The Ringtone Dialectic

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The Ringtone Dialectic

Author : Sumanth Gopinath
Publisher : MIT Press
ISBN 13 : 0262315092
Total Pages : 393 pages
Book Rating : 4.2/5 (623 download)

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Book Synopsis The Ringtone Dialectic by : Sumanth Gopinath

Download or read book The Ringtone Dialectic written by Sumanth Gopinath and published by MIT Press. This book was released on 2013-07-19 with total page 393 pages. Available in PDF, EPUB and Kindle. Book excerpt: The rise and fall of the ringtone industry and its effect on mobile entertainment, music, television, film, and politics. A decade ago, the customizable ringtone was ubiquitous. Almost any crowd of cell phone owners could produce a carillon of tinkly, beeping, synthy, musicalized ringer signals. Ringtones quickly became a multi-billion-dollar global industry and almost as quickly faded away. In The Ringtone Dialectic, Sumanth Gopinath charts the rise and fall of the ringtone economy and assesses its effect on cultural production. Gopinath describes the technical and economic structure of the ringtone industry, considering the transformation of ringtones from monophonic, single-line synthesizer files to polyphonic MIDI files to digital sound files and the concomitant change in the nature of capital and rent accumulation within the industry. He discusses sociocultural practices that seemed to wane as a result of these shifts, including ringtone labor, certain forms of musical notation and representation, and the creation of musical and artistic works quoting ringtones. Gopinath examines “declines,” “reversals,” and “revivals” of cultural forms associated with the ringtone and its changes, including the Crazy Frog fad, the use of ringtones in political movements (as in the Philippine “Gloriagate” scandal), the ringtone's narrative function in film and television (including its striking use in the films of the Chinese director Jia Zhangke), and the ringtone's relation to pop music (including possible race and class aspects of ringtone consumption). Finally, Gopinath considers the attempt to rebrand ringtones as “mobile music” and the emergence of cloud computing.

The Ringtone Dialectic

Author : Sumanth Gopinath
Publisher :
ISBN 13 : 9780262315081
Total Pages : 416 pages
Book Rating : 4.3/5 (15 download)

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Book Synopsis The Ringtone Dialectic by : Sumanth Gopinath

Download or read book The Ringtone Dialectic written by Sumanth Gopinath and published by . This book was released on 2013-07-19 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: A decade ago, the customizable ringtone was ubiquitous. Almost any crowd of cell phone owners could produce a carillon of tinkly, beeping, synthy, musicalized ringer signals. Ringtones quickly became a multi-billion-dollar global industry and almost as quickly faded away. In The Ringtone Dialectic, Sumanth Gopinath charts the rise and fall of the ringtone economy and assesses its effect on cultural production.Gopinath describes the technical and economic structure of the ringtone industry, considering the transformation of ringtones from monophonic, single-line synthesizer files to polyphonic MIDI files to digital sound files and the concomitant change in the nature of capital and rent accumulation within the industry. He discusses sociocultural practices that seemed to wane as a result of these shifts, including ringtone labor, certain forms of musical notation and representation, and the creation of musical and artistic works quoting ringtones. Gopinath examines "declines," "reversals," and "revivals" of cultural forms associated with the ringtone and its changes, including the Crazy Frog fad, the use of ringtones in political movements (as in the Philippine "Gloriagate" scandal), the ringtone's narrative function in film and television (including its striking use in the films of the Chinese director Jia Zhangke), and the ringtone's relation to pop music (including possible race and class aspects of ringtone consumption). Finally, Gopinath considers the attempt to rebrand ringtones as "mobile music" and the emergence of cloud computing.

