The Secular Commedia

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Publisher : Univ of California Press
ISBN 13 : 0520274075
Total Pages : 252 pages
Book Rating : 4.5/5 (22 download)

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Book Synopsis The Secular Commedia by : Wye Jamison Allanbrook

Download or read book The Secular Commedia written by Wye Jamison Allanbrook and published by Univ of California Press. This book was released on 2014-06-07 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: Wye Jamison AllanbrookÕs The Secular Commedia is a stimulating and original rethinking of the music of the late eighteenth century. Hearing the symphonies and concertos of Haydn and Mozart with an ear tuned to operatic style, as their earliest listeners did, Allanbrook shows that this familiar music is built on a set of mimetic associations drawn from conventional modes of depicting character and emotion in opera buffa. Allanbrook mines a rich trove of writings by eighteenth-century philosophers and music theorists to show that vocal music was considered aesthetically superior to instrumental music and that listeners easily perceived the theatrical tropes that underpinned the style. Tracing Enlightenment notions of character and expression back to Greek and Latin writings about comedy and drama, she strips away preoccupations with symphonic form and teleology to reveal anew the kaleidoscopic variety and gestural vitality of the musical surface. In prose as graceful and nimble as the music she discusses, Allanbrook elucidates the idiom of this period for contemporary readers. With notes, musical examples, and a foreword by editors Mary Ann Smart and Richard Taruskin.

Inside Early Music

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Publisher : Oxford University Press
ISBN 13 : 9780195343656
Total Pages : 436 pages
Book Rating : 4.3/5 (436 download)

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Book Synopsis Inside Early Music by : Bernard D. Sherman

Download or read book Inside Early Music written by Bernard D. Sherman and published by Oxford University Press. This book was released on 2003-10-09 with total page 436 pages. Available in PDF, EPUB and Kindle. Book excerpt: The attempt to play music with the styles and instruments of its era--commonly referred to as the early music movement--has become immensely popular in recent years. For instance, Billboard's "Top Classical Albums" of 1993 and 1994 featured Anonymous 4, who sing medieval music, and the best-selling Beethoven recording of 1995 was a period-instruments symphony cycle led by John Eliot Gardiner, who is Deutsche Grammophon's top-selling living conductor. But the movement has generated as much controversy as it has best-selling records, not only about the merits of its results, but also about the validity of its approach. To what degree can we recreate long-lost performing styles? How important are historical period instruments for the performance of a piece? Why should musicians bother with historical information? Are they sacrificing art to scholarship? Now, in Inside Early Music, Bernard D. Sherman has invited many of the leading practitioners to speak out about their passion for early music--why they are attracted to this movement and how it shapes their work. Readers listen in on conversations with conductors Gardiner, William Christie, and Roger Norrington, Peter Phillips of the Tallis Scholars, vocalists Susan Hellauer of Anonymous 4, forte pianist Robert Levin, cellist Anner Bylsma, and many other leading artists. The book is divided into musical eras--Medieval, Renaissance, Baroque, and Classic and Romantic--with each interview focusing on particular composers or styles, touching on heated topics such as the debate over what is "authentic," the value of playing on period instruments, and how to interpret the composer's intentions. Whether debating how to perform Monteverdi's madrigals or comparing Andrew Lawrence-King's Renaissance harp playing to jazz, the performers convey not only a devotion to the spirit of period performance, but the joy of discovery as they struggle to bring the music most truthfully to life. Spurred on by Sherman's probing questions and immense knowledge of the subject, these conversations movingly document the aspirations, growing pains, and emerging maturity of the most exciting movement in contemporary classical performance, allowing each artist's personality and love for his or her craft to shine through. From medieval plainchant to Brahms' orchestral works, Inside Early Music takes readers-whether enthusiasts or detractors-behind the scenes to provide a masterful portrait of early music's controversies, challenges, and rewards.

Keys to Play

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Publisher : Univ of California Press
ISBN 13 : 0520291247
Total Pages : 468 pages
Book Rating : 4.5/5 (22 download)

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Book Synopsis Keys to Play by : Roger Moseley

Download or read book Keys to Play written by Roger Moseley and published by Univ of California Press. This book was released on 2016-10-28 with total page 468 pages. Available in PDF, EPUB and Kindle. Book excerpt: A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program for monographs. Visit www.luminosoa.org to learn more. How do keyboards make music playable? Drawing on theories of media, systems, and cultural techniques, Keys to Play spans Greek myth and contemporary Japanese digital games to chart a genealogy of musical play and its animation via improvisation, performance, and recreation. As a paradigmatic digital interface, the keyboard forms a field of play on which the book’s diverse objects of inquiry—from clavichords to PCs and eighteenth-century musical dice games to the latest rhythm-action titles—enter into analogical relations. Remapping the keyboard’s topography by way of Mozart and Super Mario, who head an expansive cast of historical and virtual actors, Keys to Play invites readers to unlock ludic dimensions of music that are at once old and new.

