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Classical Music In The German Democratic Republic
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Book Synopsis Classical Music in the German Democratic Republic by : Kyle Frackman
Download or read book Classical Music in the German Democratic Republic written by Kyle Frackman and published by Boydell & Brewer. This book was released on 2015 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: Approaches the topic of classical music in the GDR from an interdisciplinary perspective, questioning the assumption that classical music functioned purely as an ideological support for the state.
Book Synopsis Composing the Canon in the German Democratic Republic by : Elaine Kelly
Download or read book Composing the Canon in the German Democratic Republic written by Elaine Kelly and published by Oxford University Press, USA. This book was released on 2014 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Composing the Canon in the German Democratic Republis uses the reception of the Germanic musical heritage to chart the changing landscape of musical culture in the German Democratic Republic. Author Elaine Kelly demonstrates the nuances of musical thought in the state, revealing a model of societal ascent and decline that has implications that reach far beyond studies of the GDR itself"--Jacket.
Book Synopsis Composing the Party Line by : David G. Tompkins
Download or read book Composing the Party Line written by David G. Tompkins and published by . This book was released on 2013 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines the exercise of power in the Stalinist music world as well as the ways in which composers and ordinary people responded to it. It presents a comparative inquiry into the relationship between music and politics in the German Democratic Republic and Poland from the aftermath of the World War II through Stalin's death in 1953, concluding with the slow process of de-Stalinization in the mid- to late-1950s. The author explores how the Communist parties in both countries expressed their attitudes to music of all kinds, and how composers, performers, and audiences cooperated with, resisted, and negotiated these suggestions and demands. Based on a deep analysis of the archival and contemporary published sources on state, party, and professional organizations concerned with musical life, Tompkins argues that music, as a significant part of cultural production in these countries, played a key role in instituting and maintaining the regimes of East Central Europe. As part of the Stalinist project to create and control a new socialist identity at the personal as well as collective level, the ruling parties in East Germany and Poland sought to saturate public space through the production of music. Politically effective ideas and symbols were introduced that furthered their attempts to, in the parlance of the day, "engineer the human soul." Music also helped the Communist parties establish legitimacy. Extensive state support for musical life encouraged musical elites and audiences to accept the dominant position and political missions of these regimes. Party leaders invested considerable resources in the attempt to create an authorized musical language that would secure and maintain hegemony over the cultural and wider social worlds. The responses of composers and audiences ran the gamut from enthusiasm to suspicion, but indifference was not an option.
Book Synopsis Music and German National Identity by : Celia Applegate
Download or read book Music and German National Identity written by Celia Applegate and published by University of Chicago Press. This book was released on 2002-08 with total page 346 pages. Available in PDF, EPUB and Kindle. Book excerpt: Concert halls all over the world feature mostly the works of German and Austrian composers as their standard repertoire: composers like the three "Bs" of classical music, Bach, Beethoven, and Brahms, all of whom are German. Over the past three centuries, many supporters of German music have even nurtured the notion that the German-speaking world possesses a peculiar strength in the cultivation of music. This book brings together seventeen contributors from the fields of musicology, ethnomusicology, history, and German literature to explore these questions: how music came to be associated with German identity, when and how Germans came to be regarded as the "people of music," and how music came to be designated "the most German of arts." Unlike previous volumes on this topic, many of which focused primarily on Wagner and Nazism, the essays here are wide-ranging and comprehensive, examining philosophy, literature, politics, and social currents as well as the creation and performance of folk music, art music, church music, jazz, rock, and pop. The result is a striking volume, adeptly addressing the complexity and variety of ways in which music insinuated itself into the German national imagination and how it has continued to play a central role in the shaping of a German identity. Contributors to this volume: Celia Applegate Doris L. Bergen Philip Bohlman Joy Haslam Calico Bruce Campbell John Daverio Thomas S. Grey Jost Hermand Michael H. Kater Gesa Kordes Edward Larkey Bruno Nettl Uta G. Poiger Pamela Potter Albrecht Riethmüller Bernd Sponheuer Hans Rudolf Vaget
Book Synopsis Life Stories from the German Democratic Republic by : Chris Weedon
Download or read book Life Stories from the German Democratic Republic written by Chris Weedon and published by BRILL. This book was released on 2023-08-28 with total page 409 pages. Available in PDF, EPUB and Kindle. Book excerpt: More than thirty years after German reunification, Life Stories from the German Democratic Republic addresses how life in the GDR is remembered, thereby enriching and complexifying the narratives of East German life found in public history, museums, tourist venues, film, media and popular fiction. The frequent stress on material lack, social restrictions and the repressive state is expanded and reconfigured by interviewees who variously both challenge and confirm widespread assumptions about what it meant to live in the GDR. Aimed at a wide readership, this book gives English-speaking readers access to varied and detailed accounts of everyday life, individual engagement with state institutions and different views of GDR politics, society and culture.
