Colour And Light In Ancient And Medieval Art

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Colour and Light in Ancient and Medieval Art

Author : Chloë N. Duckworth
Publisher : Routledge
ISBN 13 : 1351682962
Total Pages : 302 pages
Book Rating : 4.3/5 (516 download)

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Book Synopsis Colour and Light in Ancient and Medieval Art by : Chloë N. Duckworth

Download or read book Colour and Light in Ancient and Medieval Art written by Chloë N. Duckworth and published by Routledge. This book was released on 2017-12-15 with total page 302 pages. Available in PDF, EPUB and Kindle. Book excerpt: The myriad ways in which colour and light have been adapted and applied in the art, architecture, and material culture of past societies is the focus of this interdisciplinary volume. Light and colour’s iconographic, economic, and socio-cultural implications are considered by established and emerging scholars including art historians, archaeologists, and conservators, who address the variety of human experience of these sensory phenomena. In today’s world it is the norm for humans to be surrounded by strong, artificial colours, and even to see colour as perhaps an inessential or surface property of the objects around us. Similarly, electric lighting has provided the power and ability to illuminate and manipulate environments in increasingly unprecedented ways. In the context of such a saturated experience, it becomes difficult to identify what is universal, and what is culturally specific about the human experience of light and colour. Failing to do so, however, hinders the capacity to approach how they were experienced by people of centuries past. By means of case studies spanning a broad historical and geographical context and covering such diverse themes as architecture, cave art, the invention of metallurgy, and medieval manuscript illumination, the contributors to this volume provide an up-to-date discussion of these themes from a uniquely interdisciplinary perspective. The papers range in scope from the meaning of colour in European prehistoric art to the technical art of the glazed tiles of the Shah mosque in Isfahan. Their aim is to explore a multifarious range of evidence and to evaluate and illuminate what is a truly enigmatic topic in the history of art and visual culture.

Colour and Light in Ancient and Medieval Art

Author : Chloë N. Duckworth
Publisher :
ISBN 13 : 9781315167435
Total Pages : 198 pages
Book Rating : 4.1/5 (674 download)

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Book Synopsis Colour and Light in Ancient and Medieval Art by : Chloë N. Duckworth

Download or read book Colour and Light in Ancient and Medieval Art written by Chloë N. Duckworth and published by . This book was released on 2017-12-15 with total page 198 pages. Available in PDF, EPUB and Kindle. Book excerpt: The myriad ways in which colour and light have been adapted and applied in the art, architecture, and material culture of past societies is the focus of this interdisciplinary volume. Light and colour's iconographic, economic, and socio-cultural implications are considered by established and emerging scholars including art historians, archaeologists, and conservators, who address the variety of human experience of these sensory phenomena. In today's world it is the norm for humans to be surrounded by strong, artificial colours, and even to see colour as perhaps an inessential or surface property of the objects around us. Similarly, electric lighting has provided the power and ability to illuminate and manipulate environments in increasingly unprecedented ways. In the context of such a saturated experience, it becomes difficult to identify what is universal, and what is culturally specific about the human experience of light and colour. Failing to do so, however, hinders the capacity to approach how they were experienced by people of centuries past. By means of case studies spanning a broad historical and geographical context and covering such diverse themes as architecture, cave art, the invention of metallurgy, and medieval manuscript illumination, the contributors to this volume provide an up-to-date discussion of these themes from a uniquely interdisciplinary perspective. The papers range in scope from the meaning of colour in European prehistoric art to the technical art of the glazed tiles of the Shah mosque in Isfahan. Their aim is to explore a multifarious range of evidence and to evaluate and illuminate what is a truly enigmatic topic in the history of art and visual culture.

