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Author : Guillaume de La Perrière
Publisher :
ISBN 13 :
Total Pages : 124 pages
Book Rating : 4.:/5 (31 download)
Download or read book The Theater of Fine Devices written by Guillaume de La Perrière and published by . This book was released on 1614 with total page 124 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Samuel Schuman
Publisher :
ISBN 13 :
Total Pages : 184 pages
Book Rating : 4.F/5 ( download)
Download or read book 'The Theatre of Fine Devices' written by Samuel Schuman and published by . This book was released on 1982 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Professor Joanne Rochester
Publisher : Ashgate Publishing, Ltd.
ISBN 13 : 1409475824
Total Pages : 186 pages
Book Rating : 4.4/5 (94 download)
Download or read book Staging Spectatorship in the Plays of Philip Massinger written by Professor Joanne Rochester and published by Ashgate Publishing, Ltd.. This book was released on 2013-04-28 with total page 186 pages. Available in PDF, EPUB and Kindle. Book excerpt: The playwrights composing for the London stage between 1580 and 1642 repeatedly staged plays-within and other metatheatrical inserts. Such works present fictionalized spectators as well as performers, providing images of the audience-stage interaction within the theatre. They are as much enactments of the interpretive work of a spectator as of acting, and as such they are a potential source of information about early modern conceptions of audiences, spectatorship and perception. This study examines on-stage spectatorship in three plays by Philip Massinger, head playwright for the King's Men from 1625 to 1640. Each play presents a different form of metatheatrical inset, from the plays-within of The Roman Actor (1626), to the masques-within of The City Madam (1632) to the titular miniature portrait of The Picture (1629), moving thematically from spectator interpretations of dramatic performance, the visual spectacle of the masque to staged 'readings' of static visual art. All three forms present a dramatization of the process of examination, and allow an analysis of Massinger's assumptions about interpretation, perception and spectator response.
Author : Dr Elizabeth Williamson
Publisher : Ashgate Publishing, Ltd.
ISBN 13 : 1409475352
Total Pages : 256 pages
Book Rating : 4.4/5 (94 download)
Download or read book The Materiality of Religion in Early Modern English Drama written by Dr Elizabeth Williamson and published by Ashgate Publishing, Ltd.. This book was released on 2013-04-28 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Materiality of Religion in Early Modern English Drama is the first book to present a detailed examination of early modern theatrical properties informed by the complexity of post-Reformation religious practice. Although English Protestant reformers set out to destroy all vestiges of Catholic idolatry, public theater companies frequently used stage properties to draw attention to the remnants of traditional religion as well as the persistent materiality of post-Reformation worship. The Materiality of Religion in Early Modern English Drama explores the relationship between popular culture and theatrical performance by considering the social history and dramatic function of these properties, addressing their role as objects of devotion, idolatry, and remembrance on the professional stage. Rather than being aligned with identifiably Catholic or Protestant values, the author reveals how religious stage properties functioned as fulcrums around which more subtle debates about the status of Christian worship played out. Given the relative lack of existing documentation on stage properties, The Materiality of Religion in Early Modern English Drama employs a wide range of source materials-including inventories published in the Records of Early English Drama (REED) volumes-to account for the material presence of these objects on the public stage. By combining historical research on popular religion with detailed readings of the scripts themselves, the book fills a gap in our knowledge about the physical qualities of the stage properties used in early modern productions. Tracing the theater's appropriation of highly charged religious properties, The Materiality of Religion in Early Modern English Drama provides a new framework for understanding the canonization of early modern plays, especially those of Shakespeare.
Author : Brian Sheerin
Publisher : Routledge
ISBN 13 : 1317152026
Total Pages : 158 pages
Book Rating : 4.3/5 (171 download)
Download or read book Desires of Credit in Early Modern Theory and Drama written by Brian Sheerin and published by Routledge. This book was released on 2016-04-28 with total page 158 pages. Available in PDF, EPUB and Kindle. Book excerpt: Desires of Credit in Early Modern Theory and Drama traces the near-simultaneous rise of economic theory, literary criticism, and public theater in London at the turn of the seventeenth century, and posits that connecting all three is a fascination with creating something out of nothing simply by acting as if it were there. Author Brian Sheerin contends that the motivating force behind both literary and economic inquiry at this time was the same basic quandary about the human imagination--specifically, how investments of belief can produce tangible consequences. Just as speculators were realizing the potency of collective imagination on economic circulation, readers and dramatists were becoming newly introspective about whether or not the 'lies' of literature could actually be morally 'profitable.' Could one actually benefit by taking certain fictions 'seriously'? Each of the five chapters examines a different dimension of this question by highlighting a particular dramatization of economic trust on the Renaissance stage, in plays by Marlowe, Shakespeare, Heywood, Dekker, and Jonson. The book fills a gap in current scholarship by keeping economic and dramatic interests rigorously grounded in early modern literary criticism, but also by emphasizing the productive nature of debt in a way that resonates with recent economic sociology.
