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A Bibliographical List Of Plays In The French Language 1700 1789
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Book Synopsis A Checklist of New Plays and Entertainments on the London Stage, 1700-1737 by : William J. Burling
Download or read book A Checklist of New Plays and Entertainments on the London Stage, 1700-1737 written by William J. Burling and published by Fairleigh Dickinson Univ Press. This book was released on 1992 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: An extensive index includes play titles and subtitles, playwrights, and related scholars.
Book Synopsis A Critical Bibliography of French Literature V4 18th C by :
Download or read book A Critical Bibliography of French Literature V4 18th C written by and published by Syracuse University Press. This book was released on with total page 452 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis A Critical Bibliography of French Literature V4 18th C Supplement by : Richard A. Brooks
Download or read book A Critical Bibliography of French Literature V4 18th C Supplement written by Richard A. Brooks and published by Syracuse University Press. This book was released on with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Reading Drama in Eighteenth-Century France by : Thomas Wynn
Download or read book Reading Drama in Eighteenth-Century France written by Thomas Wynn and published by Oxford University Press. This book was released on 2024-01-10 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reading Drama in Eighteenth-Century France is the first book-length study of how plays were read in eighteenth-century France and, relatedly, of closet drama: excessive plays that cannot be performed within the playhouse's confines and which thus appeal to the reader's imagination. This period in France was characterized by 'théâtromanie', a craze that encompassed the page as well as the stage. The book's first part surveys the historical context in which plays were read and offers a theoretical model for understanding this practice. The eighteenth-century closet was valued as a privileged site of reading. Although scholars routinely present this room as a place of calm reflection, Thomas Wynn develops a framework (derived in part from queer theory) to argue that it fosters passionate and disruptive pleasures that elude the coercive normativity of the playhouse. To explore the multipositional experience of reading plays in this period, Wynn turns to the journal Mercure de France, whose extensive reviews help us to think about geographies of reading, coercion, and autonomy. The second part examines how dramatists exploited the critical, imaginative, and formal potential of the reading experience. It offers close analysis of several closet plays: comedies depicting the dispute between Jesuits and Jansenists in the 1730s; Hénault's historical drama François II, roi de France (1747); and erotic plays from the end of the period. The study concludes with an account of Rétif de La Bretonne's Le Drame de la vie (1793)—an extreme and arguably unsurpassed example of closet drama. Ultimately, this book shows, closet drama is not failed theatre but rather an indisputable part of the lively, passionate, and combative theatrical culture of eighteenth-century France.
Book Synopsis French 'Classical' Theatre Today by :
Download or read book French 'Classical' Theatre Today written by and published by BRILL. This book was released on 2021-11-01 with total page 337 pages. Available in PDF, EPUB and Kindle. Book excerpt: Arising from the activities of the Centre for Seventeenth-Century French Theatre, this volume proposes a selection of eighteen essays by internationally renowned scholars aimed at all those who value and work with the theatre of seventeenth-century France, whether in teaching, research or performance. Frequently seeking out the interfaces of these areas, the essays cover historiography (including that of opera), the theory and practice of textual editing, visualizing – in terms of both theatre architecture and the significance of playtext illustration - , approaches to study and research (including the most recent applications of computer technology), and performance studies which relate the classical canon to contemporary French and other cultures. Always suggesting new directions, challenging the epistemological bases of the very concept of French classical theatre, the essays provide a snapshot of scholarship in the field at the dawn of a new millennium, and offer an ideal opportunity to reassess its past whilst looking to its future.
Download or read book Pagodas in Play written by Adrienne Ward and published by Bucknell University Press. This book was released on 2010 with total page 233 pages. Available in PDF, EPUB and Kindle. Book excerpt: Pagodas in Play analyzes the treatment of China in the imaginative and spectacular world of eighteenth-century Italian opera. It shows how Italians used perceptions of Chinese culture to address local and transnational developments, particularly Enlightenment and secular reform initiatives. Its focus on the texts and performance practices of opera, an entertainment form accessible to a wide public, reveals cultural operations and identities harder to detect in non-fictional reformist writings, the texts traditionally privileged to explain Italian mediations of Enlightenment ideas. In its close reading of nine libretti of the most salient Settecento operas treating China (opere serie and opere buffe by authors including Metastasio, Zeno, Goldoni and Lorenzi), Pagodas in Play differentiates Italian iterations of Chinese culture from French and English counterparts. It further challenges certain tenets of orientalism, showing how it operates when nationalist and/or colonialist projects are absent, and how orientalist practices in eighteenth-century Italy exhibit early on the complexity some scholars locate only in the twentieth century. Adrienne Ward teaches Italian literature and culture at the University of Virginia.