The Ringtone Dialectic

Author : Sumanth Gopinath
Publisher : MIT Press
ISBN 13 : 0262019159
Total Pages : 393 pages
Book Rating : 4.2/5 (62 download)

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Book Synopsis The Ringtone Dialectic by : Sumanth Gopinath

21st Century Perspectives on Music, Technology, and Culture

Author : R. Purcell
Publisher : Springer
ISBN 13 : 1137497602
Total Pages : 216 pages
Book Rating : 4.1/5 (374 download)

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Book Synopsis 21st Century Perspectives on Music, Technology, and Culture by : R. Purcell

Download or read book 21st Century Perspectives on Music, Technology, and Culture written by R. Purcell and published by Springer. This book was released on 2016-04-08 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection presents a contemporary evaluation of the changing structures of music delivery and enjoyment. Exploring the confluence of music consumption, burgeoning technology, and contemporary culture; this volume focuses on issues of musical communities and the politics of media.

The Relentless Pursuit of Tone

Author : Robert Fink
Publisher : Oxford University Press
ISBN 13 : 0199985251
Total Pages : 409 pages
Book Rating : 4.1/5 (999 download)

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Book Synopsis The Relentless Pursuit of Tone by : Robert Fink

Download or read book The Relentless Pursuit of Tone written by Robert Fink and published by Oxford University Press. This book was released on 2018-09-18 with total page 409 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Relentless Pursuit of Tone: Timbre in Popular Music assembles a broad spectrum of contemporary perspectives on how "sound" functions in an equally wide array of popular music. Ranging from the twang of country banjoes and the sheen of hip-hop strings to the crunch of amplified guitars and the thump of subwoofers on the dance floor, this volume bridges the gap between timbre, our name for the purely acoustic characteristics of sound waves, and tone, an emergent musical construct that straddles the borderline between the perceptual and the political. Essays engage with the entire history of popular music as recorded sound, from the 1930s to the present day, under four large categories. "Genre" asks how sonic signatures define musical identities and publics; "Voice" considers the most naturalized musical instrument, the human voice, as racial and gendered signifier, as property or likeness, and as raw material for algorithmic perfection through software; "Instrument" tells stories of the way some iconic pop music machines-guitars, strings, synthesizers-got (or lost) their distinctive sounds; "Production" then puts it all together, asking structural questions about what happens in a recording studio, what is produced (sonic cartoons? rockist authenticity? empty space?) and what it all might mean.

Composing Capital

Author : Marianna Ritchey
Publisher : University of Chicago Press
ISBN 13 : 022664037X
Total Pages : 221 pages
Book Rating : 4.2/5 (266 download)

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Book Synopsis Composing Capital by : Marianna Ritchey

Download or read book Composing Capital written by Marianna Ritchey and published by University of Chicago Press. This book was released on 2019-08-05 with total page 221 pages. Available in PDF, EPUB and Kindle. Book excerpt: The familiar old world of classical music, with its wealthy donors and ornate concert halls, is changing. The patronage of a wealthy few is being replaced by that of corporations, leading to new unions of classical music and contemporary capitalism. In Composing Capital, Marianna Ritchey lays bare the appropriation of classical music by the current neoliberal regime, arguing that artists, critics, and institutions have aligned themselves—and, by extension, classical music itself—with free-market ideology. More specifically, she demonstrates how classical music has lent its cachet to marketing schemes, tech firm-sponsored performances, and global corporate partnerships. As Ritchey shows, the neoliberalization of classical music has put music at the service of contemporary capitalism, blurring the line between creativity and entrepreneurship, and challenging us to imagine how a noncommodified musical practice might be possible in today’s world.

The Oxford Handbook of Mobile Music Studies, Volume 2

Author : Sumanth Gopinath
Publisher : Oxford University Press
ISBN 13 : 019991365X
Total Pages : 545 pages
Book Rating : 4.1/5 (999 download)

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Book Synopsis The Oxford Handbook of Mobile Music Studies, Volume 2 by : Sumanth Gopinath

