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Urbana Songbook 1984
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Book Synopsis Urbana Songbook 1984 by : Robert Fryling
Download or read book Urbana Songbook 1984 written by Robert Fryling and published by IVP Books. This book was released on 1984 with total page 112 pages. Available in PDF, EPUB and Kindle. Book excerpt: 106 hymns, with music and guitar chords.
Download or read book Emily's Songbook written by Mark Slobin and published by A-R Editions, Inc.. This book was released on 2011-01-01 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: URL: https://www.areditions.com/rr/rrotm/otm009.html This publication is the first-ever facsimile edition of a "binder¿s volume," a personal collection of sheet music, in this case that of a nineteenth-century young woman, Emily Esperanza McKissick of Albany, New York, who must have actively used her volume with her friends and family and who became a long-lived music teacher.Essays by leading American-music specialists illuminate the general themes of this unique volume and also provide detailed information (with copious reference to period source materials) about the McKissick family, musical life in mid-century Albany, the publication history of the forty-six songs, and an analysis of the penciled annotations made by Emily on the music itself. The complete binder's volume of Emily¿s favorite songs¿some common, some rare¿is presented, cover to cover, as a photographic facsimile.
Download or read book Country Music written by Richard Carlin and published by Routledge. This book was released on 2014-02-25 with total page 532 pages. Available in PDF, EPUB and Kindle. Book excerpt: This illustrated A-Z guide covers more than 700 country music artists, groups, and bands. Articles also cover specific genres within country music as well as instruments used. Written in a lively, engaging style, the entries not only outline the careers of country music's greatest artists, they provide an understanding of the artist's importance or failings, and a feeling for his or her style. Select discographies are provided at the end of each entry, while a bibliography and indexes by instrument, musical style, genre, and song title round out the work. For a full list of entries, a generous selection of sample entries, and more, visit the Country Music: A Biographical Dictionary website.
Book Synopsis Continuum Encyclopedia of Popular Music of the World Volume 8 by : David Horn
Download or read book Continuum Encyclopedia of Popular Music of the World Volume 8 written by David Horn and published by A&C Black. This book was released on 2012-03-08 with total page 586 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Bloomsbury Encyclopedia of Popular Music Volume 8 is one of six volumes within the 'Genre' strand of the series. This volume discusses the genres of North America in relation to their cultural, historical and geographic origins; technical musical characteristics; instrumentation and use of voice; lyrics and language; typical features of performance and presentation; historical development and paths and modes of dissemination; influence of technology, the music industry and political and economic circumstances; changing stylistic features; notable and influential performers; and relationships to other genres and sub-genres. This volume features over 100 in-depth essays on genres ranging from Adult Contemporary to Alternative Rock, from Barbershop to Bebop, and from Disco to Emo.
Book Synopsis Exploring American Folk Music by : Kip Lornell
Download or read book Exploring American Folk Music written by Kip Lornell and published by Univ. Press of Mississippi. This book was released on 2012-05-29 with total page 410 pages. Available in PDF, EPUB and Kindle. Book excerpt: The perfect introduction to the many strains of American-made music
Book Synopsis Folk Songs of Middle Tennessee by : Charles K. Wolfe
Download or read book Folk Songs of Middle Tennessee written by Charles K. Wolfe and published by Univ. of Tennessee Press. This book was released on 1997 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Folk Songs of Middle Tennessee ... is superior to most collections because Boswell cast a wide net in his collecting, recording many items from people not usually thought of as folksingers, and because, unlike most collectors of his day, he was equally skilled at music and lyric transcription". -- W. K. McNeil, The Ozark Folk Center This volume brings together, for the first time, more than one hundred traditional songs from Middle Tennessee -- a region that is synonymous in the popular mind with music but one that has been curiously neglected in folksong scholarship. The songs presented here were originally collected in the late 1940s and early 1950s by George Boswell, a distinguished scholar and field researcher who died in 1995. While living in Nashville, Boswell scoured the city and surrounding counties for old ballads and folk songs. Sometimes using a wire or tape recorder, at other times employing a stenographer, he visited numerous singers and transcribed the words and tunes to hundreds of songs. Even after moving from Tennessee to assume a teaching position at the University of Mississippi, Boswell continued to work on his collection, annotating and comparing texts, and publishing occasional samples. In 1950, he noted that Tennessee, virtually alone among southern states, had no published collection of its folk songs. That has remained the case until now. The songs chosen for this book are presented with musical notation and extensive backgound notes, including biographical data on the original informants (many of whom were business and professional people) and fascinating histories of each song. A number of the songs are rare and previously uncollected; others arelocal variants of long-popular ballads. The publication of this volume -- the first major collection of southern folk songs in many years -- is not only a testament to Boswell's scholarship but a marvelous contribution to our understanding of southern folk culture and
Book Synopsis The Cowboy in Country Music by : Don Cusic
Download or read book The Cowboy in Country Music written by Don Cusic and published by McFarland. This book was released on 2011-07-29 with total page 286 pages. Available in PDF, EPUB and Kindle. Book excerpt: This series of biographical profiles shines a spotlight on that special place "Where the West meets the Guitar." From Gene Autry and Roy Rogers to contemporary artists like Michael Murphy, Red Steagall, Don Edwards and Riders in the Sky, many entertainers have performed music of the West, a genre separate from mainstream country music and yet an important part of the country music heritage. Once called "Country and Western," it is now described as "Country or Western." Though much has been written about "Country," very little has been written about "Western"--until now. Featured are a number of photos of the top stars in Western music, past and present. Also included is an extensive bibliography of works related to the Western music field.
