The Return of the Baroque in Modern Culture

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Publisher :
ISBN 13 :
Total Pages : 168 pages
Book Rating : 4.:/5 (895 download)

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Book Synopsis The Return of the Baroque in Modern Culture by : Gregg Lambert

Download or read book The Return of the Baroque in Modern Culture written by Gregg Lambert and published by . This book was released on 2004 with total page 168 pages. Available in PDF, EPUB and Kindle. Book excerpt:

The Return of the Baroque in Modern Culture

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Publisher : A&C Black
ISBN 13 : 1847143253
Total Pages : 178 pages
Book Rating : 4.8/5 (471 download)

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Book Synopsis The Return of the Baroque in Modern Culture by : Gregg Lambert

Download or read book The Return of the Baroque in Modern Culture written by Gregg Lambert and published by A&C Black. This book was released on 2004-11-01 with total page 178 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Return of the Baroque in Modern Culture explores the re-invention of the early European Baroque within the philosophical, cultural, and literary thought of postmodernism in Europe, the United States, the Caribbean, and Latin America. Gregg Lambert argues that the "return of the Baroque" expresses a principle often hidden behind the cultural logic of postmodernism in its various national and cultural incarnations, a principal often in variance with Anglo-American modernism. Writers and theorists examined include Walter Benjamin, Paul de Man, Jacques Derrida, Michel Foucault, Octavio Paz, and Cuban novelists Alejo Carpentier and Severo Sarduy. A highly original and compelling reinterpretation of modernity, The Return of the Baroque in Modern Culture answers Raymond Williams' charge to create alternative national and international accounts of aesthetic and cultural history in order to challenge the centrality of Anglo-American modernism.

The Return of the Baroque in Modern Culture

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Publisher : Continuum
ISBN 13 :
Total Pages : 184 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis The Return of the Baroque in Modern Culture by : Gregg Lambert

Download or read book The Return of the Baroque in Modern Culture written by Gregg Lambert and published by Continuum. This book was released on 2004 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Return of the Baroque in Modern Culture explores the re-invention of the early European Baroque within the philosophical, cultural, and literary thought of postmodernism in Europe, the United States, the Caribbean, and Latin America. Gregg Lambert argues that the "return of the Baroque" expresses a principle often hidden behind the cultural logic of postmodernism in its various national and cultural incarnations, a principal often in variance with Anglo-American modernism. Writers and theorists examined include Walter Benjamin, Paul de Man, Jacques Derrida, Michel Foucault, Octavio Paz, and Cuban novelists Alejo Carpentier and Severo Sarduy. A highly original and compelling reinterpretation of modernity, The Return of the Baroque in Modern Culture answers Raymond Williams' charge to create alternative national and international accounts of aesthetic and cultural history in order to challenge the centrality of Anglo-American modernism.

The Baroque in Architectural Culture, 1880-1980

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Publisher : Routledge
ISBN 13 : 1317040600
Total Pages : 296 pages
Book Rating : 4.3/5 (17 download)

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Book Synopsis The Baroque in Architectural Culture, 1880-1980 by : Andrew Leach

Download or read book The Baroque in Architectural Culture, 1880-1980 written by Andrew Leach and published by Routledge. This book was released on 2016-03-09 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: In his landmark volume Space, Time and Architecture, Sigfried Giedion paired images of two iconic spirals: Tatlin’s Monument to the Third International and Borromini’s dome for Sant’Ivo alla Sapienza. The values shared between the baroque age and the modern were thus encapsulated on a single page spread. As Giedion put it, writing of Sant’Ivo, Borromini accomplished 'the movement of the whole pattern [...] from the ground to the lantern, without entirely ending even there.' And yet he merely 'groped' towards that which could 'be completely effected' in modern architecture-achieving 'the transition between inner and outer space.' The intellectual debt of modern architecture to modernist historians who were ostensibly preoccupied with the art and architecture of earlier epochs is now widely acknowledged. This volume extends this work by contributing to the dual projects of the intellectual history of modern architecture and the history of architectural historiography. It considers the varied ways that historians of art and architecture have historicized modern architecture through its interaction with the baroque: a term of contested historical and conceptual significance that has often seemed to shadow a greater contest over the historicity of modernism. Presenting research by an international community of scholars, this book explores through a series of cross sections the traffic of ideas between practice and history that has shaped modern architecture and the academic discipline of architectural history across the long twentieth century. The editors use the historiography of the baroque as a lens through which to follow the path of modern ideas that draw authority from history. In doing so, the volume defines a role for the baroque in the history of architectural historiography and in the history of modern architectural culture.