Book Synopsis A Reference Guide for English Studies by : Michael J. Marcuse
Download or read book A Reference Guide for English Studies written by Michael J. Marcuse and published by Univ of California Press. This book was released on 2023-11-10 with total page 2816 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis English Literature, Volume 2 by : Louis A. Landa
Download or read book English Literature, Volume 2 written by Louis A. Landa and published by Princeton University Press. This book was released on 2015-12-08 with total page 721 pages. Available in PDF, EPUB and Kindle. Book excerpt: Two volumes containing the annual bibliographies of 18th century scholarship published in the Philological Quarterly. "An excellent aid to the student of 18th century literature."—Saturday Review. Volume 2, 1939-1950, includes consolidated index for both volumes. Originally published in 1952. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Book Synopsis "Art, Theatre, and Opera in Paris, 1750-1850 " by : Richard Wrigley
Download or read book "Art, Theatre, and Opera in Paris, 1750-1850 " written by Richard Wrigley and published by Routledge. This book was released on 2017-07-05 with total page 492 pages. Available in PDF, EPUB and Kindle. Book excerpt: Art, Theatre, and Opera in Paris, 1750-1850: Exchanges and Tensions maps some of the many complex and vivid connections between art, theatre, and opera in a period of dramatic and challenging historical change, thereby deepening an understanding of familiar (and less familiar) artworks, practices, and critical strategies in the eighteenth and nineteenth centuries. Throughout this period, new types of subject matter were shared, fostering both creative connections and reflection on matters of decorum, legibility, pictorial, and dramatic structure. Correspondances were at work on several levels: conception, design, and critical judgement. In a time of vigorous social, political, and cultural contestation, the status and role of the arts and their interrelation came to be a matter of passionate public scrutiny. Scholars from art history, French theatre studies, and musicology trace some of those connections and clashes, making visible the intimately interwoven and entangled world of the arts. Protagonists include Diderot, Sedaine, Jacques-Louis David, Ignace-Eug?-Marie Degotti, Marie Malibran, Paul Delaroche, Casimir Delavigne, Marie Dorval, the 'Bleeding Nun' from Lewis's The Monk, the Com?e-Fran?se and Etienne-Jean Del?uze.
Book Synopsis Michel-Jean Sedaine (1719-1797) by : David Charlton
Download or read book Michel-Jean Sedaine (1719-1797) written by David Charlton and published by Taylor & Francis. This book was released on 2019-01-15 with total page 491 pages. Available in PDF, EPUB and Kindle. Book excerpt: Originally published in 2000, this book highlights the interst Sedaine's life and work is now, belatedly, provoking in many scholarly disciplines. If Sedaine speaks today to literary history, theatre history and opera studies, it is because he possessed a multivalent vision, one which accounts for both his past neglect and is present rediscovery. Like many others, he believed that the established, 'official' genres needed to be reformed; unlike many, he made it his business to transform the actual language and operation of the theatre arts he practised. Until late eighteenth-century opera and drama in France become better understood, Sedaine's immense importance for the development of Romantic opera and theatre risks remaining generally concealed; to reveal something of this importance is one main reason for publishing the present volume. This book includes chapters on Sedaine and the question of genre, the representation of the female in the dramas of Sedaine, and the words, gestures and other signs in the era of Sedaine.
Book Synopsis Goldoni in Paris by : Jessica Goodman
Download or read book Goldoni in Paris written by Jessica Goodman and published by Oxford University Press. This book was released on 2017-03-24 with total page 347 pages. Available in PDF, EPUB and Kindle. Book excerpt: The thirty years Carlo Goldoni spent in Paris hold an ambiguous place in his career. The preface to his autobiography explicitly draws attention to France as the site of his authorial glory, but elsewhere he dismisses his work for the Parisian Comédie-Italienne as a failure, and this view has come to dominate modern readings of his French experience. This study sets out to explore this apparent contradiction. By reading Goldoni's own contemporary and subsequent accounts through the lens of his context as a dramatic author in 1760s Paris, Jessica Goodman sheds new light on both his experience and critical reactions to that experience. A key part of this contextualisation is an examination of contemporary Comédie-Italienne archives, resulting in the most comprehensive existing account of this oft-neglected theatre and its authorial relations in the period. When material and artistic conditions at the Comédie-Italienne thwarted the self-fashioning strategies Goldoni had developed in Italy, he turned his attention to other areas of French life; notably the court and the Comédie-Française. Yet despite relative success in this regard, his career as an eclectic homme de lettres was lost in translation to posterity. In his French Mémoires, he constructed the claim of Parisian glory according to an out-dated understanding of what it meant to succeed in the French literary field, focusing predominantly on the power of Comédie-Française success. Ultimately, this construction was a failure: in modern France, Goldoni is remembered as a famous foreigner, not the consecrated French littérateur he believed he had become.
Book Synopsis The Contested Parterre by : Jeffrey S. Ravel
Download or read book The Contested Parterre written by Jeffrey S. Ravel and published by Cornell University Press. This book was released on 2018-09-05 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the playhouses of eighteenth-century France, clerks and students, soldiers and merchants, and the occasional aristocrat stood in the pit, while the majority of the elite sat in loges. These denizens of the parterre, who accounted for up to two-thirds of the audience, were given to disruptive behavior that culminated in full-scale riots in the last years before the Revolution. Offering a commoner's eye view of the drama offstage, this fascinating history of French theater audiences clearly demonstrates how problems in the parterre reflected tensions at the heart of the Old Regime.Jeffrey S. Ravel vividly depicts the scene in the parterre where the male spectators occupied themselves shoving one another, drinking, urinating, and confronting the actors with critiques of the performance. He traces the futile efforts of the Bourbon Court—and later its Enlightened opponents—to control parterre behavior by both persuasion and force. Ravel describes how the parterre came to represent a larger, more politicized notion of the public, one that exposed the inability of the government to accommodate the demands of French citizens. An important contribution to debates on the public sphere, Ravel's book is the first to explore the role of the parterre in the political culture of eighteenth-century France.
