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Adepts In Self Portraiture Casanova Stendhal Tolstoy
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Book Synopsis Adepts in Self-portraiture by : Stefan Zweig
Download or read book Adepts in Self-portraiture written by Stefan Zweig and published by New York : Viking Press. This book was released on 1928 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Adepts in Self-portraiture by : Stefan Zweig
Download or read book Adepts in Self-portraiture written by Stefan Zweig and published by . This book was released on 1928 with total page 335 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Adepts in Self-portraiture by : Stefan Zweig
Download or read book Adepts in Self-portraiture written by Stefan Zweig and published by . This book was released on 1928 with total page 357 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Adepts Self-Protraiture: Casanova * Stendhal * Tolstoy by : Stefan Zweig
Download or read book Adepts Self-Protraiture: Casanova * Stendhal * Tolstoy written by Stefan Zweig and published by . This book was released on 1928 with total page 386 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Adepts in Self-portraiture by : Stefan Zweig
Download or read book Adepts in Self-portraiture written by Stefan Zweig and published by . This book was released on 1928 with total page 390 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Casanova, Stendhal, Tolstoy: Adepts in Self-Portraiture by : Jay Katz
Download or read book Casanova, Stendhal, Tolstoy: Adepts in Self-Portraiture written by Jay Katz and published by . This book was released on 2017 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: "Casanova, Stendhal, Tolstoy: Adepts in Self-Portraiture, the final volume of Stefan Zweig's masterful Master Builders of the Spirit trilogy, discloses the smaller version of a writer's own ego. Unconscious though it is, no reality is as important to the writer as the reality of their own life. Giacomo Casanova, Stendhal (Marie-Henri Beyle), and Leo Tolstoy have different approaches to self-portraiture, but Zweig shows that together they symbolize three levels which represent successively ascending gradations of the same creative function. Casanova is depicted as having a primitive gradation; he simply records deeds and happenings, without any attempt to appraise them or to study the deeper working of the self. Stendhal's self-portraiture is depicted as psychological; he observes himself and investigates his own feelings. Tolstoy has the highest level; he describes his own life, records what led him to his own actions, and focuses on self-reflection in a completely unexaggerated manner. At first glance it might seem as if self-portraiture is an artist's easiest task. With no further trouble than a probing of memory and a description of the facts of life, "the truth" is revealed. The history of literature shows that ordinary autobiographers are no more than commonplace witnesses testifying to facts that chance has brought to their knowledge. A practiced artist is needed to discern the innermost happenings of the soul; few who have attempted autobiography have been successful in this difficult task. The present volume expounds the characteristics of these subjectively minded artists, and of autobiography as their typical method of personal expression."--Provided by publisher.
Book Synopsis Adepts in Self-Portraiture by : Stefan Zweig
Download or read book Adepts in Self-Portraiture written by Stefan Zweig and published by . This book was released on 1983-08-01 with total page 357 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Casanova, Stendhal, Tolstoy written by and published by Transaction Publishers. This book was released on 2012-03-01 with total page 420 pages. Available in PDF, EPUB and Kindle. Book excerpt: Casanova, Stendhal, Tolstoy: Adepts in Self-Portraiture, the final volume of Stefan Zweig's masterful Master Builders of the Spirit trilogy, discloses the smaller version of a writer's own ego. Unconscious though it is, no reality is as important to the writer as the reality of their own life. Giacomo Casanova, Stendhal (Marie-Henri Beyle), and Leo Tolstoy have different approaches to self-portraiture, but Zweig shows that together they symbolize three levels which represent successively ascending gradations of the same creative function. Casanova is depicted as having a primitive gradation; he simply records deeds and happenings, without any attempt to appraise them or to study the deeper working of the self. Stendhal's self-portraiture is depicted as psychological; he observes himself and investigates his own feelings. Tolstoy has the highest level; he describes his own life, records what led him to his own actions, and focuses on self-reflection in a completely unexaggerated manner. At first glance it might seem as if self-portraiture is an artist's easiest task. With no further trouble than a probing of memory and a description of the facts of life, "the truth" is revealed. The history of literature shows that ordinary autobiographers are no more than commonplace witnesses testifying to facts that chance has brought to their knowledge. A practiced artist is needed to discern the innermost happenings of the soul; few who have attempted autobiography have been successful in this difficult task. The present volume expounds the characteristics of these subjectively minded artists, and of autobiography as their typical method of personal expression.
