Black American Cinema Reconsidered

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Black American Cinema Reconsidered

Author : Manthia Diawara
Publisher :
ISBN 13 : 9780415974554
Total Pages : 320 pages
Book Rating : 4.9/5 (745 download)

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Book Synopsis Black American Cinema Reconsidered by : Manthia Diawara

Download or read book Black American Cinema Reconsidered written by Manthia Diawara and published by . This book was released on 2007 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contemporary Black Cinema offers a fresh collection of essays on African American film, media and visual culture in the era of global multiculturalism. Integrating theory, history and criticism, the contributing authors deftly connect interdisciplinary perspectives from American studies, cinema studies, cultural studies, political science, media studies, and Queer theory. This multidisciplinary methodology expands the discursive and interpretive registers of film analysis. From Paul Robeson’s and Sidney Poitier’s star vehicles to Lee Daniels’ directorial forays, these essays include but surpass discussions of urban realism in New Black Cinema. These entries address the career legacies of film stars, examine various iterations of Blaxploitation-animation, question the comedic politics of "fat suit" films, and celebrate the innovation of avant-garde and experimental cinema.

Black American Cinema

Author : Manthia Diawara
Publisher : Routledge
ISBN 13 : 1135216738
Total Pages : 338 pages
Book Rating : 4.1/5 (352 download)

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Book Synopsis Black American Cinema by : Manthia Diawara

Download or read book Black American Cinema written by Manthia Diawara and published by Routledge. This book was released on 2012-10-02 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first major collection of criticism on Black American cinema. From the pioneering work of Oscar Micheaux and Wallace Thurman to the Hollywood success of Spike Lee, Black American filmmakers have played a remarkable role in the development of the American film, both independent and mainstream. In this volume, the work of early Black filmmakers is given serious attention for the first time. Individual essays consider what a Black film tradition might be, the relation between Black American filmmakers and filmmakers from the diaspora, the nature of Black film aesthetics, the artist's place within the community, and the representation of a Black imaginary. Black American Cinema also uncovers the construction of Black sexuality on screen, the role of Black women in independent cinema, and the specific question of Black female spectatorship. A lively and provocative group of essays debate the place and significance of Spike Lee Of crucial importance are the ways in which the essays analyze those Black directors who worked for Hollywood and whose films are simplistically dismissed as sell-outs, to the Hollywood "master narrative," as well as those "crossover" filmmakers whose achievements entail a surreptitious infiltration of the studios. Black American Cinema demonstrates the wealth of the Black contribution to American film and the complex course that contribution has taken. Contributors: Houston Baker, Jr., Toni Cade Bambara, Amiri Baraka, Jacquie Bobo, Richard Dyer, Jane Gaines, Henry Louis Gates, Jr., Ron Green, Ed Guerrero, bell hooks, Phyllis Klotman, Ntongele Masilela, Clyde Taylor, and Michele Wallace.

Literary Adaptations in Black American Cinema

Author : Barbara Tepa Lupack
Publisher : University Rochester Press
ISBN 13 : 9781580461030
Total Pages : 596 pages
Book Rating : 4.4/5 (61 download)

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Book Synopsis Literary Adaptations in Black American Cinema by : Barbara Tepa Lupack

Download or read book Literary Adaptations in Black American Cinema written by Barbara Tepa Lupack and published by University Rochester Press. This book was released on 2002 with total page 596 pages. Available in PDF, EPUB and Kindle. Book excerpt: By contrast, in the works of black writers from Oscar Micheaux to Toni Morrison, the black experience has been more fully, more accurately, and usually more sympathetically realized; and from the early days of film, select filmmakers have looked to that literature as the basis for their productions.".