Download or read book The Oxford Handbook of Mobile Music Studies, Volume 2 written by Sumanth Gopinath and published by Oxford University Press. This book was released on 2014-03 with total page 545 pages. Available in PDF, EPUB and Kindle. Book excerpt: The two volumes of The Oxford Handbook of Mobile Music Studies consolidate an area of scholarly inquiry that addresses how mechanical, electrical, and digital technologies and their corresponding economies of scale have rendered music and sound increasingly mobile-portable, fungible, and ubiquitous. At once a marketing term, a common mode of everyday-life performance, and an instigator of experimental aesthetics, "mobile music" opens up a space for studying the momentous transformations in the production, distribution, consumption, and experience of music and sound that took place between the late nineteenth and the early twenty-first centuries. Taken together, the two volumes cover a large swath of the world-the US, the UK, Japan, Brazil, Germany, Turkey, Mexico, France, China, Jamaica, Iraq, the Philippines, India, Sweden-and a similarly broad array of the musical and nonmusical sounds suffusing the soundscapes of mobility. Volume 2 investigates the ramifications of mobile music technologies on musical/sonic performance and aesthetics. Two core arguments are that "mobility" is not the same thing as actual "movement" and that artistic production cannot be absolutely sundered from the performances of quotidian life. The volume's chapters investigate the mobilization of frequency range by sirens and miniature speakers; sound vehicles such as boom cars, ice cream trucks, and trains; the gestural choreographies of soundwalk pieces and mundane interactions with digital media; dance music practices in laptop and iPod DJing; the imagery of iPod commercials; production practices in Turkish political music and black popular music; the aesthetics of handheld video games and chiptune music; and the mobile device as a new musical instrument and resource for musical ensembles.

The Oxford Handbook of Mobile Music Studies, Volume 1

Author : Sumanth Gopinath
Publisher : Oxford University Press
ISBN 13 : 0195375726
Total Pages : 561 pages
Book Rating : 4.1/5 (953 download)

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Book Synopsis The Oxford Handbook of Mobile Music Studies, Volume 1 by : Sumanth Gopinath

Download or read book The Oxford Handbook of Mobile Music Studies, Volume 1 written by Sumanth Gopinath and published by Oxford University Press. This book was released on 2014-03 with total page 561 pages. Available in PDF, EPUB and Kindle. Book excerpt: The two volumes of The Oxford Handbook of Mobile Music Studies consolidate an area of scholarly inquiry that addresses how mechanical, electrical, and digital technologies and their corresponding economies of scale have rendered music and sound increasingly mobile-portable, fungible, and ubiquitous. At once a marketing term, a common mode of everyday-life performance, and an instigator of experimental aesthetics, "mobile music" opens up a space for studying the momentous transformations in the production, distribution, consumption, and experience of music and sound that took place between the late nineteenth and the early twenty-first centuries. Taken together, the two volumes cover a large swath of the world-the US, the UK, Japan, Brazil, Germany, Turkey, Mexico, France, China, Jamaica, Iraq, the Philippines, India, Sweden-and a similarly broad array of the musical and nonmusical sounds suffusing the soundscapes of mobility. Volume 1 provides an introduction to the study of mobile music through the examination of its devices, markets, and theories. Conceptualizing a long history of mobile music extending from the late nineteenth century to the present, the volume focuses on the conjunction of human mobility and forms of sound production and reproduction. The volume's chapters investigate the MP3, copyright law and digital downloading, music and cloud computing, the iPod, the transistor radio, the automated call center, sound and text messaging, the mobile phone, the militarization of iPod usage, the cochlear implant, the portable sound recorder, listening practices of schoolchildren and teenagers, the ringtone, mobile music in the urban soundscape, the boombox, mobile music marketing in Mexico and Brazil, music piracy in India, and online radio in Japan and the US.

The Cambridge Companion to Music in Digital Culture

Author : Nicholas Cook
Publisher : Cambridge University Press
ISBN 13 : 1107161789
Total Pages : 347 pages
Book Rating : 4.1/5 (71 download)

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Book Synopsis The Cambridge Companion to Music in Digital Culture by : Nicholas Cook

Download or read book The Cambridge Companion to Music in Digital Culture written by Nicholas Cook and published by Cambridge University Press. This book was released on 2019-09-19 with total page 347 pages. Available in PDF, EPUB and Kindle. Book excerpt: Digital technology has profoundly transformed almost all aspects of musical culture. This book explains how and why.