Download or read book Tolstoy written by Rosamund Bartlett and published by Houghton Mifflin Harcourt. This book was released on 2011 with total page 581 pages. Available in PDF, EPUB and Kindle. Book excerpt: Born into an aristocratic family, Tolstoy had spent his life rebelling not only against conventional ideas about literature and art but also against traditional education, family life, organized religion, and the state. In this exceptional biography, Bartlett delivers an eloquent portrait of the brilliant, maddening, and contrary man who has been discovered by a new generation of readers.
Book Synopsis New Essays on Tolstoy by : Malcolm Jones
Download or read book New Essays on Tolstoy written by Malcolm Jones and published by Cambridge University Press. This book was released on 2011-03-03 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of essays focuses on Tolstoy's writing, thinking and translation problems to commemorate his 150th year of his birth.
Book Synopsis Meyer Schapiro: Portrait of an Art Historian by : Helen Epstein
Download or read book Meyer Schapiro: Portrait of an Art Historian written by Helen Epstein and published by Plunkett Lake Press. This book was released on 2019-08-18 with total page 6 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the only profile available of art historian Meyer Schapiro (1904-1996). A polymath, revered for his extraordinary scholarship and teaching, he championed medieval studies, modern masters like Matisse and Picasso and artists of his own time. His lectures at Columbia and the New School attracted overflow crowds of students and artists. "Sometimes he was so brilliant that he seemed almost insane to me; he seemed to see more than there actually was — he heard voices," Anatole Broyard recalled in his memoir, Kafka Was the Rage. Some of Schapiro's art history essays are available to students but, for decades, he refused to be interviewed. In 1982, Milton Esterow, editor of ARTnews was able to persuade the reticent art historian to sit for a portrait. The result was this two-part profile that appeared inARTnews.
Download or read book Self Impression written by Max Saunders and published by OUP Oxford. This book was released on 2010-04-22 with total page 608 pages. Available in PDF, EPUB and Kindle. Book excerpt: I am aware that, once my pen intervenes, I can make whatever I like out of what I was.' Paul Valéry, Moi. Modernism is often characterized as a movement of impersonality; a rejection of auto/biography. But most of the major works of European modernism and postmodernism engage in very profound and central ways with questions about life-writing. Max Saunders explores the ways in which modern writers from the 1870s to the 1930s experimented with forms of life-writing - biography, autobiography, memoir, diary, journal - increasingly for the purposes of fiction. He identifies a wave of new hybrid forms from the late nineteenth century and uses the term 'autobiografiction' - discovered in a surprisingly early essay of 1906 - to provide a fresh perspective on turn-of-the-century literature, and to propose a radically new literary history of Modernism. Saunders offers a taxonomy of the extraordinary variety of experiments with life-writing, demonstrating how they arose in the nineteenth century as the pressures of secularization and psychological theory disturbed the categories of biography and autobiography, in works by authors such as Pater, Ruskin, Proust, 'Mark Rutherford', George Gissing, and A. C. Benson. He goes on to look at writers experimenting further with autobiografiction as Impressionism turns into Modernism, juxtaposing detailed and vivacious readings of key Modernist texts by Joyce, Stein, Pound, and Woolf, with explorations of the work of other authors - including H. G. Wells, Henry James, Joseph Conrad, Ford Madox Ford, and Wyndham Lewis - whose experiments with life-writing forms are no less striking. The book concludes with a consideration of the afterlife of these fascinating experiments in the postmodern literature of Nabokov, Lessing, and Byatt. Self Impression sheds light on a number of significant but under-theorized issues; the meanings of 'autobiographical', the generic implications of literary autobiography, and the intriguing relation between autobiography and fiction in the period.
