Art & Visual Culture 1100-1600: Medieval to Renaissance

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Publisher : Tate Enterprises Ltd
ISBN 13 : 1849761086
Total Pages : 746 pages
Book Rating : 4.8/5 (497 download)

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Book Synopsis Art & Visual Culture 1100-1600: Medieval to Renaissance by : Kim W. Woods

Download or read book Art & Visual Culture 1100-1600: Medieval to Renaissance written by Kim W. Woods and published by Tate Enterprises Ltd. This book was released on 2013-09-05 with total page 746 pages. Available in PDF, EPUB and Kindle. Book excerpt: An innovatory exploration of art and visual culture. Through carefully chosen themes and topics rather than through a general survey, the volumes approach the process of looking at works of art in terms of their audiences, functions and cross-cultural contexts. While focused on painting, sculpture and architecture, it also explores a wide range of visual culture in a variety of media and methods. "1000-1600: Medieval to Renaissance" includes essays on key themes of Medieval and Renaissance art, including the theory and function of religious art and a generic analysis of art at court. Explorations cover key canonical artists such as Simone Martini and Botticelli and key monuments including St Denis and Westminster Abbey, as well as less familiar examples.The first of three text books, published by Tate in association with the Open University, which insight for students of Art History, Art Theory and Humanities. Introduction Part 1: Visual cultures of medieval Christendom 1: Sacred art as the Bible of the Poor' 2: Sacred architecture, Gothic architecture 3: Sacred in secular, secular in sacred: the art of Simone Martini 4: To the Holy Land and back again: the art of the Crusades Part 2: The shifting contexts of Renaissance art 5: Art at court 6: Botticelli 7: Did women patrons have a Renaissance? Italy 1420-1520 8: From Candia to Toledo: El Greco and his art

Art & Visual Culture 1600-1850: Academy to Avant-Garde

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Publisher : Tate Enterprises Ltd
ISBN 13 : 1849761094
Total Pages : 684 pages
Book Rating : 4.8/5 (497 download)

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Book Synopsis Art & Visual Culture 1600-1850: Academy to Avant-Garde by : Emma Barker

Download or read book Art & Visual Culture 1600-1850: Academy to Avant-Garde written by Emma Barker and published by Tate Enterprises Ltd. This book was released on 2013-09-05 with total page 684 pages. Available in PDF, EPUB and Kindle. Book excerpt: An innovatory exploration of art and visual culture. Through carefully chosen themes and topics rather than through a general survey, the volumes approach the process of looking at works of art in terms of their audiences, functions and cross-cultural contexts. While focused on painting, sculpture and architecture, it also explores a wide range of visual culture in a variety of media and methods. "1600-1850 Academy to Avant-Garde" interrogates labels used in standard histories of the art of this period (Baroque, Rococo, Neo-Classicism and Romanticism) and examines both established and recent art-historical methodologies, including formalism, iconology, spectatorship and reception, identity and difference. Key topics include Baroque Rome, Dutch Painting of the Golden Age, Georgian London, the Paris Salon, and the impact of the discovery of the South Pacific.The second of three text books, published by Tate in association with the Open University, which insight for students of Art History, Art Theory and Humanities. Introduction Part 1: City and country 1600-1760 1: Bernini and Baroque Rome 2: Meaning and interpretation: Dutch painting of the golden age 3: The metropolitan urban renaissance: London 1660-1760 4: The English landscape garden 1680-1760 Part 2: New worlds of art 1760-1850 5: Painting for the public 6: Canova, Neo-classicism and the sculpted body 7: The other side of the world 8: Inventing the Romantic artist

Art and Identity

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Publisher : Cambridge Scholars Publishing
ISBN 13 : 1443836702
Total Pages : 310 pages
Book Rating : 4.4/5 (438 download)

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Book Synopsis Art and Identity by : Emily Jane Anderson

Download or read book Art and Identity written by Emily Jane Anderson and published by Cambridge Scholars Publishing. This book was released on 2012-01-17 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book provides a fully contextualised overview on aspects of visual culture, and how this was the product of patronage, politics, and religion in some European countries between the 13th and 17th centuries. The research that is showcased here offers new perspectives on the conception, production and reception of artworks as a means of projecting core values, ideals, and traditions of individuals, groups, and communities. This volume features contributions from established scholars and new researchers in the field, and examines how art contributed to the construction of identities by means of new archival research and a thorough interdisciplinary approach. The authors suggest that the use of conventions in style and iconography allowed the local and wider community to take part in rituals and devotional practices where these works were widely recognized symbols. However, alongside established traditions, new, ad-hoc developments in style and iconography were devised to suit individual requirements, and these are fully discussed in relevant case-studies. This book also contributes to a new understanding of the interaction between artists, patrons, and viewers in Medieval and Renaissance times.

