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Theatrical Performance During The Holocaust
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Book Synopsis Theatrical Performance During the Holocaust by : Rebecca Rovit
Download or read book Theatrical Performance During the Holocaust written by Rebecca Rovit and published by . This book was released on 1999 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: How could Jews have created art and attended performances in the midst of the unspeakable adversity of the Holocaust? This volume collects critical essays, memoirs and primary source materials relating to the history of Jewish drama, cabaret, music and opera under the Third Reich.
Book Synopsis Staging the Holocaust by : Claude Schumacher
Download or read book Staging the Holocaust written by Claude Schumacher and published by Cambridge University Press. This book was released on 1998-09-24 with total page 382 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'To portray the Holocaust, one has to create a work of art', says Claude Lanzmann, the director of Shoah. However, can the Holocaust be turned into theatre? Is it possible to portray on stage events that, by their monstrosity, defy human comprehension? These are the questions addressed by the playwrights and the scholars featured in this book. Their essays present and analyse plays performed in Israel, America, France, Italy, Poland and, of course, Germany. The style of presentation ranges from docudramas to avant-garde performances, from realistic impersonation of historical figures to provocative and nightmarish spectacles. The book is illustrated with original production photographs and some rare drawings and documents; it also contains an important descriptive bibliography of more than two hundred Holocaust plays.
Book Synopsis Theatrical Performance During the Holocaust by : Heiner Müller
Download or read book Theatrical Performance During the Holocaust written by Heiner Müller and published by PAJ Publications. This book was released on 2006-04 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "In [Muller's] writings...you will find remarkable wit, intelligence, and beauty." -Tony Kushner
Book Synopsis Holocaust Theater by : Gene A. Plunka
Download or read book Holocaust Theater written by Gene A. Plunka and published by Routledge. This book was released on 2017-12-22 with total page 302 pages. Available in PDF, EPUB and Kindle. Book excerpt: Facts about the Holocaust are one way of learning about its devastating impact, but presenting personal manifestations of trauma can be more effective than citing statistics. Holocaust Theater addresses a selection of contemporary plays about the Holocaust, examining how collective and individual trauma is represented in dramatic texts, and considering the ways in which spectators might be swayed viscerally, intellectually, and emotionally by witnessing such representations onstage. Drawing on interviews with a number of the playwrights alongside psychoanalytic studies of survivor trauma, this volume seeks to foster understanding of the traumatic effects of the Holocaust on subsequent generations. Holocaust Theater offers a vital account of theater’s capacity to represent the effects of Holocaust trauma.
Book Synopsis Staging Holocaust Resistance by : Gene A. Plunka
Download or read book Staging Holocaust Resistance written by Gene A. Plunka and published by Springer. This book was released on 2012-04-24 with total page 417 pages. Available in PDF, EPUB and Kindle. Book excerpt: Plunka argues that drama is the ideal art form to revitalize the collective memory of Holocaust resistance. This comparative drama study examines a variety of international plays - some quite well-known, others more obscure - that focus on collective or individual defiance of the Nazis.
