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British Popular Music And National Identity In The 1990s
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Book Synopsis British Popular Music and National Identity in the 1990s by : Anja Thümmler
Download or read book British Popular Music and National Identity in the 1990s written by Anja Thümmler and published by GRIN Verlag. This book was released on 2012-03-02 with total page 116 pages. Available in PDF, EPUB and Kindle. Book excerpt: Thesis (M.A.) from the year 2004 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: 1.3, University of Leipzig, language: English, abstract: This thesis evaluates the relation between British popular music and national identity. It concentrates on developments during the 1990s, bringing together all three popular genres of pop music during that period: indie rock, dance music and black music. Taking into account theoretical considerations on popular music, this thesis applies theories of collective identities in general and national identity in particular to Nineties pop. By analyzing an example of popular music media as well as selected music texts, the discourses within popular music culture are being compared to general discourses on questions of national identity within Great Britain.
Book Synopsis British Popular Music and National Identity in the 1990s by : Anja Thummler
Download or read book British Popular Music and National Identity in the 1990s written by Anja Thummler and published by . This book was released on 2004 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Britishness, Popular Music, and National Identity by : Irene Morra
Download or read book Britishness, Popular Music, and National Identity written by Irene Morra and published by Routledge. This book was released on 2013-10-30 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book offers a major exploration of the social and cultural importance of popular music to contemporary celebrations of Britishness. Rather than providing a history of popular music or an itemization of indigenous musical qualities, it exposes the influential cultural and nationalist rhetoric around popular music and the dissemination of that rhetoric in various forms. Since the 1960s, popular music has surpassed literature to become the dominant signifier of modern British culture and identity. This position has been enforced in popular culture, literature, news and music media, political rhetoric -- and in much popular music itself, which has become increasingly self-conscious about the expectation that music both articulate and manifest the inherent values and identity of the modern nation. This study examines the implications of such practices and the various social and cultural values they construct and enforce. It identifies two dominant, conflicting constructions around popular music: music as the voice of an indigenous English ‘folk’, and music as the voice of a re-emergent British Empire. These constructions are not only contradictory but also exclusive, prescribing a social and musical identity for the nation that ignores its greater creative, national, and cultural diversity. This book is the first to offer a comprehensive critique of an extremely powerful discourse in England that today informs dominant formulations of English and British national identity, history, and culture.
Book Synopsis Britishness, Popular Music, and National Identity by : Irene Morra
Download or read book Britishness, Popular Music, and National Identity written by Irene Morra and published by Routledge. This book was released on 2013-10-30 with total page 303 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book offers a major exploration of the social and cultural importance of popular music to contemporary celebrations of Britishness. Rather than providing a history of popular music or an itemization of indigenous musical qualities, it exposes the influential cultural and nationalist rhetoric around popular music and the dissemination of that rhetoric in various forms. Since the 1960s, popular music has surpassed literature to become the dominant signifier of modern British culture and identity. This position has been enforced in popular culture, literature, news and music media, political rhetoric -- and in much popular music itself, which has become increasingly self-conscious about the expectation that music both articulate and manifest the inherent values and identity of the modern nation. This study examines the implications of such practices and the various social and cultural values they construct and enforce. It identifies two dominant, conflicting constructions around popular music: music as the voice of an indigenous English ‘folk’, and music as the voice of a re-emergent British Empire. These constructions are not only contradictory but also exclusive, prescribing a social and musical identity for the nation that ignores its greater creative, national, and cultural diversity. This book is the first to offer a comprehensive critique of an extremely powerful discourse in England that today informs dominant formulations of English and British national identity, history, and culture.
Book Synopsis Music in the 90s and the search of identity in the UK by : Maximilian Rütters
Download or read book Music in the 90s and the search of identity in the UK written by Maximilian Rütters and published by GRIN Verlag. This book was released on 2017-03-28 with total page 21 pages. Available in PDF, EPUB and Kindle. Book excerpt: Seminar paper from the year 2012 in the subject Didactics for the subject English - Miscellaneous, grade: 1,7, University of Bonn (Institut für Anglistik, Amerikanistik und Keltologie), language: English, abstract: People all over the world have been identifying with music for years. Music has a social quality that is across-the-board. But now only one nation is on focus. Every British decade had its own sound. Looking at the 1960s, The Beatles and The Rolling Stones were dominating the music scene. Led Zeppelin and Black Sabbath invented Heavy Metal in the 1970s and also Glam Rock with representatives like Queen and David Bowie started during the 1970s. The 80s as the climax of the Punk Rock movement headed by the Sex Pistols and the upcoming Indie-Rock scene represented by The Cure. Music, now and then, reflects its time, its history and all the changes that passes by. The question of this term paper is, „Does one identity of the British excist? Or are there maybe several identities? Or none?“ And is music the key to find any answers?
