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Theories Of Art Today
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Book Synopsis Theories of Art Today by : Noël Carroll
Download or read book Theories of Art Today written by Noël Carroll and published by Univ of Wisconsin Press. This book was released on 2000 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: What is art? The contributors to Theories of Art Today address the assertion that the term “art” no longer holds meaning. They explore a variety of issues including: aesthetic and institutional theories of art, feminist perspectives on the philosophy of art, the question of whether art is a cluster concept, and the relevance of tribal art to philosophical aesthetics. Contributors to this book include such distinguished philosophers and historians as Arthur Danto, Joseph Margolis, and George Dickie.
Book Synopsis Theories of Modern Art by : Herschel Browning Chipp
Download or read book Theories of Modern Art written by Herschel Browning Chipp and published by Univ of California Press. This book was released on 1968 with total page 692 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Twentieth Century Theories of Art by : James Matheson Thompson
Download or read book Twentieth Century Theories of Art written by James Matheson Thompson and published by McGill-Queen's Press - MQUP. This book was released on 1990 with total page 572 pages. Available in PDF, EPUB and Kindle. Book excerpt: Includes selections from major writers on various approaches to art theory, for example Freud, Jung, Marx, Heidegger.
Download or read book All About Process written by Kim Grant and published by Penn State Press. This book was released on 2017-02-28 with total page 283 pages. Available in PDF, EPUB and Kindle. Book excerpt: In recent years, many prominent and successful artists have claimed that their primary concern is not the artwork they produce but the artistic process itself. In this volume, Kim Grant analyzes this idea and traces its historical roots, showing how changing concepts of artistic process have played a dominant role in the development of modern and contemporary art. This astute account of the ways in which process has been understood and addressed examines canonical artists such as Monet, Cézanne, Matisse, and De Kooning, as well as philosophers and art theorists such as Henri Focillon, R. G. Collingwood, and John Dewey. Placing “process art” within a larger historical context, Grant looks at the changing relations of the artist’s labor to traditional craftsmanship and industrial production, the status of art as a commodity, the increasing importance of the body and materiality in art making, and the nature and significance of the artist’s role in modern society. In doing so, she shows how process is an intrinsic part of aesthetic theory that connects to important contemporary debates about work, craft, and labor. Comprehensive and insightful, this synthetic study of process in modern and contemporary art reveals how artists’ explicit engagement with the concept fits into a broader narrative of the significance of art in the industrial and postindustrial world.
Book Synopsis Art in Theory 1815-1900 by : Charles Harrison
Download or read book Art in Theory 1815-1900 written by Charles Harrison and published by Wiley-Blackwell. This book was released on 1998-03-16 with total page 1128 pages. Available in PDF, EPUB and Kindle. Book excerpt: Art in Theory 1648-1815 provides a wide-ranging and comprehensive collection of documents on the theory of art from the founding of the French Academy until the end of the Napoleonic Wars.
Book Synopsis Nineteenth-century Theories of Art by : Joshua Charles Taylor
Download or read book Nineteenth-century Theories of Art written by Joshua Charles Taylor and published by Univ of California Press. This book was released on 1987 with total page 584 pages. Available in PDF, EPUB and Kindle. Book excerpt: This unique and extraordinarily rich collection of writings offers a thematic approach to understanding the various theories of art that illumined the direction of nineteenth-century artists as diverse as Tommaso Minardi and Georges Seurat. It is significant that during the nineteenth century most artists felt compelled to found their artistic practice on a consciously established premise.
Book Synopsis The Return of the Real by : Hal Foster
Download or read book The Return of the Real written by Hal Foster and published by MIT Press. This book was released on 1996-09-25 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: In The Return of the Real Hal Foster discusses the development of art and theory since 1960, and reorders the relation between prewar and postwar avant-gardes. Opposed to the assumption that contemporary art is somehow belated, he argues that the avant-garde returns to us from the future, repositioned by innovative practice in the present. And he poses this retroactive model of art and theory against the reactionary undoing of progressive culture that is pervasive today. After the models of art-as-text in the 1970s and art-as-simulacrum in the 1980s, Foster suggests that we are now witness to a return to the real—to art and theory grounded in the materiality of actual bodies and social sites. If The Return of the Real begins with a new narrative of the historical avant-gard, it concludes with an original reading of this contemporary situation—and what it portends for future practices of art and theory, culture and politics.