Book Synopsis Classical Music in Weimar Germany by : Brendan Fay
Download or read book Classical Music in Weimar Germany written by Brendan Fay and published by Bloomsbury Publishing. This book was released on 2019-10-03 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: From Hitler's notorious fondness for Wagner's operas to classical music's role in fuelling German chauvinism in the era of the world wars, many observers have pointed to a distinct relationship between German culture and reactionary politics. In Classical Music in Weimar Germany, Brendan Fay challenges this paradigm by reassessing the relationship between conservative musical culture and German politics. Drawing upon a range of archival sources, concert reviews and satirical cartoons, Fay maps the complex path of classical music culture from Weimar to Nazi Germany-a trajectory that was more crooked, uneven, or broken than straight. Through an examination of topics as varied as radio and race to nationalism, this book demonstrates the diversity of competing aesthetic, philosophical and political ideals held by German music critics that were a hallmark of Weimar Germany. Rather than seeing the cultural conservatism of this period as a natural prelude for the violence and destruction later unleashed by Nazism, this fascinating book sheds new light on traditional culture and its relationship to the rise of Nazism in 20th-century Germany.
Book Synopsis Opera After the Zero Hour by : Emily Richmond Pollock
Download or read book Opera After the Zero Hour written by Emily Richmond Pollock and published by Oxford University Press. This book was released on 2019-08-20 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: Opera After the Zero Hour: The Problem of Tradition and the Possibility of Renewal in Postwar West Germany presents opera as a site for the renegotiation of tradition in a politically fraught era of rebuilding. Though the "Zero Hour" put a rhetorical caesura between National Socialism and postwar West Germany, the postwar era was characterized by significant cultural continuity with the past. With nearly all of the major opera houses destroyed and a complex relationship to the competing ethics of modernism and restoration, opera was a richly contested art form, and the genre's reputed conservatism was remarkably multi-faceted. Author Emily Richmond Pollock explores how composers developed different strategies to make new opera "new" while still deferring to historical conventions, all of which carried cultural resonances of their own. Diverse approaches to operatic tradition are exemplified through five case studies in works by Boris Blacher, Hans Werner Henze, Carl Orff, Bernd Alois Zimmermann, and Werner Egk. Each opera alludes to a distinct cultural or musical past, from Greek tragedy to Dada, bel canto to Berg. Pollock's discussions of these pieces draw on source studies, close readings, unpublished correspondence, institutional history, and critical commentary to illuminate the politicized artistic environment that influenced these operas' creation and reception. The result is new insight into how the particular opposition between a conservative genre and the idea of the "Zero Hour" motivated the development of opera's social, aesthetic, and political value after World War II.