Download or read book Balzac written by Stefan Zweig and published by Plunkett Lake Press. This book was released on 2019-08-09 with total page 450 pages. Available in PDF, EPUB and Kindle. Book excerpt: Zweig devoted ten years of research and writing to Balzac, which he regarded as his crowning achievement. This late work reads like a picaresque novel, with Balzac’s quest for “a woman with a fortune” and recurrent episodes of the author chasing an elusive pot of gold driving the story. This biography of one classic author by another is filled with Zweig’s characteristic psychological insights. He portrays the energy and “exuberance of imagination” that produced some two thousand characters in La comédie humaine, as well as the daily details of the coffee-chugging writer’s life, his manic writing schedule, method of correcting proofs, dealing with publishers and reviewers, signing contracts, doing marketing and publicity. Balzac blends biography and literary history in a highly readable volume that will teach you French cultural history as you laugh out loud. “[Balzac] is sure to entertain, instruct and charm ... It is a work of art, ... alive with the teeming life of its model ... It is true both to facts and to the more elusive psychological and spiritual truth of a man who ... has remained one of the most mysterious of great creators.” – Henri Peyre, Sterling professor of French Literature, Yale University, The New York Times
Book Synopsis The Struggle with the Daemon: Hölderlin, Kleist, Nietzsche by : Stefan Zweig
Download or read book The Struggle with the Daemon: Hölderlin, Kleist, Nietzsche written by Stefan Zweig and published by Plunkett Lake Press. This book was released on 2019-08-15 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: Stefan Zweig’s literary portraits of three tormented giants of German literature, Friedrich Hölderlin, Heinrich von Kleist, and Friedrich Nietzsche, contrasts them with Goethe who was anchored in place by profession, home and family. For Zweig, “everyone whose nature excels the commonplace, everyone whose impulses are creative, wrestles inevitably with his daemon” which Zweig describes as “the incorporation of that tormenting leaven which impels our being ... towards danger, immoderation, ecstasy, renunciation and even self-destruction.” In these essays, Zweig depicts the tragic and sublime lifelong struggle by three great creative minds with their respective daemons.
Book Synopsis Married to Stefan Zweig by : Friderike Zweig
Download or read book Married to Stefan Zweig written by Friderike Zweig and published by Plunkett Lake Press. This book was released on 2019-08-15 with total page 234 pages. Available in PDF, EPUB and Kindle. Book excerpt: An essential companion piece to Stefan Zweig's classic The World of Yesterday, this memoir addresses many of the questions that this internationally celebrated author raised but did not answer. A professional journalist and researcher in her own right who first encountered Zweig in 1908, Friderike threads her story between what Zweig called the Scylla of "exaggerated candor" and the Charybdis of self-love. She paints a detailed portrait of her famous husband from his birth into a wealthy Jewish family in late 19th century Vienna to his suicide (with his second wife) in Brazil in 1942. Married to Stefan Zweig, first published in 1946 under the title Stefan Zweig, provides a thorough overview of the writer's poems, plays, stories, biographies, essays and articles, his work habits, and his relations with editors, publishers, friends, mentors and protégés. Friderike also illuminates facets of the tumultuous context of political and social upheaval in which Zweig worked during his years in Salzburg and London. Married to Stefan Zweig is among the very small number of women’s memoirs from 20th century Central Europe and an unusual portrait of a marriage anywhere, anytime.
Book Synopsis Mental Healers: Franz Anton Mesmer, Mary Baker Eddy, Sigmund Freud by : Stefan Zweig
Download or read book Mental Healers: Franz Anton Mesmer, Mary Baker Eddy, Sigmund Freud written by Stefan Zweig and published by Plunkett Lake Press. This book was released on 2019-08-16 with total page 342 pages. Available in PDF, EPUB and Kindle. Book excerpt: This Plunkett Lake Press eBook is produced by arrangement with Viking, an imprint of Penguin Publishing Group, a division of Penguin Random House LLC. “Health is natural; sickness is unnatural: at least so it seems to man,” is how Stefan Zweig begins his fascinating, often entertaining examinations of Franz Anton Mesmer, Mary Baker Eddy, and Sigmund Freud. “Bodily suffering is not assuaged by technical manipulation but through an act of faith.” Mental Healers is dedicated to Albert Einstein, the scientist who had won the Nobel Prize for Physics in 1921. It first appeared in 1931 as Die Heilung durch den Geist, orHealing Through the Spirit, a title that anticipates our current interest in alternative medicine and the placebo effect. Zweig’s first healer, Franz Anton Mesmer (1734-1815), was a German physician who introduced “animal magnetism” to the world. Viewed by many as a charlatan, he died an outcast before he could