Colors in Medieval Art

Author : Alberto Virdis
Publisher :
ISBN 13 : 9788028003296
Total Pages : 0 pages
Book Rating : 4.0/5 (32 download)

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Book Synopsis Colors in Medieval Art by : Alberto Virdis

Download or read book Colors in Medieval Art written by Alberto Virdis and published by . This book was released on 2023 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Projected color saturates our world of images and screens, leading to a dissociation of color from material realities through its cultural attachment to light and the efflorescence of optics. Under these conditions, it is difficult to imagine a past where color was an eminently material, cultural, and social object. This book argues that color is and was a central "cultural object" within art history, a fact first elucidated through an examination of the debates and difficulties of color in language, theology, science, and philosophy. Following this overview of medieval aesthetical debates, the author pursues two pivotal case studies which span the twelfth and thirteenth centuries: the Basilica of Saint-Denis and the Cathedral of Lincoln, respectively connected to the figures of the abbot Suger and the bishop Robert Grosseteste. Prominent thinkers and concepteurs of sacred spaces and images, they both confronted existing theories of color and optics, and the theology of Pseudo-Dionysius the Areopagite. The case studies both center the art of stained glass, a revolutionary medium that blurs the boundaries between color, materiality, and light. Emerging strongly throughout this beautifully illustrated volume are traces of a central Middle Ages in which color played a fundamental yet groundbreaking role at the crossroads of aesthetic, intellectual, and theological issues.

Color in Ancient and Medieval East Asia

Author : Monica Bethe
Publisher : Spencer Museum of Art
ISBN 13 : 9780300212990
Total Pages : 0 pages
Book Rating : 4.2/5 (129 download)

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Book Synopsis Color in Ancient and Medieval East Asia by : Monica Bethe

Download or read book Color in Ancient and Medieval East Asia written by Monica Bethe and published by Spencer Museum of Art. This book was released on 2015 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: With essays by Monica Bethe, Mary M Dusenbury, Shih-shan Susan Huang, Ikumi Kaminishi, Guolong Lai, Richard Laursen, Liu Jian and Zhao Feng, Chika Mouri, Park Ah-rim, Hillary Pedersen, Lisa Shekede and Su Bomin, Sim Yeon-ok and Lee Seonyong, Tanaka Yoko, and Zhao Feng and Long Bo Color was a critical element in East Asian life and thought, but its importance has been largely overlooked in Western scholarship. This interdisciplinary volume explores the fascinating roles that color played in the society, politics, thought, art, and ritual practices of ancient and medieval East Asia (ca. 1600 B.C.E.-ca. 1400 C.E.). While the Western world has always linked color with the spectrum of light, in East Asian civilizations colors were associated with the specific plant or mineral substances from which they were derived. Many of these substances served as potent medicines and elixirs, and their transformative powers were extended to the dyes and pigments they produced. Generously illustrated, this groundbreaking publication constitutes the first inclusive study of color in East Asia. It is the outcome of years of collaboration between chemists, conservators, archaeologists, historians of art and literature, and scholars of Buddhism and Daoism from the United States, East Asia, and Europe.

Light and Colour in Byzantine Art

Author : Liz James
Publisher : Oxford University Press, USA
ISBN 13 :
Total Pages : 242 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis Light and Colour in Byzantine Art by : Liz James

Download or read book Light and Colour in Byzantine Art written by Liz James and published by Oxford University Press, USA. This book was released on 1996 with total page 242 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first book to investigate the issue of light and colour in Byzantine art. Liz James argues that in neglecting colour, we have not fully understood Byzantine art. She contrasts modern perceptions of colour with ancient Greek and Byzantine ones in order to demonstrate that while we associate colour with hue, the Byzantines emphasised the relative lightness or darkness of a colour. This emphasis affected both the Byzantines' use of a colour within a work of art, and their conceptual view of a colour. In examining the physical evidence, combined with Byzantine colour vocabulary and Byzantine descriptions of colours, Liz James opens up the issue beyond the purely art historical into a study of art in its historical and perceptual context.

