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A Century Of French Painting
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Book Synopsis Nineteenth Century French Art by : Sébastien Allard
Download or read book Nineteenth Century French Art written by Sébastien Allard and published by Flammarion-Pere Castor. This book was released on 2007 with total page 466 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the nineteenth century, France experienced an unprecedented growth in the visual arts, and Paris was its center. French art became a universally accepted benchmark, spreading its many ground-breaking developments -- the radicalism of Impressionism and Post-Impressionism, the daring of Art Nouveau, and the innovations of Haussman's new urban landscape -- far beyond its borders, and in return receiving numerous influences from broad. During this extraordinary rich and productive period, French art also benefited from the synthesis of the past with the innovations of the present, resulting in an artistic output whose legacy is still being felt today. This chronological history, richly illustrated and recounted by experts from France's preeminent museums, charts the growth of this fruitful -- and revolutionary -- period in the history of world art. -- From publisher's description.
Book Synopsis America Collects Eighteenth-century French Painting by : Yuriko Jackall
Download or read book America Collects Eighteenth-century French Painting written by Yuriko Jackall and published by Lund Humphries Publishers Limited. This book was released on 2017 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The exhibition is organized by the National Gallery of Art, Washington."
Book Synopsis French Paintings of the Nineteenth Century: Before impressionism by : Lorenz Eitner
Download or read book French Paintings of the Nineteenth Century: Before impressionism written by Lorenz Eitner and published by Princeton University Press. This book was released on 2000 with total page 440 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the newest volume in the National Gallery of Art's Systematic Catalogue, a series that presents and describes the Gallery's holdings of painting, sculpture, photographs, and decorative arts. This richly illustrated volume includes the work of such early nineteenth century French painters as Ingres, Courbet, Gericault, Delacroix, and Millet.
Book Synopsis The Academy and French Painting in the Nineteenth Century by : Albert Boime
Download or read book The Academy and French Painting in the Nineteenth Century written by Albert Boime and published by . This book was released on 1986 with total page 330 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Using words and works of both pupils and masters of the French Academy of Beaux-Arts, this fascinating book provides a wealth of information about the environment and studio practices of French official art from 1830 to 1890. Albert Boime describes the training of new pupils in the Academic ateliers, from the time they began and were set to copy engravings and casts to their copying of the old masters in the Louvre to their work before the live model and landscape painting out-of-doors. Boime's account includes not only a history of the transition from guild-controlled arts sanctioned by the church to an academic system sponsored by the state but also a reassessment of the positive role played by the Academy's teaching program in the evolution of the independent movements of the nineteenth century"--Publisher's description.
Book Synopsis Painting the Prehistoric Body in Late Nineteenth-Century France by : Shalon Parker
Download or read book Painting the Prehistoric Body in Late Nineteenth-Century France written by Shalon Parker and published by Rowman & Littlefield. This book was released on 2018-11-19 with total page 185 pages. Available in PDF, EPUB and Kindle. Book excerpt: In late nineteenth-century France, when Charles Darwin’s theories of evolution had finally begun to permeate French culture and society, several academic artists turned to a relatively new sub-genre of history painting, the prehistoric-themed subject. This artistic interest in Darwin’s theories was manifested as paintings and sculptures of prehistoric humanity engaged in physical conflict with each other or other animals, struggling for food, or hunting—all nineteenth-century popular understandings of “survival of the fittest.” This book examines how this sub-genre captured the imagination of French Salon painters from the 1880s to early 1900s, in particular that of Fernand Cormon (1845–1924), one of the foremost academic painters during the final quarter of the nineteenth century. A central argument of this book concerns the unique interpretation of prehistoric humanity that Cormon visualized in his paintings. While the vast majority of prehistoric-themed images made by his salon colleagues focused on violence, combat, and sexual conquest, Cormon’s paintings depict a conflict-free humanity, in which collaboration and cooperation dominate, rather than physical struggle. This study probes the French intellectual understanding and appropriation of Darwin’s theories and considers how the French (mis)translation of The Origin of Species by Clémence-Auguste Royer, the first French translator of the text—along with Neo-Lamarckism and republican ideology in Third Republic France—may have collectively shaped Cormon’s representation of early humanity. The art press overwhelmingly favored Cormon’s visualization of the prehistoric world over that of his Salon peers. Through extended analysis of the art criticism concerning Cormon’s work, Shalon Parker argues that critics’ very clear preference for Cormon’s paintings was rooted in their awareness that he utilized the sub-genre of the prehistoric as a forum in which to reimagine and revive academic figurative painting at a time when the critical reception of Salon art had reached its nadir. Additionally, this study provides a broad overview of the visual models, in particular the anthropological and ethnographic texts and imagery, most readily available to Cormon as sources for shaping his vision of the prehistoric world.
