitioner to execute ideas with accuracy and immediacy, and developing a flexible vocabulary for improvised and interactive ensemble performance are specific to my own performance practice and have provided a grounding for developing my recital. These approaches might be adopted in the future by other practitioners, specifically jazz musicians seeking to gain greater awareness and understanding of the preparation and experience of improvised jazz performance.Although the literature within the field of practice-led research is growing, to date only a small portion of it has focused on the specific issues relevant to performance within jazz music. In addition to the primary recital outcome, a secondary aim of this research was to develop a better understanding of the particular issues that jazz musicians face within performance.

Interaction, Improvisation, and Interplay in Jazz

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Publisher : Routledge
ISBN 13 : 1135869421
Total Pages : 208 pages
Book Rating : 4.1/5 (358 download)

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Book Synopsis Interaction, Improvisation, and Interplay in Jazz by : Robert Hodson

Download or read book Interaction, Improvisation, and Interplay in Jazz written by Robert Hodson and published by Routledge. This book was released on 2007-01-18 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: Interaction, Improvisation, and Interplay in Jazz Performance offers a new and exciting way to listen to and understand jazz. When describing a performance, most jazz writers focus on the improvised lines of the soloist and their underlying harmonic progressions. This approach overlooks the basic fact that when you listen to jazz, you almost never hear a single line, but rather a musical fabric woven by several musicians in real time. While it is often pragmatic to single out an individual solo line, it is important to remember that an improvised solo is but one thread in that fabric; and it is a thread supported by, responded to, and responsive of the parts being played by the other musicians in the group. Interaction, Improvisation, and Interplay in Jazz Performance explores the process of player interaction in jazz, and the role this interaction plays in creating improvised music, including: jazz improvisation through theory and analysis musical roles, behaviours and relationships harmony, interaction and performance Interaction, Improvisation, and Interplay in Jazz Performance will appeal to students of jazz history, composition, and performance, as well as to the general jazz audience.

Experimentation in Improvised Jazz

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Publisher : Routledge
ISBN 13 : 0429848951
Total Pages : 288 pages
Book Rating : 4.4/5 (298 download)

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Book Synopsis Experimentation in Improvised Jazz by : Andrys Onsman

Download or read book Experimentation in Improvised Jazz written by Andrys Onsman and published by Routledge. This book was released on 2018-10-01 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: Experimentation in Improvised Jazz: Chasing Ideas challenges the notion that in the twenty-first century, jazz can be restrained by a singular, static definition. The worldwide trend for jazz to be marginalized by the mainstream music industry, as well as conservatoriums and schools of music, runs the risk of stifling the innovative and challenging aspects of its creativity. The authors argue that to remain relevant, jazz needs to be dynamic, proactively experimental, and consciously facilitate new ideas to be made accessible to an audience broader than the innovators themselves. Experimentation in Improvised Jazz explores key elements of experimental jazz music in order to discern ways in which the genre is developing. The book begins with an overview of where, when and how new ideas in free and improvised jazz have been created and added to the canon, developing the genre beyond its initial roots. It moves on to consider how and why musicians create free and improvised jazz; the decisions they make while playing. What are they responding to? What are they depending on? What are they thinking? The authors analyse and synthesise the creation of free jazz by correlating the latest research to the reflections provided by some of the world’s greatest jazz innovators for this project. Finally, the book examines how we respond to free and improvised jazz: artistically, critically and personally. Free jazz is, the book argues, an environment that develops through experimentation with new ideas.

