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Author : Claire J. Farago
Publisher : U of Minnesota Press
ISBN 13 : 9781452906157
Total Pages : 260 pages
Book Rating : 4.9/5 (61 download)
Download or read book Compelling Visuality written by Claire J. Farago and published by U of Minnesota Press. This book was released on 2003 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : F. R. Ankersmit
Publisher : Stanford University Press
ISBN 13 : 9780804749367
Total Pages : 510 pages
Book Rating : 4.7/5 (493 download)
Download or read book Sublime Historical Experience written by F. R. Ankersmit and published by Stanford University Press. This book was released on 2005 with total page 510 pages. Available in PDF, EPUB and Kindle. Book excerpt: Why are we interested in history at all? Why do we feel the need to distinguish between past and present? This book investigates how the notion of sublime historical experience complicates and challenges existing conceptions of language, truth, and knowledge.
Author : Andrew Cope
Publisher : BRILL
ISBN 13 : 184888138X
Total Pages : 194 pages
Book Rating : 4.8/5 (488 download)
Download or read book Seenography: Essays on the Meaning of Visuality in Performance Events written by Andrew Cope and published by BRILL. This book was released on 2019-01-04 with total page 194 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Ren?ande Vall
Publisher : Routledge
ISBN 13 : 1351575058
Total Pages : 190 pages
Book Rating : 4.3/5 (515 download)
Download or read book At the Edges of Vision written by Ren?ande Vall and published by Routledge. This book was released on 2017-07-05 with total page 190 pages. Available in PDF, EPUB and Kindle. Book excerpt: In At the Edges of Vision, Ren?van de Vall re-examines the aesthetics of spectatorship in terms of new-media art and visual culture. The aesthetic experience of visual art has traditionally been described in terms of the distanced contemplation and critical interpretation of the work's form and representational content. Recent developments in installation, video and computer art have foregrounded the bodily and affective engagement of the spectator and, in retrospect, throw into question the model of spectatorial distance for more traditional art forms as well. But what does this development entail for art's potential for reflective, imaginative and experiential depth? Is art still capable of providing a critical counterpoint to the ubiquitous presence of sensational, yet short-lived media imagery when it speaks to the senses rather than to the mind? In a thorough examination of examples from painting, film, installation art and interactive video, and computer art, Van de Vall argues for a tactile and affective conception of reflection, linking philosophy and art. Looking at a Rembrandt self-portrait and navigating through an internet art work have in common that both types of work rely on a playful, rhythmically structured, sensuous and embodied reflexivity for the articulation of meaning. This sensuous dimension of playful reflexivity is just as important in philosophical thought, however, as the transcendental condition for genuine, open-ended reflection. Drawing on the philosophy of Merleau-Ponty, Levinas, Lyotard and Deleuze on the one hand and on new-media theory on the other, Van de Vall develops a performative phenomenology of aesthetic reflection, visuality and visual art, in order to rethink art's ethical and political relevance in present-day digital-media culture.
Author : Ian Heywood
Publisher : Berg
ISBN 13 : 1847885756
Total Pages : 1197 pages
Book Rating : 4.8/5 (478 download)
Download or read book The Handbook of Visual Culture written by Ian Heywood and published by Berg. This book was released on 2014-01-21 with total page 1197 pages. Available in PDF, EPUB and Kindle. Book excerpt: Visual culture has become one of the most dynamic fields of scholarship, a reflection of how the study of human culture increasingly requires distinctively visual ways of thinking and methods of analysis. Bringing together leading international scholars to assess all aspects of visual culture, the Handbook aims to provide a comprehensive and authoritative overview of the subject. The Handbook embraces the extraordinary range of disciplines which now engage in the study of the visual - film and photography, television, fashion, visual arts, digital media, geography, philosophy, architecture, material culture, sociology, cultural studies and art history. Throughout, the Handbook is responsive to the cross-disciplinary nature of many of the key questions raised in visual culture around digitization, globalization, cyberculture, surveillance, spectacle, and the role of art. The Handbook guides readers new to the area, as well as experienced researchers, into the topics, issues and questions that have emerged in the study of visual culture since the start of the new millennium, conveying the boldness, excitement and vitality of the subject.