Art & Visual Culture 1850-2010: Modernity to Globalisation

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Publisher : Tate Enterprises Ltd
ISBN 13 : 1849761108
Total Pages : 699 pages
Book Rating : 4.8/5 (497 download)

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Book Synopsis Art & Visual Culture 1850-2010: Modernity to Globalisation by : Steve Edwards

Download or read book Art & Visual Culture 1850-2010: Modernity to Globalisation written by Steve Edwards and published by Tate Enterprises Ltd. This book was released on 2013-09-05 with total page 699 pages. Available in PDF, EPUB and Kindle. Book excerpt: An innovatory exploration of art and visual culture. Through carefully chosen themes and topics rather than through a general survey, the volumes approach the process of looking at works of art in terms of their audiences, functions and cross-cultural contexts. While focused on painting, sculpture and architecture, it also explores a wide range of visual culture in a variety of media and methods. "1850-2010: Modernity to Globalisation" includes essays which engage directly with topical issues around art and gender, globalisation, cultural difference and curating, as well as explorations of key canonical artists and movements and of some less well-documented work of contemporary artists. The third of three text books, published by Tate in association with the Open University, which insight for students of Art History, Art Theory and Humanities. Introduction: stories of modern art Part 1: Art and modernity 1:Avant-garde and modern world: some aspects of art in Paris and beyond c.1850-1914 2: Victorian Britain: from images of modernity to the modernity of images 3: Cubism and Abstract Art revisited 4: Modernism in architecture and design: function and aesthetic Part 2: From modernism to globalisation 5: Modernism and figuration 6: From Abstract Expressionism to Conceptual Art: a survey of New York art c.1940-1970 7: Border crossings: installations, locations and travelling artists 8: Global dissensus: art and contemporary capitalism

Rethinking the High Renaissance

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Publisher : Routledge
ISBN 13 : 1351551116
Total Pages : 403 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis Rethinking the High Renaissance by : Jill Burke

Download or read book Rethinking the High Renaissance written by Jill Burke and published by Routledge. This book was released on 2017-07-05 with total page 403 pages. Available in PDF, EPUB and Kindle. Book excerpt: The perception that the early sixteenth century saw a culmination of the Renaissance classical revival - only to degrade into mannerism shortly after Raphael's death in 1520 - has been extremely tenacious; but many scholars agree that this tidy narrative is deeply problematic. Exploring how we can reconceptualize the High Renaissance in a way that reflects how we research and teach today, this volume complicates and deepens our understanding of artistic change. Focusing on Rome, the paradigmatic centre of the High Renaissance narrative, each essay presents a case study of a particular aspect of the culture of the city in the early sixteenth century, including new analyses of Raphael's stanze, Michelangelo's Sistine Ceiling and the architectural designs of Bramante. The contributors question notions of periodization, reconsider the Renaissance relationship with classical antiquity, and ultimately reconfigure our understanding of 'high Renaissance style'.

Thresholds of Medieval Visual Culture

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Publisher : Boydell Press
ISBN 13 : 1843836971
Total Pages : 410 pages
Book Rating : 4.8/5 (438 download)

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Book Synopsis Thresholds of Medieval Visual Culture by : Elina Gertsman

Download or read book Thresholds of Medieval Visual Culture written by Elina Gertsman and published by Boydell Press. This book was released on 2012 with total page 410 pages. Available in PDF, EPUB and Kindle. Book excerpt: Interdisciplinary approaches to the material culture of the middle ages, from illuminated manuscripts to church architecture.

