Read Books Online and Download eBooks, EPub, PDF, Mobi, Kindle, Text Full Free.
Decolonising African Theatre
Download Decolonising African Theatre full books in PDF, epub, and Kindle. Read online Decolonising African Theatre ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Book Synopsis Decolonising African Theatre by : Samuel Ravengai
Download or read book Decolonising African Theatre written by Samuel Ravengai and published by Cambridge University Press. This book was released on 2024-04-11 with total page 151 pages. Available in PDF, EPUB and Kindle. Book excerpt: Decolonisation can be pursued in different ways. After many years of developing a critical language to engage coloniality, the most urgent need in African theatre is to develop new theories and methods in our manufactories. This Element uses Afroscenology as a theory to read and comment on African theatre. The Element particularly focuses on the history of laboratories in which it was tested and emerged, the historicization of rombic theatre and the crafting of a theory of the playtext which has been named theatric theory to distinguish it from the Aristotelian dramatic theory. The second dimension of the theory is the performatic technique. This Element also explain Afrosonic mime through examples drawn from the workshops conducted in training performers.
Book Synopsis Decolonising African Theatre by : Samuel Ravengai
Download or read book Decolonising African Theatre written by Samuel Ravengai and published by . This book was released on 2024-04-16 with total page 82 pages. Available in PDF, EPUB and Kindle. Book excerpt: Decolonisation can be pursued in different ways. After many years of developing a critical language to engage coloniality, the most urgent need in African theatre is to develop new theories and methods in our manufactories. This Element uses Afroscenology as a theory to read and comment on African theatre. The Element particularly focuses on the history of laboratories in which it was tested and emerged, the historicization of rombic theatre and the crafting of a theory of the playtext which has been named theatric theory to distinguish it from the Aristotelian dramatic theory. The second dimension of the theory is the performatic technique. This Element also explain Afrosonic mime through examples drawn from the workshops conducted in training performers.
Book Synopsis Decolonising the Mind by : Ngugi wa Thiong'o
Download or read book Decolonising the Mind written by Ngugi wa Thiong'o and published by Boydell & Brewer. This book was released on 1986 with total page 126 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ngugi wrote his first novels and plays in English but was determined, even before his detention without trial in 1978, to move to writing in Gikuyu.
Book Synopsis Senegalese Stagecraft by : Brian Valente-Quinn
Download or read book Senegalese Stagecraft written by Brian Valente-Quinn and published by Northwestern University Press. This book was released on 2021-07-15 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Senegalese Stagecraft explores the theatrical stage in Senegal as a site of poetic expression, political activism, and community engagement. In their responses to the country’s colonial heritage, as well as through their innovations on the craft of theater‐making, Senegalese performers have created an array of decolonizing stage spaces that have shaped the country’s theater history. Their work has also addressed a global audience, experimenting with international performance practices while proposing new visions of the role of culture and stagecraft in society. Through a study of the innovative work of Senegalese theater-makers from the 1930s onward, Senegalese Stagecraft explores a wide range of historical contexts and themes, including French colonial education, cultural Pan‐Africanism, West African Sufism, uses of television and mass media, and popular theater and activism. Using a multidisciplinary approach that includes field, archival, and literary methods, Valente‐Quinn offers a fresh look at performance cultures of West Africa and the Global South in a book that will interest students and scholars in African, Francophone, and performance studies.
Book Synopsis Decolonizing the Stage by : Christopher B. Balme
Download or read book Decolonizing the Stage written by Christopher B. Balme and published by Oxford University Press. This book was released on 1999 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: A study of post-colonial drama and theatre. It examines how dramatists from various societies have attempted to fuse the performance idioms of their traditions with the Western dramatic form, demonstrating how the dynamics of syncretic theatrical texts function in performance.
Book Synopsis Decolonisation As Democratisation by : Siseko H. Kumalo
Download or read book Decolonisation As Democratisation written by Siseko H. Kumalo and published by HSRC Press. This book was released on 2021-05-31 with total page 245 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Decolonising the mind by : Ngugi wa Thiong'o
Download or read book Decolonising the mind written by Ngugi wa Thiong'o and published by East African Publishers. This book was released on 1992 with total page 132 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Pre-colonial and Post-colonial Drama and Theatre in Africa by : Lokangaka Losambe
Download or read book Pre-colonial and Post-colonial Drama and Theatre in Africa written by Lokangaka Losambe and published by New Africa Books. This book was released on 2001 with total page 170 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this collection of essays written from different critical perspectives, African playwrights demonstrate through their art that they are not only witnesses, but also consciences, of their societies.
