Artistic Experimentation In Music

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Artistic Experimentation in Music

Author : Darla Crispin
Publisher : Leuven University Press
ISBN 13 : 9462700133
Total Pages : 417 pages
Book Rating : 4.4/5 (627 download)

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Book Synopsis Artistic Experimentation in Music by : Darla Crispin

Download or read book Artistic Experimentation in Music written by Darla Crispin and published by Leuven University Press. This book was released on 2014-10-07 with total page 417 pages. Available in PDF, EPUB and Kindle. Book excerpt: Essential reading for anyone interested in artistic research applied to music This book is the first anthology of writings about the emerging subject of artistic experimentation in music. This subject, as part of the cross-disciplinary field of artistic research, cuts across boundaries of the conventional categories of performance practice, music analysis, aesthetics, and music pedagogy. The texts, most of them specially written for this volume, have a common genesis in the explorations of the Orpheus Research Centre in Music (ORCiM) in Ghent, Belgium. The book critically examines experimentation in music of different historical eras. It is essential reading for performers, composers, teachers, and others wanting to inform themselves of the issues and the current debates in the new field of artistic research as applied to music. The publication is accompanied by a CD of music discussed in the text, and by an online resource of video illustrations of specific issues. Contributors Paulo de Assis (ORCiM), Richard Barrett (Institute of Sonology, The Hague), Tom Beghin (McGill University), William Brooks (University of York, ORCiM), Nicholas G. Brown (University of East Anglia), Marcel Cobussen (University of Leiden), Kathleen Coessens (Vrije Universiteit Brussel, ORCiM); Paul Craenen (Director Musica, Impulse Centre for Music), Darla Crispin (Norwegian Academy of Music), Stephen Emmerson (Queensland Conservatorium, Griffith University, Brisbane), Henrik Frisk (Malmö Academy of Music), Bob Gilmore (ORCiM), Valentin Gloor (ORCiM), Yolande Harris (Center for Digital Arts and Experimental Media – DXARTS), University of Washington, Seattle), Mieko Kanno (Royal Conservatoire of Scotland), Andrew Lawrence-King (Guildhall School of Music and Drama, London, Royal Danish Academy of Music, Copenhagen, University of Western Australia), Catherine Laws (University of York, ORCiM), Stefan Östersjö (ORCiM), Juan Parra (ORCiM), Larry Polansky (University of California, Santa Cruz), Stephen Preston, Godfried-Willem Raes (Logos Foundation, Ghent), Hans Roels (ORCiM), Michael Schwab (ORCiM, Royal College of Art, London, Zurich University of the Arts), Anna Scott (ORCiM), Steve Tromans (Middlesex University), Luk Vaes (ORCiM), Bart Vanhecke (KU Leuven, ORCiM)

Logic of Experimentation

Author : Paulo de Assis
Publisher :
ISBN 13 : 9789462701380
Total Pages : 300 pages
Book Rating : 4.7/5 (13 download)

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Book Synopsis Logic of Experimentation by : Paulo de Assis

Download or read book Logic of Experimentation written by Paulo de Assis and published by . This book was released on 2018-10-29 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: Logic of Experimentation offers several innovative and ground-breaking perspectives on music performance, music ontology, research methodologies and ethics of performance. It proposes new modes of thinking and exposing past musical works to contemporary audiences, arguing for a new kind of performer, emancipated from authoritative texts and traditions, whose creativity is propelled by intensive research and inventive imagination. Moving beyond the work-concept, Logic of Experimentation presents a new image of musical works, based upon the notions of strata, assemblage and diagram, advancing innovative practice-based methodologies that integrate archival and musicological research into the creative process leading to a performance. Beyond representational modes of performance--be it mainstream or historically informed performance practices--Logic of Experimentation creates an ontological, methodological and ethical space for experimental performance practices, arguing for a new mode of performance. Written in an experimental style, its eight chapters appropriate music performance concepts from post-structural philosophy, psychoanalysis, science and technology studies, epistemology, and semiotics, displaying how transdisciplinarity is central to artistic research. An indispensable contribution to artistic research in music, Logic of Experimentation is compelling reading for music performers, composers, musicologists, philosophers and artist researchers alike.

