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100 American Independent Films
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Book Synopsis 100 American Independent Films by : Jason Wood
Download or read book 100 American Independent Films written by Jason Wood and published by Bloomsbury Publishing. This book was released on 2019-07-25 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt: This revised and updated new edition provides a guide to 100 of the most interesting and influential American independent films, from Bonnie and Clyde to Junebug by way of Reservoir Dogs and The Blair With Project with an introduction to the genre and a rich selection of images from the films discussed, plus key credits.
Book Synopsis Contemporary American Independent Film by : Chris Holmlund
Download or read book Contemporary American Independent Film written by Chris Holmlund and published by Psychology Press. This book was released on 2005 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: This anthology addresses the salient aesthetic, ideological and economic determinants of independent American cinema over the past three decades.
Book Synopsis American Independent Cinema by : Geoff King
Download or read book American Independent Cinema written by Geoff King and published by Bloomsbury Publishing. This book was released on 2014-09-08 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: The independent sector has produced many of the most distinctive films to have appeared in the US in recent decades. From 'Sex, Lies and Videotape' in the 1980s to 'The Blair Witch Project' and New Queer Cinema in the 1990s and the ultra-low budget digital video features of the 2000s, indie films have thrived, creating a body of work that stands out from the dominant Hollywood mainstream. But what exactly is 'independent' cinema? This, the first book to examine the question in detail, argues that independence can be defined partly in industry terms but also according to formal and aesthetic strategies and by distinctive attitudes towards social and political issues, suggesting that independence is a dynamic rather than a fixed quality. Chapters focus on distribution and relationships with Hollywood studios; narrative ('Clerks' and 'Slacker' to 'Pulp Fiction', 'Magnolia' and 'Memento') and other formal dimensions (from 'Blair Witch's' 'authenticity' to expressive and stylized camerawork and editing in work from Harmony Korine to the Coen brothers); approaches to genre and alternative socio-political visions.
Book Synopsis Cinema of Outsiders by : Emanuel Levy
Download or read book Cinema of Outsiders written by Emanuel Levy and published by NYU Press. This book was released on 1999-09-01 with total page 601 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Los Angeles Times Bestseller The most important development in American culture of the last two decades is the emergence of independent cinema as a viable alternative to Hollywood. Indeed, while Hollywood's studios devote much of their time and energy to churning out big-budget, star-studded event movies, a renegade independent cinema that challenges mainstream fare continues to flourish with strong critical support and loyal audiences. Cinema of Outsiders is the first and only comprehensive chronicle of contemporary independent movies from the late 1970s up to the present. From the hip, audacious early works of maverick David Lynch, Jim Jarmusch, and Spike Lee, to the contemporary Oscar-winning success of indie dynamos, such as the Coen brothers (Fargo), Quentin Tarentino (Pulp Fiction), and Billy Bob Thornton (Sling Blade), Levy describes in a lucid and accessible manner the innovation and diversity of American indies in theme, sensibility, and style. Documenting the socio-economic, political and artistic forces that led to the rise of American independent film, Cinema of Outsiders depicts the pivotal role of indie guru Robert Redford and his Sundance Film Festival in creating a showcase for indies, the function of film schools in supplying talent, and the continuous tension between indies and Hollywood as two distinct industries with their own structure, finance, talent and audience. Levy describes the major cycles in the indie film movement: regional cinema, the New York school of film, African-American, Asian American, gay and lesbian, and movies made by women. Based on exhaustive research of over 1,000 movies made between 1977 and 1999, Levy evaluates some 200 quintessential indies, including Choose Me, Stranger Than Paradise, Blood Simple, Blue Velvet, Desperately Seeking Susan, Slacker, Poison, Reservoir Dogs, Gas Food Lodging, Menace II Society, Clerks, In the Company of Men, Chasing Amy, The Apostle, The Opposite of Sex, and Happiness. Cinema of Outsiders reveals the artistic and political impact of bold and provocative independent movies in displaying the cinema of "outsiders"-the cinema of the "other America."
Book Synopsis The Rough Guide to American Independent Film by : Jessica Winter
Download or read book The Rough Guide to American Independent Film written by Jessica Winter and published by . This book was released on 2006 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt: This guide gives the lowdown on maverick filmmaking, from sleazy exploitation flicks and satirical documentaries to chilling horror movies and quirky suburban dramas.