Hints on the arrangement of colours in ancient decorative art ... Second edition

Author : Gilbert James French
Publisher :
ISBN 13 :
Total Pages : 46 pages
Book Rating : 4.0/5 (19 download)

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Book Synopsis Hints on the arrangement of colours in ancient decorative art ... Second edition by : Gilbert James French

Download or read book Hints on the arrangement of colours in ancient decorative art ... Second edition written by Gilbert James French and published by . This book was released on 1850 with total page 46 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Innovative Technology in Art Conservation

Author : W. (Bill) Wei
Publisher : Taylor & Francis
ISBN 13 : 1003832989
Total Pages : 118 pages
Book Rating : 4.0/5 (38 download)

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Book Synopsis Innovative Technology in Art Conservation by : W. (Bill) Wei

Download or read book Innovative Technology in Art Conservation written by W. (Bill) Wei and published by Taylor & Francis. This book was released on 2024-01-29 with total page 118 pages. Available in PDF, EPUB and Kindle. Book excerpt: Innovative Technology in Art Conservation provides one of the first ever critical assessments of innovation in conservation science and questions what role it should play in conservation and conservation ethics. Written in language understandable for the non-technical reader, the book begins with a brief history of so-called science-based conservation, which is based on chemistry, physics and engineering, and examines how it influences conservation ethics and conservation decisions. It considers the concepts of originality and original appearance, and how people see and perceive objects, looking in particular at the results of the relatively new technology of eye-tracking. Wei then moves on to critically examine advanced technologies such as colour modelling, hyperspectral imaging, texture mapping, virtual retouching and digital reproductions and considers what they offer for determining original appearance of artworks and other cultural heritage objects. The book concludes with some reflections on the future of conservation and science-based conservation, calling for more thoughtful consideration of what it is that conservation scientists are offering, and why and for whom it is being offered. Innovative Technology in Art Conservation is essential reading for academics and students working in conservation and conservation science. The book will also be of interest to the international community of conservators and cultural heritage professionals who must make decisions about whether to use advanced technologies in their practice.

A Cultural History of Color in the Medieval Age

Author : Carole P. Biggam
Publisher : Bloomsbury Publishing
ISBN 13 : 1350193488
Total Pages : 289 pages
Book Rating : 4.3/5 (51 download)

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Book Synopsis A Cultural History of Color in the Medieval Age by : Carole P. Biggam

Download or read book A Cultural History of Color in the Medieval Age written by Carole P. Biggam and published by Bloomsbury Publishing. This book was released on 2022-08-31 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Cultural History of Color in the Medieval Age covers the period 500 to 1400. The medieval age saw an extraordinary burst of color - from illuminated manuscripts and polychrome sculpture to architecture and interiors, and from enamelled and jewelled metalwork to colored glass and the exquisite decoration of artefacts. Color was used to denote affiliation in heraldry and social status in medieval clothes. Color names were created in various languages and their resonance explored in poems, romances, epics, and plays. And, whilst medieval philosophers began to explain the rainbow, theologians and artists developed a color symbolism for both virtues and vices. Color shapes an individual's experience of the world and also how society gives particular spaces, objects, and moments meaning. The 6 volume set of the Cultural History of Color examines how color has been created, traded, used, and interpreted over the last 5000 years. The themes covered in each volume are color philosophy and science; color technology and trade; power and identity; religion and ritual; body and clothing; language and psychology; literature and the performing arts; art; architecture and interiors; and artefacts. Carole P. Biggam is Honorary Senior Research Fellow in English Language and Linguistics at the University of Glasgow, UK. Kirsten Wolf is Professor of Old Norse and Scandinavian Linguistics at the University of Wisconsin-Madison, USA. Volume 2 in the Cultural History of Color set. General Editors: Carole P. Biggam and Kirsten Wolf The Cultural Histories Series A Cultural History of Color is part of The Cultural Histories Series. Titles are available as hardcover sets for libraries needing just one subject or preferring a tangible reference for their shelves or as part of a fully-searchable digital library. The digital product is available to institutions by annual subscription or on perpetual access via www.bloomsburyculturalhistory.com . Individual volumes for academics and researchers interested in specific historical periods are also available in print or digitally via www.bloomsburycollections.com .

