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The Theatre Of Max Reinhardt Classic Reprint
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Book Synopsis The Theatre of Max Reinhardt by : Huntly Carter
Download or read book The Theatre of Max Reinhardt written by Huntly Carter and published by . This book was released on 1914 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Theatre of Max Reinhardt (Classic Reprint) by : Huntly Carter
Download or read book The Theatre of Max Reinhardt (Classic Reprint) written by Huntly Carter and published by Forgotten Books. This book was released on 2016-09-26 with total page 346 pages. Available in PDF, EPUB and Kindle. Book excerpt: Excerpt from The Theatre of Max Reinhardt His principal aim has been throughout to bring the spectator Into the action of the drama and to make him live the actor's part in the tiny world formed by the theatre, as he lives his own part in the greater social world. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Download or read book Max Reinhardt written by J. L. Styan and published by CUP Archive. This book was released on 1982-06-30 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt: Max Reinhardt was among the first to establish the importance of the director in modern theatre.
Download or read book The Reprint Bulletin written by and published by . This book was released on 1969 with total page 434 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Haunted Screen by : Lotte H. Eisner
Download or read book The Haunted Screen written by Lotte H. Eisner and published by Univ of California Press. This book was released on 1969 with total page 364 pages. Available in PDF, EPUB and Kindle. Book excerpt: Book on expressionism in German motion pictures.
Book Synopsis Catalogue by : Dulau & Co., ltd., Booksellers, London
Download or read book Catalogue written by Dulau & Co., ltd., Booksellers, London and published by . This book was released on 1925 with total page 1084 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Theater, an Introduction by : Oscar Gross Brockett
Download or read book The Theater, an Introduction written by Oscar Gross Brockett and published by Delmar. This book was released on 1979 with total page 454 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Vanity Fair. 1-45, 1913-36. N.Y. Reprint Ed by :
Download or read book Vanity Fair. 1-45, 1913-36. N.Y. Reprint Ed written by and published by . This book was released on 1966 with total page 830 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Naturalism and Symbolism in European Theatre 1850-1918 by : Claude Schumacher
Download or read book Naturalism and Symbolism in European Theatre 1850-1918 written by Claude Schumacher and published by Cambridge University Press. This book was released on 1996-09-26 with total page 568 pages. Available in PDF, EPUB and Kindle. Book excerpt: This fourth volume in the series Theatre in Europe charts the development of theatrical presentation at a time of great cultural and political upheaval.
Book Synopsis The Great Tradition and Its Legacy by : Michael Cherlin
Download or read book The Great Tradition and Its Legacy written by Michael Cherlin and published by Berghahn Books. This book was released on 2003 with total page 298 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume not only offers an overview of the theatrical history of the region, it is also a cross-disciplinary attempt to analyse the inner workings and dynamics of theater through a discussion of the interplay between society, the audience, and performing artists."--Book jacket.
Download or read book Pantomime written by Karl Toepfer and published by Vosuri Media. This book was released on 2019-08-19 with total page 1320 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book offers perhaps the most comprehensive history of pantomime ever written. No other book so thoroughly examines the varieties of pantomimic performance from the early Roman Empire, when the term “pantomime” came into use, until the present. After thoroughly examining the complexities and startlingly imaginative performance strategies of Roman pantomime, the author identifies the peculiar political circumstances that revived and shaped pantomime in France and Austria in the eighteenth century, leading to the Pierrot obsession in the nineteenth century. Modernist aesthetics awakened a huge, highly diverse fascination with pantomime. The book explores an extraordinary variety of modernist and postmodern approaches to pantomime in Germany, Austria, France, numerous countries of Eastern Europe, Russia, Scandinavia, Spain, Belgium, The Netherlands, Chile, England, and The United States. Making use of many performance and historical documents never before included in pantomime histories, the book also discusses pantomime’s messy relation to dance, its peculiar uses of music, its “modernization” through silent film aesthetics, and the extent to which writers, performers, or directors are “authors” of pantomimes. Just as importantly, the book explains why, more than any other performance medium, pantomime allows the spectator to see the body as the agent of narrative action.