properly understand and explain his discovery. Zweig’s second healer, Mary Baker Eddy (1821-1910), was a New England matron who found her vocation only in middle age. She established Christian Science, an American Protestant system of religious practice that rejects medical intervention, when she was almost 60. Zweig’s third healer, Sigmund Freud (1856-1939), was the Viennese Jewish physician who founded psychoanalysis. Zweig, who knew Freud and delivered a eulogy at his funeral, describes Freud’s then-new ideas with the insight of an artist who lived in the same time and place. Fluently written and psychologically astute, Mental Healers is compelling cultural history and a valuable window onto the genesis of new ideas in healing. “Mesmer, Eddy and Freud were critical figures alerting the modern world to the influences of the mental and emotional on health and illness. Their impact was tremendous and Zweig's classic study provides a wonderful opportunity to engage with these significant innovators.” — Ted Kaptchuk, Professor of Medicine, Harvard Medical School, Director, Program in Placebo Studies & Therapeutic Encounter
Download or read book Mary Stuart written by Stefan Zweig and published by Plunkett Lake Press. This book was released on 2019-08-09 with total page 269 pages. Available in PDF, EPUB and Kindle. Book excerpt: Mary, Queen of Scots (1542–1587), also known as Mary Stuart or Mary I of Scotland, reigned over Scotland from 14 December 1542 to 24 July 1567. Mary, the only surviving legitimate child of James V of Scotland, was six days old when her father died and she acceded to the throne. She spent most of her childhood in France while Scotland was ruled by regents, and in 1558, she married the Dauphin of France, Francis. He ascended the French throne as King Francis II in 1559, and Mary briefly became queen consort of France, until his death in December 1560. Widowed, Mary returned to Scotland, arriving in Leith on 19 August 1561. Four years later, she married her first cousin, Henry Stuart, Lord Darnley, but their union was unhappy. In February 1567, his residence was destroyed by an explosion, and Darnley was found murdered in the garden. James Hepburn, 4th Earl of Bothwell, was generally believed to have orchestrated Darnley’s death, but he was acquitted of the charge in April 1567, and the following month he married Mary. Following an uprising against the couple, Mary was imprisoned in Lochleven Castle. On 24 July 1567, she was forced to abdicate in favour of James VI, her one-year-old son by Darnley. After an unsuccessful attempt to regain the throne, she fled southwards seeking the protection of her first cousin once removed, Queen Elizabeth I of England. Mary had previously claimed Elizabeth’s throne as her own and was considered the legitimate sovereign of England by many English Catholics, including participants in a rebellion known as the Rising of the North. Perceiving her as a threat, Elizabeth had her confined in various castles and manor houses in the interior of England. After eighteen and a half years in custody, Mary was found guilty of plotting to assassinate Elizabeth in 1586 and was beheaded the following year. “The story has all the emotional savor of a crime passionnel; it is adroitly worked up to a climax of violence and calamity, and it subsides as skillfully to an end of tragic pity... With his talent for simple exposition on a large scale, his sense of drama, his ready flow of emotion, his inventiveness in detail of the moments of his character’s life, his resources of metaphor, parallel and illustration, and his rich psychological adornment of human life, Herr Zweig has no difficulty in reducing his material into its essential drama... whatever Mary’s story, and we shall never know, Zweig’s book has every right to be set down as one of the most brilliant guesses at the truth, and it is an amazing piece of virtuosity to plunge her into the blackest of guilt, and then restore her to our sympathy and pity.” — Peter Munro Jack, The New York Times “Mr. Zweig... is not a historian but... a litterateur practising biography as a branch of letters. The distinction is not derogatory... It... is the clue to the strength and weakness of the book. The litterateur borrows from the craft and exercises some of the liberty of the novelist. He is interested in character and psychology and indulges in imaginative reconstruction more freely than the historian who is forever... haunted by the words, ‘We do not know.’... [Zweig] makes a real person of Mary, a convincing portrait, and there is sympathetic understanding even when he is presenting her as the accomplice of her lover, Bothwell, in the murder of Darnley. Needless to say the style is remarkably easy and readable... [C]riticism would be unjust to the brilliant qualities of Mr. Zweig’s book, and though I hope that all he says will not be taken for gospel truth, I am certain of the pleasure he will give to his readers. There are many descriptive passages to be scored and many sentences that one would give a great deal to have written. The whole book goes with the swing of a novel. The translation is beyond praise.” — J. E. Neale, The Saturday Review