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Ancient Rome In Early Opera
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Book Synopsis Ancient Rome in Early Opera by : Robert Ketterer
Download or read book Ancient Rome in Early Opera written by Robert Ketterer and published by University of Illinois Press. This book was released on 2009 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: The major historians of ancient Rome wrote their works in the firm belief that the exalted history of the Roman Empire provided plentiful lessons about individual behavior, inspiration for great souls, and warnings against evil ambitions, not to mention opportunities for rich comedy. The examples of Rome have often been resurrected for the opera stage to display the exceptional grandeur, glory, and tragedy of Roman figures. In this volume, Robert C. Ketterer tracks the changes as operas’ Roman subjects crossed generations and national boundaries. Following opera from its origins in seventeenth-century Venice to Napoleon’s invasion of Italy, Ketterer shows how Roman history provided composers with all the necessary courage and intrigue, love and honor, and triumph and defeat so vital for the stirring music that makes great opera.
Book Synopsis The Nurse in History and Opera: From Servant to Sister by : Judith Barger
Download or read book The Nurse in History and Opera: From Servant to Sister written by Judith Barger and published by Lexington Books. This book was released on 2024-05-15 with total page 259 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the role of the ubiquitous nurse character found in over one hundred operas and provides insight into opera nurses’ unique musical and dramatic journey from servant to sister, and women’s perceived place and status on the opera stage and in society.
Download or read book Nero in Opera written by Gesine Manuwald and published by Walter de Gruyter. This book was released on 2013-05-28 with total page 420 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book considers the story of Nero and Octavia, as told in the pseudo-Senecan Octavia and the works of ancient historiographers, and its reception in (early) modern opera and some related examples of other performative genres. In total the study assembles more than 30 performative texts (including 22 librettos), ranging chronologically from L'incoronazione di Poppea in 1642/43 until the early 20th century, and provides detailed information on all of them. In a close examination of the libretto (and dramatic) texts, the study shows the impact and development of this fascinating story from the beginnings of historical opera onwards. The volume demonstrates the various transformations of the characters of Nero and his wives and of the depiction of their relationship over the centuries, and it looks at the tension between “historical” elements and genre conventions. The book is therefore of relevance to literary scholars as well as to readers interested in the evolution of Nero’s image in present-day media.
Book Synopsis The Politics of Princely Entertainment by : Valeria De Lucca
Download or read book The Politics of Princely Entertainment written by Valeria De Lucca and published by Oxford University Press. This book was released on 2020-06-03 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: Throughout early modern Europe, patronage became a means for the dominant classes to highlight their wealth, intellectual finesse, and cultural and political agendas, particularly within the court and religious institutions. Musical events like operas and carnival parades were an especially essential component of this patronage. However, the ways in which music patronage changed during the second half of the seventeenth century have largely remained underexplored. At the time, profound social and cultural transformations influenced the production and consumption of music in radical and permanent ways, not least through the influence of the Colonna family - Prince Lorenzo Onofrio Colonna and his wife Maria Mancini. Two of the most active patrons of seventeenth-century Italy, they were particularly active in the musical life of Rome. Through their sponsorship of an unprecedented number of operas, serenatas, and oratorios, they supported the careers of the most prominent composers, librettists, and musicians of the period. A new exploration of this period of music patronage, The Politics of Princely Entertainment follows Lorenzo Onofrio and Maria beyond the borders of Rome and through their far-reaching personal and institutional travels - to Venice, Naples, and the Kingdom of Aragon. Author Valeria De Lucca traces the journeys of not only scores and librettos, but also the singers, composers, and librettists whose art reached these distant corners of Europe through the Colonna family's patronage activities. The Politics of Princely Entertainment is a welcome addition to scholarly understanding of music patronage beyond traditional boundaries of gender, geography, and institutions.