Book Synopsis A History of Theatre in Africa by : Martin Banham
Download or read book A History of Theatre in Africa written by Martin Banham and published by Cambridge University Press. This book was released on 2004-05-13 with total page 498 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book aims to offer a broad history of theatre in Africa. The roots of African theatre are ancient and complex and lie in areas of community festival, seasonal rhythm and religious ritual, as well as in the work of popular entertainers and storytellers. Since the 1950s, in a movement that has paralleled the political emancipation of so much of the continent, there has also grown a theatre that comments back from the colonized world to the world of the colonists and explores its own cultural, political and linguistic identity. A History of Theatre in Africa offers a comprehensive, yet accessible, account of this long and varied chronicle, written by a team of scholars in the field. Chapters include an examination of the concepts of 'history' and 'theatre'; North Africa; Francophone theatre; Anglophone West Africa; East Africa; Southern Africa; Lusophone African theatre; Mauritius and Reunion; and the African diaspora.
Download or read book African Theatre written by Martin Banham and published by Indiana University Press. This book was released on 2001 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: This second annual volume in the African Theatre series focuses on the intersection of politics and theatre in Africa today. Topics include the remarkable collaboration between Horse and Bamboo, a puppet theatre company based in the United Kingdom, and Nigerian playwright Sam Ukala that was inspired by the infamous execution of Nigerian playwright Ken Saro-Wiwa and other Ogoni activists; the plays of Femi Osofisan; and plays by Ghanaian playwrights Joe de Graft and Mohammed Ben-Abdallah. African Theatre features the work of Mauritian playwright Dev Virahsawmy and includes an interview with him, reviews of an English production of his play, Toufann, as well as the translated playscript. Reports of workshops and conferences, reviews, and news of the year in African theatre make this volume a valuable resource for anyone interested in current issues in African drama and performance.
Book Synopsis Decolonising the Mind by : Ngugi Wa Thiong'o
Download or read book Decolonising the Mind written by Ngugi Wa Thiong'o and published by . This book was released on 1986 with total page 114 pages. Available in PDF, EPUB and Kindle. Book excerpt: Introduction: Towards the universal language of struggle. 1. The language of African Literature. 2. The language of African theatre. 3. The language of African fiction. 4. The quest for relevance.
Book Synopsis African Theatre in Development by : Martin Banham
Download or read book African Theatre in Development written by Martin Banham and published by Indiana University Press. This book was released on 1999 with total page 198 pages. Available in PDF, EPUB and Kindle. Book excerpt: "A truly worthwhile resource in a growing field of research--the theater and drama of Africa--this volume collects ten essays about theater practice, publications, and productions; in-depth reviews of 17 books; and a new play." --Choice "... a 'must-have' for anybody interested in issues relating to theatre and development in Africa.... a pioneering effort... " --H-Net Reviews Art as a tool, weapon, or shield? This compelling issue and others are explored in this diverse collection of intriguing perspectives on African theatre in development. Also here: strategies in staging, propaganda, and mass education, and a discussion of the playwright Alemseged Tesfai's career in service to Eritrean liberation.
Book Synopsis Theatre from Rhodesia to Zimbabwe by : Samuel Ravengai
Download or read book Theatre from Rhodesia to Zimbabwe written by Samuel Ravengai and published by Springer Nature. This book was released on 2021-07-06 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: The voices that are represented in this collection come from various parts of the world and express the views of practitioners and scholars who have all had first-hand experience working in Zimbabwean theatre from the last days of Rhodesia to Zimbabwe. The collection views the long continuum of developments in local theatre history as a case of the intrusive hegemonies that came with colonial Rhodesia as a conquest society, and localised identities in the form of the persistence of indigenous and syncretic popular forms. With time, all these came together to constitute the makings of a contested post-colony in contemporary theatre practice in Zimbabwe. The primary interest of scholars who are represented here is located at the intersection of political, cultural and performative discourses and the flow of Zimbabwean history. The focus, moreover, is not only on the history of performance cultures in postcolonial Zimbabwe - it extends its critical gaze to include the history of political ideas that gave rise to cultural contestation in the field of theatre and performance.