Digging into the Dark Ages

Author : Howard Williams
Publisher : Archaeopress Publishing Ltd
ISBN 13 : 1789695287
Total Pages : 366 pages
Book Rating : 4.7/5 (896 download)

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Book Synopsis Digging into the Dark Ages by : Howard Williams

Download or read book Digging into the Dark Ages written by Howard Williams and published by Archaeopress Publishing Ltd. This book was released on 2020-02-27 with total page 366 pages. Available in PDF, EPUB and Kindle. Book excerpt: What does the ‘Dark Ages’ mean in contemporary society? Tackling public engagements through archaeological fieldwork, heritage sites and museums, fictional portrayals and art, and increasingly via a broad range of digital media, this is the first-ever dedicated collection exploring the public archaeology of the Early Middle Ages.

The Multi-Sensory Image from Antiquity to the Renaissance

Author : Heather Hunter-Crawley
Publisher : Routledge
ISBN 13 : 1315519836
Total Pages : 192 pages
Book Rating : 4.3/5 (155 download)

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Book Synopsis The Multi-Sensory Image from Antiquity to the Renaissance by : Heather Hunter-Crawley

Download or read book The Multi-Sensory Image from Antiquity to the Renaissance written by Heather Hunter-Crawley and published by Routledge. This book was released on 2019-01-10 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume responds to calls in visual and material cultural studies to move beyond the visual and to explore the multi-sensory impact of the image, across a wide range of cultural and historical contexts. What does it mean to practise art history after the material and sensory turns? What is an image, if not a purely visual phenomenon, and how does it prompt non-visual sensory experiences? The multi-sensoriality of the image was a less challenging concept before the ocularcentric modern age, and so this volume brings together a global array of scholars from multiple disciplines to ask these questions of imagery in premodern or non-western contexts, ranging from Minoan palace frescoes, to Roman statues, early church sermons, tombs of Byzantine saints, museum displays of Islamic artefacts of scent, medieval depictions of the voice, and Stuart court masques. Each chapter presents a means of appreciating images beyond the visual, demonstrating the new information and understanding that consequently can be gleaned from their material. As a collection, these chapters offer the student and scholar of art history and visual culture an array of exciting new approaches that can be applied to appreciate the multi-sensoriality of images in any context, as well as prompts for reflection on future directions in the study of imagery. The Multi-Sensory Image thus illustrates that it is not only possible to explore the non-visual impact of images, but imperative.

Medieval Art at the Intersection of Visuality and Material Culture

Author : Raphaèle Preisinger
Publisher :
ISBN 13 : 9782503581538
Total Pages : 275 pages
Book Rating : 4.5/5 (815 download)

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Book Synopsis Medieval Art at the Intersection of Visuality and Material Culture by : Raphaèle Preisinger

Download or read book Medieval Art at the Intersection of Visuality and Material Culture written by Raphaèle Preisinger and published by . This book was released on 2021-06-28 with total page 275 pages. Available in PDF, EPUB and Kindle. Book excerpt: Over the last two decades the historiography of medieval art has been defined by two seemingly contradictory trends: a focus on questions of visuality, and more recently an emphasis on materiality. The latter, which has encouraged multi-sensorial approaches to medieval art, has come to be perceived as a counterpoint to the study of visuality as defined in ocularcentric terms. Bringing together specialists from different areas of art history, this book grapples with this dialectic and poses new avenues for reconciling these two opposing tendencies. The essays in this volume demonstrate the necessity of returning to questions of visuality, taking into account the insights gained from the 'material turn'. They highlight conceptions of vision that attribute a haptic quality to the act of seeing and draw on bodily perception to shed new light on visuality in the Middle Ages.