Author : Mathew R. Martin
Publisher : Routledge
ISBN 13 : 1317008383
Total Pages : 202 pages
Book Rating : 4.3/5 (17 download)
Download or read book Tragedy and Trauma in the Plays of Christopher Marlowe written by Mathew R. Martin and published by Routledge. This book was released on 2016-03-09 with total page 202 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contending that criticism of Marlowe’s plays has been limited by humanist conceptions of tragedy, this book engages with trauma theory, especially psychoanalytic trauma theory, to offer a fresh critical perspective within which to make sense of the tension in Marlowe’s plays between the tragic and the traumatic. The author argues that tragedies are trauma narratives, narratives of wounding; however, in Marlowe’s plays, a traumatic aesthetics disrupts the closure that tragedy seeks to enact. Martin’s fresh reading of Massacre at Paris, which is often dismissed by critics as a bad tragedy, presents the play as deliberately breaking the conventions of the tragic genre in order to enact a traumatic aesthetics that pulls its audience into one of the early modern period’s most notorious collective traumatic events, the massacre of French Huguenots in Paris in 1572. The chapters on Marlowe’s six other plays similarly argue that throughout Marlowe’s drama tragedy is held in tension with-and disrupted by-the aesthetics of trauma.
Author : Matthew Steggle
Publisher : Routledge
ISBN 13 : 1317150783
Total Pages : 250 pages
Book Rating : 4.3/5 (171 download)
Download or read book Digital Humanities and the Lost Drama of Early Modern England written by Matthew Steggle and published by Routledge. This book was released on 2016-04-22 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book establishes new information about the likely content of ten lost plays from the period 1580-1642. These plays’ authors include Nashe, Heywood, and Dekker; and the plays themselves connect in direct ways to some of the most canonical dramas of English literature, including Hamlet, King Lear, The Changeling, and The Duchess of Malfi. The lost plays in question are: Terminus & Non Terminus (1586-8); Richard the Confessor (1593); Cutlack (1594); Bellendon (1594); Truth's Supplication to Candlelight (1600); Albere Galles (1602); Henry the Una (c. 1619); The Angel King (1624); The Duchess of Fernandina (c. 1630-42); and The Cardinal's Conspiracy (bef. 1639). From this list of bare titles, it is argued, can be reconstructed comedies, tragedies, and histories, whose leading characters included a saint, a robber, a Medici duchess, an impotent king, at least one pope, and an angel. In each case, newly-available digital research resources make it possible to interrogate the title and to identify the play's subject-matter, analogues, and likely genre. But these concrete examples raise wider theoretical problems: What is a lost play? What can, and cannot, be said about objects in this problematic category? Known lost plays from the early modern commercial theatre outnumber extant plays from that theatre: but how, in practice, can one investigate them? This book offers an innovative theoretical and practical frame for such work, putting digital humanities into action in the emerging field of lost play studies.
Author : Lisa Hopkins
Publisher : Routledge
ISBN 13 : 1317100662
Total Pages : 198 pages
Book Rating : 4.3/5 (171 download)
Download or read book Marian Moments in Early Modern British Drama written by Lisa Hopkins and published by Routledge. This book was released on 2016-05-06 with total page 198 pages. Available in PDF, EPUB and Kindle. Book excerpt: Concerning itself with the complex interplay between iconoclasm against images of the Virgin Mary in post-Reformation England and stage representations that evoke various 'Marian moments' from the medieval, Catholic past, this collection answers the call for further investigation of the complex relationship between the fraught religio-political culture of the early modern period and the theater that it spawned. Joining historians in rejecting the received belief that Catholicism could be turned on and off like a water spigot in response to sixteenth-century religious reform, the early modern British theater scholars in this collection turn their attention to the vestiges of Catholic tradition and culture that leak out in stage imagery, plot devices, and characterization in ways that are not always clearly engaged in the business of Protestant panegyric or polemic. Among the questions they address are: What is the cultural function of dramatic Marian moments? Are Marian moments nostalgic for, or critical of, the 'Old Faith'? How do Marian moments negotiate the cultural trauma of iconoclasm and/or the Reformation in early modern England? Did these stage pictures of Mary provide subversive touchstones for the Old Faith of particular import to crypto-Catholic or recusant members of the audience?
