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British Sculpture 1470 To 2000
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Book Synopsis British Sculpture 1470 to 2000 by : Diane Bilbey
Download or read book British Sculpture 1470 to 2000 written by Diane Bilbey and published by Victoria & Albert Museum. This book was released on 2002-11 with total page 548 pages. Available in PDF, EPUB and Kindle. Book excerpt: The unrivaled collection of post-medieval British sculpture in the Victoria and Albert Museum is here catalogued and illustrated for the first time. Its great strengths lie in the works from the 17th, 18th, and 19th centuries, and virtually every major sculptor active during this period is represented -- among them Nicholas Stone, John Michael Rysbrack, Louis Francois Roubiliac, Joseph Wilton, John Flaxman, and Alfred Stevens. A total of 770 pieces by 189 sculptors are included, more than a third of which have never been published before. The catalogue, wide-ranging and scholarly, will serve both as an invaluable work of reference, and in effect a history of the great tradition of sculpture in Britain.
Book Synopsis British Sculpture 1470 to 2000 by : Diane Bilbey
Download or read book British Sculpture 1470 to 2000 written by Diane Bilbey and published by Victoria & Albert Museum. This book was released on 2002 with total page 548 pages. Available in PDF, EPUB and Kindle. Book excerpt: The unrivalled collection of post-Medieval British sculpture in the V & A Museum is catalogued and illustrated in its entirety for the first time.
Book Synopsis "The British School of Sculpture, c.1760-1832 " by : Sarah Burnage
Download or read book "The British School of Sculpture, c.1760-1832 " written by Sarah Burnage and published by Routledge. This book was released on 2017-07-05 with total page 279 pages. Available in PDF, EPUB and Kindle. Book excerpt: The British School of Sculpture, c. 1760?1832 represents the first edited collection exploring one of the most significant moments in British art history, returning to centre stage a wide range of sculpture considered for the first time by some of the most important scholars in the field. Following a historical and historiographical introduction by the editors, situating British sculpture in relation to key events and developments in the period, and the broader scholarship on British art more generally in the period and beyond, the book contains nine wide-ranging case studies that consider the place of antique and modern sculpture in British country houses in the period, monuments to heroes of commerce and the Napoleonic Wars, the key debates fought around ideal sculpture at the Royal Academy, the reception of British sculpture across Europe, the reception of Hindu sculpture deriving from India in Britain, and the relationship of sculpture to emerging industrial markets, both at home and abroad. Challenging characterisations of the period as 'neoclassical', the volume reveals British sculpture to be a much more eclectic and various field of endeavour, both in service of the state and challenging it, and open to sources ranging from the newly arrived Parthenon Frieze to contemporary print culture.
Book Synopsis Sculpture Collections in Europe and the United States 1500-1930 by :
Download or read book Sculpture Collections in Europe and the United States 1500-1930 written by and published by BRILL. This book was released on 2021-04-26 with total page 358 pages. Available in PDF, EPUB and Kindle. Book excerpt: Exploring the various forms taken by sculpture collections, this volume presents new research on collectors, modes of display, and the aesthetics of viewing sculpture, making a notable addition to the literature on the history of sculpture and art collecting as a cultural phenomenon.
Book Synopsis Classical Sculpture and the Culture of Collecting in Britain Since 1760 by : Viccy Coltman
Download or read book Classical Sculpture and the Culture of Collecting in Britain Since 1760 written by Viccy Coltman and published by Oxford University Press. This book was released on 2009-08-06 with total page 362 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is an illustrated study of the reception of classical sculptures in the early modern period. Viccy Coltman contrasts the culture of British 18th century collecting, which integrated sculpture into the domestic interior, with the focus upon individual specimens by archaeologists like Adolf Michaelis a century later.
Book Synopsis Ancient Marbles in Naples in the Eighteenth Century by : Eloisa Dodero
Download or read book Ancient Marbles in Naples in the Eighteenth Century written by Eloisa Dodero and published by BRILL. This book was released on 2019-09-16 with total page 654 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Ancient Marbles in Naples in the Eighteenth Century Eloisa Dodero aims at documenting the history of numerous private collections formed in Naples during the 18th century, with particular concern for the “Neapolitan marbles” and the circumstances of their dispersal.
Book Synopsis Sculpture in 20th Century Britain: Identity, infrastructures, aesthetics, display, reception by : Henry Moore Institute (Leeds, England)
Download or read book Sculpture in 20th Century Britain: Identity, infrastructures, aesthetics, display, reception written by Henry Moore Institute (Leeds, England) and published by . This book was released on 2003 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Sculpture at the Ends of Slavery by : Caitlin Meehye Beach
Download or read book Sculpture at the Ends of Slavery written by Caitlin Meehye Beach and published by Univ of California Press. This book was released on 2022-11-15 with total page 235 pages. Available in PDF, EPUB and Kindle. Book excerpt: Introduction : "Within a few steps of the spot" : art in an age of racial capitalism -- Grasping images : antislavery and the sculptural -- "The mute language of the marble" : slavery and Hiram Powers' Greek slave -- Sentiment, manufactured : John Bell and the abolitionist image under empire -- Relief work : Edmonia Lewis and the poetics of plaster -- Between liberty and emancipation : Francesco Pezzicar's The Abolition of slavery -- Coda : "Sculptured dream of liberty".