Book Synopsis Tosca's Rome by : Susan Vandiver Nicassio
Download or read book Tosca's Rome written by Susan Vandiver Nicassio and published by University of Chicago Press. This book was released on 2002-01-15 with total page 370 pages. Available in PDF, EPUB and Kindle. Book excerpt: A timeless tale of love, lust, and politics, Tosca is one of the most popular operas ever written. In Tosca's Rome, Susan Vandiver Nicassio explores the surprising historical realities that lie behind Giacomo Puccini's opera and the play by Victorien Sardou on which it is based. By far the most "historical" opera in the active repertoire, Tosca is set in a very specific time and place: Rome, from June 17 to 18, 1800. But as Nicassio demonstrates, history in Tosca is distorted by nationalism and by the vehement anticlerical perceptions of papal Rome shared by Sardou, Puccini, and the librettists. To provide the historical background necessary for understanding Tosca, Nicassio takes a detailed look at Rome in 1800 as each of Tosca's main characters would have seen it—the painter Cavaradossi, the singer Tosca, and the policeman Scarpia. Finally, she provides a scene-by-scene musical and dramatic analysis of the opera. "[Nicassio] must be the only living historian who can boast that she once sang the role of Tosca. Her deep knowledge of Puccini's score is only to be expected, but her understanding of daily and political life in Rome at the close of the 18th century is an unanticipated pleasure. She has steeped herself in the period and its prevailing culture-literary, artistic, and musical-and has come up with an unusual, and unusually entertaining, history."—Paul Bailey, Daily Telegraph "In Tosca's Rome, Susan Vandiver Nicassio . . . orchestrates a wealth of detail without losing view of the opera and its pleasures. . . . Nicassio aims for opera fans and for historians: she may well enthrall both."—Publishers Weekly "This is the book that ranks highest in my estimation as the most in-depth, and yet highly entertaining, journey into the story of the making of Tosca."—Catherine Malfitano "Nicassio's prose . . . is lively and approachable. There is plenty here to intrigue everyone-seasoned opera lovers, musical novices, history buffs, and Italophiles."—Library Journal
Book Synopsis Opera and the Political Imaginary in Old Regime France by : Olivia Bloechl
Download or read book Opera and the Political Imaginary in Old Regime France written by Olivia Bloechl and published by University of Chicago Press. This book was released on 2018-03-01 with total page 301 pages. Available in PDF, EPUB and Kindle. Book excerpt: From its origins in the 1670s through the French Revolution, serious opera in France was associated with the power of the absolute monarchy, and its ties to the crown remain at the heart of our understanding of this opera tradition (especially its foremost genre, the tragédie en musique). In Opera and the Political Imaginary in Old Regime France, however, Olivia Bloechl reveals another layer of French opera’s political theater. The make-believe worlds on stage, she shows, involved not just fantasies of sovereign rule but also aspects of government. Plot conflicts over public conduct, morality, security, and law thus appear side-by-side with tableaus hailing glorious majesty. What’s more, opera’s creators dispersed sovereign-like dignity and powers well beyond the genre’s larger-than-life rulers and gods, to its lovers, magicians, and artists. This speaks to the genre’s distinctive combination of a theological political vocabulary with a concern for mundane human capacities, which is explored here for the first time. By looking at the political relations among opera characters and choruses in recurring scenes of mourning, confession, punishment, and pardoning, we can glimpse a collective political experience underlying, and sometimes working against, ancienrégime absolutism. Through this lens, French opera of the period emerges as a deeply conservative, yet also more politically nuanced, genre than previously thought.
Book Synopsis The Oxford Handbook of Opera by : Helen M. Greenwald
Download or read book The Oxford Handbook of Opera written by Helen M. Greenwald and published by Oxford Handbooks. This book was released on 2014 with total page 1217 pages. Available in PDF, EPUB and Kindle. Book excerpt: Fifty of the world's most respected scholars cast opera as a fluid entity that continuously reinvents itself in a reflection of its patrons, audience, and creators.
Book Synopsis A Short History of Opera by : Donald Jay Grout
Download or read book A Short History of Opera written by Donald Jay Grout and published by Columbia University Press. This book was released on 2003 with total page 1049 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The fourth edition incorporates new scholarship that traces the most important developments in the evolution of musical drama. After surveying anticipations of the operatic form in the lyric theater of the Greeks, medieval dramatic music, and other forerunners, the book reveals the genre's beginnings in the seventeenth century and follows its progress to the present day."--Jacket.
