Read Books Online and Download eBooks, EPub, PDF, Mobi, Kindle, Text Full Free.
Changing Aesthetic Views Of Instrumental Music In 18th Century Germany
Download Changing Aesthetic Views Of Instrumental Music In 18th Century Germany full books in PDF, epub, and Kindle. Read online Changing Aesthetic Views Of Instrumental Music In 18th Century Germany ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Book Synopsis Changing Aesthetic Views of Instrumental Music in 18th Century Germany by : Bellamy Hosler
Download or read book Changing Aesthetic Views of Instrumental Music in 18th Century Germany written by Bellamy Hosler and published by Ann Arbor, Mich. : UMI Research Press. This book was released on 1981 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Changing Aesthetic Views of Instrumental Music in Eighteenth-century Germany by : Bellamy Hamilton Hosler
Download or read book Changing Aesthetic Views of Instrumental Music in Eighteenth-century Germany written by Bellamy Hamilton Hosler and published by . This book was released on 1979 with total page 1066 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Mozart's Viennese Instrumental Music by : Simon P. Keefe
Download or read book Mozart's Viennese Instrumental Music written by Simon P. Keefe and published by Boydell & Brewer. This book was released on 2007 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: A study of stylistic re-invention, a practically - and empirically-based theory that explains how innovative, putatively inspired ideas take shape in Mozart's works and lead to stylistic re-formulation. From close examination of a variety of works, this work shows that stylistic re-invention is a consistent manifestation of stylistic development.
Download or read book Deep Refrains written by Michael Gallope and published by University of Chicago Press. This book was released on 2017-11-16 with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt: We often say that music is ineffable, that it does not refer to anything outside of itself. But if music, in all its sensuous flux, does not mean anything in particular, might it still have a special kind of philosophical significance? In Deep Refrains, Michael Gallope draws together the writings of Arthur Schopenhauer, Friedrich Nietzsche, Ernst Bloch, Theodor Adorno, Vladimir Jankélévitch, Gilles Deleuze, and Félix Guattari in order to revisit the age-old question of music’s ineffability from a modern perspective. For these nineteenth- and twentieth-century European philosophers, music’s ineffability is a complex phenomenon that engenders an intellectually productive sense of perplexity. Through careful examination of their historical contexts and philosophical orientations, close attention to their use of language, and new interpretations of musical compositions that proved influential for their work, Deep Refrains forges the first panoptic view of their writings on music. Gallope concludes that music’s ineffability is neither a conservative phenomenon nor a pious call to silence. Instead, these philosophers ask us to think through the ways in which music’s stunning force might address, in an ethical fashion, intricate philosophical questions specific to the modern world.
Book Synopsis The Imaginary Museum of Musical Works : An Essay in the Philosophy of Music by : Lydia Goehr
Download or read book The Imaginary Museum of Musical Works : An Essay in the Philosophy of Music written by Lydia Goehr and published by Clarendon Press. This book was released on 1992-03-26 with total page 330 pages. Available in PDF, EPUB and Kindle. Book excerpt: What is the difference between a performance of Beethoven's Fifth Symphony and the symphony itself? What does it mean for musicians to be faithful to the works they perform? To answer such questions, Lydia Goehr combines philosophical and historical methods of enquiry. Finding Anglo-American philosophy inadequate for the task, she shows that a historical perspective is indispensable to a full understanding of musical ontology. Goehr examines the concepts and assumptions behind the practice of classical music in the nineteenth century and demonstrates how different they were from those of previous centuries. She rejects the finding that the concept of a musical work emerged in the sixteenth century, placing its emergence instead around 1800. She describes how the concept of a work then came to define the norms, expectations, and behaviour that we now associate with classical music. Out of the historical thesis Goehr draws philosophical conclusions about the normative functions of concepts and ideals. She also addresses current debates among conductors, early music performers, and avant-gardists. - ;Introduction; I. The Analytic Approach: Status and identity: Analytical positions I; Analytical positions II; Critique and transition; II. The Historical Approach: Normativity and Practice: The central claim; Musical meaning I; Musical meaning II; Musical production I; Musical production II; Werktreue: Confirmation and challenge -
Book Synopsis Enlightenment Orpheus by : Vanessa Agnew
Download or read book Enlightenment Orpheus written by Vanessa Agnew and published by Oxford University Press. This book was released on 2008-05 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Enlightenment saw a critical engagement with the ancient idea that music carries certain powers - it heals and pacifies, civilizes and educates. Yet this interest in musical utility seems to conflict with larger notions of aesthetic autonomy that emerged at the same time. In Enlightenment Orpheus, Vanessa Agnew examines this apparent conflict, and provocatively questions the notion of an aesthetic-philosophical break between the eighteenth and nineteenth centuries.Agnew persuasively connects the English traveler and music scholar Charles Burney with the ancient myth of Orpheus. She uses Burney as a guide through wide-ranging discussions of eighteenth-century musical travel, views on music's curative powers, interest in non-European music, and concerns about cultural identity. Arguing that what people said about music was central to some of the great Enlightenment debates surrounding such issues as human agency, cultural difference, and national identity, Agnew adds a new dimension to postcolonial studies, which has typically emphasized the literary and visual at the expense of the aural. She also demonstrates that these discussions must be viewed in context at the era's broad and well-entrenched transnational network, and emphasizes the importance of travel literature in generating knowledge at the time.A new and radically interdisciplinary approach to the question of the power of music - its aesthetic and historical interpretations and political uses - Enlightenment Orpheus will appeal to students and scholars in historical musicology, ethnomusicology, German studies, eighteenth-century history, and comparative studies.