Perspectives on Artistic Research in Music

Author : Robert Burke
Publisher : Lexington Books
ISBN 13 : 1498544827
Total Pages : 244 pages
Book Rating : 4.4/5 (985 download)

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Book Synopsis Perspectives on Artistic Research in Music by : Robert Burke

Download or read book Perspectives on Artistic Research in Music written by Robert Burke and published by Lexington Books. This book was released on 2017-01-23 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: The increasing interest in artistic research, especially in music, is throwing open doors to exciting ideas about how we generate new musical knowledge and understanding. This book examines the wide array of factors at play in innovative practice and how by treating it as research we can make new ideas more widely accessible. Three key ideas propel the book. First, it argues that artistic research comes from inside the practice and exists in a space that accommodates both objective and subjective observation and analyses because the researcher is the practitioner. It is a space for dialogue between apparently opposing binaries: the composer and the performer, the past and the present, the fixed and the fluid, the intellectual and the intuitive, the abstract and the embodied, the prepared and the spontaneous, the enduring and the transitory, and so on. It is not so much constructed in a logical, sequential manner in the way of the scientific method of doing research but more as a “braided” space, woven from many disparate elements. Second, the book articulates the notion that artistic research in music has its own verification procedures that need to be brought into the academy, especially in terms of the moderation of non-traditional research outputs, including the description of the criteria for allocation of research points for the purposes of data collection, as well as real world relevance and industry engagement. Third, by way of numerous examples of original and creative music making, it demonstrates in practical terms how exploration and experimentation functions as legitimate academic research. Many of the case studies deliberately cross boundaries that were previously assumed to be rigid and definite in order to blaze new musical trails, creating new collaborations and synergies.

Experimental Encounters in Music and Beyond

Author : Kathleen Coessens
Publisher : Leuven University Press
ISBN 13 : 9462701105
Total Pages : 213 pages
Book Rating : 4.4/5 (627 download)

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Book Synopsis Experimental Encounters in Music and Beyond by : Kathleen Coessens

Download or read book Experimental Encounters in Music and Beyond written by Kathleen Coessens and published by Leuven University Press. This book was released on 2017-12-04 with total page 213 pages. Available in PDF, EPUB and Kindle. Book excerpt: Multidisciplinary analysis of experimentalism in music and the wider arts today Experimental Encounters in Music and Beyond opens a necessary dialogue on experimental practices in the arts and negotiates their place in contemporary society. Going beyond the music-historical usage of the term “experimental”, this book reimagines experimentation as an open working definition encompassing multiple forms of artistic attitudes and processes. The texts, images, and sounds offer multiple traces, faces, and spaces, revealing what experimentalism in music and the wider arts entails today. With perspectives from a range of disciplines—from choreography through composition to philosophy and beyond—the different experiences and artistic projects documented and discussed explore the complexity of experimentation in a way that is all the richer for being never-ending. Contributors Richard Barrett (Institute of Sonology, The Hague), Sebastian Berweck (pianist and performer), Kathleen Coessens (Orpheus Institute, Ghent), Frederik Croene (pianist and composer, Belgium), Chaya Czernowin (Harvard University, Cambridge), Anne Douglas (Grays School of Art, Robert Gordon University, Aberdeen), Bob Gilmore † (Orpheus Institute, Ghent), Valentin Gloor (Orpheus Institute, Ghent), David Gorton (Royal Academy of Music, University of London), David Horne (Royal Northern College of Music, Manchester), Efva Lilja (Dansehallerne, Copenhagen), Svetlana Maraš (independent music professional, Radio Belgrade, Electronic Studio), Melinda Maxwell (Royal Northern College of Music, Manchester), Christopher Redgate (Royal Academy of Music, University of London), Jan C. Schacher (Royal Conservatoire, Artesis Plantijn University College, Antwerp, and Zurich University of the Arts), Reto Stadelmann (composer and musician, Germany), Steve Tromans (Middlesex University, UK), Penelope Turner (singer, musician, and performer, UK and Belgium)

Experimental Affinities in Music

Author : Paulo de Assis
Publisher : Leuven University Press
ISBN 13 : 9462700613
Total Pages : 253 pages
Book Rating : 4.4/5 (627 download)

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Book Synopsis Experimental Affinities in Music by : Paulo de Assis