The Oxford Handbook of Music and Advertising

Author : James Deaville
Publisher : Oxford University Press
ISBN 13 : 0190691271
Total Pages : 954 pages
Book Rating : 4.1/5 (96 download)

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Book Synopsis The Oxford Handbook of Music and Advertising by : James Deaville

Download or read book The Oxford Handbook of Music and Advertising written by James Deaville and published by Oxford University Press. This book was released on 2021-01-18 with total page 954 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Oxford Handbook of Music and Advertising is an essential guide to the crucial role that music plays in relation to the audio or audiovisual advertising message, from the perspectives of its creation, interpretation, and reception. The book's unique three-part organization reflects this life cycle of an advertisement, from industry inception to mass-mediated text to consumer behaviour. Experts well versed in the practice, analysis, and empirical studies of the commercial message have contributed to the collection's forty-two chapters, which collectively represent the most ambitious and comprehensive attempt to date to address the important intersections of music and advertising. Handbook chapters are self-contained yet share borders with other contributions within a given section and across the major sections of the book, so readers can either study one topic of particular interest or read through to gain an understanding of the broader issues at stake. Within the book's Introduction, each editor has provided an overview of the unifying themes for the section for which they were responsible, with brief summaries of individual contributions at the beginnings of the sections. The lists of recommended readings at the end of chapters are intended to assist readers in finding further literature about the topic. An overview of industry practices by a music insider is provided in the Appendix, giving context for the three parts of the book.

Sound as Popular Culture

Author : Jens Gerrit Papenburg
Publisher : MIT Press
ISBN 13 : 0262033909
Total Pages : 447 pages
Book Rating : 4.2/5 (62 download)

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Book Synopsis Sound as Popular Culture by : Jens Gerrit Papenburg

Download or read book Sound as Popular Culture written by Jens Gerrit Papenburg and published by MIT Press. This book was released on 2016-03-18 with total page 447 pages. Available in PDF, EPUB and Kindle. Book excerpt: Scholars consider sound and its concepts, taking as their premise the idea that popular culture can be analyzed in an innovative way through sound. The wide-ranging texts in this book take as their premise the idea that sound is a subject through which popular culture can be analyzed in an innovative way. From an infant's gurgles over a baby monitor to the roar of the crowd in a stadium to the sub-bass frequencies produced by sound systems in the disco era, sound—not necessarily aestheticized as music—is inextricably part of the many domains of popular culture. Expanding the view taken by many scholars of cultural studies, the contributors consider cultural practices concerning sound not merely as semiotic or signifying processes but as material, physical, perceptual, and sensory processes that integrate a multitude of cultural traditions and forms of knowledge. The chapters discuss conceptual issues as well as terminologies and research methods; analyze historical and contemporary case studies of listening in various sound cultures; and consider the ways contemporary practices of sound generation are applied in the diverse fields in which sounds are produced, mastered, distorted, processed, or enhanced. The chapters are not only about sound; they offer a study through sound—echoes from the past, resonances of the present, and the contradictions and discontinuities that suggest the future. Contributors Karin Bijsterveld, Susanne Binas-Preisendörfer, Carolyn Birdsall, Jochen Bonz, Michael Bull, Thomas Burkhalter, Mark J. Butler, Diedrich Diederichsen, Veit Erlmann, Franco Fabbri, Golo Föllmer, Marta García Quiñones, Mark Grimshaw, Rolf Großmann, Maria Hanáček, Thomas Hecken, Anahid Kassabian, Carla J. Maier, Andrea Mihm, Bodo Mrozek, Carlo Nardi, Jens Gerrit Papenburg, Thomas Schopp, Holger Schulze, Toby Seay, Jacob Smith, Paul Théberge, Peter Wicke, Simon Zagorski-Thomas

Code Musicology

Author : Denis Crowdy
Publisher : Rowman & Littlefield
ISBN 13 : 1666909203
Total Pages : 151 pages
Book Rating : 4.6/5 (669 download)

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Book Synopsis Code Musicology by : Denis Crowdy