Book Synopsis Rock Music in American Popular Culture III by : Frank Hoffmann
Download or read book Rock Music in American Popular Culture III written by Frank Hoffmann and published by Routledge. This book was released on 2014-02-04 with total page 366 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rock Music in American Popular Culture III: More Rock ’n’Roll Resources explores the fascinating world of rock music and examines how this medium functions as an expression of cultural and social identity. This nostalgic guide explores the meanings and messages behind some of the most popular rock ’n’roll songs that captured the American spirit, mirrored society, and reflected events in our history. Arranged by themes, Rock Music in American Popular Culture III examines a variety of social and cultural topics with related songs, such as: sex and censorship--“Only the Good Die Young” by Billy Joel and “Night Moves” by Bob Seger and The Silver Bullet Band holiday songs--“Rockin’Around the Christmas Tree” by Brenda Lee and “The Christmas Song” by Nat King Cole death--“Leader of the Pack” by The Shangri-Las and “The Unknown Soldier” by The Doors foolish behavior--“When a Man Loves a Woman” by Percy Sledge and “What Kind of Fool” by Barbra Streisand and Barry Gibb jobs and the workplace--“Don’t Stand So Close to Me” by The Police and “Dirty Laundry” by Don Henley military involvements--“Boogie Woogie Bugle Boy” by the Andrews Sisters and “War” by Edwin Starr novelty recordings--“The Purple People Eater” by Sheb Wooley and “Eat It” by Weird Al Yankovic letters and postal images--“P. S. I Love You” by The Beatles and “Return to Sender” by Elvis Presely In addition, a discography and a bibliography after each section give further examples of the themes and resources being discussed, as do extensive lists of print references at the end of the text.
Download or read book Songbook written by Marisa Galvez and published by University of Chicago Press. This book was released on 2012-06-19 with total page 298 pages. Available in PDF, EPUB and Kindle. Book excerpt: How medieval songbooks were composed in collaboration with the community—and across languages and societies: “Eloquent…clearly argued.”—Times Literary Supplement Today we usually think of a book of poems as composed by a poet, rather than assembled or adapted by a network of poets and readers. But the earliest European vernacular poetries challenge these assumptions. Medieval songbooks remind us how lyric poetry was once communally produced and received—a collaboration of artists, performers, live audiences, and readers stretching across languages and societies. The only comparative study of its kind, Songbook treats what poetry was before the emergence of the modern category poetry: that is, how vernacular songbooks of the thirteenth to fifteenth centuries shaped our modern understanding of poetry by establishing expectations of what is a poem, what is a poet, and what is lyric poetry itself. Marisa Galvez analyzes the seminal songbooks representing the vernacular traditions of Occitan, Middle High German, and Castilian, and tracks the process by which the songbook emerged from the original performance contexts of oral publication, into a medium for preservation, and, finally, into an established literary object. Galvez reveals that songbooks—in ways that resonate with our modern practice of curated archives and playlists—contain lyric, music, images, and other nonlyric texts selected and ordered to reflect the local values and preferences of their readers. At a time when medievalists are reassessing the historical foundations of their field and especially the national literary canons established in the nineteenth century, a new examination of the songbook’s role in several vernacular traditions is more relevant than ever.