Book Synopsis Bach perspectives. 1. 1995 by : Russell Stinson
Download or read book Bach perspectives. 1. 1995 written by Russell Stinson and published by U of Nebraska Press. This book was released on 1995-01-01 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt: Volume one contains essays by David Schulenberg, Russell Stinson, Michael Marissen, Eric Chafe, Stephen Crist, and James Brokaw.
Download or read book Haydn written by DavidWyn Jones and published by Routledge. This book was released on 2017-07-05 with total page 554 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume brings together a selection of the most stimulating and influential writing on Haydn and his music in the English language. Written by a range of established and younger scholars it probes a variety of aesthetic, biographical, compositional, performance and reception issues. A specially written introduction summarizes the significance of each essay, directs the reader to appropriate complementary material and seeks the common ground between the essays; to assist with consistent referencing the individual essays retain their original pagination. This representative compendium of Haydn research provides the opportunity to explore the intellectual diversity of recent scholarship and is an indispensable publication for students of Haydn, whether new or old, amateur or professional.
Book Synopsis Beethoven and the Construction of Genius by : Tia DeNora
Download or read book Beethoven and the Construction of Genius written by Tia DeNora and published by Univ of California Press. This book was released on 2023-04-28 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this provocative account Tia DeNora reconceptualizes the notion of genius by placing the life and career of Ludwig van Beethoven in its social context. She explores the changing musical world of late eighteenth-century Vienna and follows the activities of the small circle of aristocratic patrons who paved the way for the composer's success. DeNora reconstructs the development of Beethoven's reputation as she recreates Vienna's robust musical scene through contemporary accounts, letters, magazines, and myths—a colorful picture of changing times. She explores the ways Beethoven was seen by his contemporaries and the image crafted by his supporters. Comparing Beethoven to contemporary rivals now largely forgotten, DeNora reveals a figure musically innovative and complex, as well as a keen self-promoter who adroitly managed his own celebrity. DeNora contends that the recognition Beethoven received was as much a social achievement as it was the result of his personal gifts. In contemplating the political and social implications of culture, DeNora casts many aspects of Beethoven's biography in a new and different light, enriching our understanding of his success as a performer and composer.
Book Synopsis Neither Voice nor Heart Alone by : Joyce L. Irwin
Download or read book Neither Voice nor Heart Alone written by Joyce L. Irwin and published by Wipf and Stock Publishers. This book was released on 2018-01-09 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt: In tracing theological approaches to music in the era between Luther and Bach, the author reveals the variety and tension in German Lutheran theology. Both dogmatism and devotionalism helped shape Lutheran spirituality. The introduction of Italian Baroque style into church music, however, evoked controversies which pitted Pietism against Orthodoxy and preachers against musicians.
Book Synopsis Mozart's Music of Friends by : Edward Klorman
Download or read book Mozart's Music of Friends written by Edward Klorman and published by Cambridge University Press. This book was released on 2016-04-21 with total page 359 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1829 Goethe famously described the string quartet as 'a conversation among four intelligent people'. Inspired by this metaphor, Edward Klorman's study draws on a wide variety of documentary and iconographic sources to explore Mozart's chamber works as 'the music of friends'. Illuminating the meanings and historical foundations of comparisons between chamber music and social interplay, Klorman infuses the analysis of sonata form and phrase rhythm with a performer's sensibility. He develops a new analytical method called multiple agency that interprets the various players within an ensemble as participants in stylized social intercourse - characters capable of surprising, seducing, outwitting, and even deceiving one another musically. This book is accompanied by online resources that include original recordings performed by the author and other musicians, as well as video analyses that invite the reader to experience the interplay in time, as if from within the ensemble.
Book Synopsis German Music Criticism in the Late Eighteenth Century by : Mary Sue Morrow
Download or read book German Music Criticism in the Late Eighteenth Century written by Mary Sue Morrow and published by Cambridge University Press. This book was released on 1997-09-18 with total page 271 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music aesthetics in late eighteenth-century Germany has always been problematic because there was no aesthetic theory to evaluate the enormous amount of high-quality instrumental music produced by composers like Haydn and Mozart. This book derives a practical aesthetic for German instrumental music during the late eighteenth century from a previously neglected source, reviews of printed instrumental works. At a time when the theory of mimesis dominated aesthetic thought, leaving sonatas and symphonies at the very bottom of the aesthetic hierarchy, a group of reviewers were quietly setting about the task of evaluating instrumental music on its own terms. The reviews document an intersection with trends in literature and philosophy, and reveal interest in criteria like genius, the expressive power of music, and the necessity of unity, several decades earlier than has previously been supposed.