Download or read book The British Art Journal written by and published by . This book was released on 2009 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Sculpture Workshops as Space and Concept by : Jane Fejfer
Download or read book Sculpture Workshops as Space and Concept written by Jane Fejfer and published by Routledge. This book was released on 2022-03-20 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the multifaceted aspects of sculptor’s workshops from the Renaissance to the early nineteenth century. Contributors take a fresh look at the sculptor’s workshop as both a physical and discursive space. By studying some of the most prominent artists’ sculptural practices, the workshop appears as a multifaced, sociable and practical space. The book creates a narrative in which the sculptural workshop appears as a working laboratory where new measuring techniques, new materials and new instruments were tested and became part of the lived experience of the artist and central to the works coming into being. Artists covered include Donatello, Roubilliac, Thorvaldsen, Canova, and Christian Daniel Rauch. The book will be of interest to scholars studying art history, sculpture, artist workshops, and European studies.
Book Synopsis The Tudors: Art and Majesty in Renaissance England by : Elizabeth Cleland
Download or read book The Tudors: Art and Majesty in Renaissance England written by Elizabeth Cleland and published by Metropolitan Museum of Art. This book was released on 2022-10-03 with total page 355 pages. Available in PDF, EPUB and Kindle. Book excerpt: This fascinating new look at the artistic legacy of the Tudors reveals the dynasty’s enduring influence on the arts of Renaissance England and beyond. Ruling successively from 1485 through 1603, the five Tudor monarchs brought seismic changes to England that reverberated throughout Europe. They used the arts to legitimize and glorify their tumultuous rule, from Henry VII’s bloody rise to power, through Henry VIII’s breach with the Roman Catholic Church, to the reign of the “Virgin Queen” Elizabeth I. With incisive scholarship and sumptuous new photography, this book explores the extreme politics and outsize personalities of the Tudors, and how they used art in their diplomacy at home and abroad. Tudor courts were truly cosmopolitan, attracting top artists and artisans from across Europe. At the same time, the Tudors nurtured local talent and gave rise to a distinctly English aesthetic, one that is forever connected to the myth and visual legacy of their dynasty. The Tudors reveals the true history behind a family that has long captured the public imagination, bringing to life their extravagant and politically precarious world through the exquisite paintings, lush textiles, gleaming metalwork, and countless luxury objects that adorned their spectacular courts.
Book Synopsis The Portrait Bust and French Cultural Politics in the Eighteenth Century by : Ronit Milano
Download or read book The Portrait Bust and French Cultural Politics in the Eighteenth Century written by Ronit Milano and published by BRILL. This book was released on 2015-02-24 with total page 242 pages. Available in PDF, EPUB and Kindle. Book excerpt: In The Portrait Bust and French Cultural Politics in the Eighteenth Century, Ronit Milano probes the rich and complex aesthetic and intellectual charge of a remarkably concise art form, and explores its role as a powerful agent of epistemological change during one of the most seismic moments in French history. The pre-Revolutionary portrait bust was inextricably tied to the formation of modern selfhood and to the construction of individual identity during the Enlightenment, while positioning both sitters and viewers as part of a collective of individuals who together formed French society. In analyzing the contribution of the portrait bust to the construction of interiority and the formulation of new gender roles and political ideals, this book touches upon a set of concerns that constitute the very core of our modernity.
Book Synopsis Picturing Animals in Britain, 1750-1850 by : Diana Donald
Download or read book Picturing Animals in Britain, 1750-1850 written by Diana Donald and published by Yale University Press. This book was released on 2007-01-01 with total page 402 pages. Available in PDF, EPUB and Kindle. Book excerpt: From fine art paintings by such artists as Stubbs and Landseer to zoological illustrations and popular prints, a vast array of animal images was created in Britain during the century from 1750 to 1850. This highly original book investigates the rich meanings of these visual representations as well as the ways in which animals were actually used and abused. What Diana Donald discovers in this fascinating study is a deep and unresolved ambivalence that lies at the heart of human attitudes toward animals. The author brings to light dichotomies in human thinking about animals throughout this key period: awestruck with the beauty and spirit of wild animals, people nevertheless desired to capture and tame them; the belief that other species are inferior was firmly held, yet at the same time animals in stories and fables were given human attributes; though laws against animal cruelty were introduced, the overworking of horses and the allure of sport hunting persisted. Animals are central in cultural history, Donald concludes, and compelling questions about them--then and now--remain unanswered.