Download or read book Experimental Affinities in Music written by Paulo de Assis and published by Leuven University Press. This book was released on 2016-03-21 with total page 253 pages. Available in PDF, EPUB and Kindle. Book excerpt: Exploring experimental attitudes in music Experimental Affinities in Music brings together diverse artistic, musicological, historical, and philosophical essays, enhancing a broad discourse on artistic experimentation, and exploring various experimental attitudes in music composed between the thirteenth and twentieth centuries. The golden thread running through the different chapters is the quest for inherently experimental musical practices, a quest pursued from interrogating, descriptive, or challenging perspectives, and always in relation to concrete music examples. Experimental is taken as an adventurous compositional, interpretive, or performative attitude that can cut across different ages and styles. Affinitiessuggest connectors and connections, convergences, contiguities, and adjacencies that are found in and through a diversity of approaches and topics. The texts share a common genesis: the lectures of the International Orpheus Academies for Music and Theory convened by Luk Vaes (2011) and Paulo de Assis (2012, 2013). The affinities found in this volume include essays by Lydia Goehr, Felix Diergarten, Mark Lindley, Martin Kirnbauer, Edward Wickham, Lawrence Kramer, Hermann Danuser, and Thomas Christensen, as well as interviews with pianist Leon Fleisher, with pianist-composer Frederic Rzewski, and with composer Helmut Lachenmann. Contributors Paulo de Assis (Orpheus Institute, Ghent), Thomas Christensen (University of Chicago), Hermann Danuser (Humboldt University), Felix Diergarten (Schola Cantorum Basiliensis), Leon Fleisher (pianist), Lydia Goehr (Columbia University), Martin Kirnbauer (University of Basel), Lawrence Kramer (Fordham University), Helmut Lachenmann (composer), Mark Lindley (University of Hyderabad), Frederic Rzewski (pianist-composer), Luk Vaes (Orpheus Institute, Ghent), Edward Wickham (St Catharine’s College, Cambridge)

The Freedom Principle

Author : Naomi Beckwith
Publisher : University of Chicago Press
ISBN 13 : 9780226319308
Total Pages : 0 pages
Book Rating : 4.3/5 (193 download)

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Book Synopsis The Freedom Principle by : Naomi Beckwith

Download or read book The Freedom Principle written by Naomi Beckwith and published by University of Chicago Press. This book was released on 2015 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Exhibited artists: Muhal Richard Abrams, Terry Adkins, Lisa Alvarado, Aye Aton, Sanford Biggers, Anthony Braxton, Nick Cave, Emilio Cruz, Jamal Cyrus, Lauren Deutsch, Jeff Donaldson, Stan Douglas, Douglas R. Ewart, Charles Gains, Renée Green, sean griffin, The Otolith Group, David Hammons, Jae Jarrell, Wadsworth Jarrell, Rashid Johnson, Jennie C. Jones, Leonard E. Jones, Barbara Jones-Hogu, William Pope. L, George Lewis, Glenn Ligon, Matthew Metzger, Roscoe Mitchell, Douglas Repetto, Lili Reynaud-Dewar, Matana Roberts, Anri Sala, Robert Abbott Sengstacke, Cauleen Smith, Wadada Leo Smith, Nelson Stevens, Catherine Sullivan, Nari Ward, Gerald Williams, Jose Williams.

Performance, Subjectivity, and Experimentation

Author : Catherine Laws
Publisher : Leuven University Press
ISBN 13 : 9462702314
Total Pages : 243 pages
Book Rating : 4.4/5 (627 download)

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Book Synopsis Performance, Subjectivity, and Experimentation by : Catherine Laws

Download or read book Performance, Subjectivity, and Experimentation written by Catherine Laws and published by Leuven University Press. This book was released on 2020-07-10 with total page 243 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music reflects subjectivity and identity: that idea is now deeply ingrained in both musicology and popular media commentary. The study of music across cultures and practices often addresses the enactment of subjectivity “in” music – how music expresses or represents “an” individual or “a” group. However, a sense of selfhood is also formed and continually reformed through musical practices, not least performance. How does this take place? How might the work of practitioners reveal aspects of this process? In what sense is subjectivity performed in and through musical practices? This book explores these questions in relation to a range of artistic research involving contemporary musical practices, drawing on perspectives from performance studies, phenomenology, embodied cognition, and theories of gendered and cultural identity.