Neo-Baroques

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Publisher : BRILL
ISBN 13 : 9004324356
Total Pages : 339 pages
Book Rating : 4.0/5 (43 download)

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Book Synopsis Neo-Baroques by :

Download or read book Neo-Baroques written by and published by BRILL. This book was released on 2016-10-18 with total page 339 pages. Available in PDF, EPUB and Kindle. Book excerpt: This anthology examines the phenomenon of the Neo-Baroque through interdisciplinary perspectives. Understanding the Neo-Baroque as transcultural (between different cultures) and transhistorical (between historical moments) the contributors explore its slippery nature of the Neo-Baroque.

Proceedings of the 4th International Conference on Language, Art and Cultural Exchange (ICLACE 2023)

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Publisher : Springer Nature
ISBN 13 : 2384760947
Total Pages : 463 pages
Book Rating : 4.3/5 (847 download)

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Book Synopsis Proceedings of the 4th International Conference on Language, Art and Cultural Exchange (ICLACE 2023) by : Bootheina Majoul

Download or read book Proceedings of the 4th International Conference on Language, Art and Cultural Exchange (ICLACE 2023) written by Bootheina Majoul and published by Springer Nature. This book was released on 2023-08-28 with total page 463 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is an open access book. The 4th International Conference on Language, Art and Cultural Exchange (ICLACE 2023) will be held on May 19–21, 2023 in Hangzhou, China. Culture includes language, which is a special cultural phenomenon. For culture, most scholars agree that it mainly includes two aspects: material culture and spiritual culture. Specific examples to show cultural phenomena will be of great benefit to our understanding. Some examples of material culture are listed here: Indian women wear saris, Japanese like to eat sashimi, and Chinese like to shake hands when meeting each other. These are various manifestations of material culture in different nations. Language is the mode of transmission of culture. Language is one of the most important ways of thinking and cultural exchange of human beings, which is actually the manifestation of the formation and transmission of culture. Because of thinking, human beings gradually create culture in the continuous social practice, and then spread their national culture to each other in the continuous language exchange. Since ancient times, art and culture have been going hand in hand and complementing each other. On the one hand, art is an important connotation and component of culture, and the progress of art is the driving force of cultural development. On the other hand, culture is the source and content of art, and the prosperity of culture is the key to improve the level of art. On the other hand, culture is the source and content of art, and the prosperity of culture is the key to improving the level of art. Therefore, whether it is culture or art, it is not only a symbol of an era, a representation of people’s life style, but also a guide to the direction of social development. The relationship between language, art and cultural communication is a hot topic for many scholars to study at present. Therefore, an academic conference is set up for authors to discuss related research issues and exchange new ideas, hoping that scholars can burst out more excellent and valuable ideas in this conference. ICLACE 2023 is to bring together innovative academics and industrial experts in the field of Literature, Art and Cultural Exchange research to a common forum. The primary goal of the conference is to provide a platform for scientists, scholars, and engineers from all over the world to present ongoing research activities, fostering the research and business relations and promoting scientific information interchange and cooperation between all the participants.