Book Synopsis 100 American Independent Films by : Jason Wood
Download or read book 100 American Independent Films written by Jason Wood and published by Bloomsbury Publishing. This book was released on 2019-07-25 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: This revised and updated new edition provides a guide to 100 of the most interesting and influential American independent films, from Bonnie and Clyde to Junebug by way of Reservoir Dogs and The Blair With Project with an introduction to the genre and a rich selection of images from the films discussed, plus key credits.
Book Synopsis Independent Filmmaking Around the Globe by : Doris Baltruschat
Download or read book Independent Filmmaking Around the Globe written by Doris Baltruschat and published by University of Toronto Press. This book was released on 2015-05-04 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: Independent Filmmaking around the Globe calls attention to the significant changes taking place in independent cinema today, as new production and distribution technology and shifting social dynamics make it more and more possible for independent filmmakers to produce films outside both the mainstream global film industry and their own national film systems. Identifying and analyzing the many complex forces that shape the production and distribution of feature films, the authors detail how independent filmmakers create work that reflects independent voices and challenges political, economic, and cultural constraints. With chapters on the under-explored cinemas of Greece, Turkey, Iraq, China, Malaysia, Peru, and West Africa, as well as traditional production centres such as the United States, the United Kingdom, Canada, and Australia, Independent Filmmaking around the Globe explores how contemporary independent filmmaking increasingly defines the global cinema of our time.
Download or read book Not Hollywood written by Sherry B. Ortner and published by Duke University Press. This book was released on 2013-02-27 with total page 349 pages. Available in PDF, EPUB and Kindle. Book excerpt: The pioneering anthropologist Sherry B. Ortner combines her trademark ethnographic expertise with critical film interpretation to explore the independent film scene in New York and Los Angeles since the late 1980s. Not Hollywood is both a study of the lived experience of that scene and a critical examination of America as seen through the lenses of independent filmmakers. Based on interviews with scores of directors and producers, Ortner reveals the culture and practices of indie filmmaking, including the conviction of those involved that their films, unlike Hollywood movies, are "telling the truth" about American life. These films often illuminate the dark side of American society through narratives about the family, the economy, and politics in today's neoliberal era. Offering insightful interpretations of many of these films, Ortner argues that during the past three decades independent American cinema has functioned as a vital form of cultural critique.
Book Synopsis The Independent Film Producers Survival Guide: A Business and Legal Sourcebook by : Gunnar Erickson
Download or read book The Independent Film Producers Survival Guide: A Business and Legal Sourcebook written by Gunnar Erickson and published by Schirmer Trade Books. This book was released on 2011-08-01 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this comprehensive guidebook, three experienced entertainment lawyers tell you everything you need to know to produce and market an independent film from the development process to deal making, financing, setting up the production, hiring directors and actors, securing location rights, acquiring music, calculating profits, digital moving making, distribution, and marketing your movie.
Book Synopsis American Independent Cinema by : Geoff King
Download or read book American Independent Cinema written by Geoff King and published by Bloomsbury Publishing. This book was released on 2014-09-08 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: The independent sector has produced many of the most distinctive films to have appeared in the US in recent decades. From 'Sex, Lies and Videotape' in the 1980s to 'The Blair Witch Project' and New Queer Cinema in the 1990s and the ultra-low budget digital video features of the 2000s, indie films have thrived, creating a body of work that stands out from the dominant Hollywood mainstream. But what exactly is 'independent' cinema? This, the first book to examine the question in detail, argues that independence can be defined partly in industry terms but also according to formal and aesthetic strategies and by distinctive attitudes towards social and political issues, suggesting that independence is a dynamic rather than a fixed quality. Chapters focus on distribution and relationships with Hollywood studios; narrative ('Clerks' and 'Slacker' to 'Pulp Fiction', 'Magnolia' and 'Memento') and other formal dimensions (from 'Blair Witch's' 'authenticity' to expressive and stylized camerawork and editing in work from Harmony Korine to the Coen brothers); approaches to genre and alternative socio-political visions.