Download or read book What Art Is written by Michelle Kamhi and published by Open Court. This book was released on 2016-05-26 with total page 450 pages. Available in PDF, EPUB and Kindle. Book excerpt: What is art? The arts establishment has a simple answer: anything is art if a reputed artist or expert says it is. Though many people are skeptical about the alleged new art forms that have proliferated since the early twentieth century, today's critics claim that all such work, however incomprehensible, is art. A groundbreaking alternative to this view is provided by philosopher-novelist Ayn Rand (1901–1982). Best known as the author of The Fountainhead and Atlas Shrugged, Rand also created an original and illuminating theory of art, which confirms the widespread view that much of today's purported art is not really art at all. In What Art Is, Torres and Kamhi present a lucid introduction to Rand's esthetic theory, contrasting her ideas with those of other thinkers. They conclude that, in its basic principles, her account is compelling, and is corroborated by evidence from anthropology, neurology, cognitive science, and psychology. The authors apply Rand's theory to a debunking of the work of prominent modernists and postmodernists—from Mondrian, Jackson Pollock, and Samuel Beckett to John Cage, Merce Cunningham, and other highly regarded postmodernist figures. Finally, they explore the implications of Rand's ideas for the issues of government and corporate support of the arts, art law, and art education. "This is one of the most interesting, provocative, and well-written books on aesthetics that I know. While fully accessible to the general reader, What Art Is should be of great interest to specialists as well. Ayn Rand's largely unknown writings on art—especially as interpreted, released from dogma, and smoothed out by Torres and Kamhi—are remarkably refined. Moreover, her ideas are positively therapeutic after a century of artistic floundering and aesthetic quibbling. Anyone interested in aesthetics, in the purpose of art, or in the troubling issues posed by modernism and post modernism should read this book." —Randall R. Dipert Author of Artifacts, Art Works, and Agency "Torres and Kamhi effectively situate Rand's long-neglected esthetic theory in the wider history of ideas. They not only illuminate her significant contribution to an understanding of the nature of art; they also apply her ideas to a trenchant critique of the twentieth century's 'advanced art.' Their exposure of the invalidity of abstract art is itself worth the price of admission." —Chris Matthew Sciabarra Author of Ayn Rand: The Russian Radical "Rand's aesthetic theory merits careful study and thoughtful criticism, which Torres and Kamhi provide. Their scholarship is sound, their presentation is clear, and their judgment is refreshingly free from the biases that Rand's supporters and detractors alike tend to bring to considerations of her work." —Stephen Cox University of California, San Diego
Download or read book Art as Experience written by John Dewey and published by . This book was released on 1935 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The End of Diversity in Art Historical Writing by : James Elkins
Download or read book The End of Diversity in Art Historical Writing written by James Elkins and published by Walter de Gruyter GmbH & Co KG. This book was released on 2020-12-07 with total page 221 pages. Available in PDF, EPUB and Kindle. Book excerpt: The End of Diversity in Art Historical Writing is the most globally informed book on world art history, drawing on research in 76 countries. In addition some chapters have been crowd sourced: posted on the internet for comments, which have been incorporated into the text. It covers the principal accounts of Eurocentrism, center and margins, circulations and atlases of art, decolonial theory, incommensurate cultures, the origins and dissemination of the "October" model, problems of access to resources, models of multiple modernisms, and the emergence of English as the de facto lingua franca of art writing.
Book Synopsis After the End of Art by : Arthur C. Danto
Download or read book After the End of Art written by Arthur C. Danto and published by Princeton University Press. This book was released on 2021-06-08 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt: The classic and provocative account of how art changed irrevocably with pop art and why traditional aesthetics can’t make sense of contemporary art A classic of art criticism and philosophy, After the End of Art continues to generate heated debate for its radical and famous assertion that art ended in the 1960s. Arthur Danto, a philosopher who was also one of the leading art critics of his time, argues that traditional notions of aesthetics no longer apply to contemporary art and that we need a philosophy of art criticism that can deal with perhaps the most perplexing feature of current art: that everything is possible. An insightful and entertaining exploration of art’s most important aesthetic and philosophical issues conducted by an acute observer of contemporary art, After the End of Art argues that, with the eclipse of abstract expressionism, art deviated irrevocably from the narrative course that Vasari helped define for it in the Renaissance. Moreover, Danto makes the case for a new type of criticism that can help us understand art in a posthistorical age where, for example, an artist can produce a work in the style of Rembrandt to create a visual pun, and where traditional theories cannot explain the difference between Andy Warhol’s Brillo Box and the product found in the grocery store. After the End of Art addresses art history, pop art, “people’s art,” the future role of museums, and the critical contributions of Clement Greenberg, whose aesthetics-based criticism helped a previous generation make sense of modernism. Tracing art history from a mimetic tradition (the idea that art was a progressively more adequate representation of reality) through the modern era of manifestos (when art was defined by the artist’s philosophy), Danto shows that it wasn’t until the invention of pop art that the historical understanding of the means and ends of art was nullified. Even modernist art, which tried to break with the past by questioning the ways in which art was produced, hinged on a narrative.