Contemporary Black American Cinema

Author : Mia Mask
Publisher : Routledge
ISBN 13 : 0415523222
Total Pages : 286 pages
Book Rating : 4.4/5 (155 download)

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Book Synopsis Contemporary Black American Cinema by : Mia Mask

Download or read book Contemporary Black American Cinema written by Mia Mask and published by Routledge. This book was released on 2012 with total page 286 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contemporary Black American Cinema offers a fresh collection of essays on African American film, media, and visual culture in the era of global multiculturalism. Integrating theory, history, and criticism, the contributing authors deftly connect interdisciplinary perspectives from American studies, cinema studies, cultural studies, political science, media studies, and Queer theory. This multidisciplinary methodology expands the discursive and interpretive registers of film analysis. From Paul Robeson's and Sidney Poitier's star vehicles to Lee Daniels's directorial forays, these essays address the career legacies of film stars, examine various iterations of Blaxploitation and animation, question the comedic politics of "fat suit" films, and celebrate the innovation of avant-garde and experimental cinema.

Contemporary Black American Cinema

Author : Mia Mask
Publisher : Routledge
ISBN 13 : 1136308024
Total Pages : 286 pages
Book Rating : 4.1/5 (363 download)

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Book Synopsis Contemporary Black American Cinema by : Mia Mask

Download or read book Contemporary Black American Cinema written by Mia Mask and published by Routledge. This book was released on 2012-08-21 with total page 286 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contemporary Black American Cinema offers a fresh collection of essays on African American film, media, and visual culture in the era of global multiculturalism. Integrating theory, history, and criticism, the contributing authors deftly connect interdisciplinary perspectives from American studies, cinema studies, cultural studies, political science, media studies, and Queer theory. This multidisciplinary methodology expands the discursive and interpretive registers of film analysis. From Paul Robeson’s and Sidney Poitier’s star vehicles to Lee Daniels’s directorial forays, these essays address the career legacies of film stars, examine various iterations of Blaxploitation and animation, question the comedic politics of "fat suit" films, and celebrate the innovation of avant-garde and experimental cinema.

Poitier Revisited

Author : Ian Gregory Strachan
Publisher : Bloomsbury Publishing USA
ISBN 13 : 1501319825
Total Pages : 289 pages
Book Rating : 4.5/5 (13 download)

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Book Synopsis Poitier Revisited by : Ian Gregory Strachan

Download or read book Poitier Revisited written by Ian Gregory Strachan and published by Bloomsbury Publishing USA. This book was released on 2016-05-19 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sidney Poitier remains one of the most recognizable black men in the world. Widely celebrated but at times criticized for the roles he played during a career that spanned 60 years, there can be no comprehensive discussion of black men in American film, and no serious analysis of 20th century American film history that excludes him. Poitier Revisited offers a fresh interrogation of the social, cultural and political significance of the Poitier oeuvre. The contributions explore the broad spectrum of critical issues summoned up by Poitier's iconic work as actor, director and filmmaker. Despite his stature, Poitier has actually been under-examined in film criticism generally. This work reconsiders his pivotal role in film and American race relations, by arguing persuasively, that even in this supposedly 'post-racial' moment of Barack Obama, the struggles, aspirations, anxieties, and tensions Poitier's films explored are every bit as relevant today as when they were first made.

Screens Fade to Black

Author : David J. Leonard
Publisher : Bloomsbury Publishing USA
ISBN 13 : 0313018014
Total Pages : 230 pages
Book Rating : 4.3/5 (13 download)

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Book Synopsis Screens Fade to Black by : David J. Leonard

Download or read book Screens Fade to Black written by David J. Leonard and published by Bloomsbury Publishing USA. This book was released on 2006-06-30 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt: The triple crown of Oscars awarded to Denzel Washington, Halle Berry, and Sidney Poitier on a single evening in 2002 seemed to mark a turning point for African Americans in cinema. Certainly it was hyped as such by the media, eager to overlook the nuances of this sudden embrace. In this new study, author David Leonard uses this event as a jumping-off point from which to discuss the current state of African-American cinema and the various genres that currently compose it. Looking at such recent films as Love and Basketball, Antwone Fisher, Training Day, and the two Barbershop films—all of which were directed by black artists, and most of which starred and were written by blacks as well—Leonard examines the issues of representation and opportunity in contemporary cinema. In many cases, these films-which walk a line between confronting racial stereotypes and trafficking in them-made a great deal of money while hardly playing to white audiences at all. By examining the ways in which they address the American Dream, racial progress, racial difference, blackness, whiteness, class, capitalism and a host of other issues, Leonard shows that while certainly there are differences between the grotesque images of years past and those that define today's era, the consistency of images across genre and time reflects the lasting power of racism, as well as the black community's response to it.

