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Aesthetic Value In Classical Antiquity
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Book Synopsis Aesthetic Value in Classical Antiquity by : Ineke Sluiter
Download or read book Aesthetic Value in Classical Antiquity written by Ineke Sluiter and published by BRILL. This book was released on 2012-09-06 with total page 494 pages. Available in PDF, EPUB and Kindle. Book excerpt: How do people respond to and evaluate their sensory experiences of the natural and man-made world? What does it mean to speak of the ‘value’ of aesthetic phenomena? And in evaluating human arts and artifacts, what are the criteria for success or failure? The sixth in a series exploring ‘ancient values’, this book investigates from a variety of perspectives aesthetic value in classical antiquity. The essays explore not only the evaluative concepts and terms applied to the arts, but also the social and cultural ideologies of aesthetic value itself. Seventeen chapters range from the ‘life without the Muses’ to ‘the Sublime’, and from philosophical views to middle-brow and popular aesthetics. Aesthetic value in classical antiquity should be of interest to classicists, cultural and art historians, and philosophers.
Book Synopsis Aesthetic Value in Classical Antiquity by : Ineke Sluiter
Download or read book Aesthetic Value in Classical Antiquity written by Ineke Sluiter and published by . This book was released on 2012 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: How do people respond to and evaluate their sensory experiences of the natural and man-made world? What does it mean to speak of the 'value' of aesthetic phenomena? And in evaluating human arts and artifacts, what are the criteria for success or failure? The sixth in a series exploring 'ancient values', this book investigates from a variety of perspectives aesthetic value in classical antiquity. The essays explore not only the evaluative concepts and terms applied to the arts, but also the social and cultural ideologies of aesthetic value itself. Seventeen chapters range from the 'life without the Muses' to 'the Sublime', and from philosophical views to middle-brow and popular aesthetics
Book Synopsis KAKOS, Badness and Anti-Value in Classical Antiquity by : Ineke Sluiter
Download or read book KAKOS, Badness and Anti-Value in Classical Antiquity written by Ineke Sluiter and published by BRILL. This book was released on 2009-01-31 with total page 524 pages. Available in PDF, EPUB and Kindle. Book excerpt: The fourth in a series that explores cultural and ethical values in Classical Antiquity, this volume examines the negative foils, the anti-values, against which positive value notions are conceptualized and calibrated in Classical Antiquity. Eighteen chapters address this theme from different perspectives –historical, literary, legal and philosophical. What makes someone into a prototypically ‘bad’ citizen? Or an abomination of a scholar? What is the relationship between ugliness and value? How do icons of sexual perversion, monstruous emperors and detestable habits function in philosophical and rhetorical prose? The book illuminates the many rhetorical manifestations of the concept of ‘badness’ in classical antiquity in a variety of domains.
Book Synopsis Aesthetic Experiences and Classical Antiquity by : Jonas Grethlein
Download or read book Aesthetic Experiences and Classical Antiquity written by Jonas Grethlein and published by Cambridge University Press. This book was released on 2017-11-02 with total page 317 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book investigates the nature of aesthetic experience with the help of ancient material, exploring our responses to both narratives and images.
Book Synopsis The Origins of Aesthetic Thought in Ancient Greece by : James I. Porter
Download or read book The Origins of Aesthetic Thought in Ancient Greece written by James I. Porter and published by Cambridge University Press. This book was released on 2016-10-20 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first modern attempt to put aesthetics back on the map in classical studies. James Porter traces the origins of aesthetic thought and inquiry in their broadest manifestations as they evolved from before Homer down to the fourth-century and then into later antiquity, with an emphasis on Greece in its earlier phases. Greek aesthetics, he argues, originated in an attention to the senses and to matter as opposed to the formalism and idealism that were enshrined by Plato and Aristotle and through whose lens most subsequent views of ancient art and aesthetics have typically been filtered. Treating aesthetics in this way can help us reveal the commonly shared basis of the diverse arts of antiquity. Reorienting our view of the ancient vocabularies of art and experience around matter and sensation, this book dramatically changes how we look upon the ancient achievements in these same areas.
Book Synopsis Enargeia in Classical Antiquity and the Early Modern Age by : Heinrich F. Plett
Download or read book Enargeia in Classical Antiquity and the Early Modern Age written by Heinrich F. Plett and published by BRILL. This book was released on 2012-08-14 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: The present study provides an extensive treatment of the topic of enargeia on the basis of the classical and humanist sources of its theoretical foundation. These serve as the basis for detailed analyses of verbal and pictorial works of the Classical Antiquity and the Early Modern Age.