The Philosophical Baroque

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Publisher : BRILL
ISBN 13 : 900433985X
Total Pages : 311 pages
Book Rating : 4.0/5 (43 download)

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Book Synopsis The Philosophical Baroque by : Erik S. Roraback

Download or read book The Philosophical Baroque written by Erik S. Roraback and published by BRILL. This book was released on 2017-04-18 with total page 311 pages. Available in PDF, EPUB and Kindle. Book excerpt: In The Philosophical Baroque, Erik Roraback brings a fresh, interdisciplinary eye to a selection of texts from across modernity’s four hundred years—from the explosive energy of the early seventeenth century to the spectacle society of the present.

Adventures with the Theory of the Baroque and French Philosophy

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Publisher : Bloomsbury Publishing
ISBN 13 : 1474228534
Total Pages : 272 pages
Book Rating : 4.4/5 (742 download)

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Book Synopsis Adventures with the Theory of the Baroque and French Philosophy by : Nadir Lahiji

Download or read book Adventures with the Theory of the Baroque and French Philosophy written by Nadir Lahiji and published by Bloomsbury Publishing. This book was released on 2016-09-22 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Analysing the reception of contemporary French philosophy in architecture over the last four decades, Adventures with the Theory of the Baroque and French Philosophy discusses the problematic nature of importing philosophical categories into architecture. Focusing particularly on the philosophical notion of the Baroque in Gilles Deleuze, this study examines traditional interpretations of the concept in contemporary architecture theory, throwing up specific problems such as the aestheticization of building theory and practice. Identifying these and other issues, Nadir Lahiji constructs a concept of the baroque in contrast to the contemporary understanding in architecture discourse. Challenging the contemporary dominance of the Neo-Baroque as a phenomenon related to postmodernism and late capitalism, he establishes the Baroque as a name for the paradoxical unity of 'kitsch' and 'high' art and argues that the digital turn has enhanced the return of the Baroque in contemporary culture and architectural practice that he brands a pseudo-event in the term 'neobaroque'. Lahiji's original critique expands on the misadventure of architecture with French Philosophy and explains why the category of the Baroque, if it is still useful to keep in architecture criticism, must be tied to the notion of Post-Rationalism. Within this latter notion, he draws on the work of Alain Badiou to theorize a new concept of the Baroque as Event. Alongside close readings of Walter Benjamin, Theodor Adorno and Michel Foucault related to the criticism of the Baroque and Modernity and discussions of the work of Frank Gehry, in particular, this study draws on Jacque Lacan's concept of the baroque and presents the first comprehensive treatment of the psychoanalytical theory of the Baroque in the work of Lacan.

European Film Theory

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Publisher : Routledge
ISBN 13 : 1135902534
Total Pages : 383 pages
Book Rating : 4.1/5 (359 download)

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Book Synopsis European Film Theory by : Temenuga Trifonova

Download or read book European Film Theory written by Temenuga Trifonova and published by Routledge. This book was released on 2009-09-10 with total page 383 pages. Available in PDF, EPUB and Kindle. Book excerpt: European Film Theory explores the ‘Europeanness’ of European film theory, its philosophical origins, the ‘culture wars’ between ‘Continental’ and ‘Analytical’ film theory and philosophy, the major discursive and epistemological shifts in the history of Continental film theory, the relationship between Continental philosophy of art and philosophy of history and European film theory. Writing from a range of disciplines and perspectives, the contributors to this new volume in the AFI FILM READERS series offer fresh interpretations of European film theorists and illuminate the political potential of European film theory.

Rethinking the Baroque

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Publisher : Routledge
ISBN 13 : 1351551175
Total Pages : 286 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis Rethinking the Baroque by : Helen Hills

