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Britain And The Cinema In The Second World War
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Book Synopsis Britain and the Cinema in the Second World War by : P. Taylor
Download or read book Britain and the Cinema in the Second World War written by P. Taylor and published by Springer. This book was released on 1988-07-15 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt: The essays which appear in this book for the most part originated as papers delivered at a conference on Britain and the cinema in the Second World War held in London in May 1985.
Book Synopsis Britain Can Take it by : Anthony Aldgate
Download or read book Britain Can Take it written by Anthony Aldgate and published by . This book was released on 1994 with total page 382 pages. Available in PDF, EPUB and Kindle. Book excerpt: Charts Britain's reaction to World War II by examining 13 key films produced between 1939 and 1945. Illustrated with stills, the work analyzes each film, drawing from official documentation to explore film as a medium for propaganda. This edition features two new chapters and a filmography.
Book Synopsis Britain and the Cinema in the Second World War by : Philip M. Taylor
Download or read book Britain and the Cinema in the Second World War written by Philip M. Taylor and published by Palgrave Macmillan. This book was released on 1988-07-15 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: The essays which appear in this book for the most part originated as papers delivered at a conference on Britain and the cinema in the Second World War held in London in May 1985.
Book Synopsis Britain and the Cinema in the Second World War by : P.M. Taylor
Download or read book Britain and the Cinema in the Second World War written by P.M. Taylor and published by . This book was released on 2013 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis British Cinema and the Second World War by : Robert Murphy
Download or read book British Cinema and the Second World War written by Robert Murphy and published by A&C Black. This book was released on 2005-08-15 with total page 814 pages. Available in PDF, EPUB and Kindle. Book excerpt: The author provides a decade-by-decade analysis of every film ever made in Britain about World War II. It provides a comprehensive account of how Britain has portrayed the war through films.
Book Synopsis The British Cinema Book by : Robert Murphy
Download or read book The British Cinema Book written by Robert Murphy and published by . This book was released on 2001 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: No Marketing Blurb
Book Synopsis The Food Companions by : Richard Farmer
Download or read book The Food Companions written by Richard Farmer and published by Manchester University Press. This book was released on 2011-12-15 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: The introduction of rationing in January 1940 ensured that food became a central concern for the British people during the Second World War. The Food Companions investigates the cinema of this period and demonstrates the cultural impact that rationing and food control had on both government propaganda and commercial feature films. Combining archival research, detailed film analysis, and the extensive use of contemporary documents and resources, this book is the first to fully address the extensive propaganda work of the Ministry of Food, both inside and outside the cinema. It also explores the tensions contained in images of communal dining, investigating the role that food played in Gainsborough’s narratives of excess and identifying and analyzing a cycle of black-market feature films. Lively and illuminating, The Food Companions will be welcomed by film scholars, historians, students, and anyone who has ever wondered about the important contribution that tea made during the war to shaping ideas of Britishness.
Author :Visiting Senior Fellow Department of Psychology Nicky Hayes Publisher :Liverpool University Press ISBN 13 :9780853237631 Total Pages :364 pages Book Rating :4.2/5 (376 download)
Book Synopsis Millions Like Us'? by : Visiting Senior Fellow Department of Psychology Nicky Hayes
Download or read book Millions Like Us'? written by Visiting Senior Fellow Department of Psychology Nicky Hayes and published by Liverpool University Press. This book was released on 1999-01-01 with total page 364 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of essays brings together the latest historical research on cultural production and reception during the Second World War. It covers the way in which cultural provision was viewed by the labour movement and industry.
Book Synopsis Britain Can Take it by : Anthony Aldgate
Download or read book Britain Can Take it written by Anthony Aldgate and published by . This book was released on with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt: At the outbreak of the Second World War, all cinemas in Britain were closed. Ten days later, they were opened again as a valuable way of boosting morale and a principal source of recreation for the nation at war. Feature films were not just escapist entertainment; they provided instruction and information, and over the next six years, some 300 feature films and thousands of short films and news reels were produced in what is now seen as British cinema's 'finest hour'. "Britain Can Take It" charts this momentous period through the eyes of thirteen key films. Aldgate and Richards make use of key resources, from scripts and box-office returns to official Home Office documents and censorship archives, to bring these films to vivid life. In telling their stories, the authors also recreate the society, the politics and war-time conditions in which they appeared and flourished. This new edition of "Britain Can Take It" features a new chapter on Launder and Gilliat's 1943 film on women factory workers, "Millions Like Us."
