The Uganda Protectorate An Attempt To Give Some Description Of The Physical Geography Botany Zoology Anthropology Languages And History Of The Territories Under British Protection In East Central Africa Between The Congo Free State And The Rift Valley And Between The First Degree Of South Latitude And The Fifth Degree Of North Latitude

Author : Carl Stumpf
Publisher : OUP Oxford
ISBN 13 : 0191633321
Total Pages : 288 pages
Book Rating : 4.1/5 (916 download)

DOWNLOAD NOW!

Download or read book The Origins of Music written by Carl Stumpf and published by OUP Oxford. This book was released on 2012-07-26 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Origins of Music was first published in German in 1911. In this text Carl Stumpf set out a path-breaking hypothesis on the earliest musical sounds in human culture. Alongside his research in such diverse fields as classical philosophy, acoustics, and mathematics, Stumpf became one of the most influential psychologists of the late 19th century. He was the founding father of Gestalt psychology, and collaborated with William James, Edmund Husserl, and Wolfgang Köhler. This book was the culmination of more than 25 years of empirical and theoretical research in the field of music. In the first part, Stumpf discusses the origin and forms of musical activities as well as various existing theories on the origin of music, including those of Darwin, Rousseau, Herder, and Spencer. In the second part of the book, he summarizes his works on the historical development of instruments and music, and studies a putatively global range of music from non-European cultures to demonstrate the psychological principles of tonal organization, as well as providing a range of cross-cultural musical transcriptions and analyses. This became a foundation document for comparative musicology, the elder sibling to modern Ethnomusicology, and the book provides access to the original recordings Stumpf used in this process. The Origins of Music is available for the first time in the English language as a result of a collaboration between the European Society for the Cognitive Sciences of Music (ESCOM) and Oxford University Press. It is a fascinating volume for all those with an interest in the history of psychology and music. It appears here in tandem with Self-Portrait,Stumpf's autobiography of 1924, in which he outlines the rich life experiences behind his research career alongside his own explanation of his scientific and cultural legacy.