Artistic Experimentation in Music

Author :
Publisher :
ISBN 13 :
Total Pages : 405 pages
Book Rating : 4.:/5 (985 download)

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Book Synopsis Artistic Experimentation in Music by :

Download or read book Artistic Experimentation in Music written by and published by . This book was released on 2014 with total page 405 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Rethinking Music

Author : Nicholas Cook
Publisher : Oxford University Press, USA
ISBN 13 : 019879004X
Total Pages : 594 pages
Book Rating : 4.1/5 (987 download)

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Book Synopsis Rethinking Music by : Nicholas Cook

Download or read book Rethinking Music written by Nicholas Cook and published by Oxford University Press, USA. This book was released on 1999 with total page 594 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rethinking Music reflects the ideas of 24 distinguished musicologists as they evaluate current thinking about music, its social and ethical dimensions and the relationship between academic study and direct musical experience.

Experimental Music

Author : Michael Nyman
Publisher : Cambridge University Press
ISBN 13 : 9780521653831
Total Pages : 218 pages
Book Rating : 4.6/5 (538 download)

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Book Synopsis Experimental Music by : Michael Nyman

Download or read book Experimental Music written by Michael Nyman and published by Cambridge University Press. This book was released on 1999-07-29 with total page 218 pages. Available in PDF, EPUB and Kindle. Book excerpt: Composer Michael Nyman's classic 1974 account of the postwar experimental tradition in music.

Artistic Research

Author : Paulo de Assis
Publisher : Rowman & Littlefield
ISBN 13 : 1786611511
Total Pages : 265 pages
Book Rating : 4.7/5 (866 download)

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Book Synopsis Artistic Research by : Paulo de Assis

Download or read book Artistic Research written by Paulo de Assis and published by Rowman & Littlefield. This book was released on 2019-11-13 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: Artistic Research: Charting a Field in Expansion provides a multidisciplinary overview of different discourses and practices, exploring cutting-edge questions from the burgeoning field of artistic research. Intended as a primer on artistic research, it presents diverse perspectives, strategies, methodologies, and concrete examples of research projects situated at the crossroads of art and academia, exposing international work of significant projects from Europe, Asia, Australia, South and North America. The book includes chapters on diverse fields of thought and practice, addressing a common thread of questions and problematics. The comprehensive editors’ introduction offers a much-needed extensive overview of practice-based artistic research in general. This book is ideal for graduate students across philosophy, cultural studies, art, music, performance studies and more.

The Art of Mixing

Author : David Gibson
Publisher : Routledge
ISBN 13 : 1351252208
Total Pages : 531 pages
Book Rating : 4.3/5 (512 download)

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Book Synopsis The Art of Mixing by : David Gibson

Download or read book The Art of Mixing written by David Gibson and published by Routledge. This book was released on 2019-01-10 with total page 531 pages. Available in PDF, EPUB and Kindle. Book excerpt: David Gibson uses 3D visual representations of sounds in a mix as a tool to explain the dynamics that can be created in a mix. This book provides an in-depth exploration into the aesthetics of what makes a great mix. Gibson’s unique approach explains how to map sounds to visuals in order to create a visual framework that can be used to analyze what is going on in any mix. Once you have the framework down, Gibson then uses it to explain the traditions that have be developed over time by great recording engineers for different styles of music and songs. You will come to understand everything that can be done in a mix to create dynamics that affect people in really deep ways. Once you understand what engineers are doing to create the great mixes they do, you can then use this framework to develop your own values as to what you feel is a good mix. Once you have a perspective on what all can be done, you have the power to be truly creative on your own – to create whole new mixing possibilities. It is all about creating art out of technology. This book goes beyond explaining what the equipment does – it explains what to do with the equipment to make the best possible mixes.