Book Synopsis Ethnic and Cultural Identity in Music and Song Lyrics by : Victor Kennedy
Download or read book Ethnic and Cultural Identity in Music and Song Lyrics written by Victor Kennedy and published by Cambridge Scholars Publishing. This book was released on 2017-06-20 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ethnic and Cultural Identity in Music and Song Lyrics looks at a variety of popular and folk music from around the world, with examples of British, Slovene, Chinese and American songs, poems and musicals. Charles Taylor says that “it is through story that we find or devise ways of living bearably in time”; one can make the same claim for music. Inexorably tied to time, to the measure of the beat, but freed from time by the polysemous potential of the words, song rapidly becomes “our” song, helping to cement memory and community, to make the past comprehensible and the present bearable. The authors of the fifteen chapters in this volume demonstrate how lyrics set to music can reflect, express and construct collective identities, both traditional and contemporary.
Download or read book Pop Cult written by Rupert Till and published by A&C Black. This book was released on 2010-09-30 with total page 231 pages. Available in PDF, EPUB and Kindle. Book excerpt: At a time when fundamentalism is on the rise, traditional religions are in decline and postmodernity has challenged any system that claims to be all-defining, young people have left their traditional places of worship and set up their own, in clubs, at festivals and within music culture. Pop Cult investigates the ways in which popular music and its surrounding culture have become a primary site for the location of meaning, belief and identity. It provides an introduction to the history of the interactions of vernacular music and religion, and the role of music in religious culture. Rupert Till explores the cults of heavy metal, pop stars, club culture and virtual popular music worlds, investigating the sex, drug, local and death cults of the sacred popular, and their relationships with traditional religions. He concludes by discussing how and why popular music cultures have taken on many of the roles of traditional religions in contemporary society.
Book Synopsis Culture, Music Education, and the Chinese Dream in Mainland China by : Wai-Chung Ho
Download or read book Culture, Music Education, and the Chinese Dream in Mainland China written by Wai-Chung Ho and published by Springer. This book was released on 2018-01-04 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book focuses on the rapidly changing sociology of music as manifested in Chinese society and Chinese education. It examines how social changes and cultural politics affect how music is currently being used in connection with the Chinese dream. While there is a growing trend toward incorporating the Chinese dream into school education and higher education, there has been no scholarly discussion to date. The combination of cultural politics, transformed authority relations, and officially approved songs can provide us with an understanding of the official content on the Chinese dream that is conveyed in today’s Chinese society, and how these factors have influenced the renewal of values-based education and practices in school music education in China.
Download or read book Sounds English written by Nabeel Zuberi and published by University of Illinois Press. This book was released on 2001 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Zuberi looks at how the sounds, images, and lyrics of English popular music generate and critique ideas of national belonging, recasting the social and even the physical landscapes of cities like Manchester and London. The Smiths and Morrissey play on romanticized notions of the (white) English working class, while the Pet Shop Boys map a "queer urban Britain" in the AIDS era. The techno-culture of raves and dance clubs incorporates both an anti-institutional do-it-yourself politics and emergent leisure practices, while the potent mix of technology and creativity in British black music includes local conditions as well as a sense of global diaspora. British Asian musicians, drawing on Afrodiasporic and South Asian traditions, seek a sense of place in Britain as commercial interests try to pin down an image of them to market." "Sounds English shows how popular music complicates cherished notions of Englishness as it activates cultural outsiders and taps into a sense of not belonging."--BOOK JACKET.