Author : Keith Moxey
Publisher : Duke University Press
ISBN 13 : 0822395932
Total Pages : 221 pages
Book Rating : 4.8/5 (223 download)
Download or read book Visual Time written by Keith Moxey and published by Duke University Press. This book was released on 2013-05-27 with total page 221 pages. Available in PDF, EPUB and Kindle. Book excerpt: Visual Time offers a rare consideration of the idea of time in art history. Non-Western art histories currently have an unprecedented prominence in the discipline. To what extent are their artistic narratives commensurate with those told about Western art? Does time run at the same speed in all places? Keith Moxey argues that the discipline of art history has been too attached to interpreting works of art based on a teleological categorization—demonstrating how each work influences the next as part of a linear sequence—which he sees as tied to Western notions of modernity. In contrast, he emphasizes how the experience of viewing art creates its own aesthetic time, where the viewer is entranced by the work itself rather than what it represents about the historical moment when it was created. Moxey discusses the art, and writing about the art, of modern and contemporary artists, such as Gerard Sekoto, Thomas Demand, Hiroshi Sugimoto, and Cindy Sherman, as well as the sixteenth-century figures Pieter Bruegel the Elder, Albrecht Dürer, Matthias Grünewald, and Hans Holbein. In the process, he addresses the phenomenological turn in the study of the image, its application to the understanding of particular artists, the ways verisimilitude eludes time in both the past and the present, and the role of time in nationalist accounts of the past.
Author : James Elkins
Publisher : Penn State Press
ISBN 13 : 0271075724
Total Pages : 337 pages
Book Rating : 4.2/5 (71 download)
Download or read book Farewell to Visual Studies written by James Elkins and published by Penn State Press. This book was released on 2015-10-28 with total page 337 pages. Available in PDF, EPUB and Kindle. Book excerpt: Each of the five volumes in the Stone Art Theory Institutes series brings together a range of scholars who are not always directly familiar with one another’s work. The outcome of each of these convergences is an extensive and “unpredictable conversation” on knotty and provocative issues about art. This fifth and final volume in the series focuses on the identity, nature, and future of visual studies, discussing critical questions about its history, objects, and methods. The contributors question the canon of literature of visual studies and the place of visual studies with relation to theories of vision, visuality, epistemology, politics, and art history, giving voice to a variety of inter- and transdisciplinary perspectives. Rather than dismissing visual studies, as its provocative title might suggest, this volume aims to engage a critical discussion of the state of visual studies today, how it might move forward, and what it might leave behind to evolve in productive ways. The contributors are Emmanuel Alloa, Nell Andrew, Linda Báez Rubí, Martin A. Berger, Hans Dam Christensen, Isabelle Decobecq, Bernhard J. Dotzler, Johanna Drucker, James Elkins, Michele Emmer, Yolaine Escande, Gustav Frank, Theodore Gracyk, Asbjørn Grønstad, Stephan Günzel, Charles W. Haxthausen, Miguel Á. Hernández-Navarro, Tom Holert, Kıvanç Kılınç, Charlotte Klonk, Tirza True Latimer, Mark Linder, Sunil Manghani, Anna Notaro, Julia Orell, Mark Reinhardt, Vanessa R. Schwartz, Bernd Stiegler, Øyvind Vågnes, Sjoukje van der Meulen, Terri Weissman, Lisa Zaher, and Marta Zarzycka.
Author : Hamid Keshmirshekan
Publisher : Anthem Press
ISBN 13 : 1783089202
Total Pages : 374 pages
Book Rating : 4.7/5 (83 download)
Download or read book Contemporary Art, World Cinema, and Visual Culture written by Hamid Keshmirshekan and published by Anthem Press. This book was released on 2019-03-29 with total page 374 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Contemporary Art, World Cinema, and Visual Culture: Essays by Hamid Dabashi" is a collection of writings by the acclaimed cultural critic and scholar. A thorough Introduction rigorously frames chapters and identifies in Dabashi’s writings a comprehensive approach, which forms the criteria for selecting the essays for the volume. The Introduction also teases out of these essays the overarching theme that holds them together, the manner they inform a particularly critical angle in them and the way they cohere. The Introduction dwells on the work of one scholar, public intellectual and theorist of modern and contemporary arts to extrapolate more universal issues of concern to art criticism in general. These scattered materials and their underlying theoretical and critical logic are a unique contribution to the field of modern and contemporary arts.
Author : Maya Balakirsky Katz
Publisher : Cambridge University Press
ISBN 13 : 0521191637
Total Pages : 265 pages
Book Rating : 4.5/5 (211 download)
Download or read book The Visual Culture of Chabad written by Maya Balakirsky Katz and published by Cambridge University Press. This book was released on 2010-10-11 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is the first full-length study of a complex visual tradition associated with the Hasidic movement of Chabad.
