War and Cinema

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Publisher : Verso Books
ISBN 13 : 1789604796
Total Pages : 180 pages
Book Rating : 4.7/5 (896 download)

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Book Synopsis War and Cinema by : Paul Virilio

Download or read book War and Cinema written by Paul Virilio and published by Verso Books. This book was released on 2020-05-05 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reveals the convergence of perception and destruction in the parallel technologies of warfare and cinema.

War and Film

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Publisher : Reaktion Books
ISBN 13 : 9781861893475
Total Pages : 284 pages
Book Rating : 4.8/5 (934 download)

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Book Synopsis War and Film by : James Chapman

Download or read book War and Film written by James Chapman and published by Reaktion Books. This book was released on 2008-06 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: About depictions of war in cinema.

War and Film in America

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Publisher : McFarland
ISBN 13 : 0786451467
Total Pages : 219 pages
Book Rating : 4.7/5 (864 download)

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Book Synopsis War and Film in America by : Marilyn J. Matelski

Download or read book War and Film in America written by Marilyn J. Matelski and published by McFarland. This book was released on 2017-10-27 with total page 219 pages. Available in PDF, EPUB and Kindle. Book excerpt: America's chief exports are war and entertainment; combined, they are the war films viewed all over the world. The film industry is a partner of the government; American film shapes the ways in which both Americans and others view war. The authors herein explore differing film perspectives across five decades. The essays, written especially for this volume, explore topics such as frontier justice, Cold War fervor, government-sponsored terrorism, the "back-to-Nam" films, films as a venue for propaganda, and war's far-reaching effects on personal values, family relationships, and general civility. The movies used in these analyses vary from conventional battle epics like Bridge on the River Kwai and The Green Berets to motion pictures with a war motif either as part of the story (The Way We Were) or as a historical setting (The Graduate). Some of the films are satirical (Dr. Strangelove); some are propagandistic (The Alamo, Big Jim McLain). Other films include Black Hawk Down, True Lies, The Deer Hunter, Patriot Games and Let There Be Light. Instructors considering this book for use in a course may request an examination copy here.

Hollywood and War, The Film Reader

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Publisher : Taylor & Francis
ISBN 13 : 1000938565
Total Pages : 464 pages
Book Rating : 4.0/5 (9 download)

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Book Synopsis Hollywood and War, The Film Reader by : J. David Slocum

Download or read book Hollywood and War, The Film Reader written by J. David Slocum and published by Taylor & Francis. This book was released on 2023-04-28 with total page 464 pages. Available in PDF, EPUB and Kindle. Book excerpt: Discussing such classic films as Sergeant York, Air Force, and All Quiet on the Western Front, as well as more modern blockbusters like Apocalypse Now and Saving Private Ryan, this outstanding volume focuses on Hollywood and its production of war films. Topics covered include: the early formation of war cinema the apotheosis of the Hollywood war film the ascendancy of ambivalence Hollywood and the war since Vietnam war as a way of seeing. For any student of film studies or American cultural studies, this is a valuable companion.

Cities and Cinema

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Publisher : Routledge
ISBN 13 : 1134219849
Total Pages : 256 pages
Book Rating : 4.1/5 (342 download)

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Book Synopsis Cities and Cinema by : Barbara Mennel

Download or read book Cities and Cinema written by Barbara Mennel and published by Routledge. This book was released on 2008-03-19 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: Films about cities abound. They provide fantasies for those who recognize their city and those for whom the city is a faraway dream or nightmare. How does cinema rework city planners’ hopes and city dwellers’ fears of modern urbanism? Can an analysis of city films answer some of the questions posed in urban studies? What kinds of vision for the future and images of the past do city films offer? What are the changes that city films have undergone? Cities and Cinema puts urban theory and cinema studies in dialogue. The book’s first section analyzes three important genres of city films that follow in historical sequence, each associated with a particular city, moving from the city film of the Weimar Republic to the film noir associated with Los Angeles and the image of Paris in the cinema of the French New Wave. The second section discusses socio-historical themes of urban studies, beginning with the relationship of film industries and individual cities, continuing with the portrayal of war torn and divided cities, and ending with the cinematic expression of utopia and dystopia in urban science fiction. The last section negotiates the question of identity and place in a global world, moving from the portrayal of ghettos and barrios to the city as a setting for gay and lesbian desire, to end with the representation of the global city in transnational cinematic practices. The book suggests that modernity links urbanism and cinema. It accounts for the significant changes that city film has undergone through processes of globalization, during which the city has developed from an icon in national cinema to a privileged site for transnational cinematic practices. It is a key text for students and researchers of film studies, urban studies and cultural studies.