Book Synopsis The Battle of Britain on Screen by : S. P. MacKenzie
Download or read book The Battle of Britain on Screen written by S. P. MacKenzie and published by Bloomsbury Publishing. This book was released on 2016-01-28 with total page 193 pages. Available in PDF, EPUB and Kindle. Book excerpt: This new, updated edition of The Battle of Britain on Screen examines in depth the origins, development and reception of the major dramatic screen representations of 'The Few' in the Battle of Britain produced over the past 75 years. Paul MacKenzie explores both continuity and change in the presentation of a wartime event that acquired and retains near-mythical dimensions in popular consciousness and has been represented many times in feature films and television dramas. Alongside relevant technical developments, the book also examines the social, cultural, and political changes occurring in the second half of the 20th century and first decade of current century that helped shape how the battle came to be framed dramatically. This edition contains a new chapter looking at the portrayal of the Battle of Britain at the time of its 70th anniversary. Through its perceptive demonstration of how our memory of the battle has been constantly reshaped through film and television, The Battle of Britain on Screen provides students of the Second World War, 20th-century Britain and film history with a thorough and complex understanding of an iconic historical event.
Book Synopsis World War II, Film, and History by : John Whiteclay Chambers II
Download or read book World War II, Film, and History written by John Whiteclay Chambers II and published by Oxford University Press. This book was released on 1996-10-10 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt: The immediacy and perceived truth of the visual image, as well as film and television's ability to propel viewers back into the past, place the genre of the historical film in a special category. War films--including antiwar films--have established the prevailing public image of war in the twentieth century. For American audiences, the dominant image of trench warfare in World War I has been provided by feature films such as All Quiet on the Western Front and Paths of Glory. The image of combat in the Second World War has been shaped by films like Sands of Iwo Jima and The Longest Day. And despite claims for the alleged impact of widespread television coverage of the Vietnam War, it is actually films such as Apocalypse Now and Platoon which have provided the most powerful images of what is seen as the "reality" of that much disputed conflict. But to what degree does history written "with lightning," as Woodrow Wilson allegedly said, represent the reality of the past? To what extent is visual history an oversimplification, or even a distortion of the past? Exploring the relationship between moving images and the society and culture in which they were produced and received, World War II, Film, and History addresses the power these images have had in determining our perception and memories of war. Examining how the public memory of war in the twentieth century has often been created more by a manufactured past than a remembered one, a leading group of historians discusses films dating from the early 1930s through the early 1990s, created by filmmakers the world over, from the United States and Germany to Japan and the former Soviet Union. For example, Freda Freiberg explains how the inter-racial melodramatic Japanese feature film China Nights, in which a manly and protective Japanese naval officer falls in love with a beautiful young Chinese street waif and molds her into a cultured, submissive wife, proved enormously popular with wartime Japanese and helped justify the invasion of China in the minds of many Japanese viewers. Peter Paret assesses the historical accuracy of Kolberg as a depiction of an unsuccessful siege of that German city by a French Army in 1807, and explores how the film, released by Hitler's regime in January 1945, explicitly called for civilian sacrifice and last-ditch resistance. Stephen Ambrose contrasts what we know about the historical reality of the Allied D-Day landings in Normandy on June 6, 1944, with the 1962 release of The Longest Day, in which the major climactic moment in the film never happened at Normandy. Alice Kessler-Harris examines The Life and Times of Rosie the Riveter, a 1982 film documentary about women defense workers on the American home front in World War II, emphasizing the degree to which the documentary's engaging main characters and its message of the need for fair and equal treatment for women resonates with many contemporary viewers. And Clement Alexander Price contrasts Men of Bronze, William Miles's fine documentary about black American soldiers who fought in France in World War I, with Liberators, the controversial documentary by Miles and Nina Rosenblum which incorrectly claimed that African-American troops liberated Holocaust survivors at Dachau in World War II. In today's visually-oriented world, powerful images, even images of images, are circulated in an eternal cycle, gaining increased acceptance through repetition. History becomes an endless loop, in which repeated images validate and reconfirm each other. Based on archival materials, many of which have become only recently available, World War II, Film, and History offers an informative and a disturbing look at the complex relationship between national myths and filmic memory, as well as the dangers of visual images being transformed into "reality."