Author : Emma Barker
Publisher : Tate Enterprises Ltd
ISBN 13 : 1849761094
Total Pages : 684 pages
Book Rating : 4.8/5 (497 download)
Download or read book Art & Visual Culture 1600-1850: Academy to Avant-Garde written by Emma Barker and published by Tate Enterprises Ltd. This book was released on 2013-09-05 with total page 684 pages. Available in PDF, EPUB and Kindle. Book excerpt: An innovatory exploration of art and visual culture. Through carefully chosen themes and topics rather than through a general survey, the volumes approach the process of looking at works of art in terms of their audiences, functions and cross-cultural contexts. While focused on painting, sculpture and architecture, it also explores a wide range of visual culture in a variety of media and methods. "1600-1850 Academy to Avant-Garde" interrogates labels used in standard histories of the art of this period (Baroque, Rococo, Neo-Classicism and Romanticism) and examines both established and recent art-historical methodologies, including formalism, iconology, spectatorship and reception, identity and difference. Key topics include Baroque Rome, Dutch Painting of the Golden Age, Georgian London, the Paris Salon, and the impact of the discovery of the South Pacific.The second of three text books, published by Tate in association with the Open University, which insight for students of Art History, Art Theory and Humanities. Introduction Part 1: City and country 1600-1760 1: Bernini and Baroque Rome 2: Meaning and interpretation: Dutch painting of the golden age 3: The metropolitan urban renaissance: London 1660-1760 4: The English landscape garden 1680-1760 Part 2: New worlds of art 1760-1850 5: Painting for the public 6: Canova, Neo-classicism and the sculpted body 7: The other side of the world 8: Inventing the Romantic artist
Author : Anneke Smelik
Publisher : V&R unipress GmbH
ISBN 13 : 3899717562
Total Pages : 200 pages
Book Rating : 4.8/5 (997 download)
Download or read book The Scientific Imaginary in Visual Culture written by Anneke Smelik and published by V&R unipress GmbH. This book was released on 2010 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: Popular media, art and science are intricately interlinked in contemporary visual culture. This book analyses the scientific imaginary that is the result of the profound effects of science upon the imagination, and conversely, of the imagination in and upon science. As scientific developments in genetics occur and information technology and cybernetics open up new possibilities of intervention in human lives, cultural theorists have explored the notion of the posthuman. The Scientific Imaginary in Visual Culture analyses figurations of the posthu-man in history and philosophy, as well as in its utopian and dystopian forms in art and popular culture. The authors thus address the blurring boundaries between art and science in diverse media like science fiction film, futurist art, video art and the new phenomenon of bio-art. In their evaluations of the scientific imaginary in visual culture, the authors engage critically with current scientific and technological concerns.
Author : Kaspar Thormod
Publisher : BRILL
ISBN 13 : 9004394214
Total Pages : 264 pages
Book Rating : 4.0/5 (43 download)
Download or read book Artistic Reconfigurations of Rome written by Kaspar Thormod and published by BRILL. This book was released on 2019-04-09 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Artistic Reconfigurations of Rome Kaspar Thormod examines how visions of Rome manifest themselves in artworks produced by contemporary international artists who have stayed at the city’s foreign academies.
Author : Klaus Hentschel
Publisher : Oxford University Press, USA
ISBN 13 : 0198717873
Total Pages : 523 pages
Book Rating : 4.1/5 (987 download)
Download or read book Visual Cultures in Science and Technology written by Klaus Hentschel and published by Oxford University Press, USA. This book was released on 2014 with total page 523 pages. Available in PDF, EPUB and Kindle. Book excerpt: What makes a good scientific image? Is science defined by its pictures? The present book offers a broad comparative survey of the history, generation, use and function of images in scientific practice based on an extensive range of historical sources in the natural sciences, technology and medicine, particularly physics, astronomy, and chemistry.
Author : William E. Engel
Publisher : Routledge
ISBN 13 : 042962820X
Total Pages : 226 pages
Book Rating : 4.4/5 (296 download)
Download or read book The Printer as Author in Early Modern English Book History written by William E. Engel and published by Routledge. This book was released on 2022-04-26 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first book to demonstrate how mnemotechnic cultural commonplaces can be used to account for the look, style, and authorized content of some of the most influential books produced in early modern Britain. In his hybrid role as stationer, publisher, entrepreneur, and author, John Day, master printer of England’s Reformation, produced the premier navigation handbook, state-approved catechism and metrical psalms, Book of Martyrs, England’s first printed emblem book, and Queen Elizabeth’s Prayer Book. By virtue of finely honed book trade skills, dogged commitment to evangelical nation-building, and astute business acumen (including going after those who infringed his privileges), Day mobilized the typographical imaginary to establish what amounts to—and still remains—a potent and viable Protestant Memory Art.