Download or read book Off-Hollywood written by David M. Rosen and published by Grove Press. This book was released on 1990 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt: Provides information on how to make and distribute independent productions, and gives examples of different styles, budgets, and financial arrangements used
Book Synopsis American Independent 2 by : John Berra
Download or read book American Independent 2 written by John Berra and published by . This book was released on 2013 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: American independent cinema has undergone several incarnations since its emergence as a politically charged underground movement in the 1960s. Today, with high-profile Academy Award nominations and an increasing number of big-name actors eager to sign on to promising projects, these films garner more interest than ever before. This book extends its chronicle of the independent sector s rise as an outlet for directors who both challenge the status quo and enjoy considerable box office appeal, without sacrificing critical legitimacy. This book includes one hundred and fifty reviews of significant American independent films, ranging from such cult classics as Faces, My Hustler, and Supervixens to recent releases like Drive, Mysterious Skin, and Win Win. At a time when independent films are enjoying considerable cultural cachet, this easy-to-use yet authoritative guide will find an eager audience among media historians, film studies scholars, and movie buffs alike.
Book Synopsis US Independent Film After 1989 by : Claire Perkins
Download or read book US Independent Film After 1989 written by Claire Perkins and published by Edinburgh University Press. This book was released on 2015-02-27 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Looking beyond the directors and works that have branded indie discourse in the 1990s and 2000s, US Independent Film After 1989: Possible Films attends to a group of 20 texts that have not been so fully subsumed by existing critical and promotional rhetoric. Through individual studies of films including All the Real Girls, The Exploding Girl, Laurel Canyon, Jesus' Son, Old Joy, Primer and You Can Count on Me, leading cinema scholars consider how notions of indie practice, poetics and politics can be opened up to account for a larger body of work than the dominant canon admits. With particular attention to female directors, this innovative and comprehensive book explores the central tenets of indie scholarship while simultaneously emphasising the classifying processes that can limit it."--Quatrième de couverture.
Book Synopsis American Independent Cinema by : Geoff King
Download or read book American Independent Cinema written by Geoff King and published by Routledge. This book was released on 2013 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: Edited and written by leading authors in the field, this book offers an examination of American independent cinema through four sections that range in focus from broad definitions to close focus on particular manifestations of independence.
Book Synopsis Celluloid Mavericks by : Greg Merritt
Download or read book Celluloid Mavericks written by Greg Merritt and published by Da Capo Press. This book was released on 1999-12-31 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: Celluloid Mavericks: A History of American Independent Filmmaking documents this rich history, showing what it meant to be "independent" in the 1930s and what it means today. Author Greg Merritt distinguishes between indie and semi-indie productions, explores the genres represented under the independent umbrella, and addresses the question of what makes a movie independent -- its "spirit" or the budget backing the production. From one-reel flicks at the turn of the century to the blockbusters of the ‘90s, Celluloid Mavericks takes readers on a fascinating tour of the industry.
Book Synopsis Indie Film Producing by : Suzanne Lyons
Download or read book Indie Film Producing written by Suzanne Lyons and published by Taylor & Francis. This book was released on 2012 with total page 261 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 2012. Routledge is an imprint of Taylor & Francis, an informa company.
Download or read book Indie written by Michael Z. Newman and published by Columbia University Press. This book was released on 2011-04-04 with total page 421 pages. Available in PDF, EPUB and Kindle. Book excerpt: America's independent films often seem to defy classification. Their strategies of storytelling and representation range from raw, no-budget projects to more polished releases of Hollywood's "specialty" divisions. Yet understanding American indies involves more than just considering films. Filmmakers, distributors, exhibitors, festivals, critics, and audiences all shape the art's identity, which is always understood in relation to the Hollywood mainstream. By locating the American indie film in the historical context of the "Sundance-Miramax" era (the mid-1980s to the end of the 2000s), Michael Z. Newman considers indie cinema as an alternative American film culture. His work isolates patterns of character and realism, formal play, and oppositionality and the functions of the festivals, art houses, and critical media promoting them. He also accounts for the power of audiences to identify indie films in distinction to mainstream Hollywood and to seek socially emblematic characters and playful form in their narratives. Analyzing films such as Welcome to the Dollhouse (1996), Lost in Translation (2003), Pulp Fiction (1994), and Juno (2007), along with the work of Nicole Holofcener, Jim Jarmusch, John Sayles, Steven Soderbergh, and the Coen brothers, Newman investigates the conventions that cast indies as culturally legitimate works of art. He binds these diverse works together within a cluster of distinct viewing strategies and invites a reevaluation of the difference of independent cinema and its relationship to class and taste culture.