Interaction and Improvisation

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Publisher :
ISBN 13 :
Total Pages : 304 pages
Book Rating : 4.:/5 (89 download)

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Book Synopsis Interaction and Improvisation by : Robert Dean Hodson

Download or read book Interaction and Improvisation written by Robert Dean Hodson and published by . This book was released on 2000 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Saying Something

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Publisher : University of Chicago Press
ISBN 13 : 0226534790
Total Pages : 266 pages
Book Rating : 4.2/5 (265 download)

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Book Synopsis Saying Something by : Ingrid Monson

Download or read book Saying Something written by Ingrid Monson and published by University of Chicago Press. This book was released on 2009-02-15 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: This fresh look at the neglected rhythm section in jazz ensembles shows that the improvisational interplay among drums, bass, and piano is just as innovative, complex, and spontaneous as the solo. Ingrid Monson juxtaposes musicians' talk and musical examples to ask how musicians go about "saying something" through music in a way that articulates identity, politics, and race. Through interviews with Jaki Byard, Richard Davis, Sir Roland Hanna, Billy Higgins, Cecil McBee, and others, she develops a perspective on jazz improvisation that has "interactiveness" at its core, in the creation of music through improvisational interaction, in the shaping of social communities and networks through music, and in the development of cultural meanings and ideologies that inform the interpretation of jazz in twentieth-century American cultural life. Replete with original musical transcriptions, this broad view of jazz improvisation and its emotional and cultural power will have a wide audience among jazz fans, ethnomusicologists, and anthropologists.

Constructing the Collective Consciousness

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ISBN 13 :
Total Pages : 84 pages
Book Rating : 4.:/5 (913 download)

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Book Synopsis Constructing the Collective Consciousness by : Paul Williamson

Download or read book Constructing the Collective Consciousness written by Paul Williamson and published by . This book was released on 2009 with total page 84 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study investigates the role of the individual improviser within the ensemble context as a means of observing the interplay of the 'creative language' between individuals and its manifestation within a group dynamic. Criteria as exemplified by the Miles Davis Quintet were used as a means to ascertain the quality, level of interaction, elasticity of compositions, ensemble ecology, musicianship, playfulness, role-play, and other relevant factors in an improvised music setting. The attributes of the Miles Davis Quintet were used to examine the individual and collective identities within the By a Thread ensemble, with the prime intention being to facilitate the construction and development of a collective consciousness within the ensemble. The research topic arose from the author's aspiration to obtain a deeper connection and sense of community with other practitioners in which to undertake a collective musical journey. The purpose of approaching the research from a practitioner led perspective was to obtain a greater understanding of the author's art, to achieve insight into the processes of improvisation, and to create contemporary jazz that was inventive in structure and detail. A review was conducted on current literature pertaining to collective creativity, collaboration and improvisation; additionally, the interaction, creativity, and individual and collective identities within the Miles Davis Quintet. An in-depth examination of this distinguished modern jazz ensemble was undertaken to elucidate their relevance to this research. The preparation, processes and development of the By a Thread ensemble were analysed to establish outcomes for this study. This included an examination of the ensemble's common language, compositions, rehearsals, cues, co-creation, live performances, elasticizing of the musical parameters, role-play, ecology, exploration and risk taking, simultaneous improvisation, contrasting voices, repertoire variety, performance environments and recording. The process of identifying key attributes of interaction, play, identity, and creativity of the Davis quintet as a model for By a Thread resulted in tangible strategies and outcomes. The strategies facilitated the development of By a Thread's identity, collective consciousness, cues, co-created language, elasticity of compositional parameters and approach to performance.

The Jazz Process

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Publisher : Pearson Education
ISBN 13 : 0132117452
Total Pages : 458 pages
Book Rating : 4.1/5 (321 download)

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Book Synopsis The Jazz Process by : Adrian Cho