Black

Author : Michel Pastoureau
Publisher : Princeton University Press
ISBN 13 : 0691978867
Total Pages : 406 pages
Book Rating : 4.6/5 (919 download)

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Book Synopsis Black by : Michel Pastoureau

Download or read book Black written by Michel Pastoureau and published by Princeton University Press. This book was released on 2023-06-13 with total page 406 pages. Available in PDF, EPUB and Kindle. Book excerpt: The story of the color black in art, fashion, and culture—from the beginning of history to the twenty-first century Black—favorite color of priests and penitents, artists and ascetics, fashion designers and fascists—has always stood for powerfully opposed ideas: authority and humility, sin and holiness, rebellion and conformity, wealth and poverty, good and bad. In this beautiful and richly illustrated book, the acclaimed author of Blue now tells the fascinating social history of the color black in Europe. In the beginning was black, Michel Pastoureau tells us. The archetypal color of darkness and death, black was associated in the early Christian period with hell and the devil but also with monastic virtue. In the medieval era, black became the habit of courtiers and a hallmark of royal luxury. Black took on new meanings for early modern Europeans as they began to print words and images in black and white, and to absorb Isaac Newton's announcement that black was no color after all. During the romantic period, black was melancholy's friend, while in the twentieth century black (and white) came to dominate art, print, photography, and film, and was finally restored to the status of a true color. For Pastoureau, the history of any color must be a social history first because it is societies that give colors everything from their changing names to their changing meanings—and black is exemplary in this regard. In dyes, fabrics, and clothing, and in painting and other art works, black has always been a forceful—and ambivalent—shaper of social, symbolic, and ideological meaning in European societies. With its striking design and compelling text, Black will delight anyone who is interested in the history of fashion, art, media, or design.

Color in Homer and in Ancient Art

Author : Florence Elizabeth Wallace
Publisher :
ISBN 13 :
Total Pages : 108 pages
Book Rating : 4.X/5 (2 download)

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Book Synopsis Color in Homer and in Ancient Art by : Florence Elizabeth Wallace

Download or read book Color in Homer and in Ancient Art written by Florence Elizabeth Wallace and published by . This book was released on 1927 with total page 108 pages. Available in PDF, EPUB and Kindle. Book excerpt:

The Brilliant History of Color in Art

Author : Victoria Finlay
Publisher : Getty Publications
ISBN 13 : 1606064290
Total Pages : 122 pages
Book Rating : 4.6/5 (6 download)

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Book Synopsis The Brilliant History of Color in Art by : Victoria Finlay

Download or read book The Brilliant History of Color in Art written by Victoria Finlay and published by Getty Publications. This book was released on 2014-11-01 with total page 122 pages. Available in PDF, EPUB and Kindle. Book excerpt: The history of art is inseparable from the history of color. And what a fascinating story they tell together: one that brims with an all-star cast of characters, eye-opening details, and unexpected detours through the annals of human civilization and scientific discovery. Enter critically acclaimed writer and popular journalist Victoria Finlay, who here takes readers across the globe and over the centuries on an unforgettable tour through the brilliant history of color in art. Written for newcomers to the subject and aspiring young artists alike, Finlay’s quest to uncover the origins and science of color will beguile readers of all ages with its warm and conversational style. Her rich narrative is illustrated in full color throughout with 166 major works of art—most from the collections of the J. Paul Getty Museum. Readers of this book will revel in a treasure trove of fun-filled facts and anecdotes. Were it not for Cleopatra, for instance, purple might not have become the royal color of the Western world. Without Napoleon, the black graphite pencil might never have found its way into the hands of Cézanne. Without mango-eating cows, the sunsets of Turner might have lost their shimmering glow. And were it not for the pigment cobalt blue, the halls of museums worldwide might still be filled with forged Vermeers. Red ocher, green earth, Indian yellow, lead white—no pigment from the artist’s broad and diverse palette escapes Finlay’s shrewd eye in this breathtaking exploration.