Download or read book Code Musicology written by Denis Crowdy and published by Rowman & Littlefield. This book was released on 2022-06-15 with total page 151 pages. Available in PDF, EPUB and Kindle. Book excerpt: Software mediates a great deal of human musical activity. The writing, running, and maintenance of code lies at the heart of such software. Code Musicology: From Hardwired to Software argues why it is time for a “code musicology,” then outlines what that should entail. A code musicology opens a conduit between musicology and software studies, providing insights into both of these now interlinked fields along the way. It extends an ethnomusicology of technoculture from the world of hardware and the hardwired to software, code, and algorithms. For popular music studies, it helps direct attention to a newly relevant industrial focus—IT and software-centered transnational commerce—as a result of sectorial transformation. Denis Crowdy demonstrates how analysis from software studies, critical code studies, and the digital humanities offers insights into power relations, diversity, and commerce in music. Crowdy weaves readings of code and application programming interfaces (APIs) into the discussion, as well as ethnomusicological fieldwork exploring music and mobile phones from the Global South. Analysis of the author’s own music apps and associated distribution infrastructure provides unique insights into the machinations of music “appification.”

Remapping Sound Studies

Author : Gavin Steingo
Publisher : Duke University Press
ISBN 13 : 1478002190
Total Pages : 199 pages
Book Rating : 4.4/5 (78 download)

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Book Synopsis Remapping Sound Studies by : Gavin Steingo

Download or read book Remapping Sound Studies written by Gavin Steingo and published by Duke University Press. This book was released on 2019-03-14 with total page 199 pages. Available in PDF, EPUB and Kindle. Book excerpt: The contributors to Remapping Sound Studies intervene in current trends and practices in sound studies by reorienting the field toward the global South. Attending to disparate aspects of sound in Africa, South and Southeast Asia, Latin America, the Middle East, Micronesia, and a Southern outpost in the global North, this volume broadens the scope of sound studies and challenges some of the field's central presuppositions. The contributors show how approaches to and uses of technology across the global South complicate narratives of technological modernity and how sound-making and listening in diverse global settings unsettle familiar binaries of sacred/secular, private/public, human/nonhuman, male/female, and nature/culture. Exploring a wide range of sonic phenomena and practices, from birdsong in the Marshall Islands to Zulu ululation, the contributors offer diverse ways to remap and decolonize modes of thinking about and listening to sound. Contributors Tripta Chandola, Michele Friedner, Louise Meintjes, Jairo Moreno, Ana María Ochoa Gautier, Michael Birenbaum Quintero, Jeff Roy, Jessica Schwartz, Shayna Silverstein, Gavin Steingo, Jim Sykes, Benjamin Tausig, Hervé Tchumkam

Keywords in Sound

Author : David Novak
Publisher : Duke University Press
ISBN 13 : 0822375494
Total Pages : 245 pages
Book Rating : 4.8/5 (223 download)

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Book Synopsis Keywords in Sound by : David Novak

Download or read book Keywords in Sound written by David Novak and published by Duke University Press. This book was released on 2015-05-09 with total page 245 pages. Available in PDF, EPUB and Kindle. Book excerpt: In twenty essays on subjects such as noise, acoustics, music, and silence, Keywords in Sound presents a definitive resource for sound studies, and a compelling argument for why studying sound matters. Each contributor details their keyword's intellectual history, outlines its role in cultural, social and political discourses, and suggests possibilities for further research. Keywords in Sound charts the philosophical debates and core problems in defining, classifying and conceptualizing sound, and sets new challenges for the development of sound studies. Contributors. Andrew Eisenberg, Veit Erlmann, Patrick Feaster, Steven Feld, Daniel Fisher, Stefan Helmreich, Charles Hirschkind, Deborah Kapchan, Mara Mills, John Mowitt, David Novak, Ana Maria Ochoa Gautier, Thomas Porcello, Tom Rice, Tara Rodgers, Matt Sakakeeny, David Samuels, Mark M. Smith, Benjamin Steege, Jonathan Sterne, Amanda Weidman

