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An Analysis Of Mozarts Concertos With Flute Presented Graphically To Illustrate Mozarts Use Of Concerto Forms To Enhance Performance Comprehension And To Facilitate Memorization
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Book Synopsis An Analysis of Mozart's Concertos with Flute Presented Graphically to Illustrate Mozart's Use of Concerto Forms, to Enhance Performance Comprehension, and to Facilitate Memorization by : Jill D. Pauls
Download or read book An Analysis of Mozart's Concertos with Flute Presented Graphically to Illustrate Mozart's Use of Concerto Forms, to Enhance Performance Comprehension, and to Facilitate Memorization written by Jill D. Pauls and published by . This book was released on 1996 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Flute Concerto No. 1 in G Major, K. 313 by : Wolfgang Amadeus Mozart
Download or read book Flute Concerto No. 1 in G Major, K. 313 written by Wolfgang Amadeus Mozart and published by Alfred Music. This book was released on 1999-10-13 with total page 42 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Flute Concerto No. 1 in G major (K. 313) was written in 1778 by Mozart as a commissioned work for flute soloist and orchestra. This score presents the orchestral portion as a piano reduction. The separate flute score is included.
Book Synopsis Concerto N. 1 in G for Flute K. 313 (Urtext Edition) by : Wolfgang Mozart
Download or read book Concerto N. 1 in G for Flute K. 313 (Urtext Edition) written by Wolfgang Mozart and published by CreateSpace. This book was released on 2015-11-18 with total page 26 pages. Available in PDF, EPUB and Kindle. Book excerpt: A new authoritative urtext edition of Mozart's Flute Concerto n.1 in G K. 313, with critical and interpretative notes and suggested cadenzas. Contains the flute solo part with notes.
Book Synopsis Concerto for Flute and Harp, K. 299 (C Major) (Orch.): Part(s) by :
Download or read book Concerto for Flute and Harp, K. 299 (C Major) (Orch.): Part(s) written by and published by Alfred Music. This book was released on 1985-03 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Flute Solo, composed by Wolfgang Amadeus Mozart.
Book Synopsis Mozart's Attitude Towards the Flute by : Catherine Lee Bergman
Download or read book Mozart's Attitude Towards the Flute written by Catherine Lee Bergman and published by . This book was released on 2007 with total page 72 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis A Semiotic View of the Flute Concerto Genre from Vivaldi to Mozart by : Douglas Worthen
Download or read book A Semiotic View of the Flute Concerto Genre from Vivaldi to Mozart written by Douglas Worthen and published by VDM Publishing. This book was released on 2008-05 with total page 80 pages. Available in PDF, EPUB and Kindle. Book excerpt: A SEMIOTIC VIEW OF THE FLUTE CONCERTO GENRE FROM VIVALDI TO MOZART BY DOUGLAS E. WORTHEN - Structural designs that grew around the basic framework of the eighteenth century flute concerto genre can only be seen when studying a number of concerti at once, using common criteria for evaluation and analysis. Semiotic charts show how these works were varied and refined over the fifty-year period being investigated, beginning with Antonio Vivaldi's Flute Concerti, Op. 10, including the concerti of Naudot, Blavet, Quantz, C. P. E. Bach, J. C. Bach, and concluding with the concerti of Wolfgang Amadeus Mozart. Comparisons spring from Quantz's description of "A serious concerto for a single solo instrument with a large accompanying body requires the following characteristics in its first movement." Historical, hermeneutic, and analytical perspectives of these works are presented, with an appended chapter on ornamentation and performance practice. Submitted in partial fulfillment of the requirements for the Degree Doctor of Musical Arts, The Hartt School, University of Hartford September 29, 2007.
