Chromatic Cinema

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Publisher : John Wiley & Sons
ISBN 13 : 9781444320084
Total Pages : 240 pages
Book Rating : 4.3/5 (2 download)

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Book Synopsis Chromatic Cinema by : Richard Misek

Download or read book Chromatic Cinema written by Richard Misek and published by John Wiley & Sons. This book was released on 2010-02-02 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: Chromatic Cinema provides the first wide-ranging historicaloverview of screen color, exploring the changing uses and meaningsof color in moving images, from hand painting in early skirt dancefilms to current trends in digital color manipulation. Offers both a history and a theory of screen color in the firstfull-length study ever published Provides an in-depth yet accessible account of color's spreadthrough and ultimate effacement of black-and-white cinema,exploring the technological, cultural, economic, and artisticfactors that have defined this evolving symbiosis Engages with film studies, art history, visual culture andtechnology studies in a truly interdisciplinary manner Includes 65 full-color illustrations of films ranging fromExpressionist animation to Hollywood and Bollywood musicals, fromthe US ’indie' boom to1980s neo-noir, Hong Kong cinema, andrecent comic-book films

Chromatic Modernity

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Publisher : Columbia University Press
ISBN 13 : 0231542283
Total Pages : 685 pages
Book Rating : 4.2/5 (315 download)

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Book Synopsis Chromatic Modernity by : Sarah Street

Download or read book Chromatic Modernity written by Sarah Street and published by Columbia University Press. This book was released on 2019-04-02 with total page 685 pages. Available in PDF, EPUB and Kindle. Book excerpt: The era of silent film, long seen as black and white, has been revealed in recent scholarship as bursting with color. Yet the 1920s remain thought of as a transitional decade between early cinema and the rise of Technicolor—despite the fact that new color technologies used in film, advertising, fashion, and industry reshaped cinema and consumer culture. In Chromatic Modernity, Sarah Street and Joshua Yumibe provide a revelatory history of how the use of color in film during the 1920s played a key role in creating a chromatically vibrant culture. Focusing on the final decade of silent film, Street and Yumibe portray the 1920s as a pivotal and profoundly chromatic period of cosmopolitan exchange, collaboration, and experimentation in and around cinema. Chromatic Modernity explores contemporary debates over color’s artistic, scientific, philosophical, and educational significance. It examines a wide range of European and American films, including Opus 1 (1921), L’Inhumaine (1923), Die Nibelungen (1924), The Phantom of the Opera (1925), The Lodger (1927), Napoléon (1927), and Dracula (1932). A comprehensive, comparative study that situates film among developments in art, color science, and industry, Chromatic Modernity reveals the role of color cinema in forging new ways of looking at and experiencing the modern world.

Organizing Color

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Author :
Publisher : Stanford University Press
ISBN 13 : 1503638626
Total Pages : 330 pages
Book Rating : 4.5/5 (36 download)

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Book Synopsis Organizing Color by : Timon Beyes

Download or read book Organizing Color written by Timon Beyes and published by Stanford University Press. This book was released on 2024-03-12 with total page 330 pages. Available in PDF, EPUB and Kindle. Book excerpt: We live in a world that is saturated with color, but how should we make sense of color's force and capacities? This book develops a theory of color as fundamental medium of the social. Constructed as a montage of scenes from the past two hundred years, Organizing Color demonstrates how the interests of capital, management, governance, science, and the arts have wrestled with colour's allure and flux. Beyes takes readers from Goethe's chocolate experiments in search of chromatic transformation to nineteenth-century Scottish cotton mills designed to modulate workers' moods and productivity, from the colonial production of Indigo in India to globalized categories of skin colorism and their disavowal. Tracing the consumption, control and excess of industrial and digital color, other chapters stage encounters with the literary chromatics of Pynchon's Gravity's Rainbow processing the machinery of the chemical industries, the red of political revolt in Godard's films, and the blur of education and critique in Steyerl's Adorno's Grey. Contributing to a more general reconsideration of aesthetic capitalism and the role of sensory media, this book seeks to pioneer a theory of social organization—a "chromatics of organizing"—that is attuned to the protean and world-making capacity of color.