Book Synopsis The Living Death of Antiquity by : William Fitzgerald
Download or read book The Living Death of Antiquity written by William Fitzgerald and published by Oxford University Press. This book was released on 2022-02-10 with total page 285 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Living Death of Antiquity examines the idealization of an antiquity that exhibits, in the words of Johann Joachim Winckelmann, 'a noble simplicity and quiet grandeur'. Fitzgerald discusses the aesthetics of this strain of neoclassicism as manifested in a range of work in different media and periods, focusing on the late eighteenth and early nineteenth centuries. In the aftermath of Winckelmann's writing, John Flaxman's engraved scenes from the Iliad and the sculptors Antonio Canova and Bertel Thorvaldsen reinterpreted ancient prototypes or invented new ones. Earlier and later versions of this aesthetic in the ancient Greek Anacreontea, the French Parnassian poets and Erik Satie's Socrate, manifest its character in different media and periods. Looking with a sympathetic eye on the original aspirations of the neoclassical aesthetic and its forward-looking potential, Fitzgerald describes how it can tip over into the vacancy or kitsch through which a 'remaindered' antiquity lingers in our minds and environments. This book asks how the neoclassical value of simplicity serves to conjure up an epiphanic antiquity, and how whiteness, in both its literal and its metaphorical forms, acts as the 'logo' of neoclassical antiquity, and functions aesthetically in a variety of media. In the context of the waning of a neoclassically idealized antiquity, Fitzgerald describes the new contents produced by its asymptotic approach to meaninglessness, and how the antiquity that it imagined both is and is not with us.
Book Synopsis A Companion to Ancient Aesthetics by : Pierre Destrée
Download or read book A Companion to Ancient Aesthetics written by Pierre Destrée and published by John Wiley & Sons. This book was released on 2015-04-28 with total page 552 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first of its kind, A Companion to Ancient Aesthetics presents a synoptic view of the arts, which crosses traditional boundaries and explores the aesthetic experience of the ancients across a range of media—oral, aural, visual, and literary. Investigates the many ways in which the arts were experienced and conceptualized in the ancient world Explores the aesthetic experience of the ancients across a range of media, treating literary, oral, aural, and visual arts together in a single volume Presents an integrated perspective on the major themes of ancient aesthetics which challenges traditional demarcations Raises questions about the similarities and differences between ancient and modern ways of thinking about the place of art in society
Book Synopsis Greek and Roman Aesthetics by : Oleg V. Bychkov
Download or read book Greek and Roman Aesthetics written by Oleg V. Bychkov and published by Cambridge University Press. This book was released on 2010-06-24 with total page 295 pages. Available in PDF, EPUB and Kindle. Book excerpt: An anthology of works commenting on the perception of beauty in art, structure and style in literature, and aesthetic judgement.
Book Synopsis The Ancient Art of Emulation by : Elaine K. Gazda
Download or read book The Ancient Art of Emulation written by Elaine K. Gazda and published by University of Michigan Press. This book was released on 2002 with total page 342 pages. Available in PDF, EPUB and Kindle. Book excerpt: Are copies of Greek and Roman masterpieces as important as the originals they imitate?
Book Synopsis A Companion to Ancient Greek and Roman Music by : Tosca A. C. Lynch
Download or read book A Companion to Ancient Greek and Roman Music written by Tosca A. C. Lynch and published by John Wiley & Sons. This book was released on 2020-07-08 with total page 564 pages. Available in PDF, EPUB and Kindle. Book excerpt: A COMPANION TO ANCIENT GREEK AND ROMAN MUSIC A comprehensive guide to music in Classical Antiquity and beyond Drawing on the latest research on the topic, A Companion to Ancient Greek and Roman Music provides a detailed overview of the most important issues raised by the study of ancient Greek and Roman music. An international panel of contributors, including leading experts as well as emerging voices in the field, examine the ancient 'Art of the Muses' from a wide range of methodological, theoretical, and practical perspectives. Written in an engaging and accessible style, this book explores the pervasive presence of the performing arts in ancient Greek and Roman culture—ranging from musical mythology to music theory and education, as well as archaeology and the practicalities of performances in private and public contexts. But this Companion also explores the broader roles played by music in the Graeco-Roman world, examining philosophical, psychological, medical and political uses of music in antiquity, and aspects of its cultural heritage in Mediaeval and Modern times. This book debunks common myths about Greek and Roman music, casting light on yet unanswered questions thanks to newly discovered evidence. Each chapter includes a discussion of the tools or methodologies that are most appropriate to address different topics, as well as detailed case studies illustrating their effectiveness. This book Offers new research insights that will contribute to the future developments of the field, outlining new interdisciplinary approaches to investigate the importance of performing arts in the ancient world and its reception in modern culture Traces the history and development of ancient Greek and Roman music, including their Near Eastern roots, following a thematic approach Showcases contributions from a wide range of disciplines and international scholarly traditions Examines the political, social and cultural implications of music in antiquity, including ethnicity, regional identity, gender and ideology Presents original diagrams and transcriptions of ancient scales, rhythms, and extant scores that facilitate access to these vital aspects of ancient music for scholars as well as practicing musicians Written for a broad range of readers including classicists, musicologists, art historians, and philosophers, A Companion to Ancient Greek and Roman Music provides a rich, informative and thought-provoking picture of ancient music in Classical Antiquity and beyond.