World War II, Film, and History

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Author :
Publisher : Oxford University Press
ISBN 13 : 0199728739
Total Pages : 204 pages
Book Rating : 4.1/5 (997 download)

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Book Synopsis World War II, Film, and History by : John Whiteclay Chambers II

Download or read book World War II, Film, and History written by John Whiteclay Chambers II and published by Oxford University Press. This book was released on 1996-10-10 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt: The immediacy and perceived truth of the visual image, as well as film and television's ability to propel viewers back into the past, place the genre of the historical film in a special category. War films--including antiwar films--have established the prevailing public image of war in the twentieth century. For American audiences, the dominant image of trench warfare in World War I has been provided by feature films such as All Quiet on the Western Front and Paths of Glory. The image of combat in the Second World War has been shaped by films like Sands of Iwo Jima and The Longest Day. And despite claims for the alleged impact of widespread television coverage of the Vietnam War, it is actually films such as Apocalypse Now and Platoon which have provided the most powerful images of what is seen as the "reality" of that much disputed conflict. But to what degree does history written "with lightning," as Woodrow Wilson allegedly said, represent the reality of the past? To what extent is visual history an oversimplification, or even a distortion of the past? Exploring the relationship between moving images and the society and culture in which they were produced and received, World War II, Film, and History addresses the power these images have had in determining our perception and memories of war. Examining how the public memory of war in the twentieth century has often been created more by a manufactured past than a remembered one, a leading group of historians discusses films dating from the early 1930s through the early 1990s, created by filmmakers the world over, from the United States and Germany to Japan and the former Soviet Union. For example, Freda Freiberg explains how the inter-racial melodramatic Japanese feature film China Nights, in which a manly and protective Japanese naval officer falls in love with a beautiful young Chinese street waif and molds her into a cultured, submissive wife, proved enormously popular with wartime Japanese and helped justify the invasion of China in the minds of many Japanese viewers. Peter Paret assesses the historical accuracy of Kolberg as a depiction of an unsuccessful siege of that German city by a French Army in 1807, and explores how the film, released by Hitler's regime in January 1945, explicitly called for civilian sacrifice and last-ditch resistance. Stephen Ambrose contrasts what we know about the historical reality of the Allied D-Day landings in Normandy on June 6, 1944, with the 1962 release of The Longest Day, in which the major climactic moment in the film never happened at Normandy. Alice Kessler-Harris examines The Life and Times of Rosie the Riveter, a 1982 film documentary about women defense workers on the American home front in World War II, emphasizing the degree to which the documentary's engaging main characters and its message of the need for fair and equal treatment for women resonates with many contemporary viewers. And Clement Alexander Price contrasts Men of Bronze, William Miles's fine documentary about black American soldiers who fought in France in World War I, with Liberators, the controversial documentary by Miles and Nina Rosenblum which incorrectly claimed that African-American troops liberated Holocaust survivors at Dachau in World War II. In today's visually-oriented world, powerful images, even images of images, are circulated in an eternal cycle, gaining increased acceptance through repetition. History becomes an endless loop, in which repeated images validate and reconfirm each other. Based on archival materials, many of which have become only recently available, World War II, Film, and History offers an informative and a disturbing look at the complex relationship between national myths and filmic memory, as well as the dangers of visual images being transformed into "reality."

Bible and Cinema

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Publisher : Routledge
ISBN 13 : 1000557073
Total Pages : 374 pages
Book Rating : 4.0/5 (5 download)

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Book Synopsis Bible and Cinema by : Adele Reinhartz

Download or read book Bible and Cinema written by Adele Reinhartz and published by Routledge. This book was released on 2022-03-30 with total page 374 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bible and Cinema: An Introduction is a comprehensive examination of how the Bible has been used and represented in mainstream cinema to develop its plots, characters, and themes. The book considers two general types of films: Bible movies that retell biblical stories, such as the Exodus and the life of Jesus, and Bible-related movies that make use of biblical books, stories, verses, and figures, and Bibles themselves to tell non-biblical, often fictional, narratives. Topics covered include: the contribution of Bible and Bible-related movies to the history of the Bible’s reception; the ways in which filmmakers make use of scripture to address and reflect their own time and place; the Bible as a vehicle through which films can address social and political issues, reflect human experiences and emotions, explore existential issues such as evil and death, and express themes such as destruction and redemption; the role of the Bible as a source of ethics and morality, and how this role is both perpetuated and undermined in a range of contemporary Hollywood films; and film as a medium for experiences of transcendence, and the role of the Bible in creating such experiences. This thoroughly updated second edition includes insightful analysis of films such as Noah, Gods and Men, Mary Magdalene, and The Shawshank Redemption, paying attention to visual and aural elements as well as plot, character, and dialogue. The book also includes pedagogical resources including discussions of film theory, as well as key words and discussion questions. Teachers, students, and anyone interested in the intersection of Bible and cinema will find this an invaluable guide to a growing field.

The Hollywood War Film

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Publisher :
ISBN 13 : 9781783207558
Total Pages : 172 pages
Book Rating : 4.2/5 (75 download)

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Book Synopsis The Hollywood War Film by : Daniel Binns

Download or read book The Hollywood War Film written by Daniel Binns and published by . This book was released on 2017 with total page 172 pages. Available in PDF, EPUB and Kindle. Book excerpt: Combining action, violence, and deeply conflicted emotions, war has always been a topic made for the big screen. Daniel Binns considers how war has been depicted throughout the history of cinema. Looking at depictions of both world wars, the Vietnam War, and the major conflicts in the Middle East, Binns reflects on representations of war and conflict, revealing how Hollywood has made the war film more than just a genre, but a dynamic cultural phenomenon. Looking closely at films such as All Quiet on the Western Front, Full Metal Jacket, and The Hurt Locker, Binns reveals the commonalities in Hollywood films despite the distinct conflicts and eras they represent, and he shows how contemporary war films closely echo earlier films in their nationalistic and idealistic depictions. Offering a trenchant analysis of some of the most important war films from the past century, this book will be of interest to anyone who has been captivated by how film has dealt with one of humanity's most difficult, but far too common, realities.

The war that won't die

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Publisher : Manchester University Press
ISBN 13 : 1526162660
Total Pages : 212 pages
Book Rating : 4.5/5 (261 download)

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Book Synopsis The war that won't die by : David Archibald

Download or read book The war that won't die written by David Archibald and published by Manchester University Press. This book was released on 2021-06-15 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt: The war that won’t die charts the changing nature of cinematic depictions of the Spanish Civil War. In 1936, a significant number of artists, filmmakers and writers – from George Orwell and Pablo Picasso to Joris Ivens and Joan Miró – rallied to support the country’s democratically-elected Republican government. The arts have played an important role in shaping popular understandings of the Spanish Civil War and this book examines the specific role cinema has played in this process. The book’s focus is on fictional feature films produced within Spain and beyond its borders between the 1940s and the early years of the twenty-first century – including Hollywood blockbusters, East European films, the work of the avant garde in Paris and films produced under Franco’s censorial dictatorship. The book will appeal to scholars and students of Film, Media and Hispanic Studies, but also to historians and, indeed, anyone interested in why the Spanish Civil War remains such a contested political topic.

European Film Theory and Cinema

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Publisher : Indiana University Press
ISBN 13 : 9780253215055
Total Pages : 284 pages
Book Rating : 4.2/5 (15 download)

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Book Synopsis European Film Theory and Cinema by : Ian Aitken

Download or read book European Film Theory and Cinema written by Ian Aitken and published by Indiana University Press. This book was released on 2001-08 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: European Film Theory and Cinema explores the major film theories and movements within European cinema since the early 1900s. An original and critically astute study, it considers film theory within the context of the intellectual climate of the last two centuries. Ian Aitkin focuses particularly on the two major traditions that dominate European film theory and cinema: the "intuitionist modernist and realist" tradition and the "post-Saussurian" tradition. The first originates in a philosophical lineage that encompasses German idealist philosophy, romanticism, phenomenology, and the Frankfurt School. Early intuitionist modernist film culture and later theories and practices of cinematic realism are shown to be part of one continuous tradition. The post-Saussurian tradition includes semiotics, structuralism, and post-structuralism.

Cinema and Cinema-Going in Scotland, 1896-1950

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Publisher : Edinburgh University Press
ISBN 13 : 0748668055
Total Pages : 360 pages
Book Rating : 4.7/5 (486 download)

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Book Synopsis Cinema and Cinema-Going in Scotland, 1896-1950 by : Trevor Griffiths

Download or read book Cinema and Cinema-Going in Scotland, 1896-1950 written by Trevor Griffiths and published by Edinburgh University Press. This book was released on 2013-08-20 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book deals with the growth of cinema-going in Scotland in an extended scholarly manner, integrating the study of cinema into wider debates in social and economic history.

Gone with the Glory

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Publisher : Rowman & Littlefield Publishers
ISBN 13 : 1461739578
Total Pages : 257 pages
Book Rating : 4.4/5 (617 download)

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Book Synopsis Gone with the Glory by : Brian Steel Wills

Download or read book Gone with the Glory written by Brian Steel Wills and published by Rowman & Littlefield Publishers. This book was released on 2011-10-16 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: From Birth of a Nation to Cold Mountain, hundreds of directors, actors, and screenwriters have used the Civil War to create compelling cinema. However, each generation of moviemakers has resolved the tug of war between entertainment value and historical accuracy differently. Historian Brian Steel Wills takes readers on a journey through the portrayal of the war in film, exploring what Hollywood got right and wrong, how the films influenced each other, and, ultimately, how the movies reflect America's changing understandings of the conflict and of the nation.

Cinemas and Cinema-Going in the United Kingdom: Decades of Decline, 1945–65

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Author :
Publisher : University of London Press
ISBN 13 : 1912702363
Total Pages : 252 pages
Book Rating : 4.9/5 (127 download)

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Book Synopsis Cinemas and Cinema-Going in the United Kingdom: Decades of Decline, 1945–65 by : Sam Manning

Download or read book Cinemas and Cinema-Going in the United Kingdom: Decades of Decline, 1945–65 written by Sam Manning and published by University of London Press. This book was released on 2020-03-31 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cinema-going was the most popular commercial leisure activity in the first half of the twentieth century, peaking in 1946 with 1.6 billion recorded admissions. Though ‘going to the pictures’ remained a popular pastime, the transition to peacetime altered citizens’ leisure habits. During the 1950s increased affluence, the growth of television ownership and the diversification of leisure led to rapid declines in attendance. Cinema attendances fell in all regions, but the speed, nature and extent of decline varied widely across the United Kingdom. By linking national developments to detailed case studies of Belfast and Sheffield, this book adds nuance to our understanding of regional variations in film exhibition, audience habits and cinema-going experiences during a period of profound social and cultural change. Drawing on a wide range of quantitative and qualitative sources, Cinema and Cinema-Going conveys the diverse nature of this important industry, and the significance of place as a determinant of film attendance in post-war Britain.

The First World War and Popular Cinema

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Publisher :
ISBN 13 : 9780813528243
Total Pages : 267 pages
Book Rating : 4.5/5 (282 download)

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Book Synopsis The First World War and Popular Cinema by : Michael Paris

Download or read book The First World War and Popular Cinema written by Michael Paris and published by . This book was released on 1999 with total page 267 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Great War played an instrumental role in the development of cinema, so necessary was it to the mobilization efforts of the combatant nations. In turn, after the war, as memory began to fade, cinema continued to shape the war's legacy and eventually to determine the ways in which all warfare is imagined. The First World War and Popular Cinema provides fresh insight into the role of film as a historical and cultural tool. Through a comparative approach, essays by contributors from Europe, Australia, Canada, and the United States enrich our understanding of cinematic depictions of the Great War in particular and combat in general. New historical research on both the uses of propaganda and the development of national cinemas make this collection one of the first to show the ways in which film history can contribute to our study of national histories. The contributors to the volume monitor popular perceptions of the war, the reshaping of the war's legacy, and the evolution of cinematic cliches that are perpetuated in filmmaking through the century. Some of the films they discuss are All Quiet on the Western Front, Gallipoli, The Grand Illusion, The Big Parade, Battle of the Somme, J'Accuse, Regeneration, and many more. The First World War and Popular Cinema is a vital addition to film studies and history, two fields only recently united in a productive way.

First World War and Popular Cinema

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Author :
Publisher : Edinburgh University Press
ISBN 13 : 1474471528
Total Pages : 285 pages
Book Rating : 4.4/5 (744 download)

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Book Synopsis First World War and Popular Cinema by : Michael Paris

Download or read book First World War and Popular Cinema written by Michael Paris and published by Edinburgh University Press. This book was released on 2019-08-06 with total page 285 pages. Available in PDF, EPUB and Kindle. Book excerpt: This text provides a comparative analysis of how the war has been remembered in film. It looks at how national cinemas were mobilised as part of the war effort and how, subsequently, film makers shaped the memory and legacy of the war in later years.

Cycling and Cinema

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Author :
Publisher : MIT Press
ISBN 13 : 1906897999
Total Pages : 234 pages
Book Rating : 4.9/5 (68 download)

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Book Synopsis Cycling and Cinema by : Bruce Bennett

Download or read book Cycling and Cinema written by Bruce Bennett and published by MIT Press. This book was released on 2019-04-30 with total page 234 pages. Available in PDF, EPUB and Kindle. Book excerpt: A unique exploration of the history of the bicycle in cinema, from Hollywood blockbusters and slapstick comedies to documentaries, realist dramas, and experimental films. Cycling and Cinema explores the history of the bicycle in cinema from the late nineteenth century through to the present day. In this new book from Goldsmiths Press, Bruce Bennett examines a wide variety of films from around the world, ranging from Hollywood blockbusters and slapstick comedies to documentaries, realist dramas, and experimental films, to consider the complex, shifting cultural significance of the bicycle. The bicycle is an everyday technology, but in examining the ways in which bicycles are used in films, Bennett reveals the rich social and cultural importance of this apparently unremarkable machine. The cinematic bicycles discussed in this book have various functions. They are the source of absurd comedy in silent films, and the vehicles that allow their owners to work in sports films and social realist cinema. They are a means of independence and escape for children in melodramas and kids' films, and the tools that offer political agency and freedom to women, as depicted in films from around the world. In recounting the cinematic history of the bicycle, Bennett reminds us that this machine is not just a practical means of transport or a child's toy, but the vehicle for a wide range of meanings concerning individual identity, social class, nationhood and belonging, family, gender, and sexuality and pleasure. As this book shows, two hundred years on from its invention, the bicycle is a revolutionary technology that retains the power to transform the world.

The American Civil War and the Hollywood War Film

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Author :
Publisher : Springer
ISBN 13 : 1137497025
Total Pages : 194 pages
Book Rating : 4.1/5 (374 download)

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Book Synopsis The American Civil War and the Hollywood War Film by : John Trafton

Download or read book The American Civil War and the Hollywood War Film written by John Trafton and published by Springer. This book was released on 2016-04-29 with total page 194 pages. Available in PDF, EPUB and Kindle. Book excerpt: Throughout film history, war films have been in constant dialogue with both previous depictions of war and contemporary debates and technology. War films remember older war film cycles and draw upon the resources of the present day to say something new about the nature of war. The American Civil War was viscerally documented through large-scale panorama paintings, still photography, and soldier testimonials, leaving behind representational principles that would later inform the development of the war film genre from the silent era up to the present. This book explores how each of these representational modes cemented different formulas for providing war stories with emotional content.