Art in Theory

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Publisher : John Wiley & Sons
ISBN 13 : 1119591414
Total Pages : 1168 pages
Book Rating : 4.1/5 (195 download)

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Book Synopsis Art in Theory by : Paul Wood

Download or read book Art in Theory written by Paul Wood and published by John Wiley & Sons. This book was released on 2020-12-11 with total page 1168 pages. Available in PDF, EPUB and Kindle. Book excerpt: A ground-breaking new anthology in the Art in Theory series, offering an examination of the changing relationships between the West and the wider world in the field of art and material culture Art in Theory: The West in the World is a ground-breaking anthology that comprehensively examines the relationship of Western art to the art and material culture of the wider world. Editors Paul Wood and Leon Wainwright have included over 350 texts, some of which appear in English for the first time. The anthologized texts are presented in eight chronological parts, which are then subdivided into key themes appropriate to each historical era. The majority of the texts are representations of changing ideas about the cultures of the world by European artists and intellectuals, but increasingly, as the modern period develops, and especially as colonialism is challenged, a variety of dissenting voices begin to claim their space, and a counter narrative to western hegemony develops. Over half the book is devoted to 20th and 21st century materials, though the book’s unique selling point is the way it relates the modern globalization of art to much longer cultural histories. As well as the anthologized material, Art in Theory: The West in the World contains: A general introduction discussing the scope of the collection Introductory essays to each of the eight parts, outlining the main themes in their historical contexts Individual introductions to each text, explaining how they relate to the wider theoretical and political currents of their time Intended for a wide audience, the book is essential reading for students on courses in art and art history. It will also be useful to specialists in the field of art history and readers with a general interest in the culture and politics of the modern world.

Early Modern Visual Culture

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Publisher : University of Pennsylvania Press
ISBN 13 : 9780812217346
Total Pages : 418 pages
Book Rating : 4.2/5 (173 download)

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Book Synopsis Early Modern Visual Culture by : Peter Erickson

Download or read book Early Modern Visual Culture written by Peter Erickson and published by University of Pennsylvania Press. This book was released on 2000-09-12 with total page 418 pages. Available in PDF, EPUB and Kindle. Book excerpt: An interdisciplinary group of scholars applies the reinterpretive concept of "visual culture" to the English Renaissance. Bringing attention to the visual issues that have appeared persistently, though often marginally, in the newer criticisms of the last decade, the authors write in a diversity of voices on a range of subjects. Common among them, however, is a concern with the visual technologies that underlie the representation of the body, of race, of nation, and of empire. Several essays focus on the construction and representation of the human body—including an examination of anatomy as procedure and visual concept, and a look at early cartographic practice to reveal the correspondences between maps and the female body. In one essay, early Tudor portraits are studied to develop theoretical analogies and historical links between verbal and visual portrayal. In another, connections in Tudor-Stuart drama are drawn between the female body and the textiles made by women. A second group of essays considers issues of colonization, empire, and race. They approach a variety of visual materials, including sixteenth-century representations of the New World that helped formulate a consciousness of subjugation; the Drake Jewel and the myth of the Black Emperor as indices of Elizabethan colonial ideology; and depictions of the Queen of Sheba among other black women "present" in early modern painting. One chapter considers the politics of collecting. The aesthetic and imperial agendas of a Van Dyck portrait are uncovered in another essay, while elsewhere, that same portrait is linked to issues of whiteness and blackness as they are concentrated within the ceremonies and trappings of the Order of the Garter. All of the essays in Early Modern Visual Culture explore the social context in which paintings, statues, textiles, maps, and other artifacts are produced and consumed. They also explore how those artifacts—and the acts of creating, collecting, and admiring them—are themselves mechanisms for fashioning the body and identity, situating the self within a social order, defining the otherness of race, ethnicity, and gender, and establishing relationships of power over others based on exploration, surveillance, and insight.

The Arts in the Middle Ages, and at the Period of the Renaissance

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Publisher :
ISBN 13 :
Total Pages : 654 pages
Book Rating : 4.:/5 (319 download)

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Book Synopsis The Arts in the Middle Ages, and at the Period of the Renaissance by : P. L. Jacob

Download or read book The Arts in the Middle Ages, and at the Period of the Renaissance written by P. L. Jacob and published by . This book was released on 1875 with total page 654 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Art Studies

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Publisher :
ISBN 13 :
Total Pages : 190 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis Art Studies by : Frank Jewett Mather

Download or read book Art Studies written by Frank Jewett Mather and published by . This book was released on 1923 with total page 190 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Visual Culture and the German Middle Ages

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Publisher : Springer
ISBN 13 : 113705655X
Total Pages : 290 pages
Book Rating : 4.1/5 (37 download)

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Book Synopsis Visual Culture and the German Middle Ages by : K. Starkey

Download or read book Visual Culture and the German Middle Ages written by K. Starkey and published by Springer. This book was released on 2016-04-30 with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt: This multi-disciplinary collection of essays draws on various theoretical approaches to explore the highly visual nature of the Middle Ages and expose new facets of old texts and artefacts. The term 'visual culture' has been used in recent years to refer to modern media theory, film, modern art and other contemporary representational forms and functions. But this emphasis on visuality is not only a modern phenomenon. Discourses on visual processes pervade the works of medieval secular poets, theologians, and scholastics alike. The Middle Ages was a highly visual society in which images, objects, and performance played a dominant communicative and representational role in both secular and religious areas of society. The essays in this volume, which present various perspectives on medieval visual culture, provide a critical historical basis for the study of visuality and visual processes.