Download or read book The Jazz Process written by Adrian Cho and published by Pearson Education. This book was released on 2010-06-08 with total page 458 pages. Available in PDF, EPUB and Kindle. Book excerpt: "An insider’s guide to translating the creative techniques of jazz to the business world.” Scott Berkun, author of The Myths of Innovation What Can Your Team Learn From Jazz Musicians? Experienced jazz musicians apply specific principles to collaborate, execute, and manage change in real time--delivering extraordinary innovation in the face of non-stop pressure and risk. Now, jazz musician and collaboration expert Adrian Cho shows how you can use the same principles to dramatically improve any team’s performance. Cho systematically introduces the Jazz Process and demonstrates how it can help cross-functional teams improve teamwork, innovation, and execution. You’ll learn new ways to encourage and integrate strong individual contributions from passionate and committed practitioners, and give them maximum autonomy while making sure your project’s “music” never degenerates into chaotic “noise.” Through multiple case studies, Cho shows you how high-performance teams achieve their success. • Master five core principles of working in teams: use just enough rules, employ top talent, put the team first, build trust and respect, and commit with passion • Establish a realistic framework for effective, continuous execution • Collaborate more effectively with team members, consumers, customers, partners, and suppliers • Master the essentials of team execution: listening for change, leading on demand, acting transparently, and making every contribution count • Reduce the “friction” associated with collaboration--and increase the synergy • Use form, tempo, pulse, and groove to maintain constructive momentum • Learn about the importance of healthy projects and teams • Innovate by exchanging ideas and taking the right measured risks • For every practitioner, leader, and manager interested in getting better results

Jazz Arranging and Performance Practice

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Publisher :
ISBN 13 : 9780810836891
Total Pages : 0 pages
Book Rating : 4.8/5 (368 download)

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Book Synopsis Jazz Arranging and Performance Practice by : Paul E. Rinzler

Download or read book Jazz Arranging and Performance Practice written by Paul E. Rinzler and published by . This book was released on 1999 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: A compendium of arranging techniques for the small jazz ensemble emphasizing their essential relationship to performance practice. Some 100 musical examples demonstrate the techniques applied to 147 jazz standards and modern compositions, many transcribed from recordings by jazz artists. For students, educators, and professional musicians. Annotation copyrighted by Book News, Inc., Portland, OR.

Thinking in Jazz

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Publisher : University of Chicago Press
ISBN 13 : 0226044521
Total Pages : 904 pages
Book Rating : 4.2/5 (26 download)

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Book Synopsis Thinking in Jazz by : Paul F. Berliner

Download or read book Thinking in Jazz written by Paul F. Berliner and published by University of Chicago Press. This book was released on 2009-10-05 with total page 904 pages. Available in PDF, EPUB and Kindle. Book excerpt: A landmark in jazz studies, Thinking in Jazz reveals as never before how musicians, both individually and collectively, learn to improvise. Chronicling leading musicians from their first encounters with jazz to the development of a unique improvisatory voice, Paul Berliner documents the lifetime of preparation that lies behind the skilled improviser's every idea. The product of more than fifteen years of immersion in the jazz world, Thinking in Jazz combines participant observation with detailed musicological analysis, the author's experience as a jazz trumpeter, interpretations of published material by scholars and performers, and, above all, original data from interviews with more than fifty professional musicians: bassists George Duvivier and Rufus Reid; drummers Max Roach, Ronald Shannon Jackson, and Akira Tana; guitarist Emily Remler; pianists Tommy Flanagan and Barry Harris; saxophonists Lou Donaldson, Lee Konitz, and James Moody; trombonist Curtis Fuller; trumpeters Doc Cheatham, Art Farmer, Wynton Marsalis, and Red Rodney; vocalists Carmen Lundy and Vea Williams; and others. Together, the interviews provide insight into the production of jazz by great artists like Betty Carter, Miles Davis, Dizzy Gillespie, Coleman Hawkins, and Charlie Parker. Thinking in Jazz overflows with musical examples from the 1920s to the present, including original transcriptions (keyed to commercial recordings) of collective improvisations by Miles Davis's and John Coltrane's groups. These transcriptions provide additional insight into the structure and creativity of jazz improvisation and represent a remarkable resource for jazz musicians as well as students and educators. Berliner explores the alternative ways—aural, visual, kinetic, verbal, emotional, theoretical, associative—in which these performers conceptualize their music and describes the delicate interplay of soloist and ensemble in collective improvisation. Berliner's skillful integration of data concerning musical development, the rigorous practice and thought artists devote to jazz outside of performance, and the complexities of composing in the moment leads to a new understanding of jazz improvisation as a language, an aesthetic, and a tradition. This unprecedented journey to the heart of the jazz tradition will fascinate and enlighten musicians, musicologists, and jazz fans alike.