Book Synopsis Media Narratives in Popular Music by : Chris Anderton
Download or read book Media Narratives in Popular Music written by Chris Anderton and published by Bloomsbury Publishing USA. This book was released on 2021-12-16 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: The historical significance of music-makers, music scenes, and music genres has long been mediated through academic and popular press publications such as magazines, films, and television documentaries. Media Narratives in Popular Music examines these various publications and questions how and why they are constructed. It considers the typically linear narratives that are based on simplifications, exaggerations, and omissions and the histories they construct - an approach that leads to totalizing “official” histories that reduce otherwise messy narratives to one-dimensional interpretations of a heroic and celebratory nature. This book questions the basis on which these mediated histories are constructed, highlights other, hidden, histories that have otherwise been neglected, and explores a range of topics including consumerism, the production pressure behind documentaries, punk fanzines, Rolling Stones covers, and more.
Book Synopsis National Identity and the British Musical by : Grace Barnes
Download or read book National Identity and the British Musical written by Grace Barnes and published by Bloomsbury Publishing. This book was released on 2022-07-14 with total page 269 pages. Available in PDF, EPUB and Kindle. Book excerpt: National Identity and the British Musical: From Blood Brothers to Cinderella examines the myths associated with national identity which are reproduced by the British musical and asks why the genre continues to uphold, instead of challenging, outdated ideals. All too often, UK musicals reinforce national identity clichés and caricatures, conflate 'England' with 'Britain' and depict a mono-cultural nation viewed through a nostalgic lens. Through case studies and analysis of British musicals such as Blood Brothers, Six, Half a Sixpence and Billy Elliot, this book examines the place of the British musical within a text-based theatrical heritage and asks what, or whose, Britain is being represented by home grown musicals. The sheer number of people engaging with shows bestows enormous power upon the genre and yet critics display a reluctance to analyse the cultural meanings produced by new work, or to hold work to account for production teams and narratives which continue to shun diversity and inclusive practices. The question this book poses is: what kind of industry do we want to see in Britain in the next ten years? And what kind of show do we want representing the nation in the future?
Book Synopsis Heavy Metal Music in Britain by : Gerd Bayer
Download or read book Heavy Metal Music in Britain written by Gerd Bayer and published by Routledge. This book was released on 2016-04-22 with total page 214 pages. Available in PDF, EPUB and Kindle. Book excerpt: Heavy metal has developed from a British fringe genre of rock music in the late 1960s to a global mass market consumer good in the early twenty-first century. Early proponents of the musical style, such as Black Sabbath, Deep Purple, Judas Priest, Saxon, Uriah Heep and Iron Maiden, were mostly seeking to reach a young male audience. Songs were often filled with violent, sexist and nationalistic themes but were also speaking to the growing sense of deterioration in social and professional life. At the same time, however, heavy metal was seriously indebted to the legacies of blues and classical music as well as to larger literary and cultural themes. The genre also produced mythological concept albums and rewritings of classical poems. In other words, heavy metal tried from the beginning to locate itself in a liminal space between pedestrian mass culture and a rather elitist adherence to complexity and musical craftsmanship, speaking from a subaltern position against the hegemonic discourse. This collection of essays provides a comprehensive and multi-disciplinary look at British heavy metal from its beginning through The New Wave of British Heavy Metal up to the increasing internationalization and widespread acceptance in the late 1980s. The individual chapter authors approach British heavy metal from a textual perspective, providing critical analyses of the politics and ideology behind the lyrics, images and performances. Rather than focus on individual bands or songs, the essays collected here argue with the larger system of heavy metal music in mind, providing comprehensive analyses that relate directly to the larger context of British life and culture. The wide range of approaches should provide readers from various disciplines with new and original ideas about the study of this phenomenon of popular culture.
Book Synopsis Soundtracking Germany by : Melanie Schiller
Download or read book Soundtracking Germany written by Melanie Schiller and published by Rowman & Littlefield. This book was released on 2018-06-13 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book argues for the importance of popular music in negotiations of national identity, and Germanness in particular. By discussing diverse musical genres and commercially and critically successful songs at the heights of their cultural relevance throughout seventy years of post-war German history, Soundtracking Germany describes how popular music can function as a language for “writing” national narratives. Running chronologically, all chapters historically contextualize and critically discuss the cultural relevance of the respective genre before moving into a close reading of one particularly relevant and appellative case study that reveals specific interrelations between popular music and constructions of Germanness. Close readings of these sonic national narratives in different moments of national transformations reveal changes in the narrative rhetoric as this book explores how Germanness is performatively constructed, challenged, and reaffirmed throughout the course of seventy years.