Book Synopsis Aesthetic Experiences and Classical Antiquity by : Jonas Grethlein
Download or read book Aesthetic Experiences and Classical Antiquity written by Jonas Grethlein and published by Cambridge University Press. This book was released on 2017-11-02 with total page 317 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this bold book, Jonas Grethlein proposes a new dialogue between the fields of Classics and aesthetics. Ancient material, he argues, has the capacity to challenge and re-orientate current debates. Comparisons with modern art and literature help to balance the historicism of classical scholarship with transcultural theoretical critique. Grethlein discusses ancient narratives and pictures in order to explore the nature of aesthetic experience. While our responses to both narratives and pictures are vicarious, the 'as-if' on which they are premised is specifically shaped by the form of the representation. Form emerges as a key to how narratives and pictures constitute an important means of engaging with experience. Combining theoretical reflections with close readings, this book will appeal to art historians as well as to textual scholars.
Download or read book Classical Art written by Caroline Vout and published by Princeton University Press. This book was released on 2018-05-29 with total page 375 pages. Available in PDF, EPUB and Kindle. Book excerpt: How did the statues of ancient Greece wind up dictating art history in the West? How did the material culture of the Greeks and Romans come to be seen as "classical" and as "art"? What does "classical art" mean across time and place? In this ambitious, richly illustrated book, art historian and classicist Caroline Vout provides an original history of how classical art has been continuously redefined over the millennia as it has found itself in new contexts and cultures. All of this raises the question of classical art's future. What we call classical art did not simply appear in ancient Rome, or in the Renaissance, or in the eighteenth-century Academy. Endlessly repackaged and revered or rebuked, Greek and Roman artifacts have gathered an amazing array of values, both positive and negative, in each new historical period, even as these objects themselves have reshaped their surroundings. Vout shows how this process began in antiquity, as Greeks of the Hellenistic period transformed the art of fifth-century Greece, and continued through the Roman empire, Constantinople, European court societies, the neoclassical English country house, and the nineteenth century, up to the modern museum. A unique exploration of how each period of Western culture has transformed Greek and Roman antiquities and in turn been transformed by them, this book revolutionizes our understanding of what classical art has meant and continues to mean.
Book Synopsis The Classical Tradition by : Michael Silk
Download or read book The Classical Tradition written by Michael Silk and published by John Wiley & Sons. This book was released on 2013-11-13 with total page 554 pages. Available in PDF, EPUB and Kindle. Book excerpt: The classical tradition—the legacy of Ancient Greece and Rome—is a large, diverse and important field that continues to shape human endeavour and engender wide public interest. The Classical Tradition: Art, Literature, Thought presents an original, coherent and wide-ranging guide to the afterlife of Greco-Roman antiquity in later Western cultures and a ground-breaking reinterpretation of large aspects of Western culture as a whole – English-speaking, French, German and Italian – from a classical perspective. Encompassing almost two millennia of developments in art, literature, and thought, the authors provide an overview of the field, a concise point of reference, and a critical review of selected examples, from Titian to T. S. Eliot, from the hero to concepts of government. They engage in current theoretical debate on various fronts, from hermeneutics to gender. Themes explored include the Western languages and their continuing engagement with Latin and Greek; the role of translation; the intricate relationship of pagan and Christian; the ideological implications of the classical tradition; the interplay between the classical tradition and the histories of scholarship and education; the relation between high and low culture; and the myriad complex relationships—comparative, contrastive, and interactive—between art, literature, and thought themselves. Authoritative and accessible, The Classical Tradition: Art, Literature, Thought offers new insights into the powerful legacy of the ancient world from the Middle Ages and the Renaissance to the present day.