Book Synopsis Ancient Drama in Music for the Modern Stage by : Peter Brown
Download or read book Ancient Drama in Music for the Modern Stage written by Peter Brown and published by OUP Oxford. This book was released on 2010-09-02 with total page 480 pages. Available in PDF, EPUB and Kindle. Book excerpt: Opera was invented at the end of the sixteenth century in imitation of the supposed style of delivery of ancient Greek tragedy, and, since then, operas based on Greek drama have been among the most important in the repertoire. This collection of essays by leading authorities in the fields of Classics, Musicology, Dance Studies, English Literature, Modern Languages, and Theatre Studies provides an exceptionally wide-ranging and detailed overview of the relationship between the two genres. Since tragedies have played a much larger part than comedies in this branch of operatic history, the volume mostly concentrates on the tragic repertoire, but a chapter on musical versions of Aristophanes' Lysistrata is included, as well as discussions of incidental music, a very important part of the musical reception of ancient drama, from Andrea Gabrieli in 1585 to Harrison Birtwistle and Judith Weir in the late twentieth and early twenty-first centuries.
Book Synopsis Victorian Culture and Classical Antiquity by : Simon Goldhill
Download or read book Victorian Culture and Classical Antiquity written by Simon Goldhill and published by Princeton University Press. This book was released on 2011-07-18 with total page 377 pages. Available in PDF, EPUB and Kindle. Book excerpt: How did the Victorians engage with the ancient world? Victorian Culture and Classical Antiquity is a brilliant exploration of how the ancient worlds of Greece and Rome influenced Victorian culture. Through Victorian art, opera, and novels, Simon Goldhill examines how sexuality and desire, the politics of culture, and the role of religion in society were considered and debated through the Victorian obsession with antiquity. Looking at Victorian art, Goldhill demonstrates how desire and sexuality, particularly anxieties about male desire, were represented and communicated through classical imagery. Probing into operas of the period, Goldhill addresses ideas of citizenship, nationalism, and cultural politics. And through fiction--specifically nineteenth-century novels about the Roman Empire--he discusses religion and the fierce battles over the church as Christianity began to lose dominance over the progressive stance of Victorian science and investigation. Rediscovering some great forgotten works and reframing some more familiar ones, the book offers extraordinary insights into how the Victorian sense of antiquity and our sense of the Victorians came into being. With a wide range of examples and stories, Victorian Culture and Classical Antiquity demonstrates how interest in the classical past shaped nineteenth-century self-expression, giving antiquity a unique place in Victorian culture.
Book Synopsis The Cambridge Companion to Opera Studies by : Nicholas Till
Download or read book The Cambridge Companion to Opera Studies written by Nicholas Till and published by Cambridge University Press. This book was released on 2012-10-18 with total page 365 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first comprehensive attempt to map the current field of opera studies by leading scholars in the discipline.
Book Synopsis Opera, Tragedy, and Neighbouring Forms from Corneille to Calzabigi by : Blair Hoxby
Download or read book Opera, Tragedy, and Neighbouring Forms from Corneille to Calzabigi written by Blair Hoxby and published by University of Toronto Press. This book was released on 2024-03-01 with total page 307 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the nineteenth century, some of the most influential historians have portrayed opera and tragedy as wholly distinct cultural phenomena. These historians have denied a meaningful connection between the tragedy of the ancients and the efforts of early modern composers to arrive at styles that were intensely dramatic. Drawing on a series of case studies, Opera, Tragedy, and Neighbouring Forms from Corneille to Calzabigi traces the productive, if at times rivalrous, relationship between opera and tragedy from the institution of French regular tragedy under Richelieu in the 1630s to the reform of opera championed by Calzabigi and Gluck in the late eighteenth century. Blair Hoxby and his fellow contributors shed light on “neighbouring forms” of theatre, including pastoral drama, tragédie en machines, tragédie en musique, and Goldoni’s dramma giocoso. Their analysis includes famous masterpieces by Corneille, Voltaire, Metastasio, Goldoni, Calzabigi, Handel, and Gluck, as well as lesser-known artists such as Luisa Bergalli, the first female librettist to write for the public theatre in Italy. Opera, Tragedy, and Neighbouring Forms from Corneille to Calzabigi delves into a series of quarrels and debates in order to illuminate the history of seventeenth- and eighteenth-century theatre.