Coming to Terms with Our Musical Past

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Publisher : Boydell & Brewer
ISBN 13 : 1580469302
Total Pages : 223 pages
Book Rating : 4.5/5 (84 download)

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Book Synopsis Coming to Terms with Our Musical Past by : Edmund Joseph Goehring

Download or read book Coming to Terms with Our Musical Past written by Edmund Joseph Goehring and published by Boydell & Brewer. This book was released on 2018 with total page 223 pages. Available in PDF, EPUB and Kindle. Book excerpt: A bold, restorative vision of Mozart's works, and Western art music generally, as manifestations of an idealism rooted in the sociable nature of humans. For over a generation now, many leading performers, critics, and scholars of Mozart's music have taken a rejection of transcendence as axiomatic. This essentially modernist, antiromantic orientation attempts to neutralize the sorts of aesthetic experiences that presuppose an enchantment with Mozart's art, an engagement traditionally articulated by such terms as intention, mimesis, author, and genius. And what is true of much recent Mozart interpretation isoften manifest in the interpretation of Western art music more generally. Edmund Goehring's Coming to Terms with Our Musical Past explores what gets lost when the vocabulary of enchantment is abandoned. The bookthen proceeds to offer an alternative vision of Mozart's works and of the wider canon of Western art music. A modernized poetics, Goehring argues, reduces art to mechanism or process. It sees less because it excludes a necessaryand enlarging human presence: the generative, and receiving, "I." This fascinating new book-length essay is addressed to any reader interested in the performing arts, visual arts, and literature and their relationship to the broader culture. Goehring draws on seminal thinkers in art criticism and philosophy to propose that such works as Mozart's radiate an idealism that has human sociability both as its source and its object. Edmund J. Goehring is Professor of Music History at the University of Western Ontario.

Media Portrayals of Religion and the Secular Sacred

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Author :
Publisher : Ashgate Publishing, Ltd.
ISBN 13 : 1472406338
Total Pages : 317 pages
Book Rating : 4.4/5 (724 download)

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Book Synopsis Media Portrayals of Religion and the Secular Sacred by : Dr Elizabeth Poole

Download or read book Media Portrayals of Religion and the Secular Sacred written by Dr Elizabeth Poole and published by Ashgate Publishing, Ltd.. This book was released on 2013-11-28 with total page 317 pages. Available in PDF, EPUB and Kindle. Book excerpt: Is it true that Christianity is being marginalised by the secular media, at the expense of Islam? Are the mass media Islamophobic? Is atheism on the rise in media coverage? Media Portrayals of Religion and the Secular Sacred explores such questions and argues that television and newspapers remain key sources of popular information about religion. They are particularly significant at a time when religious participation in Europe is declining yet the public visibility and influence of religions seems to be increasing. Based on analysis of mainstream media, the book is set in the context of wider debates about the sociology of religion and media representation. The authors draw on research conducted in the 1980s and 2008–10 to examine British media coverage and representation of religion and contemporary secular values, and to consider what has changed in the last 25 years. Exploring the portrayal of Christianity and public life, Islam and religious diversity, atheism and secularism, and popular beliefs and practices, several media events are also examined in detail: the Papal visit to the UK in 2010 and the ban of the controversial Dutch MP, Geert Wilders, in 2009. Religion is shown to be deeply embedded in the language and images of the press and television, and present in all types of coverage from news and documentaries to entertainment, sports reporting and advertising. A final chapter engages with global debates about religion and media.