Download or read book Telematic Embrace written by Roy Ascott and published by Univ of California Press. This book was released on 2003 with total page 462 pages. Available in PDF, EPUB and Kindle. Book excerpt: Annotation Telematic Embrace combines a provocative collection of writings from 1964 to the present by the preeminent artist and art theoretician Roy Ascott, with a critical essay by Edward Shanken that situates Ascott's work within a history of ideas in art, technology, and philosophy.
Book Synopsis Methods and Theories of Art History by : Anne D'Alleva
Download or read book Methods and Theories of Art History written by Anne D'Alleva and published by Laurence King Publishing. This book was released on 2005 with total page 198 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is an analysis of complex forms of art history. It covers a broad range of approaches, presenting individual arguments, controversies and divergent perspectives. The book begins by introducing the concept of theory and explains why it is important to the practice of art history.
Book Synopsis But Is It Art? by : Cynthia Freeland
Download or read book But Is It Art? written by Cynthia Freeland and published by OUP Oxford. This book was released on 2002-02-07 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt: In today's art world many strange, even shocking, things qualify as art. In this book, Cynthia Freeland explains why innovation and controversy are valued in the arts, weaving together philosophy and art theory with many fascinating examples. She discusses blood, beauty, culture, money, museums, sex, and politics, clarifying contemporary and historical accounts of the nature, function, and interpretation of the arts. Freeland also propels us into the future by surveying cutting-edge web sites, along with the latest research on the brain's role in perceiving art. This clear, provocative book engages with the big debates surrounding our responses to art and is an invaluable introduction to anyone interested in thinking about art.
Book Synopsis Theory in Contemporary Art since 1985 by : Zoya Kocur
Download or read book Theory in Contemporary Art since 1985 written by Zoya Kocur and published by John Wiley & Sons. This book was released on 2012-09-11 with total page 589 pages. Available in PDF, EPUB and Kindle. Book excerpt: Updated and reorganized to offer the best collection of state-of-the-art readings on the role of critical theory in contemporary art, this second edition of Theory in Contemporary Art since 1985 brings together scholarly essays, artists’ statements, and art reproductions to capture the vibrancy and dissonance that define today’s art scene. Incorporates new and updated topics that have become central to art theory and practice over the past decade New and updated chapters cover such topics as: international biennials, historicizing of the term “contemporary art”, aesthetics, art and politics, feminism and pornography, ecology and art, the Middle East and conflict studies, Eastern European art and politics, gender and war, and technology Features a thematic reconfiguration of sections and new introductions to make readings user–friendly Extensively illustrated throughout with an expanded color-plate section New contributions to this edition include those by Alexander Alberro, Claire Bishop, T.J. Demos, Anthony Downey, Liam Gillick, Marina Gr?iniæ, Mary Kelly, Chantal Mouffe, Beatriz Preciado, Jacques Ranciere, Blake Stimson, and Chin-Tao Wu.
Download or read book Think Art written by Jean-Marie Schaeffer and published by Witte de with Center for Contemporary Art. This book was released on 1998 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt: Schaeffer says the object of aesthetics should be the behaviors the relations that link us to the world of the works and to the world in general ...
Book Synopsis Creative Theories of (Just About) Everything by : Jeroen Lutters
Download or read book Creative Theories of (Just About) Everything written by Jeroen Lutters and published by Valiz/Vis-A-VIS. This book was released on 2020-10-16 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: Creativity has been hailed as the driving force and most important skill of the 21st century? a power to be taught, understood, and deployed on all levels of society. In the humanities, however, truly understanding creativity has all but disappeared. Instead, insights into creativity emerge from fields such as neurology and theoretical physics, psychology and educational sciences. Using other perspectives has allowed us to deepen our understanding of the concept of creativity. This volume brings together the ideas of Spinoza, Goethe, Emerson, Benjamin, Deleuze, Baudrillard, Wittgenstein, and many others to open up new perspectives on enforcing creativity in society today.