Book Synopsis Socialist Laments by : Martha Sprigge
Download or read book Socialist Laments written by Martha Sprigge and published by Oxford University Press. This book was released on 2021-04-09 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: Antifascist and socialist monuments pervaded the landscape of the former German Democratic Republic (1949-89), presenting a distorted vision of the national past. Official commemorative culture in East Germany celebrated a selective set of political heroes, seeming to leave no public space for mourning those who were excluded from the country's founding myths. Socialist Laments: Musical Mourning in the German Democratic Republic examines the role of music in this nation's memorial culture, demonstrating how music facilitated the expressions of loss within spaces of commemoration for East German citizens. Music performed during state-sponsored memorial rituals no doubt bolstered official narratives of the German past. But it simultaneously provided an outlet for mourning in highly politicized environment. The book presents both a history and theory of musical mourning in East Germany. Using a site-specific approach to analysis, author Martha Sprigge demonstrates how the multiple semantic networks opened up by these musical works facilitated many memorial associations without necessitating the overt articulation of a mourned subject. Throughout the country's forty-year existence, music offered East German citizens an audible outlet for working through traumatic losses-both collective and individual-that was distinct from other artistic expressive possibilities. The book reveals the ways that East Germany's extensive commemorative repertoire helped composers, performers, and audiences navigate between the inevitable need to mourn on the one hand, and the seeming impossibilities of mourning on the other.
Book Synopsis East Central Europe and Communism by : Sabrina P. Ramet
Download or read book East Central Europe and Communism written by Sabrina P. Ramet and published by Taylor & Francis. This book was released on 2023-03-23 with total page 359 pages. Available in PDF, EPUB and Kindle. Book excerpt: The communists of East Central Europe came to power promising to bring about genuine equality, paying special attention to achieving gender equality, to build up industry and create prosperous societies, and to use music, art, and literature to promote socialist ideals. Instead, they never succeeded in filling more than a third of their legislatures with women and were unable to make significant headway against entrenched patriarchal views; they considered it necessary (with the sole exception of Albania) to rely heavily on credits to build up their economies, eventually driving them into bankruptcy; and the effort to instrumentalize the arts ran aground in most of the region already by 1956, and, in Yugoslavia, by 1949. Communism was all about planning, control, and politicization. Except for Yugoslavia after 1949, the communists sought to plan and control not only politics and the economy, but also the media and information, religious organizations, culture, and the promotion of women, which they understood in the first place as involving putting women to work. Inspired by the groundbreaking work of Robert K. Merton on functionalist theory, this book shows how communist policies were repeatedly undermined by unintended consequences and outright dysfunctions.
Book Synopsis Hanns Eisler's Art Songs by : Heidi Hart
Download or read book Hanns Eisler's Art Songs written by Heidi Hart and published by Boydell & Brewer. This book was released on 2018 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt: Traces Eisler's art songs through the political crises of the twentieth century, presenting them as a way to intervene in the nationalist appropriation of aesthetic material.
Book Synopsis Modern Germany by : Wendell G. Johnson
Download or read book Modern Germany written by Wendell G. Johnson and published by Bloomsbury Publishing USA. This book was released on 2022-03-29 with total page 361 pages. Available in PDF, EPUB and Kindle. Book excerpt: Modern Germany explores life, society, and history in this comprehensive thematic encyclopedia, spanning such topics as geography, pop culture, the media, and gender. Germany and its capital, Berlin, were the fulcrum of geopolitics in the twentieth century. After the Second World War, Germany was a divided nation. Many German citizens were born and educated and continued to work in eastern Germany (the former German Democratic Republic). This title in the Understanding Modern Nations series seeks to explain contemporary life and traditional culture through thematic encyclopedic entries. Themes in the book cover geography; history; politics and government; economy; religion and thought; social classes and ethnicity; gender, marriage, and sexuality; education; language; etiquette; literature and drama; art and architecture; music and dance; food; leisure and sports; and media and pop culture. Within each theme, short topical entries cover a wide array of key concepts and ideas, from LGBTQ issues in Germany to linguistic dialects to the ever-famous Oktoberfest. Geared specifically toward high school and undergraduate German students, readers interested in history and travel will find this book accessible and engaging.