Reading Dante

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Publisher : Lexington Books
ISBN 13 : 9780739121962
Total Pages : 316 pages
Book Rating : 4.1/5 (219 download)

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Book Synopsis Reading Dante by : Jesper Hede

Download or read book Reading Dante written by Jesper Hede and published by Lexington Books. This book was released on 2007 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reading Dante: The Pursuit of Meaning examines the problem of determining the thematic unity of Dante's Divina Commedia in the history of Dante studies. The question of unity has puzzled Dante readers for centuries, due to an apparent discrepancy between Dante's construction of the afterworld and medieval Christian teachings on the conditions of the afterlife. If all sins condemned in Hell can be forgiven, we would expect to see them purged in Purgatory and their virtuous opposite celebrated in Paradise. In Dante's account, however, the three realms of the afterlife appear as self-contained entities with only partially related structures that undermine the establishment of thematic correspondences and the determination of the poem's thematic unity. Was Dante inconsistent in his exposition of the divine order, or have Dante scholars been inconsistent in their treatment of the poem's thematic content? Jesper Hede examines the prevalent strategies of reading applied by Dante scholars in their attempt to solve the problem of unity. Detailing the major contributions to the resolution of the problem and focusing on medieval philosophy and modern hermeneutics, Hede argues that a systematic parallel reading of the poem's three parts reveals that it is the vision of divine order that gives the poem its thematic unity.

Historicizing Secular-Religious Demarcations

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Publisher : Walter de Gruyter GmbH & Co KG
ISBN 13 : 3111386740
Total Pages : 867 pages
Book Rating : 4.1/5 (113 download)

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Book Synopsis Historicizing Secular-Religious Demarcations by : Monika Wohlrab-Sahr

Download or read book Historicizing Secular-Religious Demarcations written by Monika Wohlrab-Sahr and published by Walter de Gruyter GmbH & Co KG. This book was released on 2024-07-01 with total page 867 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume aims to revitalize the exchange between sociological differentiation theory and the sociology of religion, which previously held center stage among the sociological classics. It brings together contributions from different disciplines, as well as various forms of regional and historical expertise, which are indispensable in forming a globally oriented sociological perspective today. Secularization is understood as a process of boundary demarcation, that is, as the enactment of semantic, practical, and institutional distinctions between religion and other spheres of activity and knowledge. These distinctions may emerge from within the religious field itself, or may be absorbed into the field having originally emerged elsewhere. They may even be directly imposed upon religion by external forces. The volume is therefore based on the premise that societal differentiation – and secularity as a specific expression of it – is a widespread structural feature that nonetheless takes on various forms, depending on its historical and cultural context. In order to make this diversity visible, the volume adopts a global comparative perspective, and examines historical distinctions and differentiations in the West and beyond. By examining different forms and modes of secularity in statu nascendi, the volume contributes to developing a better understanding of the diversity of secularities, even of those found in the present day, in terms of their historicity and their specific path dependencies. With this shift in perspective, this special volume initiates a global and historical turn in the theory of differentiation, as well as in the study of secularity.

Red Sea-Red Square-Red Thread

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Publisher : Oxford University Press
ISBN 13 : 0197572448
Total Pages : 721 pages
Book Rating : 4.1/5 (975 download)

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Book Synopsis Red Sea-Red Square-Red Thread by : Lydia Goehr

Download or read book Red Sea-Red Square-Red Thread written by Lydia Goehr and published by Oxford University Press. This book was released on 2021 with total page 721 pages. Available in PDF, EPUB and Kindle. Book excerpt: A profoundly original philosophical detective story tracing the surprising history of an anecdote ranging across centuries of traditions, disciplines, and ideas Red Sea-Red Square-Red Thread is a work of passages taken, written, painted, and sung. It offers a genealogy of liberty through a micrology of wit. It follows the long history of a short anecdote. Commissioned to depict the biblical passage through the Red Sea, a painter covered over a surface with red paint, explaining thereafter that the Israelites had already crossed over and that the Egyptians were drowned. Clearly, not all you see is all you get. Who was the painter and who the first teller of the tale? Designed as a philosophical detective story, Red Sea-Red Square-Red Thread follows the extraordinary number of thinkers and artists who have used the Red Sea anecdote to make so much more than a merely anecdotal point. Leading the large cast are the philosophers, Arthur Danto and Søren Kierkegaard, the poet and playwright, Henri Murger, the opera composer, Giacomo Puccini, and the painter and print-maker, William Hogarth. Strange companions perhaps, until their use of the anecdote is shown as working its extraordinary passage through so many cosmopolitan cities of art and capital. What about the anecdote brings Danto's philosophy of art into conversation with Kierkegaard's stages on life's way, with Murger and Puccini's la vie de bohème, and with Hogarth's modern moral pictures? Lydia Goehr explores these narratives of emancipation in philosophy, theology, politics, and the arts. What has the passage of the Israelites to do with the Egyptians who, by many gypsy names, came to be branded as bohemians when arriving in France from the German lands of Bohemia? What have Moses and monotheism to do with the history of monism and the monochrome? And what sort of thread connects a sea to a square when each is so purposefully named red?