Book Synopsis African Theatres & Performances by : Osita Okagbue
Download or read book African Theatres & Performances written by Osita Okagbue and published by Routledge. This book was released on 2013-05-13 with total page 209 pages. Available in PDF, EPUB and Kindle. Book excerpt: African Theatres & Performances looks at four specific performance forms in Africa and uses this to question the tendency to employ western frames of reference to analyze and appreciate theatrical performance. The book examines: masquerade theatre in Eastern Nigeria the trance and possession ritual theatre of the Hausa of Northern Nigeria the musical and oral tradition of the Mandinka of Senegal comedy and satire of the Bamana in Mali. Osita Okagbue describes each performance in detail and discusses how each is made, who it is made by and for, and considers the relationship between maker and viewer and the social functions of performance and theatre in African societies. The discussions are based on first-hand observation and interviews with performers and spectators. African Theatres & Performances gives a fascinating account of these practices, carefully tracing the ways in which performances and theatres are unique and expressive of their cultural context.
Book Synopsis South African Drama and Theatre from Pre-colonial Times to the 1990s: An Alternative Reading by : Mzo Sirayi
Download or read book South African Drama and Theatre from Pre-colonial Times to the 1990s: An Alternative Reading written by Mzo Sirayi and published by Xlibris Corporation. This book was released on 2012 with total page 211 pages. Available in PDF, EPUB and Kindle. Book excerpt: Mzo Sirayi has embarked on a highly impressive and daring enterprise with the unfl inching boldness of a scholar who is driven by a passionate pursuit to set the record straight. He manages to pull no punches and make no apologies by being true to his convictions, especially within the context of a new South Africa. The book adopts a largely historicized, critical and analytical perspective, which strikingly approximates that of postcolonial theory. — Owen Seda This new and authoritative book is an excellent addition to the few existing books on black South African drama and theatre. South African Drama and Th eatre from Pre-colonial Times to 1990s: An Alternative Reading takes the reader on a tour of the indigenous as well as the modern South African theatre zones. The chapters reverberate with echoes of Africanisation and rock on renaissance waves. This exciting and stimulating book is transparently readable, accessible and is of inestimable value to academics and general readers. — Patrick Ebewo
Book Synopsis Dance, Music and Cultures of Decolonisation in the Indian Diaspora by : Tina K Ramnarine
Download or read book Dance, Music and Cultures of Decolonisation in the Indian Diaspora written by Tina K Ramnarine and published by Routledge. This book was released on 2020-06-09 with total page 286 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dance, Music and Cultures of Decolonisation in the Indian Diaspora provides fascinating examples of dance and music projects across the Indian Diaspora to highlight that decolonisation is a creative process, as well as a historical and political one. The book analyses creative processes in decolonising projects, illustrating how dance and music across the Indian Diaspora articulate socio-political aspirations in the wake of thinkers such as Gandhi and Ambedkar. It presents a wide range of examples: post-apartheid practices and experiences in a South African dance company, contestations over national identity politics in Trinidadian music competitions, essentialist and assimilationist strategies in a British dance competition, the new musical creativity of second-generation British-Tamil performers, Indian classical dance projects of reform and British multiculturalism, feminist intercultural performances in Australia, and performance re-enactments of museum exhibits that critically examine the past. Key topics under discussion include postcolonial contestations, decolonising scholarship, dialogic pedagogies and intellectual responsibility. The book critically reflects on decolonising aims around respect, equality and the colonial past’s redress as expressed through performing arts projects. Presenting richly detailed case studies that underline the need to examine creative processes in the cultures of decolonisation, Dance, Music and Cultures of Decolonisation in the Indian Diaspora will be of great interest to scholars of South Asian Studies, Diaspora Studies, Performing Arts Studies and Anthropology. The chapters were originally published as a special issue of South Asian Diaspora.
Book Synopsis Culture and Identity in African and Caribbean Theatre by : Osita Okagbue
Download or read book Culture and Identity in African and Caribbean Theatre written by Osita Okagbue and published by Adonis & Abbey Publishers Ltd. This book was released on 2009-09-30 with total page 277 pages. Available in PDF, EPUB and Kindle. Book excerpt: What connects Africa and the Caribbean is trans-Atlantic slavery which transported numerous sons and daughters of Africa to the plantations of the New World in the service of Western European capitalism. Because of this shared experience of trans-Atlantic slavery and European colonialism, issues of culture and identity are major concerns for African and Caribbean playwrights. Slavery and colonialism had involved systematic acts of cultural denigration, de-humanisation and loss of freedom, which left imprints on the collective psyches of the colonised Africans and enslaved peoples of African descent in the Caribbean. Both experiences brought intense cultural and psychic dislocations which still impact in various ways on the lives of Africans and peoples of African descent around the world. African and Caribbean playwrights try to help their peoples regain their dignities by affirming their cultures, histories and identities. The book focuses on the similarities and differences between Caribbean theatre and the theatre of sub-Saharan Africa, showing how identities and cultures are negotiated and affirmed in each case.