Download or read book Big Red Songbook written by Archie Green and published by PM Press. This book was released on 2016-05-01 with total page 673 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1905, representatives from dozens of radical labor groups came together in Chicago to form One Big Union—the Industrial Workers of the World (IWW), known as the Wobblies. The union was a big presence in the labor movement, leading strikes, walkouts, and rallies across the nation. And everywhere its members went, they sang. Their songs were sung in mining camps and textile mills, hobo jungles and flop houses, and anywhere workers might be recruited to the Wobblies’ cause. The songs were published in a pocketsize tome called the Little Red Songbook, which was so successful that it’s been published continuously since 1909. In The Big Red Songbook, the editors have gathered songs from over three dozen editions, plus additional songs, rare artwork, personal recollections, discographies, and more into one big all-embracing book. IWW poets/composers strove to nurture revolutionary consciousness. Each piece, whether topical, hortatory, elegiac, or comic served to educate, agitate, and emancipate workers. A handful of Wobbly numbers have become classics, still sung by labor groups and folk singers. They include Joe Hill’s sardonic “The Preacher and the Slave” (sometimes known by its famous phrase “Pie in the Sky”) and Ralph Chaplin’s “Solidarity Forever.” Songs lost or found, sacred or irreverent, touted or neglected, serious or zany, singable or not, are here. The Wobblies and their friends have been singing for a century. May this comprehensive gathering simultaneously celebrate past battles and chart future goals. In addition to the 250+ songs, writings are included from Archie Green, Franklin Rosemont, David Roediger, Salvatore Salerno, Judy Branfman, Richard Brazier, James Connell, Carlos Cortez, Bill Friedland, Virginia Martin, Harry McClintock, Fred Thompson, Adam Machado, and many more.
Download or read book Folk written by Richard Carlin and published by Infobase Publishing. This book was released on 2005 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: Presents brief entries covering the history, significant artists, styles and influence of folk music.
Book Synopsis The Garland Encyclopedia of World Music by : Ruth M. Stone
Download or read book The Garland Encyclopedia of World Music written by Ruth M. Stone and published by Routledge. This book was released on 2017-09-25 with total page 3969 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Garland Encyclopedia of World Music is a ten-volume reference work, organized geographically by continent to represent the musics of the world in nine volumes. The tenth volume houses reference tools and descriptive information about the encyclopedia’s structure, criteria for inclusion and other information specific to the field of ethnomusicology. An award-winning reference, its contributions are from top researchers around the world who were active in fieldwork and from key institutions with programs in ethnomusicology. GEWM has become a familiar acronym, and it remains highly revered for its scholarship, uncontested in being the sole encompassing reference work with a broad survey of world music. More than 9,000 pages, with musical illustrations, photographs and drawings, it is accompanied by 300+ audio examples.
Book Synopsis How the West Was Sung by : Kathryn M. Kalinak
Download or read book How the West Was Sung written by Kathryn M. Kalinak and published by Univ of California Press. This book was released on 2007-09-17 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: James Stewart once said, "For John Ford, there was no need for dialogue. The music said it all." This lively, accessible study is the first comprehensive analysis of Ford's use of music in his iconic westerns. Encompassing a variety of critical approaches and incorporating original archival research, Kathryn Kalinak explores the director's oft-noted predilection for American folk song, hymnody, and period music. What she finds is that Ford used music as more than a stylistic gesture. In fascinating discussions of Ford's westerns—from silent-era features such as Straight Shooting and The Iron Horse to classics of the sound era such as My Darling Clementine and The Searchers —Kalinak describes how the director exploited music, and especially song, in defining the geographical and ideological space of the American West.
Book Synopsis The Cultural Front by : Michael Denning
Download or read book The Cultural Front written by Michael Denning and published by Verso. This book was released on 1998 with total page 596 pages. Available in PDF, EPUB and Kindle. Book excerpt: As garment workers, longshoremen, autoworkers, sharecroppers and clerks took to the streets, striking and organizing unions in the midst of the Depression, artists, writers and filmmakers joined the insurgent social movement by creating a cultural front. Disney cartoonists walked picket lines, and Billie Holiday sand 'Strange Fruit' at the left-wing cabaret, Café Society. Duke Ellington produced a radical musical, Jump for Joy, New York garment workers staged the legendary Broadway revue Pins and Needles, and Orson Welles and his Mercury players took their labor operas and anti-fascist Shakespeare to Hollywood and made Citizen Kane. A major reassessment of US cultural history, The Cultural Front is a vivid mural of this extraordinary upheaval which reshaped American culture in the twentieth century.