Medieval Crossover

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Publisher : University of Notre Dame Pess
ISBN 13 : 0268161402
Total Pages : 416 pages
Book Rating : 4.2/5 (681 download)

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Book Synopsis Medieval Crossover by : Barbara Newman

Download or read book Medieval Crossover written by Barbara Newman and published by University of Notre Dame Pess. This book was released on 2013-05-15 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: The sacred and the secular in medieval literature have too often been perceived as opposites, or else relegated to separate but unequal spheres. In Medieval Crossover: Reading the Secular against the Sacred, Barbara Newman offers a new approach to the many ways that sacred and secular interact in medieval literature, arguing that (in contrast to our own cultural situation) the sacred was the normative, unmarked default category against which the secular always had to define itself and establish its niche. Newman refers to this dialectical relationship as "crossover"—which is not a genre in itself, but a mode of interaction, an openness to the meeting or even merger of sacred and secular in a wide variety of forms. Newman sketches a few of the principles that shape their interaction: the hermeneutics of "both/and," the principle of double judgment, the confluence of pagan material and Christian meaning in Arthurian romance, the rule of convergent idealism in hagiographic romance, and the double-edged sword in parody. Medieval Crossover explores a wealth of case studies in French, English, and Latin texts that concentrate on instances of paradox, collision, and convergence. Newman convincingly and with great clarity demonstrates the widespread applicability of the crossover concept as an analytical tool, examining some very disparate works. These include French and English romances about Lancelot and the Grail; the mystical writing of Marguerite Porete (placed in the context of lay spirituality, lyric traditions, and the Romance of the Rose); multiple examples of parody (sexually obscene, shockingly anti-Semitic, or cleverly litigious); and René of Anjou's two allegorical dream visions. Some of these texts are scarcely known to medievalists; others are rarely studied together. Newman's originality in her choice of these primary works will inspire new questions and set in motion new fields of exploration for medievalists working in a large variety of disciplines, including literature, religious studies, history, and cultural studies.

Secularism and its Opponents from Augustine to Solzhenitsyn

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Author :
Publisher : Springer
ISBN 13 : 0230601685
Total Pages : 278 pages
Book Rating : 4.2/5 (36 download)

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Book Synopsis Secularism and its Opponents from Augustine to Solzhenitsyn by : E. Kennedy

Download or read book Secularism and its Opponents from Augustine to Solzhenitsyn written by E. Kennedy and published by Springer. This book was released on 2006-11-13 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this overview of secularism and its history, Kennedy traces, through a series of intellectual biographies of leading European thinkers such as Rousseau, Kant, Hegel, Marx, Dostoyevsky, and Solzhenitsyn, just how the Western world changed from religious to secular.

Popular Opera in Eighteenth-Century France

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Publisher : Cambridge University Press
ISBN 13 : 1316515842
Total Pages : 393 pages
Book Rating : 4.3/5 (165 download)

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Book Synopsis Popular Opera in Eighteenth-Century France by : David Charlton

Download or read book Popular Opera in Eighteenth-Century France written by David Charlton and published by Cambridge University Press. This book was released on 2021-12-16 with total page 393 pages. Available in PDF, EPUB and Kindle. Book excerpt: A major re-orientation in understanding opera, exploring musical comedies with spoken dialogue previously excluded from historical accounts.

Healing, Performance and Ceremony in the Writings of Three Early Modern Physicians: Hippolytus Guarinonius and the Brothers Felix and Thomas Platter

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Author :
Publisher : Routledge
ISBN 13 : 1351931458
Total Pages : 442 pages
Book Rating : 4.3/5 (519 download)

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Book Synopsis Healing, Performance and Ceremony in the Writings of Three Early Modern Physicians: Hippolytus Guarinonius and the Brothers Felix and Thomas Platter by : M.A. Katritzky