Book Synopsis Popular Opera in Eighteenth-Century France by : David Charlton
Download or read book Popular Opera in Eighteenth-Century France written by David Charlton and published by Cambridge University Press. This book was released on 2021-12-16 with total page 393 pages. Available in PDF, EPUB and Kindle. Book excerpt: A major re-orientation in understanding opera, exploring musical comedies with spoken dialogue previously excluded from historical accounts.
Book Synopsis The Sentimental Theater of the French Revolution by : Cecilia Feilla
Download or read book The Sentimental Theater of the French Revolution written by Cecilia Feilla and published by Routledge. This book was released on 2016-03-03 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: Smoothly blending performance theory, literary analysis, and historical insights, Cecilia Feilla explores the mutually dependent discourses of feeling and politics and their impact on the theatre and theatre audiences during the French Revolution. Remarkably, the most frequently performed and popular plays from 1789 to 1799 were not the political action pieces that have been the subject of much literary and historical criticism, but rather sentimental dramas and comedies, many of which originated on the stages of the Old Regime. Feilla suggests that theatre provided an important bridge from affective communities of sentimentality to active political communities of the nation, arguing that the performance of virtue on stage served to foster the passage from private emotion to public virtue and allowed groups such as women, children, and the poor who were excluded from direct political participation to imagine a new and inclusive social and political structure. Providing close readings of texts by, among others, Denis Diderot, Collot d'Herbois, and Voltaire, Feilla maps the ways in which continuities and innovations in the theatre from 1760 to 1800 set the stage for the nineteenth century. Her book revitalizes and enriches our understanding of the significance of sentimental drama, showing that it was central to the way that drama both shaped and was shaped by political culture.
Book Synopsis French Drama of the Revolutionary Years by : Graham E. Rodmell
Download or read book French Drama of the Revolutionary Years written by Graham E. Rodmell and published by Taylor & Francis. This book was released on 2023-03-31 with total page 205 pages. Available in PDF, EPUB and Kindle. Book excerpt: French Drama of the Revolutionary Years (1990) examines the years following the Revolution which saw an explosion both in the number of theatres and in the number of dramatic representations written and performed. It describes this turbulent period of theatre history, placing it firmly within the context of French social and political life, and illustrating the discussion with examinations of contemporary texts. It focuses on the political and philosophical themes of the plays, and the light they throw on events of the time.
Book Synopsis Musical Theatre at the Court of Louis XIV by : Rebecca Harris-Warrick
Download or read book Musical Theatre at the Court of Louis XIV written by Rebecca Harris-Warrick and published by Cambridge University Press. This book was released on 2005-09-29 with total page 364 pages. Available in PDF, EPUB and Kindle. Book excerpt: Le Mariage de la Grosse Cathos, a short ballet performed at the court of Louis XIV, is of major importance to the study of French Baroque dance. This facsimile reproduction of the entire manuscript is accompanied by a comprehensive study of the work itself and the context in which it was created and performed. Dated 1688, it provides a wealth of new and detailed information on numerous aspects of theatrical dance. It differs from the known choreographic sources in many respects, the two most important being the completeness of all its components--choreography, music, and text--and the use of a previously unknown dance notation system.
Book Synopsis French Opera 1730-1830: Meaning and Media by : David Charlton
Download or read book French Opera 1730-1830: Meaning and Media written by David Charlton and published by Taylor & Francis. This book was released on 2024-10-28 with total page 390 pages. Available in PDF, EPUB and Kindle. Book excerpt: The majority of these collected essays date from 1992 onwards, three of them having been specially expanded for this volume. Drawing on recent archival research and new musicological theory, they investigate distinctive qualities in French opera from early opéra comique to early grand opera. ’Media’ is interpreted in terms of both narrative systems and practical theatre resources. One group of essays identifies narrative systems in ’minuet-scenes’, in the diegetic romance, and in special uses of musical motives. Another group concerns the theory and æsthetics of opera, in which uses of metaphor help us interpret audience reception. A third group focuses on orchestral and staging practices, brought together in a new theory of the 'melodrama model’ linking various genres from the 1780s with the world of the 1820s. French opera’s relation with literature and politics is a continuing theme, explored in writings on prison scenes, Ossian, and public-private dramaturgy in grand opera. David Charlton has written widely on French music and opera topics for over 25 years. The selection of his articles presented here focuses on the period 1730-1830 when Paris was a hotbed of influential ideas in music and music theatre, with many of these ideas taken up by foreign composers. This volume assesses the French contribution to the development of Classical and Romantic styles and genres which has hitherto not received the attention it deserves.