Book Synopsis French Genre Painting in the Eighteenth Century by : Philip Conisbee
Download or read book French Genre Painting in the Eighteenth Century written by Philip Conisbee and published by Ngw-Stud Hist Art. This book was released on 2007 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Fifteen international scholars present their latest research into the contexts and meanings of French genre painting of the eighteenth century, from Jean-Antoine Watteau to Louis-Leopold Boilly. The essays represent a wide range of critical and historical perspectives, from traditional archival research to postructuralist criticism."--Page 4 de la couverture
Book Synopsis French Art of the Eighteenth Century by : Heather Eleanor MacDonald
Download or read book French Art of the Eighteenth Century written by Heather Eleanor MacDonald and published by Yale University Press. This book was released on 2016-01-01 with total page 193 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Since 2004, the Dallas Museum of Art has been the repository of the renowned collection of eighteenth-century French art assembled by the late Michael Rosenberg. The long-term loan of these masterpieces greatly enhances the collection of European art at the Museum, and the series of scholarly lectures funded by the Foundation, the Michael L. Rosenberg Lecture Series, gives a powerful boost to its European art program. Those lectures, presented by top scholars in the field of European art history, are re-presented in this volume"--
Book Synopsis French Paintings of the Fifteenth Through the Eighteenth Century by : National Gallery of Art (U.S.)
Download or read book French Paintings of the Fifteenth Through the Eighteenth Century written by National Gallery of Art (U.S.) and published by Princeton University Press. This book was released on 2009 with total page 556 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This illustrated book, written by leading scholars and the result of years of research and technical analysis, catalogues nearly one hundred paintings, from works by Francois Clouet in the sixteenth century to paintings by Elisabeth Louise Vigee Le Brun in the eighteenth. All these works are explored in detailed, readable entries that will appeal as much to the general art lover as to the specialist." --Book Jacket.
Book Synopsis French Painting in the Seventeenth Century by : Alain Mérot
Download or read book French Painting in the Seventeenth Century written by Alain Mérot and published by Yale University Press. This book was released on 1995-01-01 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: Recent studies and exhibitions, combined with the discovery of work by hitherto little-known artists have enabled Merot to take a fresh look at the period and to suggest a new configuration. The great names of the period - Poussin, Vouet, Le Sueur, de La Tour, Mignard - are located in relation to other developments. Merot includes discussion of the impact of contemporary literature and political, philosophical and social influences. The foundation of the Royal Academy of Painting in 1648, and the influence of Mazarin on artistic developments are considered with other issues of status, patronage and connoisseurship. The book provides a panorama of the period; the text is profusely illustrated in colour, and accompanied by a comprehensive bibliography.
Book Synopsis Art in Literature, Literature in Art in 19th Century France by : Emilie Sitzia
Download or read book Art in Literature, Literature in Art in 19th Century France written by Emilie Sitzia and published by Cambridge Scholars Publishing. This book was released on 2011-12-08 with total page 315 pages. Available in PDF, EPUB and Kindle. Book excerpt: The traditional relationship between painting and literature underwent a profound change in nineteenth-century France. Painting progressively asserted its independence from literature as it liberated itself from narrative obligations whilst interrogating the concept of subject matter itself. Simultaneously the influence of art on the writing styles of authors increased and the character of the artist established itself as a recurring motif in French literature. This book offers a panoramic review of the relationship between art and literature in nineteenth-century France. By means of a series of case studies chosen from key moments throughout the nineteenth century, the aim of this study is to provide a focused analysis of specific examples of this relationship, revealing both its multifaceted nature as well as offering a panorama of the development of this on-going and increasingly complex cultural relationship. From Jacques Louis David’s irreverence for classical texts to Victor Hugo’s graphic works, from Edouard Manet’s illustrations to Vincent Van Gogh’s paintings of books, from Honoré de Balzac’s Unknown Masterpiece to Joris-Karl Huysmans’s A Rebours, this interdisciplinary investigation of the links between literature and art in France throws new light on both fields of creative endeavour during a critical phase of France’s cultural history.