Book Synopsis Bloomsbury Encyclopedia of Popular Music of the World, Volume 11 by : David Horn
Download or read book Bloomsbury Encyclopedia of Popular Music of the World, Volume 11 written by David Horn and published by Bloomsbury Publishing USA. This book was released on 2017-10-05 with total page 937 pages. Available in PDF, EPUB and Kindle. Book excerpt: See:
Book Synopsis Good Music for a Free People by : Nancy Newman
Download or read book Good Music for a Free People written by Nancy Newman and published by University Rochester Press. This book was released on 2010 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: A transatlantic perspective that illuminates the Germania Musical Society's crucial role in introducing a "classical," predominantly German, repertory of instrumental works into American musical life. In Good Music for a Free People, author Nancy Newman examines the activities and reception of the Germania Musical Society, an orchestra whose members emigrated from Berlin during the Revolutions of 1848. These two dozen "Forty-Eighters" gave nearly a thousand concerts in North America during the ensuing six-year period, possibly reaching a million listeners. Drawing on a memoir by member Henry Albrecht, Newman provides insights into the musicians'desire to bring their music to the audiences of a democratic republic at this turbulent time. Eager to avoid the egotism and self-promotion of the European patronage system, they pledged to work for their mutual interests both musically and socially. "One for all, and all for one" became their motto. Originally published in German, Albrecht's memoir is presented here in for the first time in translation. Nancy Newman is Associate Professor in the Music Department at the University at Albany, SUNY.
Book Synopsis The Rise and Fall of the German Democratic Republic by : Feiwel Kupferberg
Download or read book The Rise and Fall of the German Democratic Republic written by Feiwel Kupferberg and published by Routledge. This book was released on 2017-12-04 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt: Most public debate on reunited Germany has emphasized economic issues such as the collapse of East German industry, mass unemployment, career difficulties, and differences in wages and living standards. The overwhelming difficulty resulting from reunification, however, is not persisting economic differences but the internal cultural divide between East and West Germans, one based upon different moral values in the two Germanies. The invisible wall that has replaced the previous, highly visible territorial division of the German nation is rooted in issues of the past-the Nazi past as well as the German Democratic Republic past. In emphasizing economic differences, the media and academics have avoided dealing with typically German cultural traits. These include the psychological posture of West Germany, which emphasized not differences between East and West but the break with Germany's Nazi past. The adversarial posture of certain professional groups in East Germany towards the liberal and democratic values of West Germany have also been an obstacle. Reviewing the problems accompanying reunification, chapter 1 explores German culture and history and the moral lessons evolved from the Nazi past. Chapter 2 focuses on the East-West mindset and how differences in attitude affect efforts to adapt to reunification. Chapter 3 discusses the simulated break with Nazi Germany in the German Democratic Republic. Chapters 4, 5, and 6 analyze the roots of the adversary posture of the professional groups in East Germany towards the values of the Berlin Republic. Chapter 7 demonstrates the strong presence of inherited, typically German cultural traits among East Germans, such as a lack of individualism, suspicion of strangers, and obedience to authority. Chapter 8 documents the extent to which a right-wing extremist culture has remained latent in Eastern Germany. Chapter 9 documents the extent to which moral reasoning in the GDR relieves the individual of any kind of responsibility for the actions of the state, reproducing the way ordinary Germans rationalized their participation in the Nazi regime immediately after World War II. Chapter 10 concludes with an overview of the historical and sociological factors revolving around the discussion of Nazi Germany, the GDR and inner unification.This volume will be important for historians, political scientists, anthropologists, sociologists, and a general public interested in Germany's reunification.