Book Synopsis The Magic Flute by : Wolfgang Amadeus Mozart
Download or read book The Magic Flute written by Wolfgang Amadeus Mozart and published by . This book was released on 2001-01-01 with total page 49 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Using Schenkerian Analysis by : Twila Schemmer McDonell
Download or read book Using Schenkerian Analysis written by Twila Schemmer McDonell and published by . This book was released on 2004 with total page 194 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Cultural Context of Mozart's "Magic Flute" by : Judith A. Eckelmeyer
Download or read book The Cultural Context of Mozart's "Magic Flute" written by Judith A. Eckelmeyer and published by . This book was released on 1991 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Life of Mozart (Complete) by : Otto Jahn
Download or read book Life of Mozart (Complete) written by Otto Jahn and published by Library of Alexandria. This book was released on 2020-09-28 with total page 2127 pages. Available in PDF, EPUB and Kindle. Book excerpt: WOLFGANG AMADE MOZART came of a family belonging originally to the artisan class. We find his ancestors settled in Augsburg early in the seventeenth century, and following their calling there without any great success. His grandfather, Johann Georg Mozart, a bookbinder, married, October 7, 1708, Anna Maria Peterin, the widow of another bookbinder, Augustin Banneger. From this union sprang two daughters and three sons, viz.: Fr. Joseph Ignaz, Franz Alois (who carried on his father's trade in his native town), and Johann Georg Leopold Mozart, bom on November 14, 1719, the father of the Mozart of our biography. Gifted with a keen intellect and firm will he early formed the resolution of raising himself to a higher position in the world than that hitherto occupied by his family; and in his later years he could point with just elation to his own arduous efforts, and the success which had crowned them, when he was urging his son to the same steady perseverance. When Wolfgang visited Augsburg in 1777, he gathered many particulars of his father's youth which refreshed the recollections of Leopold himself. We find him writing to his son (October 10, 1777) how, as a boy, he had sung a cantata at the monastery of St. Ulrich, for the wedding of the Hofrath Oefele, and how he had often climbed the broken steps to the organ loft, to sing treble at the Feast of the Holy Cross (November 29, 1777). He afterwards became an excellent organist: a certain Herr von Freisinger, of Munich, told Wolfgang (October 10, 1777) that he knew his father well, he had studied with him, and "had the liveliest recollections of Wessobrunn where my father (this was news to me) played the organ remarkably well. He said: 'It was wonderful, to see his hands and feet going together, but exceedingly fine—yes, he was an extraordinary man. My father thought very highly of him. And how he used to jeer at the priests, when they wanted him to turn monk.'" This last must have been of peculiar interest to Wolfgang, who knew his father only as a devout and strict observer of the Catholic religion. But Leopold remembered the days of his youth, and wrote to his wife (December 15, 1777): "Let me ask, if Wolfgang has not of late neglected to go to confession? God should ever be first in our thoughts! to Him alone must we look for earthly happiness, and we should ever keep eternity in view; young people, I know, are averse to hearing of these things; I was young myself once; but God be thanked, I always came to myself after my youthful follies, fled from all dangers to my soul, and kept steadily in view God, and my honour, and the dangerous consequences of indulgence in sin." Long-continued exertions and self-denial laid the foundation of Leopold Mozart's character in a conscientious earnestness and devotion to duty in great things as in small; they had the effect also of rendering his judgment of others somewhat hard and uncompromising. This is observable in his relations as an official, and as a teacher, and in his dealings on matters of religion. He was a strict Catholic, and feared nothing so much for his children as the influence which a prolonged stay in Protestant countries might exert on their faith; he remarked with surprise that his travelling companions, Baron Hopfgarten and Baron Bose, had often edified him with their discourse, although they were Lutherans (Paris, April 1, 1764).
Book Synopsis “A” Background and an Analysis of Mozart's Piano Concerto No. 24 in C Minor, K. 491 by : Meehyun Rhee
Download or read book “A” Background and an Analysis of Mozart's Piano Concerto No. 24 in C Minor, K. 491 written by Meehyun Rhee and published by . This book was released on 1992 with total page 198 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Language, Music, and the Brain by : Michael A. Arbib
Download or read book Language, Music, and the Brain written by Michael A. Arbib and published by MIT Press. This book was released on 2013-06-28 with total page 677 pages. Available in PDF, EPUB and Kindle. Book excerpt: A presentation of music and language within an integrative, embodied perspective of brain mechanisms for action, emotion, and social coordination. This book explores the relationships between language, music, and the brain by pursuing four key themes and the crosstalk among them: song and dance as a bridge between music and language; multiple levels of structure from brain to behavior to culture; the semantics of internal and external worlds and the role of emotion; and the evolution and development of language. The book offers specially commissioned expositions of current research accessible both to experts across disciplines and to non-experts. These chapters provide the background for reports by groups of specialists that chart current controversies and future directions of research on each theme. The book looks beyond mere auditory experience, probing the embodiment that links speech to gesture and