Author : Dana Leibsohn
Publisher : Ashgate Publishing, Ltd.
ISBN 13 : 9781409411895
Total Pages : 306 pages
Book Rating : 4.4/5 (118 download)
Download or read book Seeing Across Cultures in the Early Modern World written by Dana Leibsohn and published by Ashgate Publishing, Ltd.. This book was released on 2012 with total page 306 pages. Available in PDF, EPUB and Kindle. Book excerpt: What were the possibilities and limits of vision in the early modern world? Drawing upon experiences forged in Europe, Asia, Africa and the Americas, Seeing Across Cultures shows how distinctive ways of habituating the eyes in the early modern period had profound implications-in the realm of politics, daily practice and the imaginary. Beyond their interest in visual culture, the essays here expand our understanding of transcultural encounters and the history of vision.
Author : Barry Allen
Publisher : Cornell University Press
ISBN 13 : 0801457025
Total Pages : 227 pages
Book Rating : 4.8/5 (14 download)
Download or read book Artifice and Design written by Barry Allen and published by Cornell University Press. This book was released on 2011-03-15 with total page 227 pages. Available in PDF, EPUB and Kindle. Book excerpt: "As familiar and widely appreciated works of modern technology, bridges are a good place to study the relationship between the aesthetic and the technical. Fully engaged technical design is at once aesthetic and structural. In the best work (the best design, the most well made), the look and feel of a device (its aesthetic, perceptual interface) is as important a part of the design problem as its mechanism (the interface of parts and systems). We have no idea how to make something that is merely efficient, a rational instrument blindly indifferent to how it appears. No engineer can design such a thing and none has ever been built."—from Artifice and Design In an intriguing book about the aesthetics of technological objects and the relationship between technical and artistic accomplishment, Barry Allen develops the philosophical implications of a series of interrelated concepts-knowledge, artifact, design, tool, art, and technology-and uses them to explore parallel questions about artistry in technology and technics in art. This may be seen at the heart of Artifice and Design in Allen's discussion of seven bridges: he focuses at length on two New York bridges—the Hell Gate Bridge and the Bayonne Bridge—and makes use of original sources for insight into the designers' ideas about the aesthetic dimensions of their work. Allen starts from the conviction that art and technology must be treated together, as two aspects of a common, technical human nature. The topics covered in Artifice and Design are wide-ranging and interdisciplinary, drawing from evolutionary biology, cognitive psychology, and the history and anthropology of art and technology. The book concludes that it is a mistake to think of art as something subjective, or as an arbitrary social representation, and of Technology as an instrumental form of purposive rationality. "By segregating art and technology," Allen writes, "we divide ourselves against ourselves, casting up self-made obstacles to the ingenuity of art and technology."
Author : Amy Knight Powell
Publisher : MIT Press
ISBN 13 : 1935408208
Total Pages : 385 pages
Book Rating : 4.9/5 (354 download)
Download or read book Depositions written by Amy Knight Powell and published by MIT Press. This book was released on 2012-10-04 with total page 385 pages. Available in PDF, EPUB and Kindle. Book excerpt: From late medieval reenactments of the Deposition from the Cross to Sol Lewitt’s “Buried Cube,” Depositions is about taking down images and about images that anticipate being taken down. Foretelling their own depositions, as well as their re-elevations in contexts far from those in which they were made, the images studied in this book reveal themselves to be untimely — no truer to their first appearance than to their later reappearances. In Depositions, Amy Knight Powell makes the case that late medieval paintings and ritual reenactments of the Deposition from the Cross not only picture the deposition of Christ (the imago Dei) but also allegorize the deposition of the image as such and, in so doing, prefigure the lowering of “dead images” during the Protestant Reformation. Late medieval pre-figurations of Reformation iconoclasm anticipate, in turn, the repeated “deaths” of art since the advent of photography: that is the premise of the vignettes devoted to twentieth-century works of art that conclude each chapter of this book. In these vignettes, images that once stood in late medieval churches now find themselves among works of art from the more recent past with which they share certain formal characteristics. These surreal encounters compel us to reckon with affinities between images from different times and places. Turning on its head the pejorative (art-historical) use of the term pseudomorphosis — formal resemblance where there is no similarity of artistic intent — Powell explores what happens to our understanding of historically and conceptually distant works of art when they look alike.
