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Arminia Dramma Per Musica In Due Atti Del Sig Marco Landi Da Rappresentarsi Nel Ro Teatro Alla Scala Il Carnevale Dellanno 1810
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Book Synopsis Arminia, dramma per musica in due atti del sig. Marco Landi. Da rappresentarsi nel R.o Teatro alla Scala il carnevale dell'anno 1810 by :
Download or read book Arminia, dramma per musica in due atti del sig. Marco Landi. Da rappresentarsi nel R.o Teatro alla Scala il carnevale dell'anno 1810 written by and published by . This book was released on 1810 with total page 128 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Arminia. Dramma per musica in due atti [and in verse], da rappresentarsi nel Ro Teatro alla Scala il Carnevale dell'anno 1810 by : Marco LANDI
Download or read book Arminia. Dramma per musica in due atti [and in verse], da rappresentarsi nel Ro Teatro alla Scala il Carnevale dell'anno 1810 written by Marco LANDI and published by . This book was released on 1810 with total page 46 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Opera in Seventeenth-Century Venice by : Ellen Rosand
Download or read book Opera in Seventeenth-Century Venice written by Ellen Rosand and published by Univ of California Press. This book was released on 2007-10-09 with total page 712 pages. Available in PDF, EPUB and Kindle. Book excerpt: "In this elegantly constructed study of the early decades of public opera, the conflicts and cooperation of poets, composers, managers, designers, and singers—producing the art form that was soon to sweep the world and that has been dominant ever since—are revealed in their first freshness."—Andrew Porter "This will be a standard work on the subject of the rise of Venetian opera for decades. Rosand has provided a decisive contribution to the reshaping of the entire subject. . . . She offers a profoundly new view of baroque opera based on a solid documentary and historical-critical foundation. The treatment of the artistic self-consciousness and professional activities of the librettists, impresarios, singers, and composers is exemplary, as is the examination of their reciprocal relations. This work will have a positive effect not only on studies of 17th-century, but on the history of opera in general."—Lorenzo Bianconi
Book Synopsis Arminia. Dramma per musica in due atti [and in verse], da rappresentarsi nel R° Teatro alla Scala il Carnevale dell'anno 1810 by : Marco LANDI
Download or read book Arminia. Dramma per musica in due atti [and in verse], da rappresentarsi nel R° Teatro alla Scala il Carnevale dell'anno 1810 written by Marco LANDI and published by . This book was released on 1810 with total page 46 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Musicians' Mobilities and Music Migrations in Early Modern Europe by : Gesa zur Nieden
Download or read book Musicians' Mobilities and Music Migrations in Early Modern Europe written by Gesa zur Nieden and published by transcript Verlag. This book was released on 2016-10-31 with total page 429 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the 17th and 18th century musicians' mobilities and migrations are essential for the European music history and the cultural exchange of music. Adopting viewpoints that reflect different methodological approaches and diversified research cultures, the book presents studies on central scopes, strategies and artistic outcomes of mobile and migratory musicians as well as on the transfer of music. By looking at elite and non-elite musicians and their everyday mobilities to major and minor centers of music production and practice, new biographical patterns and new stylistic paradigms in the European East, West and South emerge.
Download or read book Annals of Opera, 1597-1940 written by and published by . This book was released on 1970 with total page 912 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Music in the Seventeenth Century by : Lorenzo Bianconi
Download or read book Music in the Seventeenth Century written by Lorenzo Bianconi and published by Cambridge University Press. This book was released on 1987-11-26 with total page 364 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examines musical life in the seventeenth century, a period of profound change in the history of music.