Author : Brian W. Schneider
Publisher : Routledge
ISBN 13 : 1317031350
Total Pages : 361 pages
Book Rating : 4.3/5 (17 download)
Download or read book The Framing Text in Early Modern English Drama written by Brian W. Schneider and published by Routledge. This book was released on 2016-03-03 with total page 361 pages. Available in PDF, EPUB and Kindle. Book excerpt: Though individual prologues and epilogues have been treated in depth, very little scholarship has been published on early modern framing texts as a whole. The Framing Text in Early Modern English Drama fills a gap in the literature by examining the origins of these texts, and investigating their growing importance and influence in the theatre of the period. This topic-led discussion of prologues and epilogues deals with the origins of these texts, the difficulty of definition, and the way in which many prologues and epilogues appear to interact on such subjects as the composition of the theatre audience and the perceived place of women in such an audience. Author Brian Schneider also examines the reasons for, and the evidence leading to, the apparently sudden burgeoning of these texts after the Restoration, when prologues and epilogues grace nearly all the dramas of the time and become a virtual cottage industry of their own. The second section-a comprehensive list of prologues and epilogues-details play titles, playwrights, theatres and theatre companies, first performance and the earliest edition in which the framing text(s) appears. It quotes the first line of the prologue and/or epilogue and uses the printer's signature to denote the page on which the texts can be found. Further information is provided in notes appended to the relevant entry. A final section deals with 'free-floating' and 'free-standing' framing texts that appear in verse collections, manuscripts, and other publications and to which no play can be positively ascribed. Combining original analysis with carefully compiled, comprehensive reference data, The Framing Text in Early Modern English Drama provides a genuinely new angle on the drama of early modern England.
Author : Lisa Hopkins
Publisher : Routledge
ISBN 13 : 131714824X
Total Pages : 189 pages
Book Rating : 4.3/5 (171 download)
Download or read book Drama and the Succession to the Crown, 1561-1633 written by Lisa Hopkins and published by Routledge. This book was released on 2016-05-13 with total page 189 pages. Available in PDF, EPUB and Kindle. Book excerpt: The succession to the throne, Lisa Hopkins argues here, was a burning topic not only in the final years of Elizabeth but well into the 1630s, with continuing questions about how James's two kingdoms might be ruled after his death. Because the issue, with its attendant constitutional questions, was so politically sensitive, Hopkins contends that drama, with its riddled identities, oblique relationship to reality, and inherent blurring of the extent to which the situation it dramatizes is indicative or particular, offered a crucial forum for the discussion. Hopkins analyzes some of the ways in which the dramatic works of the time - by Marlowe, Shakespeare, Webster and Ford among others - reflect, negotiate and dream the issue of the succession to the throne.
Author : Daniel Cadman
Publisher : Routledge
ISBN 13 : 1317052110
Total Pages : 255 pages
Book Rating : 4.3/5 (17 download)
Download or read book Sovereigns and Subjects in Early Modern Neo-Senecan Drama written by Daniel Cadman and published by Routledge. This book was released on 2016-03-09 with total page 255 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sovereigns and Subjects in Early Modern Neo-Senecan Drama examines the development of neo-Senecan drama, also known as ’closet drama’, during the years 1590-1613. It is the first book-length study since 1924 to consider these plays - the dramatic works of Mary Sidney, Samuel Daniel, Samuel Brandon, Fulke Greville, Sir William Alexander, and Elizabeth Cary, along with the Roman tragedies of Ben Jonson and Thomas Kyd - as a coherent group. Daniel Cadman suggests these works interrogate the relations between sovereigns and subjects during the early modern period by engaging with the humanist discourses of republicanism and stoicism. Cadman argues that the texts under study probe various aspects of this dynamic and illuminate the ways in which stoicism and republicanism provide essential frameworks for negotiating this relationship between the marginalized courtier and the absolute sovereign. He demonstrates how aristocrats and courtiers, such as Sidney, Greville, Alexander, and Cary, were able to use the neo-Senecan form to consider aspects of their limited political agency under an absolute monarch, while others, such as Brandon and Daniel, respond to similarly marginalized positions within both political and patronage networks. In analyzing how these plays illuminate various aspects of early modern political culture, this book addresses several gaps in the scholarship of early modern drama and explores new contexts in relation to more familiar writers, as well as extending the critical debate to include hitherto neglected authors.