Byzantine Art and Renaissance Europe

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Publisher : Routledge
ISBN 13 : 1351953869
Total Pages : 307 pages
Book Rating : 4.3/5 (519 download)

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Book Synopsis Byzantine Art and Renaissance Europe by : Angeliki Lymberopoulou

Download or read book Byzantine Art and Renaissance Europe written by Angeliki Lymberopoulou and published by Routledge. This book was released on 2016-12-05 with total page 307 pages. Available in PDF, EPUB and Kindle. Book excerpt: Byzantine Art and Renaissance Europe discusses the cultural and artistic interaction between the Byzantine east and western Europe, from the sack of Constantinople by the Fourth Crusade in 1204 to the flourishing of post-Byzantine artistic workshops on Venetian Crete during the fifteenth and sixteenth centuries and the formation of icon collections in Renaissance Italy. The contributors examine the routes by which artistic interaction may have taken place, and explore the reception of Byzantine art in western Europe, analysing why artists and patrons were interested in ideas from the other side of the cultural and religious divide. In the first chapter, Lyn Rodley outlines the development of Byzantine art in the Palaiologan era and its relations with western culture. Hans Bloemsma then re-assesses the influence of Byzantine art on early Italian painting from the point of view of changing demands regarding religious images in Italy. In the first of two chapters on Venetian Crete, Angeliki Lymberopoulou evaluates the impact of the Venetian presence on the production of fresco decorations in regional Byzantine churches on the island. The next chapter, by Diana Newall, continues the exploration of Cretan art manufactured under the Venetians, shifting the focus to the bi-cultural society of the Cretan capital Candia and the rise of the post-Byzantine icon. Kim Woods then addresses the reception of Byzantine icons in western Europe in the late Middle Ages and their role as devotional objects in the Roman Catholic Church. Finally, Rembrandt Duits examines the status of Byzantine icons as collectors’ items in early Renaissance Italy. The inventories of the Medici family and other collectors reveal an appreciation for icons among Italian patrons, which suggests that received notions of Renaissance tastes may be in need of revision. The book thus offers new perspectives and insights and re-positions late and post-Byzantine art in a broader European cultural context.

Medieval Art

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Publisher : Oxford University Press
ISBN 13 : 9780192842411
Total Pages : 246 pages
Book Rating : 4.8/5 (424 download)

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Book Synopsis Medieval Art by : Veronica Sekules

Download or read book Medieval Art written by Veronica Sekules and published by Oxford University Press. This book was released on 2001-04-26 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt: This refreshing new look at Medieval art conveys a very real sense of the impact of art on everyday life in Europe from 1000 to 1500. It examines the importance of art in the expression and spread of knowledge and ideas, including notions of the heroism and justice of war, and the dominant view of Christianity. Taking its starting point from issues of contemporary relevance, such as the environment, the identity of the artist, and the position of women, the book also highlights the attitudes and events specific to the sophisticated visual culture of the Middle Ages, and goes on to link this period to the Renaissance. The fascinating question of whether commercial and social activities between countries encouraged similar artistic taste and patronage, or contributed to the defining of cultural difference in Europe, is fully explored.

Early Modern Art Theory. Visual Culture and Ideology, 1400-1700

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Publisher : Anchor Academic Publishing
ISBN 13 : 3954899973
Total Pages : 296 pages
Book Rating : 4.9/5 (548 download)

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Book Synopsis Early Modern Art Theory. Visual Culture and Ideology, 1400-1700 by : James Hutson

Download or read book Early Modern Art Theory. Visual Culture and Ideology, 1400-1700 written by James Hutson and published by Anchor Academic Publishing. This book was released on 2016-06-20 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: The development of art theory over the course of the Renaissance and Baroque eras is reflected in major stylistic shifts. In order to elucidate the relationship between theory and practice, we must consider the wider connections between art theory, poetic theory, natural philosophy, and related epistemological matrices. Investigating the interdisciplinary reality of framing art-making and interpretation, this treatment rejects the dominant synchronic approach to history and historiography and seeks to present anew a narrative that ties together various formal approaches, focusing on stylistic transformation in particular artist’s oeuvres – Michelangelo, Annibale Carracci, Guercino, Guido Reni, Poussin, and others – and the contemporary environments that facilitated them. Through the dual understanding of the art-theoretical concept of the Idea, an evolution will be revealed that illustrates the embittered battles over style and the overarching intellectual shifts in the period between art production and conceptualization based on Aristotelian and Platonic notions of creativity, beauty and the goal of art as an exercise in encapsulating the “divine” truth of nature.