Download or read book This is England written by Neil Rattigan and published by Fairleigh Dickinson Univ Press. This book was released on 2001 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: Third, that the condition of total war in which Britain found itself a short time after the commencement of hostilities would mean that films, and indeed, all mass/popular culture, would respond to the urgency of the situation by taking a special interest in representations of British society. And fourth, following on from this, that British films of the Second World War would, one way or another, be agents of propaganda. From these propositions, the book examines just what these films had to say about social class in the images of Britain they were promulgating, with the corollaries of just how were they saying it, and why were they saying it. Alongside this is a concern with what propaganda purposes were being met by these films."--Jacket.
Book Synopsis Cinemas and Cinema-Going in the United Kingdom: Decades of Decline, 1945–65 by : Sam Manning
Download or read book Cinemas and Cinema-Going in the United Kingdom: Decades of Decline, 1945–65 written by Sam Manning and published by University of London Press. This book was released on 2020-03-31 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cinema-going was the most popular commercial leisure activity in the first half of the twentieth century, peaking in 1946 with 1.6 billion recorded admissions. Though ‘going to the pictures’ remained a popular pastime, the transition to peacetime altered citizens’ leisure habits. During the 1950s increased affluence, the growth of television ownership and the diversification of leisure led to rapid declines in attendance. Cinema attendances fell in all regions, but the speed, nature and extent of decline varied widely across the United Kingdom. By linking national developments to detailed case studies of Belfast and Sheffield, this book adds nuance to our understanding of regional variations in film exhibition, audience habits and cinema-going experiences during a period of profound social and cultural change. Drawing on a wide range of quantitative and qualitative sources, Cinema and Cinema-Going conveys the diverse nature of this important industry, and the significance of place as a determinant of film attendance in post-war Britain.
Book Synopsis Films and the Second World War by : Roger Manvell
Download or read book Films and the Second World War written by Roger Manvell and published by . This book was released on 1976 with total page 396 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Film Propaganda in Britain and Nazi Germany by : Jo Fox
Download or read book Film Propaganda in Britain and Nazi Germany written by Jo Fox and published by Berg Publishers. This book was released on 2006-12-01 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Propaganda--so crucial to winning the battle of hearts and minds in warfare--witnessed a transformation during World War II, when film was fast becoming the most popular form of entertainment. In Film Propaganda in Britain and Nazi Germany, Jo Fox compares how each country exploited their national cinema for political purposes. Through an investigation of shorts and feature films, the author looks at how both political propaganda films and escapist cinema were critical in maintaining the morale of both civilians and the military and how this changed throughout the war. While both countries shared certain similarities in their wartime propaganda films - a harking back to a glorious historic past, for example - the thematic differences reveal important distinctions between cultures.This book offers new insight into the shifting pattern of morale during World War II and highlights a key moment in propaganda film history.
Book Synopsis World War II Goes to the Movies & Television Guide Volume II L-Z by : Terry Rowan
Download or read book World War II Goes to the Movies & Television Guide Volume II L-Z written by Terry Rowan and published by Lulu.com. This book was released on with total page 301 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis British Cinema, Past and Present by : Justine Ashby
Download or read book British Cinema, Past and Present written by Justine Ashby and published by Routledge. This book was released on 2013-05-13 with total page 408 pages. Available in PDF, EPUB and Kindle. Book excerpt: British Cinema: Past and Present responds to the commercial and critical success of British film in the 1990s. Providing a historical perspective to the contemporary resurgence of British cinema, this unique anthology brings together leading international scholars to investigate the rich diversity of British film production, from the early sound period of the 1930s to the present day. The contributors address: * British Cinema Studies and the concept of national cinema * the distribution and reception of British films in the US and Europe * key genres, movements and cycles of British cinema in the 1940s, 50s and 60s * questions of authorship and agency, with case studies of individual studios, stars, producers and directors * trends in British cinema, from propaganda films of the Second World War to the New Wave and the 'Swinging London' films of the Sixties * the representation of marginalised communities in films such as Trainspotting and The Full Monty * the evolution of social realism from Saturday Night, Sunday Morning to Nil By Mouth * changing approaches to Northern Ireland and the Troubles in films like The Long Good Friday and Alan Clarke's Elephant * contemporary 'art' and 'quality' cinema, from heritage drama to the work of Peter Greenaway, Derek Jarman, Terence Davies and Patrick Keiller.