Book Synopsis The North American Folk Music Revival: Nation and Identity in the United States and Canada, 1945–1980 by : Gillian Mitchell
Download or read book The North American Folk Music Revival: Nation and Identity in the United States and Canada, 1945–1980 written by Gillian Mitchell and published by Routledge. This book was released on 2016-02-17 with total page 259 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work represents the first comparative study of the folk revival movement in Anglophone Canada and the United States and combines this with discussion of the way folk music intersected with, and was structured by, conceptions of national affinity and national identity. Based on original archival research carried out principally in Toronto, Washington and Ottawa, it is a thematic, rather than general, study of the movement which has been influenced by various academic disciplines, including history, musicology and folklore. Dr Gillian Mitchell begins with an introduction that provides vital context for the subject by tracing the development of the idea of 'the folk', folklore and folk music since the nineteenth century, and how that idea has been applied in the North American context, before going on to examine links forged by folksong collectors, artists and musicians between folk music and national identity during the early twentieth century. With the 'boom' of the revival in the early sixties came the ways in which the movement in both countries proudly promoted a vision of nation that was inclusive, pluralistic and eclectic. It was a vision which proved compatible with both Canada and America, enabling both countries to explore a diversity of music without exclusiveness or narrowness of focus. It was also closely linked to the idealism of the grassroots political movements of the early 1960s, such as integrationist civil rights, and the early student movement. After 1965 this inclusive vision of nation in folk music began to wane. While the celebrations of the Centennial in Canada led to a re-emphasis on the 'Canadianness' of Canadian folk music, the turbulent events in the United States led many ex-revivalists to turn away from politics and embrace new identities as introspective singer-songwriters. Many of those who remained interested in traditional folk music styles, such as Celtic or Klezmer music, tended to be very insular and conservative in their approach, rather than linking their chosen genre to a wider world of folk music; however, more recent attempts at 'fusion' or 'world' music suggest a return to the eclectic spirit of the 1960s folk revival. Thus, from 1945 to 1980, folk music in Canada and America experienced an evolving and complex relationship with the concepts of nation and national identity. Students will find the book useful as an introduction, not only to key themes in the folk revival, but also to concepts in the study of national identity and to topics in American and Canadian cultural history. Academic specialists will encounter an alternative perspective from the more general, broad approach offered by earlier histories of the folk revival movement.
Book Synopsis Proust's Songbook by : Jennifer Rushworth
Download or read book Proust's Songbook written by Jennifer Rushworth and published by University of Pennsylvania Press. This book was released on 2024-06-25 with total page 345 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Proust’s Songbook, Jennifer Rushworth analyzes and theorizes the presence and role of songs in Marcel Proust’s novel À la recherche du temps perdu (In Search of Lost Time). Instead of focusing on instrumental music and large-scale forms such as symphonies and opera, as is common in Proust musical studies, Rushworth argues for the centrality of songs and lyrics in Proust’s opus. Her work analyzes the ways in which the author inserted songs at key turning points in his novel and how he drew inspiration from contemporary composers and theorists of song. Rushworth presents detailed readings of five moments of song in À la recherche du temps perdu, highlighting the songs’ significance by paying close attention to their lyrics, music, composers, and histories. Rushworth interprets these episodes through theoretical reflections on song and voice, drawing particularly from the works of Reynaldo Hahn and Roland Barthes. She argues that songs in Proust’s novel are connected and resonate with one another across the different volumes yet also shows how song for Proust is a solo, amateur, and intimate affair. In addition, she points to Proust’s juxtapositions of songs with meditations on the notion of “mauvaise musique” (bad music) to demonstrate the existence of a blurred boundary between songs that are popular and songs that are art. According to Rushworth, a song for Proust has a special relation to repetition and memory due to its typical brevity and that song itself becomes a mode of resistance in À la Recherche—especially on the part of characters in the face of family and familial expectations. She also defines the songs in Proust’s novel as songs of farewell—noting that to sing farewell is a means to resist the very parting that is being expressed—and demonstrates how songs, in formal terms, resist the forward impetus of narrative.
Book Synopsis James Joyce and Absolute Music by : Michelle Witen
Download or read book James Joyce and Absolute Music written by Michelle Witen and published by Bloomsbury Publishing. This book was released on 2018-02-22 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawing on draft manuscripts and other archival material, James Joyce and Absolute Music, explores Joyce's deep engagement with musical structure, and his participation in the growing modernist discourse surrounding 19th-century musical forms. Michelle Witen examines Joyce's claim of having structured the “Sirens” episode of his masterpiece, Ulysses, as a fuga per canonem, and his changing musical project from his early works, such as Dubliners and A Portrait of the Artist as a Young Man. Informed by a deep understanding of music theory and history, the book goes on to consider the “pure music” of Joyce's final work, Finnegans Wake. Demonstrating the importance of music to Joyce, this ground-breaking study reveals new depths to this enduring body of work.