Suzuki Seijun and Postwar Japanese Cinema

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Publisher : Columbia University Press
ISBN 13 : 0231555504
Total Pages : 213 pages
Book Rating : 4.2/5 (315 download)

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Book Synopsis Suzuki Seijun and Postwar Japanese Cinema by : William Carroll

Download or read book Suzuki Seijun and Postwar Japanese Cinema written by William Carroll and published by Columbia University Press. This book was released on 2022-07-05 with total page 213 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1968, Suzuki Seijun—a low-budget genre filmmaker known for movies including Branded to Kill, Tokyo Drifter, and Youth of the Beast—was unceremoniously fired by Nikkatsu Studios. Soon to be known as the “Suzuki Seijun Incident,” his dismissal became a cause for leftist student protestors and a burgeoning group of cinephiles to rally around. His films rapidly emerged as central to debates over politics and aesthetics in Japanese cinema. William Carroll offers a new account of Suzuki’s career that highlights the intersections of film theory, film production, cinephile culture, and politics in 1960s Japan. Carroll places Suzuki’s work between two factions that claimed him as one of their own after 1968: the New Left and its politicized theoretical practice on one hand, and the apparently apolitical cinephiles and their formalist criticism on the other. He considers how both of these strands of film theory shed light on the distinctive qualities of Suzuki’s films, and he explores how both Suzuki’s works and unheralded Japanese film theorists offer new ways of understanding world cinema. This book presents both a major reinterpretation of Suzuki’s work—which influenced directors such as John Woo, Jim Jarmusch, and Quentin Tarantino—and a new lens on postwar Japanese film culture and industry. Suzuki Seijun and Postwar Japanese Cinema also includes a complete production history of Suzuki’s filmography along with never-before-discussed information about his unfinished film projects.

Tracking Color in Cinema and Art

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Author :
Publisher : Routledge
ISBN 13 : 1315317486
Total Pages : 376 pages
Book Rating : 4.3/5 (153 download)

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Book Synopsis Tracking Color in Cinema and Art by : Edward Branigan

Download or read book Tracking Color in Cinema and Art written by Edward Branigan and published by Routledge. This book was released on 2017-10-30 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: Color is one of cinema’s most alluring formal systems, building on a range of artistic traditions that orchestrate visual cues to tell stories, stage ideas, and elicit feelings. But what if color is not—or not only—a formal system, but instead a linguistic effect, emerging from the slipstream of our talk and embodiment in a world? This book develops a compelling framework from which to understand the mobility of color in art and mind, where color impressions are seen through, and even governed by, patterns of ordinary language use, schemata, memories, and narrative. Edward Branigan draws on the work of Ludwig Wittgenstein and other philosophers who struggle valiantly with problems of color aesthetics, contemporary theories of film and narrative, and art-historical models of analysis. Examples of a variety of media, from American pop art to contemporary European cinema, illustrate a theory based on a spectator’s present-time tracking of temporal patterns that are firmly entwined with language use and social intelligence.

A Dictionary of Film Studies

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Author :
Publisher : Oxford University Press
ISBN 13 : 0192568043
Total Pages : 576 pages
Book Rating : 4.1/5 (925 download)

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Book Synopsis A Dictionary of Film Studies by : Annette Kuhn

Download or read book A Dictionary of Film Studies written by Annette Kuhn and published by Oxford University Press. This book was released on 2020-04-28 with total page 576 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Dictionary of Film Studies covers all aspects of its discipline as it is currently taught at undergraduate level. Offering exhaustive and authoritative coverage, this A-Z is written by experts in the field, and covers terms, concepts, debates, and movements in film theory and criticism; national, international, and transnational cinemas; film history, movements, and genres; film industry organizations and practices; and key technical terms and concepts. Since its first publication in 2012, the dictionary has been updated to incorporate over 40 new entries, including computer games and film, disability, ecocinema, identity, portmanteau film, Practice as Research, and film in Vietnam. Moreover, numerous revisions have been made to existing entries to account for developments in the discipline, and changes to film institutions more generally. Indices of films and filmmakers mentioned in the text are included for easy access to relevant entries. The dictionary also has 13 feature articles on popular topics and terms, revised and informative bibliographies for most entries, and more than 100 web links to supplement the text.