Medieval Art

Author : Michael Byron Norris
Publisher : Metropolitan Museum of Art
ISBN 13 : 1588390837
Total Pages : 195 pages
Book Rating : 4.5/5 (883 download)

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Book Synopsis Medieval Art by : Michael Byron Norris

Download or read book Medieval Art written by Michael Byron Norris and published by Metropolitan Museum of Art. This book was released on 2005 with total page 195 pages. Available in PDF, EPUB and Kindle. Book excerpt: This educational resource packet covers more than 1200 years of medieval art from western Europe and Byzantium, as represented by objects in the collection of The Metropolitan Museum of Art. Among the contents of this resource are: an overview of medieval art and the period; a collection of aspects of medieval life, including knighthood, monasticism, pilgrimage, and pleasures and pastimes; information on materials and techniques medieval artists used; maps; a timeline; a bibliography; and a selection of useful resources, including a list of significant collections of medieval art in the U.S. and Canada and a guide to relevant Web sites. Tote box includes a binder book containing background information, lesson plans, timeline, glossary, bibliography, suggested additional resources, and 35 slides, as well as two posters and a 2 CD-ROMs.

Abstraction in Medieval Art

Author : Elina Gertsman
Publisher : Amsterdam University Press
ISBN 13 : 9048542677
Total Pages : 386 pages
Book Rating : 4.0/5 (485 download)

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Book Synopsis Abstraction in Medieval Art by : Elina Gertsman

Download or read book Abstraction in Medieval Art written by Elina Gertsman and published by Amsterdam University Press. This book was released on 2021-01-26 with total page 386 pages. Available in PDF, EPUB and Kindle. Book excerpt: Abstraction haunts medieval art, both withdrawing figuration and suggesting elusive presence. How does it make or destroy meaning in the process? Does it suggest the failure of figuration, the faltering of iconography? Does medieval abstraction function because it is imperfect, incomplete, and uncorrected-and therefore cognitively, visually demanding? Is it, conversely, precisely about perfection? To what extent is the abstract predicated on theorization of the unrepresentable and imperceptible? Does medieval abstraction pit aesthetics against metaphysics, or does it enrich it, or frame it, or both? Essays in this collection explore these and other questions that coalesce around three broad themes: medieval abstraction as the untethering of image from what it purports to represent, abstraction as a vehicle for signification, and abstraction as a form of figuration. Contributors approach the concept of medieval abstraction from a multitude of perspectives-formal, semiotic, iconographic, material, phenomenological, epistemological.

Medieval Art

Author : Marilyn Stokstad
Publisher : Routledge
ISBN 13 : 0429974663
Total Pages : 432 pages
Book Rating : 4.4/5 (299 download)

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Book Synopsis Medieval Art by : Marilyn Stokstad

Download or read book Medieval Art written by Marilyn Stokstad and published by Routledge. This book was released on 2018-05-04 with total page 432 pages. Available in PDF, EPUB and Kindle. Book excerpt: This beautifully produced survey of over a thousand years of Western art and architecture introduces the reader to a vast period of history ranging from ancient Rome to the age of exploration. The monumental arts and the diverse minor arts of the Middle Ages are presented here within the social, religious, and political frameworks of lands as varied as France and Denmark, Spain and Turkey. Marilyn Stokstad also teaches her reader how to look at medieval art-which aspects of architecture, sculpture, or painting are important and for what reasons. Stylistic and iconographic issues and themes are thoroughly addressed with attention paid to aesthetic and social contexts. Significantly updated, this second edition of Medieval Art spans the period from the second to the fifteenth centuries and includes over 4000 illustrations, over 100 in color, detailed maps, a time-line, glossary, bibliography, and index-all in a larger 8 by 10 inch trim size.