Book Synopsis Greek Aesthetic Theory by : John Gibson Warry
Download or read book Greek Aesthetic Theory written by John Gibson Warry and published by Forgotten Books. This book was released on 2017-10-22 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Excerpt from Greek Aesthetic Theory: A Study of Callistic and Aesthetic Concepts in the Works of Plato and Aristotle In planning the present work I have borne in mind that most useful things serve more than one purpose, and my purposes here are two. Firstly, it is hoped to give an in formative and well-ordered account of aesthetic and callistic concepts as they occur in the works of Plato and Aristotle. This, I believe, may be of advantage to students of modern literature, since the questions raised by the ancient philosophers have in so many instances been rally ing points for aesthetic debate and critical theory ever since. To recognize the source of long-discussed and much elaborated ideas must in itself be beneficial. Much modern] thought proves itself, on analysis, to be concerned with the? Resolution of very ancient dilemmas, and we shall understand the modern thinker better by realizing what these dilemmas are and confronting them, as it were, in their most simple and primitive form. Secondly, my object is, at a time when the value of classical studies is questioned by some educa tionists, to demonstrate how ancient aesthetics should not be thought of in isolation but boldly applied to present-day problems. I wish to present Greek notions of art and beauty not merely as primitive steps in the advance towards modern ideas but as requiring further investigation for their own sake, like an ancient mine which has not been thoroughly exploited. My classification of material, therefore, will be aimed not only at producing an easily memorable arrange ment for the student who wishes to equip himself with in formation but in exhibiting the theses and antitheses implied in the brilliant but often jumbled or scattered observations which represent the Greek contribution in this domain. The actual field of my discussion is limited designedly to the works of Plato and Aristotle; for while these two thinkers present us with a striking contrast on which scholars and critics continue to comment, contrast always implies similarity as well as difference, and there is, in these two great philosophers, a profound similarity which unites them and proves many of their differences to be comple mentary aspects of an essentially similar viewpoint. This similarity not mere chronology sets them far apart from later writers like Plotinus or Longinus, both of whom are nearer in outlook to a modern aesthetician than to a Greek thinker of the fourth century b.c. In reading the treatises of later Greek writers, especially those who wrote under the Roman Empire, one cannot help feeling that for them, as for so many critics of modern times, art had become a sub stitute for life; and indeed, if it was not a substitute for life, what purpose could it have? Neither Plato nor Aristotle had ever successfully answered this question, but neither of them ever regarded art as a legitimate substitute for life. Their staunch refusal to do so is the basis of the claim which I make for them: namely, that together they represent a single school of callistic and aesthetic philosophy. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Book Synopsis Creative Lives in Classical Antiquity by : Richard Fletcher
Download or read book Creative Lives in Classical Antiquity written by Richard Fletcher and published by Cambridge University Press. This book was released on 2016-11-21 with total page 385 pages. Available in PDF, EPUB and Kindle. Book excerpt: What happened when creative biographers took on especially creative subjects (poets, artists and others) in Greek and Roman antiquity? Creative Lives in Classical Antiquity examines how the biographical traditions of ancient poets and artists parallel the creative processes of biographers themselves, both within antiquity and beyond. Each chapter explores a range of biographical material that highlights the complexity of how readers and viewers imagine the lives of ancient creator-figures. Work in the last decades has emphasized the likely fictionality of nearly all of the ancient evidence about the lives of poets, as well as of other artists and intellectuals; this book now sets out to show what we might nevertheless still do with the rich surviving testimony for 'creative lives' - and the evidence that those traditions still shape how we narrate modern lives too.
Book Synopsis Victorian Culture and Classical Antiquity by : Simon Goldhill
Download or read book Victorian Culture and Classical Antiquity written by Simon Goldhill and published by Princeton University Press. This book was released on 2011-07-18 with total page 377 pages. Available in PDF, EPUB and Kindle. Book excerpt: How did the Victorians engage with the ancient world? Victorian Culture and Classical Antiquity is a brilliant exploration of how the ancient worlds of Greece and Rome influenced Victorian culture. Through Victorian art, opera, and novels, Simon Goldhill examines how sexuality and desire, the politics of culture, and the role of religion in society were considered and debated through the Victorian obsession with antiquity. Looking at Victorian art, Goldhill demonstrates how desire and sexuality, particularly anxieties about male desire, were represented and communicated through classical imagery. Probing into operas of the period, Goldhill addresses ideas of citizenship, nationalism, and cultural politics. And through fiction--specifically nineteenth-century novels about the Roman Empire--he discusses religion and the fierce battles over the church as Christianity began to lose dominance over the progressive stance of Victorian science and investigation. Rediscovering some great forgotten works and reframing some more familiar ones, the book offers extraordinary insights into how the Victorian sense of antiquity and our sense of the Victorians came into being. With a wide range of examples and stories, Victorian Culture and Classical Antiquity demonstrates how interest in the classical past shaped nineteenth-century self-expression, giving antiquity a unique place in Victorian culture.