Reel World

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Publisher : Duke University Press
ISBN 13 : 0822375168
Total Pages : 360 pages
Book Rating : 4.8/5 (223 download)

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Book Synopsis Reel World by : Anand Pandian

Download or read book Reel World written by Anand Pandian and published by Duke University Press. This book was released on 2015-11-27 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reel World explores what happens to life when everything begins to look and feel like cinema. Drawing on years of fieldwork with Tamil filmmakers, artists, musicians, and craftsmen in the south Indian movie studios of "Kollywood," Anand Pandian examines how ordinary moments become elements of a cinematic world. With inventive, experimental, and sometimes comical zeal, Pandian pursues the sensory richness of cinematic experience and the adventure of a writing true to these sensations. Thinking with the visceral power of sound and image, his stories also broach deeply philosophical themes such as desire, time, wonder, and imagination. In a spirit devoted to the turbulence and uncertainty of genesis, Reel World brings into focus an ecology of creative process: the many forces, feelings, beings, and things that infuse human endeavors with transformative potential.

The Classical Hollywood Cinema

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Publisher : Columbia University Press
ISBN 13 : 9780231060554
Total Pages : 658 pages
Book Rating : 4.0/5 (65 download)

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Book Synopsis The Classical Hollywood Cinema by : David Bordwell

Download or read book The Classical Hollywood Cinema written by David Bordwell and published by Columbia University Press. This book was released on 1985 with total page 658 pages. Available in PDF, EPUB and Kindle. Book excerpt: An overview of American studio filmmaking that examines its distinct mode of film practice, in both production and style, from 1917 through 1960.

Digital Space and Embodiment in Contemporary Cinema

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Publisher : Taylor & Francis
ISBN 13 : 1000689360
Total Pages : 205 pages
Book Rating : 4.0/5 (6 download)

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Book Synopsis Digital Space and Embodiment in Contemporary Cinema by : Jennifer Kirby

Download or read book Digital Space and Embodiment in Contemporary Cinema written by Jennifer Kirby and published by Taylor & Francis. This book was released on 2022-09-30 with total page 205 pages. Available in PDF, EPUB and Kindle. Book excerpt: Digital Space and Embodiment in Contemporary Cinema examines how contemporary cinema has represented and engaged with the experience of simultaneously inhabiting digital and material spaces (i.e. "composite spaces") in the context of the growing ubiquitousness of digital media and culture. Bringing together a range of key cinematic texts, the book examines how these films represent "composite space" by depicting—often subtly and without explicit reference to technology—what it feels like to live in a world of ubiquitous digital media. The book explores composite spaces through the striking use of elements like colour, symbolic graphics, and music and covers topics like: music as mediator between levels of experience/perception in visionary films such as Sucker Punch (2011) and Spring Breakers (2012); digital colour as an interface in films including Under the Skin (2013); the integration of digital graphical elements drawn from game spaces into material spaces in films such as Scott Pilgrim vs The World (2010) and Nerve (2016); and films that take place on a computer screen including 2020’s widely discussed, Zoom-produced pandemic horror film Host. Through the close analysis of these films, the book offers fresh perspectives on conceptual issues of embodiment, digital agency, and subjectivity. This book is a valuable resource for advanced undergraduates, postgraduates, and scholars in the fields of film studies, digital aesthetics and film theory, digital culture, and digital media.