Download or read book Rethinking the Baroque written by Helen Hills and published by Routledge. This book was released on 2017-07-05 with total page 286 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rethinking the Baroque explores a tension. In recent years the idea of ?baroque? or ?the baroque? has been seized upon by scholars from a range of disciplines and the term ?baroque? has consequently been much in evidence in writings on contemporary culture, especially architecture and entertainment. Most of the scholars concerned have little knowledge of the art, literature, and history of the period usually associated with the baroque. A gulf has arisen. On the one hand, there are scholars who are deeply immersed in historical period, who shy away from abstraction, and who have remained often oblivious to the convulsions surrounding the term ?baroque?; on the other, there are theorists and scholars of contemporary theory who have largely ignored baroque art and architecture. This book explores what happens when these worlds mesh. In this book, scholars from a range of disciplines retrieve the term ?baroque? from the margins of art history where it has been sidelined as ?anachronistic?, to reconsider the usefulness of the term ?baroque?, while avoiding simply rehearsing familiar policing of periodization, stylistic boundaries, categories or essence. ?Baroque? emerges as a vital and productive way to rethink problems in art history, visual culture and architectural theory. Rather than attempting to provide a survey of baroque as a chronological or geographical conception, the essays here attempt critical re-engagement with the term ?baroque? - its promise, its limits, and its overlooked potential - in relation to the visual arts. Thus the book is posited on the idea that tension is not only inevitable, but even desirable, since it not only encapsulates intellectual divergence (which is always as useful as much as it is feared), but helps to push scholars (and therefore readers) outside their usual runnels.

Neobaroque in the Americas

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Publisher : University of Virginia Press
ISBN 13 : 0813933137
Total Pages : 434 pages
Book Rating : 4.8/5 (139 download)

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Book Synopsis Neobaroque in the Americas by : Monika Kaup

Download or read book Neobaroque in the Americas written by Monika Kaup and published by University of Virginia Press. This book was released on 2012 with total page 434 pages. Available in PDF, EPUB and Kindle. Book excerpt: In a comparative and interdisciplinary analysis of modern and postmodern literature, film, art, and visual culture, Monika Kaup examines the twentieth century's recovery of the baroque within a hemispheric framework embracing North America, Latin America, and U.S. Latino/a culture. As "neobaroque" comes to the forefront of New World studies, attention to transcultural dynamics is overturning the traditional scholarship that confined the baroque to a specific period, class, and ideology in the seventeenth century. Reflecting on the rich, nonlinear genealogy of baroque expression, Neobaroque in the Americas envisions the baroque as an anti-proprietary expression that brings together seemingly disparate writers and artists and contributes to the new studies in global modernity.

Emotion and the Seduction of the Senses, Baroque to Neo-Baroque

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Publisher : Medieval Institute Publications
ISBN 13 : 1580442722
Total Pages : 327 pages
Book Rating : 4.5/5 (84 download)

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Book Synopsis Emotion and the Seduction of the Senses, Baroque to Neo-Baroque by : Lisa Beaven

Download or read book Emotion and the Seduction of the Senses, Baroque to Neo-Baroque written by Lisa Beaven and published by Medieval Institute Publications. This book was released on 2018-07-31 with total page 327 pages. Available in PDF, EPUB and Kindle. Book excerpt: Emotion and the Seduction of the Senses, Baroque to Neo-Baroque examines the relationship between the cultural productions of the baroque in the seventeenth century and the neo-baroque in our contemporary world. The volume illuminates how, rather than providing rationally ordered visual realms, both the baroque and the neo-baroque construct complex performative spaces whose spectacle seeks to embrace, immerse, and seduce the senses and solicit the emotions of the beholder.

Metatheater and Modernity

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Publisher : Rowman & Littlefield
ISBN 13 : 1611475384
Total Pages : 203 pages
Book Rating : 4.6/5 (114 download)

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Book Synopsis Metatheater and Modernity by : Mary Ann Frese Witt