Author : Katharine Goodland
Publisher : Ashgate Publishing, Ltd.
ISBN 13 : 9780754651017
Total Pages : 276 pages
Book Rating : 4.6/5 (51 download)
Download or read book Female Mourning in Medieval and Renaissance English Drama written by Katharine Goodland and published by Ashgate Publishing, Ltd.. This book was released on 2006 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: Looking at the plays of Shakespeare, Kyd, and Webster this book presents a new perspective on early modern drama grounded upon three original interrelated points. The author explores how the motif of the mourning woman on the early modern stage embodies the cultural trauma of the Reformation in England; brings to light the extent to which the figures of early modern drama recall those of the recent medieval past; and addresses how these representations embody actual mourning practices that were, after the Reformation, increasingly viewed as disturbing.
Author : Thomas Rist
Publisher : Routledge
ISBN 13 : 1351903373
Total Pages : 191 pages
Book Rating : 4.3/5 (519 download)
Download or read book Revenge Tragedy and the Drama of Commemoration in Reforming England written by Thomas Rist and published by Routledge. This book was released on 2016-12-05 with total page 191 pages. Available in PDF, EPUB and Kindle. Book excerpt: Considering major works by Kyd, Shakespeare, Middleton and Webster among others, this book transforms current understanding of early modern revenge tragedy. Examing the genre in light of historical revisions to England's Reformations, and with appropriate regard to the social history of the dead, it shows revenge tragedy is not an anti-Catholic and Reformist genre, but one rooted in, and in dialogue with, traditional Catholic culture. Arguing its tragedies are bound to the age's funerary performances, it provides a new view of the contemporary theatre and especially its role in the religious upheavals of the period.
Author : John H. Astington
Publisher : Cambridge University Press
ISBN 13 : 1108652891
Total Pages : 295 pages
Book Rating : 4.1/5 (86 download)
Download or read book Stage and Picture in the English Renaissance written by John H. Astington and published by Cambridge University Press. This book was released on 2017-05-18 with total page 295 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book presents a new approach to the relationship between traditional pictorial arts and the theatre in Renaissance England. Demonstrating the range of visual culture in evidence from the mid-sixteenth to mid-seventeenth century, from the grandeur of court murals to the cheap amusement of woodcut prints, John H. Astington shows how English drama drew heavily on this imagery to stimulate the imagination of the audience. He analyses the intersection of the theatrical and the visual through such topics as Shakespeare's Roman plays and the contemporary interest in Roman architecture and sculpture; the central myth of Troy and its widely recognised iconography; scriptural drama and biblical illustration; and the emblem of the theatre itself. The book demonstrates how the art that surrounded Shakespeare and his contemporaries had a profound influence on the ways in which theatre was produced and received.
Author : Paul D. Streufert
Publisher : Routledge
ISBN 13 : 1351942468
Total Pages : 352 pages
Book Rating : 4.3/5 (519 download)
Download or read book Early Modern Academic Drama written by Paul D. Streufert and published by Routledge. This book was released on 2016-12-05 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this essay collection, the contributors contend that academic drama represents an important, but heretofore understudied, site of cultural production in early modern England. Focusing on plays that were written and performed in academic environments such as Oxford University, Cambridge University, grammar schools, and the Inns of Court, the scholars investigate how those plays strive to give dramatic coherence to issues of religion, politics, gender, pedagogy, education, and economics. Of particular significance are the shifting political and religious contentions that so frequently shaped both the cultural questions addressed by the plays, and the sorts of dramatic stories that were most conducive to the exploration of such questions. The volume argues that the writing and performance of academic drama constitute important moments in the history of education and the theater because, in these plays, narrative is consciously put to work as both a representation of, and an exercise in, knowledge formation. The plays discussed speak to numerous segments of early modern culture, including the relationship between the academy and the state, the tensions between humanism and religious reform, the successes and failures of the humanist program, the social profits and economic liabilities of formal education, and the increasing involvement of universities in the commercial market, among other issues.