Book Synopsis Polish Style in the Music of Johann Sebastian Bach by : Szymon Paczkowski
Download or read book Polish Style in the Music of Johann Sebastian Bach written by Szymon Paczkowski and published by Rowman & Littlefield. This book was released on 2017-03-21 with total page 419 pages. Available in PDF, EPUB and Kindle. Book excerpt: Now appearing in an English translation, this book by Szymon Paczkowski is the first in-depth exploration of the Polish style in the music of Johann Sebastian Bach. Bach spent almost thirty years living and working in Leipzig in Saxony, a country ruled by Friedrich August I and his son Friedrich August II, who were also kings of Poland (as August II and August III). This period of close Polish-Saxon relations left a significant imprint on Bach’s music. Paczkowski’s meticulous account of this complex political and cultural dynamic sheds new light on many of Bach’s familiar pieces. The book explores the semantic and rhetorical functions that undergird the symbolism of the Polish style in Baroque music. It demonstrates how the notion of a Polish style in music was developed in German music theory, and conjectures that Bach’s successful application for the title of Court Composer at the court of the Elector of Saxony and King of Poland would induce the composer to deliberately use elements of the Polish style. This comprehensive study of the way Bach used the Polish style in his music moves beyond technical analysis to place the pieces within the context of Baroque customs and discourse. This ambitious and inspiring study is an original contribution to the scholarly conversation concerning Bach’s music, focusing on the symbolism of the polonaise, the most popular and recognizable Polish dance in 18th-century Saxony. In Saxony at this time the polonaise was associated with the ceremonies of the royal-electoral court in Dresden, and Saxon musicians regarded it as a musical symbol of royalty. Paczkowski explores this symbolism of the Polish royal dance in Bach’s instrumental music and, which is also to be found to an even greater extent, in his vocal works. The Polish Style in the Music of Johann Sebastian Bach provides wide-ranging interpretations based on a careful analysis of the sources explored within historical and theological context. The book is a valuable source for both teaching and further research, and will find readers not only among musicologists, but also historians, art historians, and readers in cultural studies. All lovers of Bach’s music will appreciate this lucid and intriguing study.
Book Synopsis Claudio Monteverdi: Orfeo by : John Whenham
Download or read book Claudio Monteverdi: Orfeo written by John Whenham and published by Cambridge University Press. This book was released on 1986-02-27 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: A detailed study of the earliest opera to have gained a foothold in the modern repertoire, the book begins with a historical section in which all the known evidence about the creation and early performances of Orfeo is drawn together and evaluated. The second section of the book includes a detailed history of the rediscovery of the opera; an influential essay by Joseph Kerman is reprinted here, together with a review by Romain Rolland of the first modern performance of Orfeo. The final section includes essays by a conductor and a producer who have staged notable performances of the opera in recent years. They explain their approaches to the work, and offer solutions to some of the problems it poses in performance.
Book Synopsis Bd. 2 U. 3 Mit Dem Zusatz: 1614 - 1780 by : Melania Bucciarelli
Download or read book Bd. 2 U. 3 Mit Dem Zusatz: 1614 - 1780 written by Melania Bucciarelli and published by BWV Verlag. This book was released on 2006-01-01 with total page 335 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Rise of European Music, 1380-1500 by : Reinhard Strohm
Download or read book The Rise of European Music, 1380-1500 written by Reinhard Strohm and published by Cambridge University Press. This book was released on 2005-02-17 with total page 744 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a detailed and comprehensive survey of music in the late middle ages and early Renaissance. By limiting its scope to the 120 years which witnessed perhaps the most dramatic expansion of our musical heritage, the book responds, in the 1990s, to the tremendous increase in specialised research and public awareness of that period. Three of the four main Parts (I, II, IV) describe the development of polyphony and its cultural contexts in many European countries, from the successors of Machaut (d. 1377) to the achievements of Josquin des Prez and his contemporaries working in Renaissance Italy around 1500. Part III, by contrast, illustrates the musical life of the institutions, and musical practices outside the realm of composed polyphony that were traditional and common all over Europe. The book proposes fresh views in each chapter, discussing dozens of musical examples adducing well-known and hitherto unknown documents, and referring to and evaluating the most recent scholarship in the field.
Book Synopsis The Cambridge History of Medieval Music by : Mark Everist
Download or read book The Cambridge History of Medieval Music written by Mark Everist and published by Cambridge University Press. This book was released on 2018-08-09 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.