Download or read book Contemplating music written by Ruth Katz and published by Pendragon Press. This book was released on 1989 with total page 822 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Operatic Migrations by : DowningA. Thomas
Download or read book Operatic Migrations written by DowningA. Thomas and published by Routledge. This book was released on 2017-07-05 with total page 291 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume takes an interdisciplinary approach to studying a wide range of subjects associated with the creation, performance and reception of 'opera' in varying social and historical contexts from the eighteenth to the twentieth centuries. Each essay addresses migrations between genres, cultures, literary and musical works, modes of expression, media of presentation and aesthetics. Although the directions the contributions take are diverse, they converge in significant ways, particularly with the rebuttal of the notion of the singular nature of the operatic work. The volume strongly asserts that works are meaningfully transformed by the manifold circumstances of their creation and reception, and that these circumstances have an impact on the life of those works in their many transformations and on a given audience's experience of them. Topics covered include transformations of literary sources and their migration into the operatic genre; works that move across geographical and social boundaries into different cultural contexts; movements between media and/or genre as well as alterations through interpretation and performance of the composer's creation; the translation of spoken theatre to lyric theatre; the theoretical issues contingent on the rendering of 'speech' into 'song'; and the transforming effects of aesthetic considerations as they bear on opera. Crossing over disciplinary boundaries between music, literary studies, history, cultural studies and art history, the volume enriches our knowledge and understanding of the operatic experience and the works. The book will therefore appeal to those working in the field of music, literary and cultural studies, and to those with a particular interest in opera and musical theatre.
Book Synopsis The Dissemination of Music in Seventeenth-century Europe by : Erik Kjellberg
Download or read book The Dissemination of Music in Seventeenth-century Europe written by Erik Kjellberg and published by Peter Lang. This book was released on 2010 with total page 366 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this volume fifteen musicologists from five countries present new findings and observations concerning the production, distribution and use of music manuscripts and prints in seventeenth-century Europe. A special emphasis is laid on the Düben Collection, one of the largest music collections of seventeenth-century Europe, preserved at the Uppsala University Library. The papers in this volume were initially presented at an international conference at Uppsala University in September 2006, held on the occasion of the launching of The Düben Collection Database Catalogue on the Internet. For the first time, the entire collection had been made acessible worldwide, covering a vast number of musical and philological aspects of all items in the collection.
Download or read book Monstrous Opera written by Charles Dill and published by Princeton University Press. This book was released on 2014-07-14 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt: One of the foremost composers of the French Baroque operatic tradition, Rameau is often cited for his struggle to steer lyric tragedy away from its strict Lullian form, inspired by spoken tragedy, and toward a more expressive musical style. In this fresh exploration of Rameau's compositional aesthetic, Charles Dill depicts a much more complicated figure: one obsessed with tradition, music theory, his own creative instincts, and the public's expectations of his music. Dill examines the ways Rameau mediated among these often competing values and how he interacted with his critics and with the public. The result is a sophisticated rethinking of Rameau as a musical innovator. In his compositions, Rameau tried to highlight music's potential for dramatic meanings. But his listeners, who understood lyric tragedy to be a poetic rather than musical genre, were generally frustrated by these attempts. In fact, some described Rameau's music as monstrous--using an image of deformity to represent the failure of reason and communication. Dill shows how Rameau answered his critics with rational, theoretical arguments about the role of music in lyric tragedy. At the same time, however, the composer sought to placate his audiences by substantially revising his musical texts in later performances, sometimes abandoning his most creative ideas. Monstrous Opera illuminates the complexity of Rameau's vision, revealing not only the tensions within the music but also the conflicting desires that drove the man--himself caricatured by his contemporaries as a monster. Originally published in 1998. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Book Synopsis Interpreting Historical Keyboard Music by : Dr Andrew Woolley
Download or read book Interpreting Historical Keyboard Music written by Dr Andrew Woolley and published by Ashgate Publishing, Ltd.. This book was released on 2013-12-28 with total page 464 pages. Available in PDF, EPUB and Kindle. Book excerpt: Research in the field of keyboard studies, especially when intimately connected with issues of performance, is often concerned with the immediate working environments and practices of musicians of the past. An important pedagogical tool, the keyboard has served as the ‘workbench’ of countless musicians over the centuries. In the process it has shaped the ways in which many historical musicians achieved their aspirations and went about meeting creative challenges. In recent decades interest has turned towards a contextualized understanding of creative processes in music, and keyboard studies appears well placed to contribute to the exploration of this wider concern. The nineteen essays collected here encompass the range of research in the field, bringing together contributions from performers, organologists and music historians. Questions relevant to issues of creative practice in various historical contexts, and of interpretative issues faced today, form a guiding thread. Its scope is wide-ranging, with contributions covering the mid-sixteenth to early twentieth century. It is also inclusive, encompassing the diverse range of approaches to the field of contemporary keyboard studies. Collectively the essays form a survey of the ways in which the study of keyboard performance can enrich our understanding of musical life in a given period.