The Crusades and Visual Culture

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Publisher : Routledge
ISBN 13 : 1351545264
Total Pages : 286 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis The Crusades and Visual Culture by : LauraJ Whatley

Download or read book The Crusades and Visual Culture written by LauraJ Whatley and published by Routledge. This book was released on 2017-07-05 with total page 286 pages. Available in PDF, EPUB and Kindle. Book excerpt: The crusades, whether realized or merely planned, had a profound impact on medieval and early modern societies. Numerous scholars in the fields of history and literature have explored the influence of crusading ideas, values, aspirations and anxieties in both the Latin States and Europe. However, there have been few studies dedicated to investigating how the crusading movement influenced and was reflected in medieval visual cultures. Written by scholars from around the world working in the domains of art history and history, the essays in this volume examine the ways in which ideas of crusading were realized in a broad variety of media (including manuscripts, cartography, sculpture, mural paintings, and metalwork). Arguing implicitly for recognition of the conceptual frameworks of crusades that transcend traditional disciplinary boundaries, the volume explores the pervasive influence and diverse expression of the crusading movement from the twelfth through the fifteenth centuries.

Shrines in a Fluid Space: The Shaping of New Holy Sites in the Ionian Islands, the Peloponnese and Crete under Venetian Rule (14th-16th Centuries)

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Publisher : BRILL
ISBN 13 : 9004499547
Total Pages : 284 pages
Book Rating : 4.0/5 (44 download)

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Book Synopsis Shrines in a Fluid Space: The Shaping of New Holy Sites in the Ionian Islands, the Peloponnese and Crete under Venetian Rule (14th-16th Centuries) by : Argyri Dermitzaki

Download or read book Shrines in a Fluid Space: The Shaping of New Holy Sites in the Ionian Islands, the Peloponnese and Crete under Venetian Rule (14th-16th Centuries) written by Argyri Dermitzaki and published by BRILL. This book was released on 2021-12-28 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: The open access publication of this book has been published with the support of the Swiss National Science Foundation. In Shrines in a Fluid Space: The Shaping of New Holy Sites in the Ionian Islands, the Peloponnese and Crete under Venetian Rule (14th-16th Centuries), Argyri Dermitzaki reconstructs the devotional experiences within the Greek realm of the Venetian Stato da Mar of Western European pilgrims sailing to Jerusalem. The author traces the evolution of the various forms of cultic sites and the perception of them as nodes of a wider network of the pilgrims’ ‘holy topography’. She scrutinises travelogues in conjunction with archaeological, visual and historical evidence and offers a study of the cultic phenomena and sites invested with exceptional meaning at the main ports of call of the pilgrims’ galleys in the Ionian Sea, the Peloponnese and Crete.

Architectural Actions on the Religious Heritage after Vatican II

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Publisher : Cambridge Scholars Publishing
ISBN 13 : 1527561747
Total Pages : 362 pages
Book Rating : 4.5/5 (275 download)

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Book Synopsis Architectural Actions on the Religious Heritage after Vatican II by : Esteban Fernández-Cobián

Download or read book Architectural Actions on the Religious Heritage after Vatican II written by Esteban Fernández-Cobián and published by Cambridge Scholars Publishing. This book was released on 2020-11-09 with total page 362 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book serves to shed some light on several controversial questions about contemporary interventions on religious heritage buildings. In the mid-1960s, a process of renewal of Catholic churches began, which sought to respond to the liturgical modifications implemented during the Vatican II (1962-65). Fifty years later, this process continues to be problematic in buildings with a high heritage or historical value. From an operational point of view, it is stimulating to revisit the most relevant architectures at the international level, those high-impact works that were generated thanks to an open and serene dialogue between principals, architects, users, artists and patrimonial leaders. Thus, it is essential to know the criteria that have supported interventions, whether legal (both ecclesiastical and civil), architectural, artistic, liturgical or pastoral. In this sense, what references could be used at a time like ours? How can we reform what has already been reformed?