Author : David Carnegie
Publisher : Oxford University Press
ISBN 13 : 0191645672
Total Pages : pages
Book Rating : 4.1/5 (916 download)
Download or read book The Quest for Cardenio written by David Carnegie and published by Oxford University Press. This book was released on 2012-09-06 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is about the search for a lost play. Celebrating the quatercentenary of publication of the first translation of Don Quixote, it is the first collection of essays entirely devoted to The History of Cardenio, a play based on Cervantes and probably written in that same year. It was said to be written by Shakespeare and the young man who was taking his place, John Fletcher, the most successful English playwright of the seventeenth century. The book brings together leading scholars, critics, and theatre practitioners to discuss the lost (or partially lost) play. It also re-examines Lewis Theobald's 1727 Double Falsehood, allegedly based on Cardenio. A range of approaches -new archival evidence, employment of advanced computer-aided stylometric tests for authorship attribution, early modern theatre history, literary and theatrical analysis, musicology, and recent theatrical productions and adaptations - produces new research findings about the play, Shakespeare, Fletcher, Cervantes, and the early modern relationship between Spanish and English culture. The book establishes the dates, venues, and audience for two performances of Cardenio by the King's Men in 1613, and identifies glimpses of the play in several seventeenth-century documents. It also provides much new evidence and analysis of Double Falsehood, which Theobald claimed was based on previously unknown manuscripts of a play by Shakespeare. His enemies, especially Pope, denied the Shakespeare attribution. Debate has continued ever since. While some contributors advocate sceptical caution, new research provides stronger evidence than ever before that a lost Fletcher/Shakespeare Cardenio can be discerned within Double Falsehood. Uniquely, this collection combines archival research and literary analysis with accounts of recent theatrical experiments, which explore the Cardenio problem by reviving or adapting Double Falsehood, and demonstrate that such practical theatrical work throws valuable light on some of the problems that have obstructed traditional scholarly approaches. It thus offers a new paradigm for the creative interaction of scholarship and performance.
Author : Lynette Hunter
Publisher : Routledge
ISBN 13 : 1317089286
Total Pages : 261 pages
Book Rating : 4.3/5 (17 download)
Download or read book Negotiating Shakespeare's Language in Romeo and Juliet written by Lynette Hunter and published by Routledge. This book was released on 2016-09-17 with total page 261 pages. Available in PDF, EPUB and Kindle. Book excerpt: Through exciting and unconventional approaches, including critical/historical, printing/publishing and performance studies, this study mines Shakespeare's Romeo and Juliet to produce new insights into the early modern family, the individual, and society in the context of early modern capitalism. Inspired by recent work in cultural materialism and the material book, it also foregrounds the ways in which the contexts and the text itself become available to the reader today. The opening material on critical/historical approaches focuses on the way that readers have frequently read and played the text to explore issues that cluster around the family, marriage, gender and sexuality. Chapter two, on the ways that actors today inhabit character and create behaviour, provides intertextual comment on acting in the early modern period, and the connections between acting and social behaviour that inform self-image and the performance of identity both then and now. The third chapter on printing/publishing approaches to the text offers a detective story about the differences between Quarto One and Quarto Two, that focuses on the curious appearance in Quarto Two of material related to the law at word, phrase, line and scene level. The next three chapters integrate a close study of the language of the play to negotiate its potential significance for the present in the areas of: Family, Marriage, Gender and Sexuality; Identity, Individualism and Humanism; and the Law, Religion and Medicine. Among the startling aspects of this book are that it: - takes the part of Juliet far more seriously than other criticism has tended to do, attributing to her agency and aspects of character that develop the part suddenly from girl to woman; - recognizes the way the play explores early modern identity, becoming a handbook for individualism and humanism in the private domestic setting of early capitalism; and - brings to light the least recognized element in the play at the moment, its demonstration of the emerging structures of state power, governance by law, the introduction of surveillance, detection and witness, and the formation of what we now call the 'subject'. The volume includes on DVD a scholarly edition with commentary of the text of Romeo & Juliet, which re-instates many of the original early modern versions of the play.