Book Synopsis Painting in Eighteenth-century France by : Philip Conisbee
Download or read book Painting in Eighteenth-century France written by Philip Conisbee and published by Ithaca, N.Y. : Cornell University Press. This book was released on 1981 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis French Eighteenth-century Painters by : Edmond de Goncourt
Download or read book French Eighteenth-century Painters written by Edmond de Goncourt and published by . This book was released on 1948 with total page 418 pages. Available in PDF, EPUB and Kindle. Book excerpt: Donated: Margaret A. Bailey Art Collection.
Book Synopsis France in the Golden Age by : Pierre Rosenberg
Download or read book France in the Golden Age written by Pierre Rosenberg and published by Metropolitan Museum of Art. This book was released on 1982 with total page 420 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis A Century of French Painting, 1400-1500 by : Grete Ring
Download or read book A Century of French Painting, 1400-1500 written by Grete Ring and published by . This book was released on 1979 with total page 251 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Shapely Bodies by : Christine A. Jones
Download or read book Shapely Bodies written by Christine A. Jones and published by Rutgers University Press. This book was released on 2013-05-16 with total page 315 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shapely Bodies: The Image of Porcelain in Eighteenth-Century France constructs the first cultural history of porcelain making in France. It takes its title from two types of “bodies” treated in this study: the craft of porcelain making shaped clods of earth into a clay body to produce high-end commodities and the French elite shaped human bodies into social subjects with the help of makeup, stylish patterns, and accessories. These practices crossed paths in the work of artisans, whose luxury objects reflected and also influenced the curves of fashion in the eighteenth century. French artisans began trials to reproduce fine Chinese porcelain in the 1660s. The challenge proved impossible until they found an essential ingredient, kaolin, in French soil in the 1760s. Shapely Bodies differs from other studies of French porcelain in that it does not begin in the 1760s at the Sèvres manufactory when it became technically possible to produce fine porcelain in France, but instead ends there. Without the secret of Chinese porcelain, artisans in France turned to radical forms of experimentation. Over the first half of the eighteenth century, they invented artificial alternatives to Chinese porcelain, decorated them with French style, and, with equal determination, shaped an identity for their new trade that distanced it from traditional guild-crafts and aligned it with scientific invention. The back story of porcelain making before kaolin provides a fascinating glimpse into the world of artisanal innovation and cultural mythmaking. To write artificial porcelain into a history of “real” porcelain dominated by China, Japan, and Meissen in Saxony, French porcelainiers learned to describe their new commodity in language that tapped into national pride and the mythic power of French savoir faire. Artificial porcelain cut such a fashionable image that by the mid-eighteenth century, Louis XV appropriated it for the glory of the crown. When the monarchy ended, revolutionaries reclaimed French porcelain, the fruit of a century of artisanal labor, for the Republic. Tracking how the porcelain arts were depicted in documents and visual arts during one hundred years of experimentation, Shapely Bodies reveals the politics behind the making of French porcelain’s image. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
Book Synopsis French Painters and Paintings from the Fourteenth Century to Post-impressionism by : Gerd Muehsam
Download or read book French Painters and Paintings from the Fourteenth Century to Post-impressionism written by Gerd Muehsam and published by New York : Ungar. This book was released on 1970 with total page 700 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Work of Art written by Anthea Callen and published by Reaktion Books. This book was released on 2015-02-15 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt: In The Work of Art, Anthea Callen analyzes the self-portraits, portraits of fellow artists, photographs, prints, and studio images of prominent nineteenth-century French Impressionist painters, exploring the emergence of modern artistic identity and its relation to the idea of creative work. Landscape painting in general, she argues, and the “plein air” oil sketch in particular were the key drivers of change in artistic practice in the nineteenth century—leading to the Impressionist revolution. Putting the work of artists from Courbet and Cézanne to Pissaro under a microscope, Callen examines modes of self-representation and painting methods, paying particular attention to the painters’ touch and mark-making. Using innovative methods of analysis, she provides new and intriguing ways of understanding material practice within its historical moment and the cultural meanings it generates. Richly illustrated with 180 color and black-and-white images, The Work of Art offers fresh insights into the development of avant-garde French painting and the concept of the modern artist.