Book Synopsis Music in the German Renaissance by : John Kmetz
Download or read book Music in the German Renaissance written by John Kmetz and published by Cambridge University Press. This book was released on 1994-12-08 with total page 314 pages. Available in PDF, EPUB and Kindle. Book excerpt: This 1994 collection of fourteen essays, written by an eminent group of scholars, explores the musical culture of the German-speaking realm between c.1450 and 1600. The essays demonstrate the important role played by German speakers in the development of instrumental music in the Renaissance, the shaping of the curricula of musical education in the modern age, in setting patterns of musical patronage, in establishing congregational singing in churches, and in developing commercial music printing. The essays shed light on the music that flourished at Imperial and ducal courts, universities, parish churches, collegiate schools, as well as the homes of prosperous merchants. The volume thus provides an overview of German polyphonic music in the age of Gutenberg, Dürer and Luther and documents the changing social status of music in Germany during a crucial epoch of its history.
Download or read book Western Plainchant written by David Hiley and published by Oxford University Press. This book was released on 1995 with total page 764 pages. Available in PDF, EPUB and Kindle. Book excerpt: Plainchant is the oldest substantial body of music that has been preserved in any shape or form. It was first written down in Western Europe in the eighth to ninth centuries. Many thousands of chants have been sung at different times or places in a multitude of forms and styles, responding to the differing needs of the church through the ages. This book provides a clear and concise introduction, designed both for those to whom the subject is new and those who require a reference work for advanced study. It begins with an explanation of the liturgies that plainchant was designed to serve. It describes all the chief genres of chant, different types of liturgical book, and plainchant notations. After an exposition of early medieval theoretical writing on plainchant, Hiley provides a historical survey that traces the constantly changing nature of the repertory. He also discusses important musicians and centers of composition. Copiously illustrated with over 200 musical examples, this book highlights the diversity of practice and richness of the chant repertory in the Middle Ages. It will be an indispensable introduction and reference source on this important music for many years to come.
Book Synopsis Music and Culture in Italy from the Middle Ages to the Baroque by : Nino Pirrotta
Download or read book Music and Culture in Italy from the Middle Ages to the Baroque written by Nino Pirrotta and published by . This book was released on 2013-10-01 with total page 504 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Venetian Opera in the Seventeenth Century by : Simon Towneley Worsthorne
Download or read book Venetian Opera in the Seventeenth Century written by Simon Towneley Worsthorne and published by . This book was released on 1954 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Music at German Courts, 1715-1760 by : Samantha Owens
Download or read book Music at German Courts, 1715-1760 written by Samantha Owens and published by Boydell Press. This book was released on 2011 with total page 506 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music at German Courts serves to illustrate the extraordinary diversity of eighteenth-century German court music establishments without losing sight of what these Kapellen had in common. What was musical life at German courts really like during the eighteenth century? Were musical ensembles as diverse as the Holy Roman Empire's kaleidoscopic political landscape? Through a series of individual case studies contributed by leading scholars from Germany, Poland, the United States, Canada, and Australia, this book investigates the realities of musical life at fifteen German courts of varied size (ranging from kingdoms to principalities), religious denomination, and geographical location. Significant shifts that occurred in the artistic priorities of each court are presented through a series of "snapshots"- in effect "core sample" years - which highlight both individualand shared patterns of development and decline. What emerges from the wealth of primary source material examined in this volume is an in-depth picture of music-making within the daily life of individual courts, featuring acast of music directors, instrumentalists, and vocalists, together with numerous support staff drawn from across Europe. Music at German Courts serves to illustrate the extraordinary diversity of eighteenth-century German court music establishments without losing sight of what these Kapellen had in common. SAMANTHA OWENS is Senior Lecturer in Musicology at the University of Queensland, Brisbane, Australia. BARBARA M. REUL is Associate Professor of Musicology at Luther College, University of Regina, Canada. JANICE B. STOCKIGT is a Principal Fellow of the University of Melbourne, Australia. Contributors: DIETER KIRSCH, URSULA KRAMER, MICHAEL MAUL, MARY OLESKIEWICZ, SAMANTHA OWENS, RASHID-S. PEGAH, BÄRBEL PELKER, BARBARA M. REUL, WOLFGANG RUF, BERT SIEGMUND, JANICE B. STOCKIGT, MICHAEL TALBOT, RÜDIGER THOMSEN-FÜRST, ALINA ZORAWSKA-WITKOWSKA, STEVEN ZOHN
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