Making Music Together

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Publisher :
ISBN 13 :
Total Pages : 462 pages
Book Rating : 4.F/5 ( download)

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Book Synopsis Making Music Together by : Peter Reinholdsson

Download or read book Making Music Together written by Peter Reinholdsson and published by . This book was released on 1998 with total page 462 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Empathic Interaction

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Publisher :
ISBN 13 :
Total Pages : 0 pages
Book Rating : 4.:/5 (137 download)

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Book Synopsis Empathic Interaction by : Andrew Bain

Download or read book Empathic Interaction written by Andrew Bain and published by . This book was released on 2022 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Time Out of Mind

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Publisher :
ISBN 13 :
Total Pages : 0 pages
Book Rating : 4.:/5 (819 download)

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Book Synopsis Time Out of Mind by : Rebecca Jane Evans

Download or read book Time Out of Mind written by Rebecca Jane Evans and published by . This book was released on 2011 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This dissertation investigates live interaction between jazz musicians with a focus on one of the most fundamental elements in improvisational performance, the seemingly simple act of being in time together. What is behind that powerful, engaging quality of music that comes about when musicians collaborate and coordinate so that they feel that are sharing what they themselves call good time? To investigate the musical and psychological underpinnings of good time, links were highlighted between both existing ethnographic work on jazz practices and psychological studies of time and timing. The thesis presents three empirical studies. The first study consists in a largely descriptive analysis of freely improvised jazz duet performances, and it aims to describe the emergence of good time between musicians playing together. The second study is a quantitative analysis of jazz rhythm section performance (drums and double-bass) based on an acoustic microanalysis of pulse in 4 versions of a song. The third study comprises 2 experiments on the perception of inter-musician timing by 'naïve' listeners, exploring how musically-untrained subjects experience the sound of being 'in' and 'out of' time in manipulated musical samples. Together, these studies provide quantitative evidence for temporal negotiation or turn-taking at the pulse level. Additionally they show the fundamental role of narrative development in musical performance evidenced by the spontaneous organisation of musicians' improvisations into well framed episodes that have internal structure. It is also evidenced by the mutual establishment of an expressive trajectory of local tempo development that reflects or interprets the musical piece. Thus, these findings demonstrate that musicians together control their expressive performances at both an immediate pulse level and at an overarching level of narrative. An important outcome of this research is that 'successful' performance (one with good time) involves far greater temporal flexibility than previously established. These observations lead us to define an additional form of timing between musicians which we have called participatory timing and which is based on motivated and embodied interpersonal interaction rather than on expressive timing at the level of the individual.

Interaction - Opening Up the Jazz Ensemble

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Publisher : Alfred Music
ISBN 13 : 9783892210535
Total Pages : 98 pages
Book Rating : 4.2/5 (15 download)

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Book Synopsis Interaction - Opening Up the Jazz Ensemble by : Graham Collier

Download or read book Interaction - Opening Up the Jazz Ensemble written by Graham Collier and published by Alfred Music. This book was released on 2012 with total page 98 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book and CD set addresses the development of improvisation in all its forms, individual and collective, textural, and structural, and is designed to open up the minds of all the players in any jazz situation. The workshops are designed to help all levels of improviser. They will help the raw beginner start the process of learning to improvise, not necessarily in an exposed soloing situation, but will also help the technically fluent improviser who often needs to be taught to listen more and consider the overall picture rather than just his or her own contribution. Interaction also deals in a practical way with the connections between the present and the past, showing how the concepts of earlier styles can be adapted to our own music to create something valid for our own situation. Titles: Opening up the Combo: What Is Jazz * The Bebop Thing * Tradition An The "New" Thing * Opening up the Big Band: Under The Pier * Ryoanji * One By One The Cow Goes By.