Download or read book Healing, Performance and Ceremony in the Writings of Three Early Modern Physicians: Hippolytus Guarinonius and the Brothers Felix and Thomas Platter written by M.A. Katritzky and published by Routledge. This book was released on 2016-12-05 with total page 442 pages. Available in PDF, EPUB and Kindle. Book excerpt: While the writings of early modern medical practitioners habitually touch on performance and ceremony, few illuminate them as clearly as the Protestant physicians Felix Platter and Thomas Platter the Younger, who studied in Montpellier and practiced in their birth town of Basle, or the Catholic physician Hippolytus Guarinonius, who was born in Trent, trained in Padua and practiced in Hall near Innsbruck. During his student years and brilliant career as early modern Basle's most distinguished municipal, court and academic physician, Felix Platter built up a wide network of private, religious and aristocratic patients. His published medical treatises and private journal record his professional encounters with them as a healer. They also offer numerous vivid accounts of theatrical events experienced by Platter as a scholar, student and gifted semi-professional musician, and during his Grand Tour and long medical career. Here Felix Platter's accounts, many unavailable in translation, are examined together with relevant extracts from the journals of his younger brother Thomas Platter, and Guarinonius's medical and religious treatises. Thomas Platter is known to Shakespeare scholars as the Swiss Grand Tourist who recorded a 1599 London performance of Julius Caesar, and Guarinonius's descriptions of quack performances represent the earliest substantial written record of commedia dell'arte lazzi, or comic stage business. These three physicians' records of ceremony, festival, theatre, and marketplace diversions are examined in detail, with particular emphasis on the reactions of 'respectable' medical practitioners to healing performers and the performance of healing. Taken as a whole, their writings contribute to our understanding of many aspects of European theatrical culture and its complex interfaces with early modern healthcare: in carnival and other routine manifestations of the Christian festive year, in the extraordinary performance and ceremony of court festivals, and above all in the rarely welcomed intrusions of quacks and other itinerant performers.

Monarchy, Political Culture, and Drama in Seventeenth-Century Madrid

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Author :
Publisher : Routledge
ISBN 13 : 1317094425
Total Pages : 181 pages
Book Rating : 4.3/5 (17 download)

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Book Synopsis Monarchy, Political Culture, and Drama in Seventeenth-Century Madrid by : Jodi Campbell

Download or read book Monarchy, Political Culture, and Drama in Seventeenth-Century Madrid written by Jodi Campbell and published by Routledge. This book was released on 2016-04-15 with total page 181 pages. Available in PDF, EPUB and Kindle. Book excerpt: In early modern Spain, theater reached the height of its popularity during the same decades in which Spanish monarchs were striving to consolidate their power. Jodi Campbell uses the dramatic production of seventeenth-century Madrid to understand how ordinary Spaniards perceived the political developments of this period. Through a study of thirty-three plays by four of the most popular playwrights of Madrid (Pedro Caldern de la Barca, Francisco de Rojas Zorrilla, Juan de Matos Fragoso, and Juan Bautista Diamante), Campbell analyzes portrayals of kingship during what is traditionally considered to be the age of absolutism and highlights the differences between the image of kingship cultivated by the monarchy and that presented on Spanish stages. A surprising number of plays performed and published in Madrid in the seventeenth century, Campbell shows, featured themes about kingship: debates over the qualities that make a good king, tests of a king's abilities, and stories about the conflicts that could arise between the personal interests of a king and the best interest of his subjects. Rather than supporting the absolutist and centralizing policies of the monarchy, popular theater is shown here to favor the idea of reciprocal obligations between subjects and monarch. This study contributes new evidence to the trend of recent scholarship that revises our views of early modern Spanish absolutism, arguing for the significance of the perspectives of ordinary people to the realm of politics.

The Oxford Handbook of Topic Theory

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Publisher : Oxford University Press
ISBN 13 : 0199841586
Total Pages : 712 pages
Book Rating : 4.1/5 (998 download)

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Book Synopsis The Oxford Handbook of Topic Theory by : Danuta Mirka

Download or read book The Oxford Handbook of Topic Theory written by Danuta Mirka and published by Oxford University Press. This book was released on 2014-10-16 with total page 712 pages. Available in PDF, EPUB and Kindle. Book excerpt: Topics are musical signs that rely on associations with different genres, styles, and types of music making. The concept of topics was introduced by Leonard Ratner in the 1980s to account for cross-references between eighteenth-century styles and genres. While music theorists and critics were busy classifying styles and genres, defining their affects and proper contexts for their usage, composers started crossing the boundaries between them and using stylistic conventions as means of communication with the audience. Such topical mixtures received negative evaluations from North-German critics but became the hallmark of South-German music, which engulfed the Viennese classicism. Topic theory allows music scholars to gain access to meaning and expression of this music. The Oxford Handbook of Topic Theory consolidates this field of research by clarifying its basic concepts and exploring its historical foundations. The volume grounds the concept of topics in eighteenth-century music theory, aesthetics, and criticism. Documenting historical reality of individual topics on the basis of eighteenth-century sources, it relates topical analysis to other methods of music analysis conducted from the perspectives of composers, performers, and listeners. With a focus on eighteenth-century musical repertoire, The Oxford Handbook of Topic Theory lays the foundation under further investigation of topics in music of the nineteenth, twentieth, and twenty-first centuries.