Download or read book Metatheater and Modernity written by Mary Ann Frese Witt and published by Rowman & Littlefield. This book was released on 2013 with total page 203 pages. Available in PDF, EPUB and Kindle. Book excerpt: Metatheater and Modernity: Baroque and Neobaroque is the first work to link the study of metatheater with the concepts of baroque and neobaroque. Arguing that the onset of European modernity in the early seventeenth century and both the modernist and the postmodernist periods of the twentieth century witnessed a flourishing of the phenomenon of theater that reflects on itself as theater, the author reexamines the concepts of metatheater, baroque, and neobaroque through a pairing and close analysis of seventeenth and twentieth century plays. The comparisons include Jean Rotrou's The True Saint Genesius with Jean-Paul Sartre's Kean and Jean Genet's The Blacks; Pierre Corneille's L'Illusion comique with Tony Kushner's The Illusion; Gian Lorenzo Bernini's The Impresario with Luigi Pirandello's theater-in-theater trilogy; Shakespeare's Hamlet with Pirandello's Henry IV and Tom Stoppard's Rosencrantz and Guildenstern are Dead; Moli re's Impromptu de Versailles with "impromptus" by Jean Cocteau, Jean Giraudoux, and Eug ne Ionesco. Metatheater and Modernity also examines the role of technology in the creating and breaking of illusions in both centuries. In contrast to previous work on metatheater, it emphasizes the metatheatrical role of comedy. Metatheater, the author concludes, is both performance and performative: it accomplishes a perceptual transformation in its audience both by defending theater and exposing the illusory quality of the world outside.

Cervantes, the Golden Age, and the Battle for Cultural Identity in 20th-Century Spain

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Publisher : Bloomsbury Publishing USA
ISBN 13 : 150137494X
Total Pages : 256 pages
Book Rating : 4.5/5 (13 download)

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Book Synopsis Cervantes, the Golden Age, and the Battle for Cultural Identity in 20th-Century Spain by : Ana María G. Laguna

Download or read book Cervantes, the Golden Age, and the Battle for Cultural Identity in 20th-Century Spain written by Ana María G. Laguna and published by Bloomsbury Publishing USA. This book was released on 2021-07-29 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: Studies that connect the Spanish 17th and 20th centuries usually do so through a conservative lens, assuming that the blunt imperialism of the early modern age, endlessly glorified by Franco's dictatorship, was a constant in the Spanish imaginary. This book, by contrast, recuperates the thriving, humanistic vision of the Golden Age celebrated by Spanish progressive thinkers, writers, and artists in the decades prior to 1939 and the Francoist Regime. The hybrid, modern stance of the country in the 1920s and early 1930s would uniquely incorporate the literary and political legacies of the Spanish Renaissance into the ambitious design of a forward, democratic future. In exploring the complex understanding of the multifaceted event that is modernity, the life story and literary opus of Miguel de Cervantes (1547-1616) acquires a new significance, given the weight of the author in the poetic and political endeavors of those Spanish left-wing reformists who believed they could shape a new Spanish society. By recovering their progressive dream, buried for almost a century, of incipient and full Spanish modernities, Ana María G. Laguna establishes a more balanced understanding of both the modern and early modern periods and casts doubt on the idea of a persistent conservatism in Golden Age literature and studies. This book ultimately serves as a vigorous defense of the canonical as well as the neglected critical traditions that promoted Cervantes's humanism in the 20th century.

Baroque New Worlds

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Publisher : Duke University Press
ISBN 13 : 0822392526
Total Pages : 690 pages
Book Rating : 4.8/5 (223 download)

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Book Synopsis Baroque New Worlds by : Lois Parkinson Zamora