Download or read book Open Wounds written by Martin Kagel and published by University of Michigan Press. This book was released on 2022-02-14 with total page 209 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explores the irreverent theater of George Tabori and its enduring legacy within Holocaust theater
Book Synopsis The Polish Theatre of the Holocaust by : Grzegorz Niziolek
Download or read book The Polish Theatre of the Holocaust written by Grzegorz Niziolek and published by Bloomsbury Publishing. This book was released on 2019-05-30 with total page 442 pages. Available in PDF, EPUB and Kindle. Book excerpt: Grzegorz Niziolek's The Polish Theatre of the Holocaust is a pioneering analysis of the impact and legacy of the Holocaust on Polish theatre and society from 1945 to the present. It reveals the role of theatre as a crucial medium of collective memory – and collective forgetting – of the trauma of the Holocaust carried out by the Nazis on Polish soil. The period gave rise to two of the most radical and influential theatrical ideas during work on productions that addressed the subject of the Holocaust – Grotowski's Poor Theatre and Kantor's Theatre of Death - but the author examines a deeper impact in the role that theatre played in the processes of collective disavowal to being a witness to others' suffering. In the first part, the author examines six decades of Polish theatre shaped by the perspective of the Holocaust in which its presence is variously visible or displaced. Particular attention is paid to the various types of distortion and the effect of 'wrong seeing' enacted in the theatre, as well as the traces of affective reception: shock, heightened empathy, indifference. In part two, Niziolek examines a range of theatrical events, including productions by Leon Schiller, Jerzy Grotowski, Tadeusz Kantor, Andrzej Wajda, Krzysztof Warlikowski and Ondrej Spišák. He considers how these productions confronted the experience of bearing witness and were profoundly shaped by the legacy of the Holocaust. The Polish Theatre of the Holocaust reveals how -- by testifying about society's experience of the Holocaust -- theatre has been the setting for fundamental processes taking place within Polish culture as it confronts suppressed traumatic wartime experiences and a collective identity shaped by the past.
Book Synopsis Holocaust Memory and Youth Performance by : Erika Hughes
Download or read book Holocaust Memory and Youth Performance written by Erika Hughes and published by Bloomsbury Publishing. This book was released on 2024-01-25 with total page 234 pages. Available in PDF, EPUB and Kindle. Book excerpt: Through an examination of children's and youth plays and performances about the Holocaust from Germany, Israel, and the United States, this book offers an entirely new way of looking at the vital role of youth performance in coping with the legacy of historical tragedy. As the first book-length critical examination of this subject, Holocaust Memory and Youth Performance considers plays that are produced by major theatre companies alongside performances written by young authors and pieces taken from the diaries and memoirs of those who experienced the Holocaust as children or adolescents. While youth-focused plays about the Holocaust have been in the repertories of top professional companies throughout the world for decades and continue to be performed in theatres, schools, and community centers, they are often neglected in concentrated and comparative studies of Holocaust theatre. Erika Hughes fills this gap by examining plays (including The Diary of Anne Frank and Ab heure heißt Du Sara), musicals, performances, scripts, a rock concert, a performance on Instagram, and pedagogically-focused works of applied theatre a diverse collection of performances for young audiences that tell the stories of young people who experienced the Holocaust. Adopting Hannah Arendt's notion of natality as a powerful framework, this study examines the ways in which youth-theatre performances make a vital contribution to intergenerational witnessing and the collective memory of the Holocaust.
Download or read book Jewish Theatre written by Edna Nahshon and published by BRILL. This book was released on 2009 with total page 325 pages. Available in PDF, EPUB and Kindle. Book excerpt: While a frequently used term, Jewish Theatre has become a contested concept that defies precise definition. Is it theatre by Jews? For Jews? About Jews? Though there are no easy answers for these questions, "Jewish Theatre: A Global View," contributes greatly to the conversation by offering an impressive collection of original essays written by an international cadre of noted scholars from Europe, the United States, and Israel. The essays discuss historical and current texts and performance practices, covering a wide gamut of genres and traditions.
Book Synopsis The Post-traumatic Theatre of Grotowski and Kantor by : Magda Romanska
Download or read book The Post-traumatic Theatre of Grotowski and Kantor written by Magda Romanska and published by Anthem Press. This book was released on 2014-10-01 with total page 420 pages. Available in PDF, EPUB and Kindle. Book excerpt: Despite its international influence, Polish theatre remains a mystery to many Westerners. This volume attempts to fill in current gaps in English-language scholarship by offering a historical and critical analysis of two of the most influential works of Polish theatre: Jerzy Grotowski’s ‘Akropolis’ and Tadeusz Kantor’s ‘Dead Class’. By examining each director’s representation of Auschwitz, this study provides a new understanding of how translating national trauma through the prism of performance can alter and deflect the meaning and reception of theatrical works, both inside and outside of their cultural and historical contexts.