Book Synopsis Central European Folk Music by : Philip V. Bohlman
Download or read book Central European Folk Music written by Philip V. Bohlman and published by Routledge. This book was released on 2013-10-28 with total page 342 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first annotated bibliography, in German or English, to gather the rich sources for German-language folk-music scholarship. It presents a comprehensive view of both historical and contemporary trends in a field embracing folkloristics and ethnomusicology, as well as philological and cultural studies. Beginning with early theories of folk song-formulated by Herder, Goethe, the Brothers Grimm, and others-the book examines the most important collections of the 19th-century folk-song movement, and surveys the 20th-century institutions and publications that have made folk-music scholarship essential to an understanding of German-speaking Europe. The book represents the enormous diversity of folk music. Ideas of genre and classification contrast with the ways in which minority and ethnic groups have contributed to the complex constructs of 19th- and 20th-century nationalism. The intellectual history in this book often takes the form of a clash between institutions and the forceful personalities of scholars who theorized that folk music was the product of individuals or the linguistic core of nations. Entries that illustrate the ways in which constructs of folk music have contributed to the politics of culture (e.g., in Nazi Germany or in the workers' culture of the former German Democratic Republic) also constitute the expansive musical landscape covered by this book The author includes diverse disciplinary perspectives, not just those of folklorists, but also concepts from ethnomusicology, historical musicology, and religious and cultural studies. In addition to traditional studies of the canons of German folk music (e.g., ballads and singing-society repertories), Bohlman includes studies of religious and ethnic minorities, and of German folk music in nations and regions outside Central Europe. The comprehensive nature of this book, not only makes available a rich history of scholarship, but also contextualizes Central European folk music as a vital and critical discipline for the interpretation of a changing Europe. Includes index.
Book Synopsis The Germans We Trusted by : Pamela Howe Taylor
Download or read book The Germans We Trusted written by Pamela Howe Taylor and published by James Clarke & Co.. This book was released on 2003 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a book of thirty six true accounts of the friendships that developed between German prisoners of war and their 'enemies' during their captivity. The stories, which are moving, humorous and incredible, are set mostly in Britain but also take place in the USA and Canada. Many of the friendships formed continued long past the end of the War and extended into the next generations. In contrast with many books on war, this book shows what happened when people came face to face with their so-called enemies. The results were surprising. This book shows that friendships offered and received can transcend the hatred and disillusionment of war, and that lasting relationships between individuals can contribute to the long-term reconciliation between countries formerly at war. Including over 170 personal photographs and illustrations, including a colour picture section, this title will be of great interest to those who live in the many specific locations mentioned, both in the United Kingdom and abroad (Germany, US, Canada) and will appeal to those with German connections. It will attract students of war and military history, particularly the generation who lived through WWII. The Germans We Trusted also has a specific Christian appeal as the motivation for many was the command to 'love your enemy'. 'Pamela Howe Taylor's book ... shows in three dozen personal stories how individual German prisoners of war managed to establish relationships of trust and friendship.' From the Foreword by Douglas Hurd.
Book Synopsis Music after Hitler, 1945-1955 by : Toby Thacker
Download or read book Music after Hitler, 1945-1955 written by Toby Thacker and published by Routledge. This book was released on 2017-07-05 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: The political control of music in the Third Reich has been analysed from several perspectives, and with ever increasing sophistication. However, music in Germany after 1945 has not received anything like the same treatment. Rather, there is an assumption that two separate musical cultures emerged in East and West alongside the division of Germany into two states with differing economic and political systems. There is a widely accepted view of music in West Germany as 'free', and in the East subject to party control. Toby Thacker challenges these assumptions, asking how and why music was controlled in Germany under Allied Occupation from 1945-1949, and in the early years of 'semi-sovereignty' between 1949 and 1955. The 're-education' of Germany after the Hitler years was a unique historical experiment and the place of music within this is explored here for the first time. While emphasizing political, economic and broader social structures that influenced the production and reception of different musical forms, the book is informed by a sense of human agency, and explores the role of salient individuals in the reconstruction of music in post-war Germany. The focus is not restricted to any one kind of music, but concentrates on those aspects of music, professional and amateur, live and recorded, which appeared to be the mostly highly charged politically to contemporaries. Particular attention is given to 'denazification' and to the introduction of international music. Thacker traces the development of a divide between Communist and liberal-democratic understandings of the place of music in society. The contested celebrations of the Bach Year in 1950 are used to highlight the role of music in the broader cultural confrontation between East and West. Thacker examines the ways in which central governments in East and West Germany sought to control and influence music through mechanisms of censorship and positive support. The book will therefore be of interest not only