Book Synopsis Mad Dogs and Englishness by : Lee Brooks
Download or read book Mad Dogs and Englishness written by Lee Brooks and published by Bloomsbury Publishing USA. This book was released on 2017-10-19 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: Mad Dogs and Englishness connects English popular music with questions about English national identities, featuring essays that range across Bowie and Burial, PJ Harvey, Bishi and Tricky. The later years of the 20th century saw a resurgence of interest in cultural and political meanings of Englishness in ways that continue to resonate now. Pop music is simultaneously on the outside and inside of the ensuing debates. It can be used as a mode of commentary about how meanings of Englishness circulate socially. But it also produces those meanings, often underwriting claims about English national cultural distinctiveness and superiority. This book's expert contributors use trans-national and trans-disciplinary perspectives to provide historical and contemporary commentaries about pop's complex relationships with Englishness. Each chapter is based on original research, and the essays comprise the best single volume available on pop and the English imaginary.
Book Synopsis Britpop and the English Music Tradition by : Professor Andy Bennett
Download or read book Britpop and the English Music Tradition written by Professor Andy Bennett and published by Ashgate Publishing, Ltd.. This book was released on 2013-01-28 with total page 242 pages. Available in PDF, EPUB and Kindle. Book excerpt: Britpop and the English Music Tradition is the first study devoted exclusively to the Britpop phenomenon and its contexts. The genre of Britpop, with its assertion of Englishness, evolved at the same time that devolution was striking deep into the hegemonic claims of English culture to represent Britain. It is usually argued that Britpop, with its strident declarations of Englishness, was a response to the dominance of grunge. The contributors in this volume take a different point of view: that Britpop celebrated Englishness at a time when British culture, with its English hegemonic core, was being challenged and dismantled. It is now timely to look back on Britpop as a cultural phenomenon of the 1990s that can be set into the political context of its time, and into the cultural context of the last fifty years – a time of fundamental revision of what it means to be British and English. The book examines issues such as the historical antecedents of Britpop, the subjectivities governing the performative conventions of Britpop, the cultural context within which Britpop unfolded, and its influence on the post-Britpop music scene in the UK. While Britpop is central to the volume, discussion of this phenomenon is used as an opportunity to examine the particularities of English popular music since the turn of the twentieth century.
Book Synopsis The Bloomsbury Handbook of Popular Music, Space and Place by : Geoff Stahl
Download or read book The Bloomsbury Handbook of Popular Music, Space and Place written by Geoff Stahl and published by Bloomsbury Publishing USA. This book was released on 2022-01-13 with total page 409 pages. Available in PDF, EPUB and Kindle. Book excerpt: Popular music scholars have long been interested in the connection between place and music. This collection brings together a number of key scholars in order to introduce readers to concepts and theories used to explore the relationships between place and music. An interdisciplinary volume, drawing from sociology, geography, ethnomusicology, media, cultural, and communication studies, this book covers a wide-range of topics germane to the production and consumption of place in popular music. Through considerations of changes in technology and the mediascape that have shaped the experience of popular music (vinyl, iPods, social media), the role of social difference and how it shapes sociomusical encounters (queer spaces, gendered and racialised spaces), as well as the construction and representations of place (musical tourism, city branding, urban mythologies), this is an up-to-the-moment overview of central discussions about place and music. The contributors explore a range of contexts, moving from the studio to the stage, the city to the suburb, the bedroom to festival, from nightclub to museum, with each entry highlighting the diverse and complex ways in which music and place are mutually constitutive.
Book Synopsis Diasporas and Interculturalism in Asian Performing Arts by : Hae-kyung Um
Download or read book Diasporas and Interculturalism in Asian Performing Arts written by Hae-kyung Um and published by Routledge. This book was released on 2004-11-04 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: A wide range of performing arts and practices of the Asian diasporas across the world are examined by scholars of Asian studies, theatre studies, anthropology, cultural studies, dance ethnology and ethnomusicology.