Book Synopsis The Tacitus Encyclopedia by : Victoria Emma Pagán
Download or read book The Tacitus Encyclopedia written by Victoria Emma Pagán and published by John Wiley & Sons. This book was released on 2023-05-24 with total page 1883 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Tacitus Encyclopedia ist das einzige vollständige Referenzwerk seiner Art im Bereich der Tacitus-Studien. Das zweibändige Werk enthält mehr als 1.000 Einträge zu jeder Person und jedem Ort, die in den erhaltenen Werken des römischen Historikers und Politikers Tacitus (ca. 56-120 n. Chr.) Erwähnung finden. In den von einem internationalen Autorenteam verfassten Beiträgen werden die bei Tacitus genannten Personen und Orte in den Kontext eingeordnet, und es werden ihre Beziehungen zum größeren taciteischen Korpus aufgezeigt. Die Einträge sind alphabetisch geordnet und mit Querverweisen versehen. Sie enthalten allgemeine Beschreibungen und Hintergrundinformationen zu den in den Texten genannten Stichworten, Zitate aus antiken Quellen und der einschlägigen Wissenschaft sowie Empfehlungen zum Weiterlesen. Die Enzyklopädie, die als Ausgangspunkt für weitere Forschungen gedacht ist, umfasst zudem 165 Themenschwerpunkte in Verbindung mit den Tacitus-Studien, darunter antike Geschichtsschreibung, Geschichte, Sozialgeschichte, Geschlecht und Sexualität, Literaturkritik, antike Autoren, Rezeption und materielle Kultur. Dieses unverzichtbare Nachschlagewerk bietet nicht nur einen umfassenden Überblick über die Inhalte der taciteischen Schriften, sondern darüber hinaus: * Eine Darstellung von rund 1.000 Personen sowie 400 Regionen, Städten und Orten, geografischen und topologischen Merkmalen * Einen verständlichen Einstieg in die Werke des Tacitus, insbesondere die Annalen, Historien, Agricola, Germania und Dialogus de oratoribus für Leserinnen und Leser mit unterschiedlichen Vorkenntnissen * Die Erörterung einer großen Bandbreite an Themen wie Geschlechterfragen, Sklaverei, Literaturgeschichte sowie der Regentschaft einzelner Herrscher * Eine Präsentation der wissenschaftlichen Erforschung und Rezeption von Tacitus von der Antike bis zur Gegenwart * Betrachtungen der wissenschaftlichen Trends, der aktuellen Methodik und künftigen Richtungen der Tacitus-Studien Das Werk The Tacitus Encyclopedia ist als Druckfassung und als Online-Version erhältlich. Es ist ein unentbehrliches Referenzwerk für Studierende und Forschende in den Bereichen Geschichte und Geschichtsschreibung, Klassische Philologie, Kunstgeschichte, Sozialwissenschaften, Europäische Geistesgeschichte, Archäologie und Romanistik.
Book Synopsis The Politics of Opera in Handel's Britain by : Thomas McGeary
Download or read book The Politics of Opera in Handel's Britain written by Thomas McGeary and published by Cambridge University Press. This book was released on 2013-04-25 with total page 423 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Politics of Opera in Handel's Britain examines the involvement of Italian opera in British partisan politics in the first half of the eighteenth century, which saw Sir Robert Walpole's rise to power and George Frideric Handel's greatest period of opera production. McGeary argues that the conventional way of applying Italian opera to contemporary political events and persons by means of allegory and allusion in individual operas is mistaken; nor did partisan politics intrude into the management of the Royal Academy of Music and the Opera of the Nobility. This book shows instead how Senesino, Faustina, Cuzzoni and events at the Haymarket Theatre were used in political allegories in satirical essays directed against the Walpole ministry. Since most operas were based on ancient historical events, the librettos - like traditional histories - could be sources of examples of vice, virtue, and political precepts and wisdom that could be applied to contemporary politics.