Download or read book MORCEAUX written by Tomas Macsotay and published by Böhlau Verlag Köln Weimar. This book was released on 2016-05-09 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt: Im Zuge der Etablierung europèaischer Kunstakademien bildeten sich Aufnahmezeremonien aus, die von den zukèunftigen Mitgliedern ein Probestèuck zum Beweis ihrer Fèahigkeiten forderten. Erstmalig wird in diesem Band ein vergleichender Blick auf die Aufnahmeprozeduren der wichtigsten europèaischen Akademien und auf diese faszinierenden, zumeist kleinformatigen Werke geworfen, die eine eigene Gattung der Bildhauerei darstellen. An keinen konkreten Verwendungszweck gebunden und unbeeinflusst durch Auftraggeberwèunsche, ermèoglichten sie ihren Schèopfern nicht nur eine selbstbewusste Zurschaustellung ihrer Fèahigkeiten, sondern luden auch zur Gattungsreflektion ein. Die virtuosen Schaustèucke fèuhren damit vor Augen, was die Bildhauer der Zeit als Aufgaben und Ziele ihrer Kunst ansahen.
Book Synopsis Alfred Gilbert's Aestheticism by : Jason Edwards
Download or read book Alfred Gilbert's Aestheticism written by Jason Edwards and published by Routledge. This book was released on 2017-07-05 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: Alfred Gilbert's Aestheticism presents the first sustained re-evaluation of the life and work of one of the most acclaimed sculptors of the late-Victorian period. Drawing on important new archival sources, this ground-breaking study challenges the customary assumption that Aestheticism was primarily a literary, painterly or architectural phenomena. Jason Edwards reveals both the diverse ways in which Gilbert's sculptures operated within the context of Aestheticism and also how these works provided a unique and provocative commentary on the history of masculine friendship and eroticism in the period leading up to and beyond the Wilde trials in 1895. Detailed readings are offered of the relationship of Gilbert's work to essays by Pater and Swinburne, poems, plays, and novels by Wilde and W. S. Gilbert, and paintings by Burne-Jones, Leighton, Rossetti, Solomon, Whistler, and Watts. With over 90 illustrations, including key contemporary photographs showing Gilbert's works in their original contexts, this book makes a major contribution to the field of Victorian sculpture studies.
Download or read book Then and Now written by Joan Coutu and published by McGill-Queen's Press - MQUP. This book was released on 2015-07-01 with total page 318 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the mid-eighteenth century, English gentlemen filled their houses with copies and casts of classical statuary while the following generation preferred authentic antique originals. By charting this changing preference within a broader study of material culture, Joan Coutu examines the evolving articulation of the English gentleman. Then and Now consists of four case studies of mid-century collections. Three were amassed by young aristocrats - the Marquis of Rockingham, the Duke of Richmond, and the Earl of Huntingdon - who, consistent with their social standing, were touted as natural political leaders. Their collections evoke the concept of gentlemanly virtue through example, offering archetypes to encourage men toward acts of public virtue. As the aristocrats matured in the politically fractious realm of the 1760s, such virtue could become politicized. A fourth study focuses on Thomas Hollis, who used his collection to proselytize his own unique political ideology. Framed by studies of collecting practices earlier and later in the century, Coutu also explores the fluid temporal relationship with the classical past as the century progressed, firmly situating the discussion within the contemporaneous emerging field of aesthetics. Broadening the focus beyond published texts to include aesthetic conversations among the artists and the aristocracy in Italy and England, Then and Now shows how an aesthetic canon emerged - embodied in the Apollo Belvedere, the Venus de’ Medici, and the like - which shaped the Grand Manner of art.
Book Synopsis Women and Portraits in Early Modern Europe by : Andrea Pearson
Download or read book Women and Portraits in Early Modern Europe written by Andrea Pearson and published by Routledge. This book was released on 2016-12-05 with total page 259 pages. Available in PDF, EPUB and Kindle. Book excerpt: As one of the first books to treat portraits of early modern women as a discrete subject, this volume considers the possibilities and limits of agency and identity for women in history and, with particular attention to gender, as categories of analysis for women's images. Its nine original essays on Italy, the Low Countries, Germany, France, and England deepen the usefulness of these analytical tools for portraiture. Among the book's broad contributions: it dispels false assumptions about agency's possibilities and limits, showing how agency can be located outside of conventional understanding, and, conversely, how it can be stretched too far. It demonstrates that agency is compatible with relational gender analysis, especially when alternative agencies such as spectatorship are taken into account. It also makes evident the importance of aesthetics for the study of identity and agency. The individual essays reveal, among other things, how portraits broadened the traditional parameters of portraiture, explored transvestism and same-sex eroticism, appropriated aspects of male portraiture to claim those values for their sitters, and, as sites for gender negotiation, resistance, and debate, invoked considerable relational anxiety. Richly layered in method, the book offers an array of provocative insights into its subject.