Download or read book Holocaust Drama written by Gene A. Plunka and published by Cambridge University Press. This book was released on 2009-04-02 with total page 449 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Holocaust - the systematic attempted destruction of European Jewry and other 'threats' to the Third Reich from 1933 to 1945 - has been portrayed in fiction, film, memoirs, and poetry. Gene Plunka's study will add to this chronicle with an examination of the theatre of the Holocaust. Including thorough critical analyses of more than thirty plays, this book explores the seminal twentieth-century Holocaust dramas from the United States, Europe, and Israel. Biographical information about the playwrights, production histories of the plays, and pertinent historical information are provided, placing the plays in their historical and cultural contexts.
Book Synopsis Spectacular Suffering by : Vivian Patraka
Download or read book Spectacular Suffering written by Vivian Patraka and published by Indiana University Press. This book was released on 1999 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt: Surveying texts ranging from plays and performances to films and museums, this book explores the struggle to represent the landscape of the Holocaust.
Book Synopsis The Jewish Kulturbund Theatre Company in Nazi Berlin by : Rebecca Rovit
Download or read book The Jewish Kulturbund Theatre Company in Nazi Berlin written by Rebecca Rovit and published by University of Iowa Press. This book was released on 2012-09 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Revealing the complex interplay between history and human lives under conditions of duress, Rebecca Rovit focuses on the eight-year odyssey of Berlin's Jewish Kulturbund Theatre. By examining why and how an all-Jewish repertory theatre could coexist with the Nazi regime. Rovit raises broader questions about the nature of art in an environment of coercion and isolation, artistic integrity and adaptability, and community and identity."--BACK COVER.
Book Synopsis Jews and the Making of Modern German Theatre by : Jeanette R. Malkin
Download or read book Jews and the Making of Modern German Theatre written by Jeanette R. Malkin and published by University of Iowa Press. This book was released on 2010-04-15 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: While it is common knowledge that Jews were prominent in literature, music, cinema, and science in pre-1933 Germany, the fascinating story of Jewish co-creation of modern German theatre is less often discussed. Yet for a brief time, during the Second Reich and the Weimar Republic, Jewish artists and intellectuals moved away from a segregated Jewish theatre to work within canonic German theatre and performance venues, claiming the right to be part of the very fabric of German culture. Their involvement, especially in the theatre capital of Berlin, was of a major magnitude both numerically and in terms of power and influence. The essays in this stimulating collection etch onto the conventional view of modern German theatre the history and conflicts of its Jewish participants in the last third of the nineteenth and first third of the twentieth centuries and illuminate the influence of Jewish ethnicity in the creation of the modernist German theatre. The nontraditional forms and themes known as modernism date roughly from German unification in 1871 to the end of the Weimar Republic in 1933. This is also the period when Jews acquired full legal and trade equality, which enabled their ownership and directorship of theatre and performance venues. The extraordinary artistic innovations that Germans and Jews co-created during the relatively short period of this era of creativity reached across the old assumptions, traditions, and prejudices that had separated people as the modern arts sought to reformulate human relations from the foundations to the pinnacles of society. The essayists, writing from a variety of perspectives, carve out historical overviews of the role of theatre in the constitution of Jewish identity in Germany, the position of Jewish theatre artists in the cultural vortex of imperial Berlin, the role played by theatre in German Jewish cultural education, and the impact of Yiddish theatre on German and Austrian Jews and on German theatre. They view German Jewish theatre activity through Jewish philosophical and critical perspectives and examine two important genres within which Jewish artists were particularly prominent: the Cabaret and Expressionist theatre. Finally, they provide close-ups of the Jewish artists Alexander Granach, Shimon Finkel, Max Reinhardt, and Leopold Jessner. By probing the interplay between “Jewish” and “German” cultural and cognitive identities based in the field of theatre and performance and querying the effect of theatre on Jewish self-understanding, they add to the richness of intercultural understanding as well as to the complex history of theatre and performance in Germany.