Book Synopsis Performing Homer: The Voyage of Ulysses from Epic to Opera by : Wendy Heller
Download or read book Performing Homer: The Voyage of Ulysses from Epic to Opera written by Wendy Heller and published by Routledge. This book was released on 2019-07-23 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt: The epic poems the Iliad and the Odyssey, attributed to Homer, are among the oldest surviving works of literature derived from oral performance. Deeply embedded in these works is the notion that they were intended to be heard: there is something musical about Homer's use of language and a vivid quality to his images that transcends the written page to create a theatrical experience for the listener. Indeed, it is precisely the theatrical quality of the poems that would inspire later interpreters to cast the Odyssey and the Iliad in a host of other media-novels, plays, poems, paintings, and even that most elaborate of all art forms, opera, exemplified by no less a work than Monteverdi's Il ritorno di Ulisse in patria. In Performing Homer: The Voyage of Ulysses from Epic to Opera, scholars in classics, drama, Italian literature, art history, and musicology explore the journey of Homer's Odyssey from ancient to modern times. The book traces the reception of the Odyssey though the Italian humanist sources—from Dante, Petrarch, and Ariosto—to the treatment of the tale not only by Monteverdi but also such composers as Elizabeth Jacquet de la Guerre, Gluck, and Alessandro Scarlatti, and the dramatic and poetic traditions thereafter by such modern writers as Derek Walcott and Margaret Atwood.
Book Synopsis Music in the London Theatre from Purcell to Handel by : Colin Timms
Download or read book Music in the London Theatre from Purcell to Handel written by Colin Timms and published by Cambridge University Press. This book was released on 2017-06-29 with total page 285 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is concerned with a hundred years of musical drama in England. It charts the development of the genre from the theatre works of Henry Purcell (and his contemporaries) to the dramatic oratorios of George Frideric Handel (and his). En route it investigates the objections to all-sung drama in English that were articulated in the decades around 1700, various proposed solutions, the importation of Italian opera, and the creation of the dramatic oratorio - English drama, all-sung but not staged. Most of the constituent essays take an in-depth look at a particular aspect of the process, while others draw attention to dramatic qualities in non-dramatic works that also were performed in the theatre. The journey from Purcell to Handel illustrates the vigour and vitality of English theatrical and musical traditions, and Handel's dramatic oratorios and other settings of English words answer questions posed before he was born.
Book Synopsis The Oxford Handbook of the Baroque by : John D. Lyons
Download or read book The Oxford Handbook of the Baroque written by John D. Lyons and published by Oxford University Press. This book was released on 2019-08-08 with total page 856 pages. Available in PDF, EPUB and Kindle. Book excerpt: Few periods in history are so fundamentally contradictory as the Baroque, the culture flourishing from the mid-sixteenth to the mid-eighteenth centuries in Europe. When we hear the term âBaroque,â the first images that come to mind are symmetrically designed gardens in French chateaux, scenic fountains in Italian squares, and the vibrant rhythms of a harpsichord. Behind this commitment to rule, harmony, and rigid structure, however, the Baroque also embodies a deep fascination with wonder, excess, irrationality, and rebellion against order. The Oxford Handbook of the Baroque delves into this contradiction to provide a sweeping survey of the Baroque not only as a style but also as a historical, cultural, and intellectual concept. With its thirty-eight chapters edited by leading expert John D. Lyons, the Handbook explores different manifestations of Baroque culture, from theatricality in architecture and urbanism to opera and dance, from the role of water to innovations in fashion, from mechanistic philosophy and literature to the tension between religion and science. These discussions present the Baroque as a broad cultural phenomenon that arose in response to the enormous changes emerging from the sixteenth century: the division between Catholics and Protestants, the formation of nation-states and the growth of absolutist monarchies, the colonization of lands outside Europe and the mutual impact of European and non-European cultures. Technological developments such as the telescope and the microscope and even greater access to high-quality mirrors altered mankindâs view of the universe and of human identity itself. By exploring the Baroque in relation to these larger social upheavals, this Handbook reveals a fresh and surprisingly modern image of the Baroque as a powerful response to an epoch of crisis.