music to dance. The study of the brains of monkeys and songbirds illuminates hypotheses on the evolution of brain mechanisms that support music and language, while the study of infants calibrates the developmental timetable of their capacities. The result is a unique book that will interest any reader seeking to learn more about language or music and will appeal especially to readers intrigued by the relationships of language and music with each other and with the brain. Contributors Francisco Aboitiz, Michael A. Arbib, Annabel J. Cohen, Ian Cross, Peter Ford Dominey, W. Tecumseh Fitch, Leonardo Fogassi, Jonathan Fritz, Thomas Fritz, Peter Hagoort, John Halle, Henkjan Honing, Atsushi Iriki, Petr Janata, Erich Jarvis, Stefan Koelsch, Gina Kuperberg, D. Robert Ladd, Fred Lerdahl, Stephen C. Levinson, Jerome Lewis, Katja Liebal, Jônatas Manzolli, Bjorn Merker, Lawrence M. Parsons, Aniruddh D. Patel, Isabelle Peretz, David Poeppel, Josef P. Rauschecker, Nikki Rickard, Klaus Scherer, Gottfried Schlaug, Uwe Seifert, Mark Steedman, Dietrich Stout, Francesca Stregapede, Sharon Thompson-Schill, Laurel Trainor, Sandra E. Trehub, Paul Verschure
Book Synopsis Composing for the Cinema by : Ennio Morricone
Download or read book Composing for the Cinema written by Ennio Morricone and published by Scarecrow Press. This book was released on 2013-10-10 with total page 311 pages. Available in PDF, EPUB and Kindle. Book excerpt: With nearly 400 scores to his credit, Ennio Morricone is one of the most prolific and influential film composers working today. He has collaborated with many significant directors, and his scores for such films as The Good, the Bad, and the Ugly; Once Upon a Time in America; Days of Heaven; The Mission; The Untouchables; Malèna; and Cinema Paradiso leave moviegoers with the conviction that something special was achieved—a conviction shared by composers, scholars, and fans alike. In Composing for the Cinema: The Theory and Praxis of Music in Film, Morricone and musicologist Sergio Miceli present a series of lectures on the composition and analysis of film music. Adapted from several lectures and seminars, these lessons show how sound design can be analyzed and offer a variety of musical solutions to many different kinds of film. Though aimed at composers, Morricone’s expositions are easy to understand and fascinating even to those without any musical training. Drawing upon scores by himself and others, the composer also provides insight into his relationships with many of the directors with whom he has collaborated, including Sergio Leone, Giuseppe Tornatore, Franco Zeffirelli, Warren Beatty, Ridley Scott, Roland Joffé, the Taviani Brothers, and others. Translated and edited by Gillian B. Anderson, an orchestral conductor and musicologist, these lessons reveal Morricone’s passion about musical expression. Delivered in a conversational mode that is both comprehensible and interesting, this groundbreaking work intertwines analysis with practical details of film music composition. Aimed at a wide audience of composers, musicians, film historians, and fans, Composing for the Cinema contains a treasure trove of practical information and observations from a distinguished musicologist and one of the most accomplished composers on the international film scene.
Book Synopsis Feeling and Form by : Susanne Katherina Knauth Langer
Download or read book Feeling and Form written by Susanne Katherina Knauth Langer and published by . This book was released on 1953 with total page 464 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Sonic Experience by : Jean-François Augoyard
Download or read book Sonic Experience written by Jean-François Augoyard and published by McGill-Queen's Press - MQUP. This book was released on 2006-04-05 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt: Never before has the everyday soundtrack of urban space been so cacophonous. Since the 1970s, sound researchers have attempted to classify noise, music, and everyday sounds using concepts such as Pierre Shafer's sound object and R. Murray Schafer's soundscape. Recently, the most significant team of soundscape researchers in the world has been concerned with the effects of sounds on listeners.
Book Synopsis Mozart, His Character, His Work by : Alfred Einstein
Download or read book Mozart, His Character, His Work written by Alfred Einstein and published by Galaxy Books. This book was released on 1962 with total page 514 pages. Available in PDF, EPUB and Kindle. Book excerpt: Written by one of the world's outstanding music historians and critics, the late Alfred Einstein, this classic study of Mozart's character and works brings to light many new facts about his relationship with his family, his susceptibility to ambitious women, and his associations with musicalcontemporaries, as well as offering a penetrating analysis of his operas, piano music, chamber music, and symphonies.
Download or read book Keys to Play written by Roger Moseley and published by Univ of California Press. This book was released on 2016-10-28 with total page 468 pages. Available in PDF, EPUB and Kindle. Book excerpt: A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program for monographs. Visit www.luminosoa.org to learn more. How do keyboards make music playable? Drawing on theories of media, systems, and cultural techniques, Keys to Play spans Greek myth and contemporary Japanese digital games to chart a genealogy of musical play and its animation via improvisation, performance, and recreation. As a paradigmatic digital interface, the keyboard forms a field of play on which the book’s diverse objects of inquiry—from clavichords to PCs and eighteenth-century musical dice games to the latest rhythm-action titles—enter into analogical relations. Remapping the keyboard’s topography by way of Mozart and Super Mario, who head an expansive cast of historical and virtual actors, Keys to Play invites readers to unlock ludic dimensions of music that are at once old and new.