Music and the Exotic from the Renaissance to Mozart

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Publisher : Cambridge University Press
ISBN 13 : 1316298205
Total Pages : 473 pages
Book Rating : 4.3/5 (162 download)

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Book Synopsis Music and the Exotic from the Renaissance to Mozart by : Ralph P. Locke

Download or read book Music and the Exotic from the Renaissance to Mozart written by Ralph P. Locke and published by Cambridge University Press. This book was released on 2015-05-07 with total page 473 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the years 1500–1800, European performing arts reveled in a kaleidoscope of Otherness: Middle-Eastern harem women, fortune-telling Spanish 'Gypsies', Incan priests, Barbary pirates, moresca dancers, and more. In this prequel to his 2009 book Musical Exoticism, Ralph P. Locke explores how exotic locales and their inhabitants were characterized in musical genres ranging from instrumental pieces and popular songs to oratorios, ballets, and operas. Locke's study offers new insights into much-loved masterworks by composers such as Cavalli, Lully, Purcell, Rameau, Handel, Vivaldi, Gluck, and Mozart. In these works, evocations of ethnic and cultural Otherness often mingle attraction with envy or fear, and some pieces were understood at the time as commenting on conditions in Europe itself. Locke's accessible study, which includes numerous musical examples and rare illustrations, will be of interest to anyone who is intrigued by the relationship between music and cultural history, and by the challenges of cross-cultural (mis)understanding.

Commedia dell'Arte in Context

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Publisher : Cambridge University Press
ISBN 13 : 1108670571
Total Pages : 709 pages
Book Rating : 4.1/5 (86 download)

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Book Synopsis Commedia dell'Arte in Context by : Christopher B. Balme

Download or read book Commedia dell'Arte in Context written by Christopher B. Balme and published by Cambridge University Press. This book was released on 2018-04-05 with total page 709 pages. Available in PDF, EPUB and Kindle. Book excerpt: The commedia dell'arte, the improvised Italian theatre that dominated the European stage from 1550 to 1750, is arguably the most famous theatre tradition to emerge from Europe in the early modern period. Its celebrated masks have come to symbolize theatre itself and have become part of the European cultural imagination. Over the past twenty years a revolution in commedia dell'arte scholarship has taken place, generated mainly by a number of distinguished Italian scholars. Their work, in which they have radically separated out the myth from the history of the phenomenon remains, however, largely untranslated into English (or any other language). The present volume gathers together these Italian and English-speaking scholars to synthesize for the first time this research for both specialist and non-specialist readers. The book is structured around key topics that span both the early modern period and the twentieth-century reinvention of the commedia dell'arte.

A Theory of Virtual Agency for Western Art Music

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Publisher : Indiana University Press
ISBN 13 : 0253038014
Total Pages : 334 pages
Book Rating : 4.2/5 (53 download)

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Book Synopsis A Theory of Virtual Agency for Western Art Music by : Robert S. Hatten

Download or read book A Theory of Virtual Agency for Western Art Music written by Robert S. Hatten and published by Indiana University Press. This book was released on 2018-09-06 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: In his third volume on musical expressive meaning, Robert S. Hatten examines virtual agency in music from the perspectives of movement, gesture, embodiment, topics, tropes, emotion, narrativity, and performance. Distinguished from the actual agency of composers and performers, whose intentional actions either create music as notated or manifest music as significant sound, virtual agency is inferred from the implied actions of those sounds, as they move and reveal tendencies within music-stylistic contexts. From our most basic attributions of sources for perceived energies in music, to the highest realm of our engagement with musical subjectivity, Hatten explains how virtual agents arose as distinct from actual ones, how unspecified actants can take on characteristics of (virtual) human agents, and how virtual agents assume various actorial roles. Along the way, Hatten demonstrates some of the musical means by which composers and performers from different historical eras have staged and projected various levels of virtual agency, engaging listeners imaginatively and interactively within the expressive realms of their virtual and fictional musical worlds.