Sound Objects

Author : James A. Steintrager
Publisher : Duke University Press
ISBN 13 : 1478002530
Total Pages : 173 pages
Book Rating : 4.4/5 (78 download)

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Book Synopsis Sound Objects by : James A. Steintrager

Download or read book Sound Objects written by James A. Steintrager and published by Duke University Press. This book was released on 2018-12-06 with total page 173 pages. Available in PDF, EPUB and Kindle. Book excerpt: Is a sound an object, an experience, an event, or a relation? What exactly does the emerging discipline of sound studies study? Sound Objects pursues these questions while exploring how history, culture, and mediation entwine with sound’s elusive objectivity. Examining the genealogy and evolution of the concept of the sound object, the commodification of sound, acousmatic listening, nonhuman sounds, and sound and memory, the contributors not only probe conceptual issues that lie in the forefront of contemporary sonic discussions but also underscore auditory experience as fundamental to sound as a critical enterprise. In so doing, they offer exciting considerations of sound within and beyond its role in meaning, communication, and information and an illuminatingly original theoretical overview of the field of sound studies itself. Contributors. Georgina Born, Michael Bull, Michel Chion, Rey Chow, John Dack, Veit Erlmann, Brian Kane, Jairo Moreno, John Mowitt, Pooja Rangan, Gavin Steingo, James A. Steintrager, Jonathan Sterne, David Toop

Sound, Media, Ecology

Author : Milena Droumeva
Publisher : Springer
ISBN 13 : 3030165698
Total Pages : 306 pages
Book Rating : 4.0/5 (31 download)

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Book Synopsis Sound, Media, Ecology by : Milena Droumeva

Download or read book Sound, Media, Ecology written by Milena Droumeva and published by Springer. This book was released on 2019-06-27 with total page 306 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume reads the global urban environment through mediated sonic practices to put a contemporary spin on acoustic ecology’s investigations at the intersection of space, cultures, technology, and the senses. Acoustic ecology is an interdisciplinary framework from the 1970s for documenting, analyzing, and transforming sonic environments: an early model of the cross-boundary thinking and multi-modal practices now common across the digital humanities. With the recent emergence of sound studies and the expansion of “ecological” thinking, there is an increased urgency to re-discover and contemporize the acoustic ecology tradition. This book serves as a comprehensive investigation into the ways in which current scholars working with sound are re-inventing acoustic ecology across diverse fields, drawing on acoustic ecology’s focus on sensory experience, place, and applied research, as well as attendance to mediatized practices in sounded space. From sounding out the Anthropocene, to rethinking our auditory media landscapes, to exploring citizenship and community, this volume brings the original acoustic ecology problem set into the contemporary landscape of sound studies.

The Auditory Culture Reader

Author : Michael Bull
Publisher : Routledge
ISBN 13 : 1000184900
Total Pages : 487 pages
Book Rating : 4.0/5 (1 download)

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Book Synopsis The Auditory Culture Reader by : Michael Bull

Download or read book The Auditory Culture Reader written by Michael Bull and published by Routledge. This book was released on 2020-05-31 with total page 487 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first edition of The Auditory Culture Reader offered an introduction to both classical and recent work on auditory culture, laying the foundations for new academic research in sound studies. Today, interest and research on sound thrives across disciplines such as music, anthropology, geography, sociology and cultural studies as well as within the new interdisciplinary sphere of sound studies itself. This second edition reflects on the changes to the field since the first edition and offers a vast amount of new content, a user-friendly organization which highlights key themes and concepts, and a methodologies section which addresses practical questions for students setting out on auditory explorations. All essays are accessible to non-experts and encompass scholarship from leading figures in the field, discussing issues relating to sound and listening from the broadest set of interdisciplinary perspectives. Inspiring students and researchers attentive to sound in their work, newly-commissioned and classical excerpts bring urban research and ethnography alive with sensory case studies that open up a world beyond the visual. This book is core reading for all courses that cover the role of sound in culture, within sound studies, anthropology, sociology, cultural studies, history, media studies and urban geography.