Experimentalisms in Practice

Author : Ana R. Alonso-Minutti
Publisher : Oxford University Press
ISBN 13 : 0190842776
Total Pages : 336 pages
Book Rating : 4.1/5 (98 download)

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Book Synopsis Experimentalisms in Practice by : Ana R. Alonso-Minutti

Download or read book Experimentalisms in Practice written by Ana R. Alonso-Minutti and published by Oxford University Press. This book was released on 2018-01-02 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: Experimentalisms in Practice explores the multiple sites in which experimentalism emerges and becomes meaningful beyond Eurocentric interpretative frameworks. Challenging the notion of experimentalism as defined in conventional narratives, contributors take a broad approach to a wide variety of Latin@ and Latin American music traditions conceived or perceived as experimental. The conversation takes as starting point the 1960s, a decade that marks a crucial political and epistemological moment for Latin America; militant and committed aesthetic practices resonated with this moment, resulting in a multiplicity of artistic and musical experimental expressions. Experimentalisms in Practice responds to recent efforts to reframe and reconceptualize the study of experimental music in terms of epistemological perspective and geographic scope, while also engaging traditional scholarship. This book contributes to the current conversations about music experimentalism while providing new points of entry to further reevaluate the field.

Composing under the Skin

Author : Paul Craenen
Publisher : Leuven University Press
ISBN 13 : 9058679748
Total Pages : 289 pages
Book Rating : 4.0/5 (586 download)

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Book Synopsis Composing under the Skin by : Paul Craenen

Download or read book Composing under the Skin written by Paul Craenen and published by Leuven University Press. This book was released on 2014-04-29 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: A revealing study of the physical presence of the musician in musical performance Fingers slipping over guitar strings, the tap of a bow against the body of a cello, a pianist humming along to the music: contemporary composers often work with parasitic, non-conventional sounds such as these. Are they to be perceived as musical elements or do they shift attention to the physical effort of music-making, contact between a body and an instrument? Composer Paul Craenen explores ways in which the musician’s body is revealed in musical performance. He leads us from Cage, Lachenmann, Kagel and their contemporaries to a discussion of how today's generation of young composers is writing a body paradigm into composition itself. Micro-temporal physical gestures and instrumental timbre provide the key to unveiling the physical presence of both a musician and a ‘composing body’. The author's concept of ‘intercorporeality’, along with the idea of an alternating linear and non-linear relationship of the composing body to time, casts new light on the relationship between musicians, composers, and music consumers.

Experimental Systems

Author : Michael Schwab
Publisher : Leuven University Press
ISBN 13 : 905867973X
Total Pages : 232 pages
Book Rating : 4.0/5 (586 download)

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Book Synopsis Experimental Systems by : Michael Schwab

Download or read book Experimental Systems written by Michael Schwab and published by Leuven University Press. This book was released on 2013 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the sciences, the experimental approach has proved its worth in generating what subsequently requires understanding. Can the emergent field of artistic research be inspired by recent thinking about the history and workings of science?

Electronic and Experimental Music

Author : Thomas B. Holmes
Publisher : Psychology Press
ISBN 13 : 0415936446
Total Pages : 332 pages
Book Rating : 4.4/5 (159 download)

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Book Synopsis Electronic and Experimental Music by : Thomas B. Holmes

Download or read book Electronic and Experimental Music written by Thomas B. Holmes and published by Psychology Press. This book was released on 2002 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: The second edition of a classic text on the history of electronic music, this book has been thoroughly updated to present material on home computers and the Internet, as well as enlarged sections on history and theoretical issues.

Teaching Electronic Music

Author : Blake Stevens
Publisher : Routledge
ISBN 13 : 1000417271
Total Pages : 229 pages
Book Rating : 4.0/5 (4 download)

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Book Synopsis Teaching Electronic Music by : Blake Stevens

Download or read book Teaching Electronic Music written by Blake Stevens and published by Routledge. This book was released on 2021-08-16 with total page 229 pages. Available in PDF, EPUB and Kindle. Book excerpt: Teaching Electronic Music: Cultural, Creative, and Analytical Perspectives offers innovative and practical techniques for teaching electronic music in a wide range of classroom settings. Across a dozen essays, an array of contributors—including practitioners in musicology, art history, ethnomusicology, music theory, performance, and composition—reflect on the challenges of teaching electronic music, highlighting pedagogical strategies while addressing questions such as: What can instructors do to expand and diversify musical knowledge? Can the study of electronic music foster critical reflection on technology? What are the implications of a digital culture that allows so many to be producers of music? How can instructors engage students in creative experimentation with sound? Electronic music presents unique possibilities and challenges to instructors of music history courses, calling for careful attention to creative curricula, historiographies, repertoires, and practices. Teaching Electronic Music features practical models of instruction as well as paths for further inquiry, identifying untapped methodological directions with broad interest and wide applicability.