African American Cinema through Black Lives Consciousness

Author : Mark A. Reid
Publisher : Wayne State University Press
ISBN 13 : 0814345506
Total Pages : 365 pages
Book Rating : 4.8/5 (143 download)

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Book Synopsis African American Cinema through Black Lives Consciousness by : Mark A. Reid

Download or read book African American Cinema through Black Lives Consciousness written by Mark A. Reid and published by Wayne State University Press. This book was released on 2019-01-12 with total page 365 pages. Available in PDF, EPUB and Kindle. Book excerpt: Employs an interdisciplinary critical approach to discuss a selected group of black-oriented films.

Post-Soul Satire

Author : Derek C. Maus
Publisher : Univ. Press of Mississippi
ISBN 13 : 1626741832
Total Pages : 478 pages
Book Rating : 4.6/5 (267 download)

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Book Synopsis Post-Soul Satire by : Derek C. Maus

Download or read book Post-Soul Satire written by Derek C. Maus and published by Univ. Press of Mississippi. This book was released on 2014-07-07 with total page 478 pages. Available in PDF, EPUB and Kindle. Book excerpt: From 30 Americans to Angry White Boy, from Bamboozled to The Boondocks, from Chappelle's Show to The Colored Museum, this collection of twenty-one essays takes an interdisciplinary look at the flowering of satire and its influence in defining new roles in black identity. As a mode of expression for a generation of writers, comedians, cartoonists, musicians, filmmakers, and visual/conceptual artists, satire enables collective questioning of many of the fundamental presumptions about black identity in the wake of the civil rights movement. Whether taking place in popular and controversial television shows, in a provocative series of short internet films, in prize-winning novels and plays, in comic strips, or in conceptual hip-hop albums, this satirical impulse has found a receptive audience both within and outside the black community. Such works have been variously called “post-black,” “post-soul,” and examples of a “New Black Aesthetic.” Whatever the label, this collection bears witness to a noteworthy shift regarding the ways in which African American satirists feel constrained by conventional obligations when treating issues of racial identity, historical memory, and material representation of blackness. Among the artists examined in this collection are Paul Beatty, Dave Chappelle, Trey Ellis, Percival Everett, Donald Glover (a.k.a. Childish Gambino), Spike Lee, Aaron McGruder, Lynn Nottage, ZZ Packer, Suzan Lori-Parks, Mickalene Thomas, Touré, Kara Walker, and George C. Wolfe. The essays intentionally seek out interconnections among various forms of artistic expression. Contributors look at the ways in which contemporary African American satire engages in a broad ranging critique that exposes fraudulent, outdated, absurd, or otherwise damaging mindsets and behaviors both within and outside the African American community.

Film Blackness

Author : Michael Boyce Gillespie
Publisher : Duke University Press
ISBN 13 : 0822373882
Total Pages : 248 pages
Book Rating : 4.8/5 (223 download)

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Book Synopsis Film Blackness by : Michael Boyce Gillespie