Japanese Cinema

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Author :
Publisher : Stone Bridge Press, Inc.
ISBN 13 : 1611729564
Total Pages : 207 pages
Book Rating : 4.6/5 (117 download)

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Book Synopsis Japanese Cinema by : Peter Cowie

Download or read book Japanese Cinema written by Peter Cowie and published by Stone Bridge Press, Inc.. This book was released on 2022-06-07 with total page 207 pages. Available in PDF, EPUB and Kindle. Book excerpt: An informal yet informed journey through the classic works of Japanese cinema and their directors. This is a passionate, personal journey through one of the world’s greatest national cinemas, beginning with the classic directors who came to the fore in the postwar period and became legendary names on the art house circuit: Kurosawa, Mizoguchi, Ozu, Kobayashi, Naruse, and Oshima, among others. Japanese Cinema traces the common themes explored by these directors as well as the impact of important historical and cultural issues, including World War 2, the representation of women, and the revolutionary spirit of the 1960s. Finally, Peter Cowie surveys the state of contemporary Japanese film and its greatest living practitioners, Hirokazu Kore-eda among them, as well as the international face of Japanese animation, Hayao Miyazaki. Cowie brings a lifetime’s commitment to film to bear on the human relationships so well explored by these Japanese auteurs.

Cinema Studies

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Publisher : Routledge
ISBN 13 : 0415538130
Total Pages : 578 pages
Book Rating : 4.4/5 (155 download)

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Book Synopsis Cinema Studies by : Susan Hayward

Download or read book Cinema Studies written by Susan Hayward and published by Routledge. This book was released on 2013 with total page 578 pages. Available in PDF, EPUB and Kindle. Book excerpt: Film studies is a course that is often articulated in highly technical or complex critical vocabulary. This is an A-Z of the key critical terms, designed to make film texts and analysis more accessible to the student.

New Blood in Contemporary Cinema

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Publisher : Edinburgh University Press
ISBN 13 : 1474466982
Total Pages : 349 pages
Book Rating : 4.4/5 (744 download)

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Book Synopsis New Blood in Contemporary Cinema by : Pisters Patricia Pisters

Download or read book New Blood in Contemporary Cinema written by Pisters Patricia Pisters and published by Edinburgh University Press. This book was released on 2020-08-18 with total page 349 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the turn of the millennium, a growing number of female filmmakers have appropriated the aesthetics of horror for their films. In this book, Patricia Pisters investigates contemporary women directors such as Ngozi Onwurah, Claire Denis, Lucile Hadzihalilovic and Ana Lily Amirpour, who put 'a poetics of horror' to new use in their work, expanding the range of gendered and racialised perspectives in the horror genre. Exploring themes such as rage, trauma, sexuality, family ties and politics, New Blood in Contemporary Cinema takes on avenging women, bloody vampires, lustful witches, scary mothers, terrifying offspring and female Frankensteins. By following a red trail of blood, the book illuminates a new generation of women directors who have enlarged the general scope and stretched the emotional spectrum of the genre.

Historical Film

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Publisher : Bloomsbury Publishing
ISBN 13 : 1472520017
Total Pages : 224 pages
Book Rating : 4.4/5 (725 download)

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Book Synopsis Historical Film by : Jonathan Stubbs

Download or read book Historical Film written by Jonathan Stubbs and published by Bloomsbury Publishing. This book was released on 2013-03-28 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: Although precise definitions have not been agreed on, historical cinema tends to cut across existing genre categories and establishes an intimidatingly large group of films. In recent years, a lively body of work has developed around historical cinema, much of it proposing valuable new ways to consider the relationship between cinematic and historical representation. However, only a small proportion of this writing has paid attention to the issue of genre. In order to counter this omission, this book combines a critical analysis of the Hollywood historical film with an examination of its generic dimensions and a history of its development since the silent period. Historical Film: A Critical Introduction is concerned not simply with the formal properties of the films at hand, but also the ways in which they have been promoted, interpreted and discussed in relation to their engagement with the past.