Book Synopsis The Bloomsbury Companion to Holocaust Literature by : Jenni Adams
Download or read book The Bloomsbury Companion to Holocaust Literature written by Jenni Adams and published by Bloomsbury Publishing. This book was released on 2014-10-23 with total page 353 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Bloomsbury Companion to Holocaust Literature is a comprehensive reference resource including a wealth of critical material on a diverse range of topics within the literary study of Holocaust writing. At its centre is a series of specially commissioned essays by leading scholars within the field: these address genre-specific issues such as the question of biographical and historical truth in Holocaust testimony, as well as broader topics including the politics of Holocaust representation and the validity of comparative approaches to the Holocaust in literature and criticism. The volume includes a substantial section detailing new and emergent trends within the literary study of the Holocaust, a concise glossary of major critical terminology, and an annotated bibliography of relevant research material. Featuring original essays by: Victoria Aarons, Jenni Adams, Michael Bernard-Donals, Matthew Boswell, Stef Craps, Richard Crownshaw, Brett Ashley Kaplan and Fernando Herrero-Matoses, Adrienne Kertzer, Erin McGlothlin, David Miller, and Sue Vice.
Download or read book Staged written by Minou Arjomand and published by Columbia University Press. This book was released on 2018-09-11 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: Theater requires artifice, justice demands truth. Are these demands as irreconcilable as the pejorative term “show trials” suggests? After the Second World War, canonical directors and playwrights sought to claim a new public role for theater by restaging the era’s great trials as shows. The Nuremberg trials, the Eichmann trial, and the Auschwitz trials were all performed multiple times, first in courts and then in theaters. Does justice require both courtrooms and stages? In Staged, Minou Arjomand draws on a rich archive of postwar German and American rehearsals and performances to reveal how theater can become a place for forms of storytelling and judgment that are inadmissible in a court of law but indispensable for public life. She unveils the affinities between dramatists like Bertolt Brecht, Erwin Piscator, and Peter Weiss and philosophers such as Hannah Arendt and Walter Benjamin, showing how they responded to the rise of fascism with a new politics of performance. Linking performance with theories of aesthetics, history, and politics, Arjomand argues that it is not subject matter that makes theater political but rather the act of judging a performance in the company of others. Staged weaves together theater history and political philosophy into a powerful and timely case for the importance of theaters as public institutions.
Book Synopsis Theatre, Performance and Commemoration by : Miriam Haughton
Download or read book Theatre, Performance and Commemoration written by Miriam Haughton and published by Bloomsbury Publishing. This book was released on 2023-04-20 with total page 201 pages. Available in PDF, EPUB and Kindle. Book excerpt: How does the act of performance speak to the concept of commemoration? How and why does commemorative theatre operate as a conceptual, historical and political site from which to interrogate ideas of nationalism and nationhood? This volume explores how theatre and performance create a stage for acts of commemoration, considering crises of hate, nationalism and migration, as well as political, racial and religious bigotry. It features case studies drawn from across Europe, the Middle East, Asia, Africa and Latin America. The book's four parts each explore commemoration through a different theoretical lens and present a new set of dramaturgies for research and study. While Section 1 offers a critical survey of 20th- and 21st-century discourses, Section 2 uncovers the commemorative practices underpinning contemporary dramaturgy and applies these practices to plays and performance pieces. These include works by Martin Lynch, Frank McGuinness, Sanja Mitrovic, Theater RAST, Les SlovaKs Dance Collective, Estela Golovchenko, Wajdi Mouawad, Áine Stapleton, CoisCéim, ANU Productions, Aubrey Sekhabi, and Indian and African dance practices. The final sections investigate how individual and collective memory and performances of commemoration can become tools for propaganda and political agendas.