Jazz Improvisation as Conversation

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Publisher :
ISBN 13 :
Total Pages : 0 pages
Book Rating : 4.:/5 (141 download)

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Book Synopsis Jazz Improvisation as Conversation by : Jorge Lopez-Brandt

Download or read book Jazz Improvisation as Conversation written by Jorge Lopez-Brandt and published by . This book was released on 2023 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The central aim of this thesis is to propose a novel approach to studying jazz music that acknowledges jazz improvisation as a collaborative endeavour. Traditional examinations of jazz improvisation tend to concentrate solely on the individual soloist, with little or no attention given to the accompanying musicians with whom the soloist interacts. To explore this collective and conversational aspect of jazz improvisation, I intend to utilize analytical methodologies from pragmatics, a subfield of linguistics, in conjunction with music theory to analyze improvisation in the context of jazz. Music theory provides essential insight into the harmonic, melodic, rhythmic, and formal conventions of jazz music, which a linguist might refer to as its "syntax." Establishing the syntax of the jazz "language" will allow for a pragmatic analysis, which will investigate how syntactical meanings are modified in the practical application of that language within a collaborative context. By examining the interactions among all members of an ensemble during an improvised jazz performance, this approach will elucidate how the jazz language functions pragmatically to generate a coherent discourse for both jazz musicians and audiences. To illustrate this approach, I will apply it to "So What," the opening track of Miles Davis's landmark 1959 album, Kind of Blue.

Developmental Techniques for the Jazz Ensemble Musician

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Publisher :
ISBN 13 : 9781258367947
Total Pages : 230 pages
Book Rating : 4.3/5 (679 download)

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Book Synopsis Developmental Techniques for the Jazz Ensemble Musician by : George Wiskirchen

Download or read book Developmental Techniques for the Jazz Ensemble Musician written by George Wiskirchen and published by . This book was released on 2012-06-01 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Experiencing 'Flow' in Jazz Performance

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Publisher : Routledge
ISBN 13 : 1317137779
Total Pages : 184 pages
Book Rating : 4.3/5 (171 download)

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Book Synopsis Experiencing 'Flow' in Jazz Performance by : Elina Hytönen-Ng

Download or read book Experiencing 'Flow' in Jazz Performance written by Elina Hytönen-Ng and published by Routledge. This book was released on 2016-04-22 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt: The term 'flow' refers to experiences where the musician moves into a consciousness in which time seems to be suspended and perception of reality is blurred by unconscious forces. An essential part of the jazz tradition, which often serves as the foundation of the musician's identity, flow is recognised within the greater jazz community as a critical factor in accomplished musicianship. Flow as a concept is so deeply embedded in the scene that these experiences are not generally discussed. It contributes to the musicians' work motivation, providing a vital level of satisfaction and accomplishment. The power of the experience, consciously or unconsciously, has given rise to the creation of heroic images, in which jazz musicians are seen as being bold, yet vulnerable, strong and masculine, but still capable of expressing emotions. In this discourse, musicians are pictured as people constantly putting themselves on the line, exposing themselves and their hearts to one another as well as to the audience. Heroic profiles are richly constructed within the jazz scene, and their incorporation into narratives of flow suggests that such images are inseparable from jazz. It is thus unclear how far the musicians are simply reporting personal experience as opposed to unconsciously perpetuating a profoundly internalised mythology. Drawing on eighteen interviews conducted with professional jazz musicians from around the world, Elina Hytönen-Ng examines the fundamentals of the phenomenon of flow in jazz that has led to this genre's popularity. Furthermore, she draws on how flow experiences are viewed and constructed by jazz musicians, the meanings they attach to it, and the quality of music that it inspires.

Interaction

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Publisher :
ISBN 13 :
Total Pages : 98 pages
Book Rating : 4.:/5 (422 download)

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Book Synopsis Interaction by : Graham Collier

Download or read book Interaction written by Graham Collier and published by . This book was released on 1995 with total page 98 pages. Available in PDF, EPUB and Kindle. Book excerpt: