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Book Synopsis Viewing Renaissance Art by : The Open University
Download or read book Viewing Renaissance Art written by The Open University and published by Yale University Press. This book was released on 2007-01-01 with total page 346 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book focuses on the values, priorities, and motives of patrons and the purposes and functions of art works produced north and south of the Alps and in post-Byzantine Crete. It begins by considering the social range and character of Renaissance patronage and ends with a study of Hans Holbein the Younger and the reform of religious images in Basle and England. Viewing Renaissance Art considers a wide range of audiences and patrons from the rulers of France to the poorest confraternities in Florence. The overriding premise is that art was not a neutral matter of stylistic taste but an aspect of material production in which values were invested--whether religious, cultural, social, or political.
Download or read book Italy written by Ann Morrow and published by . This book was released on 2004 with total page 311 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Renaissance Art Reconsidered: Viewing Renaissance art by : Carol M. Richardson
Download or read book Renaissance Art Reconsidered: Viewing Renaissance art written by Carol M. Richardson and published by . This book was released on 2007 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Viewer as Poet: The Renaissance Response to Art by :
Download or read book The Viewer as Poet: The Renaissance Response to Art written by and published by Penn State Press. This book was released on 1994 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt: In The Viewer as Poet, Norman Land provides the first comprehensive survey of ekphrasis in literature and art criticism from antiquity through the Renaissance. Land demonstrates, more fully than anyone has so far, that Renaissance art criticism assimilated the poetic tradition of ekphrasis while maintaining its function of analyzing works of art. Broadly speaking, the book shows that purely literary descriptions of art in poetry and prose contain a response like that found in art-critical ekphrasis. This is true in both antiquity and the Renaissance. The response to art in the elder Philostratus's Imagines, for example, is like that found in the descriptions of Apuleius and Lucian. Later Dante, Boccaccio, and Poliziano, among others, respond to imaginary works of art in their poetry in much the same way that Lorenzo Ghiberti, Aretino, and Vasari respond to real works in their writings. Land offers for the first time a synthetic description of the Renaissance response to, or experience of, art as embodied in literature, including art criticism. This book will form the basis for a deeper understanding of Renaissance art than we have now, for it provides not only a tool for viewing works of art as they were originally seen and experienced--that is, from a historical perspective--but also an outline of the tradition out of which modern writings about art grew.
Book Synopsis Somaesthetic Experience and the Viewer in Medicean Florence by : Allie Terry-Fritsch
Download or read book Somaesthetic Experience and the Viewer in Medicean Florence written by Allie Terry-Fritsch and published by Amsterdam University Press. This book was released on 2020-08-27 with total page 314 pages. Available in PDF, EPUB and Kindle. Book excerpt: Viewers in the Middle Ages and Renaissance were encouraged to forge connections between their physical and affective states when they experienced works of art. They believed that their bodies served a critical function in coming to know and make sense of the world around them, and intimately engaged themselves with works of art and architecture on a daily basis. This book examines how viewers in Medicean Florence were self-consciously cultivated to enhance their sensory appreciation of works of art and creatively self-fashion through somaesthetic experience. Mobilized as a technology for the production of knowledge with and through their bodies, viewers contributed to the essential meaning of Renaissance art and, in the process, bound them to others. By investigating the framework and practice of somaesthetic viewing of works by Benozzo Gozzoli, Donatello, Benedetto Buglioni, Giorgio Vasari, and others in fifteenth- and sixteenth-century Florence, the book approaches the viewer as a powerful tool that was used by patrons to shape identity and power in the Renaissance.
Book Synopsis Making Renaissance Art by : Kim Woods
Download or read book Making Renaissance Art written by Kim Woods and published by Yale University Press. This book was released on 2007-01-01 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores key themes in the making of Renaissance painting, sculpture, architecture, and prints: the use of specific techniques and materials, theory and practice, change and continuity in artistic procedures, conventions and values. It also reconsiders the importance of mathematical perspective, the assimilation of the antique revival, and the illusion of life. Embracing the full significance of Renaissance art requires understanding how it was made. As manifestations of technical expertise and tradition as much as innovation, artworks of this period reveal highly complex creative processes--allowing us an inside view on the vexed issue of the notion of a renaissance.
Book Synopsis Michelangelo and the Viewer in His Time by : Bernadine Barnes
Download or read book Michelangelo and the Viewer in His Time written by Bernadine Barnes and published by Reaktion Books. This book was released on 2017-04-15 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: Today most of us enjoy the work of famed Renaissance artist Michelangelo by perusing art books or strolling along the galleries of a museum—and the luckier of us have had a chance to see his extraordinary frescoes on the ceiling of the Sistine Chapel. But as Bernadine Barnes shows in this book, even a visit to a well-preserved historical sight doesn’t quite afford the experience the artist intended us to have. Bringing together the latest historical research, she offers us an accurate account of how Michelangelo’s art would have been seen in its own time. As Barnes shows, Michelangelo’s works were made to be viewed in churches, homes, and political settings, by people who brought their own specific needs and expectations to them. Rarely were his paintings and sculptures viewed in quiet isolation—as we might today in the stark halls of a museum. Instead, they were an integral part of ritual and ceremonies, and viewers would have experienced them under specific lighting conditions and from particular vantages; they would have moved through spaces in particular ways and been compelled to relate various works with others nearby. Reconstructing some of the settings in which Michelangelo’s works appeared, Barnes reassembles these experiences for the modern viewer. Moving throughout his career, she considers how his audience changed, and how this led him to produce works for different purposes, sometimes for conventional religious settings, but sometimes for more open-minded patrons. She also shows how the development of print and art criticism changed the nature of the viewing public, further altering the dynamics between artist and audience. Historically attuned, this book encourages today’s viewers to take a fresh look at this iconic artist, seeing his work as they were truly meant to be seen.
Book Synopsis Men Viewing Women as Art Objects by : Christoph E. Schweitzer
Download or read book Men Viewing Women as Art Objects written by Christoph E. Schweitzer and published by Camden House. This book was released on 1998 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: Varied images of women studied in a variety of German texts as a springboard for plot or character. A man looks at the portrait of a woman and then sets out to 'liberate'her and make her his own (Die Zauberflöte, Maria Stuart); an oldman, while looking at the picture of his youthful beloved, reminiscesabout his failedcourtship (Storm's Immensee). These are just twoof many uses of art works depicting women discussed in this book. Theart work can displace the living woman as in Hauff's 'Die Bettlerinvom Pont des Arts', in Jensen's 'Gradiva', and in Schimmang's'Intimität'. A man looking at a painting of himself (E. T. A.Hoffmann's Die Fermate) or a man looking at a sculpture comes toappreciate the beauty of the female figure, both in art and life(Stifter's Der Nachsommer). The innovative approach, which in part goes back to theories developed by Lessing in his Laokoon, yields, via a close reading of a variety of the texts, new insights into their structure and meaning.
Book Synopsis Northern Renaissance Art by : Susie Nash
Download or read book Northern Renaissance Art written by Susie Nash and published by OUP Oxford. This book was released on 2008-11-27 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book offers a wide-ranging introduction to the way that art was made, valued, and viewed in northern Europe in the age of the Renaissance, from the late fourteenth to the early years of the sixteenth century. Drawing on a rich range of sources, from inventories and guild regulations to poetry and chronicles, it examines everything from panel paintings to carved altarpieces. While many little-known works are foregrounded, Susie Nash also presents new ways of viewing and understanding the more familiar, such as the paintings of Jan van Eyck, Rogier van der Weyden, and Hans Memling, by considering the social and economic context of their creation and reception. Throughout, Nash challenges the perception that Italy was the European leader in artistic innovation at this time, demonstrating forcefully that Northern art, and particularly that of the Southern Netherlands, dominated visual culture throughout Europe in this crucial period.
Book Synopsis Locating Renaissance Art by : Carol M. Richardson
Download or read book Locating Renaissance Art written by Carol M. Richardson and published by Yale University Press. This book was released on 2007-01-01 with total page 494 pages. Available in PDF, EPUB and Kindle. Book excerpt: Renaissance art history is traditionally identified with Italian centers of production, and Florence in particular. Instead, this book explores the dynamic interchange between European artistic centers and artists and the trade in works of art. It also considers the impact of differing locations on art and artists and some of the economic, political, and cultural factors crucial to the emergence of an artistic center. During c.1420-1520, no city or court could succeed in isolation and so artists operated within a network of interests and local and international identities. The case studies presented in this book portray the Renaissance as an exciting international phenomenon, with cities and courts inextricably bound together in a web of economic and political interests.
Book Synopsis Byzantine Art and Renaissance Europe by : Angeliki Lymberopoulou
Download or read book Byzantine Art and Renaissance Europe written by Angeliki Lymberopoulou and published by Routledge. This book was released on 2016-12-05 with total page 307 pages. Available in PDF, EPUB and Kindle. Book excerpt: Byzantine Art and Renaissance Europe discusses the cultural and artistic interaction between the Byzantine east and western Europe, from the sack of Constantinople by the Fourth Crusade in 1204 to the flourishing of post-Byzantine artistic workshops on Venetian Crete during the fifteenth and sixteenth centuries and the formation of icon collections in Renaissance Italy. The contributors examine the routes by which artistic interaction may have taken place, and explore the reception of Byzantine art in western Europe, analysing why artists and patrons were interested in ideas from the other side of the cultural and religious divide. In the first chapter, Lyn Rodley outlines the development of Byzantine art in the Palaiologan era and its relations with western culture. Hans Bloemsma then re-assesses the influence of Byzantine art on early Italian painting from the point of view of changing demands regarding religious images in Italy. In the first of two chapters on Venetian Crete, Angeliki Lymberopoulou evaluates the impact of the Venetian presence on the production of fresco decorations in regional Byzantine churches on the island. The next chapter, by Diana Newall, continues the exploration of Cretan art manufactured under the Venetians, shifting the focus to the bi-cultural society of the Cretan capital Candia and the rise of the post-Byzantine icon. Kim Woods then addresses the reception of Byzantine icons in western Europe in the late Middle Ages and their role as devotional objects in the Roman Catholic Church. Finally, Rembrandt Duits examines the status of Byzantine icons as collectors’ items in early Renaissance Italy. The inventories of the Medici family and other collectors reveal an appreciation for icons among Italian patrons, which suggests that received notions of Renaissance tastes may be in need of revision. The book thus offers new perspectives and insights and re-positions late and post-Byzantine art in a broader European cultural context.
Book Synopsis Cognition and the Visual Arts by : Robert L. Solso
Download or read book Cognition and the Visual Arts written by Robert L. Solso and published by MIT Press. This book was released on 1994 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt: Applies research on how humans perceive, process and store information to the viewing and interpretation of art. The author argues that the clearest view of the mind comes from creating or experiencing art. The illustrations cover a range of examples but focus primarily on Western art.
Book Synopsis Views of Difference by : Catherine King
Download or read book Views of Difference written by Catherine King and published by Yale University Press. This book was released on 1999-01-01 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: Views of Difference: Different Views of Art is the fifth of six books in the series Art and its Histories, which form the main texts of an Open University course. The course has been designed for students who are new to the discipline but will also appeal to those who have undertaken some study in this area. This fifth volume focuses both on the creation and critique of 'western' viewpoints on art and its histories, and on the idea of cultural difference entailed in the concept of 'non-western' art.
Book Synopsis Women in Italian Renaissance Art by : Paola Tinagli
Download or read book Women in Italian Renaissance Art written by Paola Tinagli and published by Manchester University Press. This book was released on 1997-06-15 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first book which gives a general overview of women as subject-matter in Italian Renaissance painting. It presents a view of the interaction between artist and patron, and also of the function of these paintings in Italian society of the fifteenth and sixteenth centuries. Using letters, poems, and treatises, it examines through the eyes of the contemporary viewer the way women were represented in paintings.
Download or read book Renaissance Art written by Irene Earls and published by Bloomsbury Publishing USA. This book was released on 1987-11-13 with total page 366 pages. Available in PDF, EPUB and Kindle. Book excerpt: This dictionary is a quick and useful reference source for identifying and understanding the Renaissance art of Italy and northern Europe. Arranged in alphabetical sequence, the more than eight hundred entries provide basic information about topics that were common subjects in painting, sculpture, and decorative arts of the period. Additionally, entries on characteristic schools, techniques, media, and other terminology have been included as background information as well as to provide an art history vocabulary necessary for comprehending or clarifying certain topics. Supplemental information on various related topics is cross-referenced for easy access, and the reader is provided with an even more complete location of topics and other entries with see references and a subject index. As an aid to further study, a list of northern and Italian Renaissance artists, which includes life dates and nationalities, has been included. A bibliography is also provided for further reference.
Book Synopsis Women, Manuscripts and Identity in Northern Europe, 1350-1550 by : Joni M. Hand
Download or read book Women, Manuscripts and Identity in Northern Europe, 1350-1550 written by Joni M. Hand and published by Ashgate Publishing, Ltd.. This book was released on 2013-01-01 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: Author Joni M. Hand sheds light on the reasons women of the Valois courts from the mid-fourteenth to the mid-sixteenth century commissioned devotional manuscripts. Visually interpreting the non-text elements-portraits, coats of arms, and marginalia-as well as the texts, Hand explores how the manuscripts were used to express the women's religious, political, and/or genealogical concerns. This study is arranged thematically according to the method in which the owner is represented.
Book Synopsis Art and Architecture in Naples, 1266 - 1713 by : Cordelia Warr
Download or read book Art and Architecture in Naples, 1266 - 1713 written by Cordelia Warr and published by John Wiley & Sons. This book was released on 2010-05-11 with total page 193 pages. Available in PDF, EPUB and Kindle. Book excerpt: Often overshadowed by the cities of Florence and Rome inart-historical literature, this volume argues for the importance ofNaples as an artistic and cultural centre, demonstrating thebreadth and wealth of artistic experience within the city. Generously illustrated with some illustrations specificallycommissioned for this book Questions the traditional definitions of 'cultural centres'which have led to the neglect of Naples as a centre of artisticimportance A significant addition to the English-language scholarship onart in Naples