Download or read book Film Blackness written by Michael Boyce Gillespie and published by Duke University Press. This book was released on 2016-08-19 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Film Blackness Michael Boyce Gillespie shifts the ways we think about black film, treating it not as a category, a genre, or strictly a representation of the black experience but as a visual negotiation between film as art and the discursivity of race. Gillespie challenges expectations that black film can or should represent the reality of black life or provide answers to social problems. Instead, he frames black film alongside literature, music, art, photography, and new media, treating it as an interdisciplinary form that enacts black visual and expressive culture. Gillespie discusses the racial grotesque in Ralph Bakshi's Coonskin (1975), black performativity in Wendell B. Harris Jr.'s Chameleon Street (1989), blackness and noir in Bill Duke's Deep Cover (1992), and how place and desire impact blackness in Barry Jenkins's Medicine for Melancholy (2008). Considering how each film represents a distinct conception of the relationship between race and cinema, Gillespie recasts the idea of black film and poses new paradigms for genre, narrative, aesthetics, historiography, and intertextuality.

Contemporary African American Cinema

Author : Sheril D. Antonio
Publisher : Peter Lang Incorporated, International Academic Publishers
ISBN 13 :
Total Pages : 160 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis Contemporary African American Cinema by : Sheril D. Antonio

Download or read book Contemporary African American Cinema written by Sheril D. Antonio and published by Peter Lang Incorporated, International Academic Publishers. This book was released on 2002 with total page 160 pages. Available in PDF, EPUB and Kindle. Book excerpt: Locating contemporary Black filmmaking squarely within the mainstream film industry, Antonio (film, television, and new media, New York U.) explores New Jack City, Boyz N the Hood, Juice, Just Another Girl on the I.R.T., and Clockers. She argues that these films simultaneously pushed African American political and social aspirations while existing in the space of the classic American gangster genre. Annotation copyrighted by Book News, Inc., Portland, OR.

Historical Dictionary of Crime Films

Author : Geoff Mayer
Publisher : Scarecrow Press
ISBN 13 : 0810867699
Total Pages : 515 pages
Book Rating : 4.8/5 (18 download)

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Book Synopsis Historical Dictionary of Crime Films by : Geoff Mayer

Download or read book Historical Dictionary of Crime Films written by Geoff Mayer and published by Scarecrow Press. This book was released on 2012 with total page 515 pages. Available in PDF, EPUB and Kindle. Book excerpt: The crime film genre consists of detective films, gangster films, suspense thrillers, film noir, and caper films and is produced throughout the world. Crime film was there at the birth of cinema, and it has accompanied cinema over more than a century of history, passing from silent films to talkies, from black-and-white to color. The genre includes such classics as The Maltese Falcon, The Godfather, Gaslight, The French Connection, and Serpico, as well as more recent successes like Seven, Drive, and L.A. Confidential. The Historical Dictionary of Crime Films covers the history of this genre through a chronology, an introductory essay, and an extensive bibliography. The dictionary section has over 300 cross-referenced entries on key films, directors, performers, and studios. This book is an excellent access point for students, researchers, and anyone wanting to know more about crime cinema. -- from Amazon.com.

Framing Blackness

Author : Ed Guerrero
Publisher : Temple University Press
ISBN 13 : 1439904138
Total Pages : 270 pages
Book Rating : 4.4/5 (399 download)

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Book Synopsis Framing Blackness by : Ed Guerrero

Download or read book Framing Blackness written by Ed Guerrero and published by Temple University Press. This book was released on 2012-06-20 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: A challenge to Hollywood's one-dimensional images of African Americans.

Historical Dictionary of Film Noir

Author : Andrew Spicer
Publisher : Scarecrow Press
ISBN 13 : 9780810873780
Total Pages : 532 pages
Book Rating : 4.8/5 (737 download)

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Book Synopsis Historical Dictionary of Film Noir by : Andrew Spicer

Download or read book Historical Dictionary of Film Noir written by Andrew Spicer and published by Scarecrow Press. This book was released on 2010-03-19 with total page 532 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Historical Dictionary of Film Noir is a comprehensive guide that ranges from 1940 to present day neo-noir. It consists of a chronology, an introductory essay, a bibliography, a filmography, and over 400 cross-referenced dictionary entries on every aspect of film noir and neo-noir, including key films, personnel (actors, cinematographers, composers, directors, producers, set designers, and writers), themes, issues, influences, visual style, cycles of films (e.g. amnesiac noirs), the representation of the city and gender, other forms (comics/graphic novels, television, and videogames), and noir's presence in world cinema. It is an essential reference work for all those interested in this important cultural phenomenon.