Colors of Film

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Author :
Publisher : Frances Lincoln
ISBN 13 : 0711279403
Total Pages : 210 pages
Book Rating : 4.7/5 (112 download)

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Book Synopsis Colors of Film by : Charles Bramesco

Download or read book Colors of Film written by Charles Bramesco and published by Frances Lincoln. This book was released on 2023-03-21 with total page 210 pages. Available in PDF, EPUB and Kindle. Book excerpt: Taking you on from the earliest feature films to today, Colors of Film introduces 50 iconic movies and explains the pivotal role that color played in their success. The use of color is an essential part of film. It has the power to evoke powerful emotions, provide subtle psychological symbolism and act as a narrative device. Wes Anderson’s pastels and muted tones are aesthetically pleasing, but his careful use of color also acts as a shorthand for interpreting emotion. Moonlight(2016, dir. Barry Jenkins) cinematographer (James Laxton) and colorist (Alex Bickel) spent 100 hours fine-tuning the saturation and hues of the footage so that the use of color evolved in line with the growth of the protagonist through the film. And let’s not forget Schindler’s List (1993, dir. Steven Spielberg), in which a bold flash of red against an otherwise black-and-white film is used as a powerful symbol of life, survival and death. In Colors of Film, film critic Charles Bramesco introduces an element of cinema that is often overlooked, yet has been used in extraordinary ways. Using infographic color palettes, and stills from the movies, this is a lively and fresh approach to film for cinema-goers and color lovers alike. He also explores in fascinating detail how the development of technologies have shaped the course of modern cinema, from how the feud between Kodak and Fujifilm shaped the color palettes of the 20th Century's greatest filmakers, to how the advent of computer technology is creating a digital wonderland for modern directors in which anything is possible. ​Filled with sparkling insights and fascinating accounts from the history of cinema, Colors of Film is an indispensable guide to one of the most important visual elements in the medium of film.

Horror Film

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Publisher : Bloomsbury Publishing USA
ISBN 13 : 1501314440
Total Pages : 288 pages
Book Rating : 4.5/5 (13 download)

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Book Synopsis Horror Film by : Murray Leeder

Download or read book Horror Film written by Murray Leeder and published by Bloomsbury Publishing USA. This book was released on 2018-01-25 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: Throughout the history of cinema, horror has proven to be a genre of consistent popularity, which adapts to different cultural contexts while retaining a recognizable core. Horror Film: A Critical Introduction, the newest in Bloomsbury's Film Genre series, balances the discussions of horror's history, theory, and aesthetics as no introductory book ever has. Featuring studies of films both obscure and famous, Horror Film is international in its scope and chronicles horror from its silent roots until today. As a straightforward and convenient critical introduction to the history and key academic approaches, this book is accessible to the beginner but still of interest to the expert.

ReFocus: The Films of François Ozon

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Publisher : Edinburgh University Press
ISBN 13 : 1474479944
Total Pages : 306 pages
Book Rating : 4.4/5 (744 download)

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Book Synopsis ReFocus: The Films of François Ozon by : Loïc Bourdeau

Download or read book ReFocus: The Films of François Ozon written by Loïc Bourdeau and published by Edinburgh University Press. This book was released on 2021-08-31 with total page 306 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examines François Ozon, one of France’s most prolific and best known international (queer) directors.

Sabu

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Publisher : Bloomsbury Publishing
ISBN 13 : 1838717900
Total Pages : 200 pages
Book Rating : 4.8/5 (387 download)

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Book Synopsis Sabu by : Michael Lawrence

Download or read book Sabu written by Michael Lawrence and published by Bloomsbury Publishing. This book was released on 2019-07-25 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first Indian to become an international film star, Sabu rose to fame as a child actor in Elephant Boy (1937), and subsequently appeared in a succession of British pictures before relocating to Hollywood, where he died in 1963. Repeatedly cast in orientalist extravaganzas and jungle thrillers, he was associated with the 'exotic' and the 'primitive' in ways that reflected contemporary attitudes towards India and 'the East' more generally. In this captivating study, Michael Lawrence explores the historical, political, cultural contexts of Sabu's popularity as a star, and considers the technological and industrial shifts that shaped his career – from the emergence of Technicolor in the late 1930s to the breakdown of the studio system in the 1950s. Attending to the detail of Sabu's distinctively physical performances, Lawrence shows how his agency as an actor enabled him to endure, exceed and exploit his unique star image.