Download or read book Forbidden Music written by Michael Haas and published by Yale University Press. This book was released on 2013-04-15 with total page 505 pages. Available in PDF, EPUB and Kindle. Book excerpt: DIV With National Socialism's arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germany’s historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment. /div
Book Synopsis Theatre Histories by : Phillip B. Zarrilli
Download or read book Theatre Histories written by Phillip B. Zarrilli and published by Taylor & Francis. This book was released on 2010 with total page 656 pages. Available in PDF, EPUB and Kindle. Book excerpt: Providing a clear journey through centuries of European, North and South American, African and Asian forms of theatre and performance, this introduction helps the reader think critically about this exciting field through fascinating yet plain-speaking essays and case studies.
Book Synopsis Theatre Under the Nazis by : John London
Download or read book Theatre Under the Nazis written by John London and published by Manchester University Press. This book was released on 2000 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: Were those who worked in the theatres of the Third Reich willing participants in the Nazi propaganda machine or artists independent of official ideology? To what extent did composers such as Richard Strauss and Carl Orff follow Nazi dogma? How did famous directors such as Gustaf Grüdgens and Jürgen Fehling react to the new regime? Why were Shakespeare and George Bernard Shaw among the most performed dramatists of the time? And why did the Nazis sanction Jewish theatre? This is the first book in English about theater in the entire Nazi period. The book is based on contemporary press reports, research in German archives, and interviews with surviving playwrights, actors, and musicians.
Book Synopsis Shylock in Germany by : Andrew G. Bonnell
Download or read book Shylock in Germany written by Andrew G. Bonnell and published by Bloomsbury Publishing. This book was released on 2007-11-28 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: How did the catastrophic development of antisemitism in Germany interact with the portrayal of Shylock on the German stage? Here Andrew Bonnell gives us the first cultural history of this tragic character from Shakespeare's "The Merchant of Venice" as performed on the German stage from the late eighteenth century to the end of World War II. In addition to analysing the performances of the most famous German actors in the role from 1777 to 1944, "Shylock in Germany" looks at the rising and falling popularity of "The Merchant of Venice" across Germany in this period, and the extent to which the role's history reflects changes in the situation of Jews in Germany and Austria.It follows the evolution of Shylock in nineteenth century and Imperial Germany, from the formative years of the modern German theatre as a cultural (and civic) institution; through the Weimar Republic, an epoch remembered for innovation and experiment, but also a period marked by an estrangement between an aggressively modernist metropolitan culture and a provincial cultural life which clung more to continuity; and, finally, considers the impact of the Nazi period with its murderous state-ordained antisemitism. Shylock's career in Germany after 1933 was neither as conspicuous nor as unambiguous as one might expect. Using archival research and drawing on much primary source material, Bonnell does not confine the book to theatre history only - but instead uses the changing portrayal of Shylock to analyse German cultural attitudes towards Jews over time.
Download or read book Performing Arts/books in Print written by and published by . This book was released on 1973 with total page 792 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Five Continents of Theatre by : Eugenio Barba
Download or read book The Five Continents of Theatre written by Eugenio Barba and published by BRILL. This book was released on 2019-02-11 with total page 420 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Five Continents of Theatre undertakes the exploration of the material culture of the actor, which involves the actors’ pragmatic relations and technical functionality, their behaviour, the norms and conventions that interact with those of the audience and the society in which actors and spectators equally take part. The material culture of the actor is organised around body-mind techniques (see A Dictionary of Theatre Anthropology by the same authors) and auxiliary techniques whose variety concern: ■ the diverse circumstances that generate theatre performances: festive or civil occasions, celebrations of power, popular feasts such as carnival, calendar recurrences such as New Year, spring and summer festivals; ■ the financial and organisational aspects: costs, contracts, salaries, impresarios, tickets, subscriptions, tours; ■ the information to be provided to the public: announcements, posters, advertising, parades; ■ the spaces for the performance and those for the spectators: performing spaces in every possible sense of the term; ■ sets, lighting, sound, makeup, costumes, props; ■ the relations established between actor and spectator; ■ the means of transport adopted by actors and even by spectators. Auxiliary techniques repeat themselves not only throughout different historical periods, but also across all theatrical traditions. Interacting dialectically in the stratification of practices, they respond to basic needs that are common to all traditions when a performance has to be created and staged. A comparative overview of auxiliary techniques shows that the material culture of the actor, with its diverse processes, forms and styles, stems from the way in which actors respond to those same practical needs. The authors’ research for this aspect of theatre anthropology was based on examination of practices, texts and of 1400 images, chosen as exemplars.