Redefining Black Film

Author : Mark A. Reid
Publisher : Univ of California Press
ISBN 13 : 0520079027
Total Pages : 182 pages
Book Rating : 4.5/5 (2 download)

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Book Synopsis Redefining Black Film by : Mark A. Reid

Download or read book Redefining Black Film written by Mark A. Reid and published by Univ of California Press. This book was released on 1993-02-23 with total page 182 pages. Available in PDF, EPUB and Kindle. Book excerpt: This assessment of black film history distinguishes between American films that are controlled by Blacks and those which utilize black talent, but are controlled by Whites. The study ranges from the earliest black involvement in Hollywood to present feminist influences in black productions.

Irish and African American Cinema

Author : Maria Pramaggiore
Publisher : State University of New York Press
ISBN 13 : 0791480070
Total Pages : 258 pages
Book Rating : 4.7/5 (914 download)

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Book Synopsis Irish and African American Cinema by : Maria Pramaggiore

Download or read book Irish and African American Cinema written by Maria Pramaggiore and published by State University of New York Press. This book was released on 2012-02-01 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: Focusing on two film traditions not normally studied together, Maria Pramaggiore examines more than two dozen Irish and African American films, including Do the Right Thing, In the Name of the Father, The Crying Game, Boyz N the Hood, The Snapper, and He Got Game, arguing that these films foreground practices of character identification that complicate essentialist notions of national and racial identity. The porous sense of self associated with moments of identification in these films offers a cinematic counterpart to W. E. B. Du Bois's potent concept of double consciousness, an epistemological standpoint derived from experiences of colonization, racialization, and cultural disruption. Characters in these films, Pramaggiore suggests, reject the national paradigm of insider and outsider in favor of diasporic both/and notions of self, thereby endorsing the postmodern concept of identity as performance.

Shaping the Future of African American Film

Author : Monica White Ndounou
Publisher : Rutgers University Press
ISBN 13 : 0813562570
Total Pages : 319 pages
Book Rating : 4.8/5 (135 download)

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Book Synopsis Shaping the Future of African American Film by : Monica White Ndounou

Download or read book Shaping the Future of African American Film written by Monica White Ndounou and published by Rutgers University Press. This book was released on 2014-04-29 with total page 319 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Hollywood, we hear, it’s all about the money. It’s a ready explanation for why so few black films get made—no crossover appeal, no promise of a big payoff. But what if the money itself is color-coded? What if the economics that governs film production is so skewed that no film by, about, or for people of color will ever look like a worthy investment unless it follows specific racial or gender patterns? This, Monica Ndounou shows us, is precisely the case. In a work as revealing about the culture of filmmaking as it is about the distorted economics of African American film, Ndounou clearly traces the insidious connections between history, content, and cash in black films. How does history come into it? Hollywood’s reliance on past performance as a measure of potential success virtually guarantees that historically underrepresented, underfunded, and undersold African American films devalue the future prospects of black films. So the cycle continues as it has for nearly a century. Behind the scenes, the numbers are far from neutral. Analyzing the onscreen narratives and off-screen circumstances behind nearly two thousand films featuring African Americans in leading and supporting roles, including such recent productions as Bamboozled, Beloved, and Tyler Perry’s Diary of a Mad Black Woman, Ndounou exposes the cultural and racial constraints that limit not just the production but also the expression and creative freedom of black films. Her wide-ranging analysis reaches into questions of literature, language, speech and dialect, film images and narrative, acting, theater and film business practices, production history and financing, and organizational history. By uncovering the ideology behind profit-driven industry practices that reshape narratives by, about, and for people of color, this provocative work brings to light existing limitations—and possibilities for reworking stories and business practices in theater, literature, and film.