Download or read book Baroque New Worlds written by Lois Parkinson Zamora and published by Duke University Press. This book was released on 2010-07-13 with total page 690 pages. Available in PDF, EPUB and Kindle. Book excerpt: Baroque New Worlds traces the changing nature of Baroque representation in Europe and the Americas across four centuries, from its seventeenth-century origins as a Catholic and monarchical aesthetic and ideology to its contemporary function as a postcolonial ideology aimed at disrupting entrenched power structures and perceptual categories. Baroque forms are exuberant, ample, dynamic, and porous, and in the regions colonized by Catholic Europe, the Baroque was itself eventually colonized. In the New World, its transplants immediately began to reflect the cultural perspectives and iconographies of the indigenous and African artisans who built and decorated Catholic structures, and Europe’s own cultural products were radically altered in turn. Today, under the rubric of the Neobaroque, this transculturated Baroque continues to impel artistic expression in literature, the visual arts, architecture, and popular entertainment worldwide. Since Neobaroque reconstitutions necessarily reference the European Baroque, this volume begins with the reevaluation of the Baroque that evolved in Europe during the late nineteenth century and the early twentieth. Foundational essays by Friedrich Nietzsche, Heinrich Wölfflin, Walter Benjamin, Eugenio d’Ors, René Wellek, and Mario Praz recuperate and redefine the historical Baroque. Their essays lay the groundwork for the revisionist Latin American essays, many of which have not been translated into English until now. Authors including Alejo Carpentier, José Lezama Lima, Severo Sarduy, Édouard Glissant, Haroldo de Campos, and Carlos Fuentes understand the New World Baroque and Neobaroque as decolonizing strategies in Latin America and other postcolonial contexts. This collection moves between art history and literary criticism to provide a rich interdisciplinary discussion of the transcultural forms and functions of the Baroque. Contributors. Dorothy Z. Baker, Walter Benjamin, Christine Buci-Glucksmann, José Pascual Buxó, Leo Cabranes-Grant, Haroldo de Campos, Alejo Carpentier, Irlemar Chiampi, William Childers, Gonzalo Celorio, Eugenio d’Ors, Jorge Ruedas de la Serna, Carlos Fuentes, Édouard Glissant, Roberto González Echevarría, Ángel Guido, Monika Kaup, José Lezama Lima, Friedrich Nietzsche, Mario Praz, Timothy J. Reiss, Alfonso Reyes, Severo Sarduy, Pedro Henríquez Ureña, Maarten van Delden, René Wellek, Christopher Winks, Heinrich Wölfflin, Lois Parkinson Zamora

The Oxford Handbook of the Baroque

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Publisher : Oxford University Press, USA
ISBN 13 : 0190678445
Total Pages : 907 pages
Book Rating : 4.1/5 (96 download)

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Book Synopsis The Oxford Handbook of the Baroque by : John D. Lyons

Download or read book The Oxford Handbook of the Baroque written by John D. Lyons and published by Oxford University Press, USA. This book was released on 2019 with total page 907 pages. Available in PDF, EPUB and Kindle. Book excerpt: This handbook is currently in development, with individual articles publishing online in advance of print publication. At this time, we cannot add information about unpublished articles in this handbook, however the table of contents will continue to grow as additional articles pass through the review process and are added to the site. Please note that the online publication date for this handbook is the date that the first article in the title was published online.

Baroque Modernity

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Publisher : JHU Press
ISBN 13 : 1421441543
Total Pages : 323 pages
Book Rating : 4.4/5 (214 download)

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Book Synopsis Baroque Modernity by : Joseph Cermatori

Download or read book Baroque Modernity written by Joseph Cermatori and published by JHU Press. This book was released on 2021-11-16 with total page 323 pages. Available in PDF, EPUB and Kindle. Book excerpt: A groundbreaking study on the vital role of baroque theater in shaping modernist philosophy, literature, and performance. Finalist for the Outstanding Book Award by the Association for Theatre in Higher Education, Honorable Mention for the Balakian Prize by the International Comparative Literature Association, Winner of the Helen Tartar Book Subvention Award by the American Comparative Literature Association, Finalist of the MSA First Book Prize by the Modernist Studies Association Baroque style—with its emphasis on ostentation, adornment, and spectacle—might seem incompatible with the dominant forms of art since the Industrial Revolution, but between 1875 and 1935, European and American modernists connected to the theater became fascinated with it. In Baroque Modernity, Joseph Cermatori argues that the memory of seventeenth-century baroque stages helped produce new forms of theater, space, and experience around the turn of the twentieth century. In response, modern theater helped give rise to the development of the baroque as a modern philosophical idea. The book focuses on avant-gardists whose writing takes place between theory and performance: philosophical theater-makers and theatrical philosophers including Friedrich Nietzsche, Stéphane Mallarmé, Walter Benjamin, and Gertrude Stein. Moving between page and stage, this study tracks the remnants of seventeenth-century theater through modernist aesthetics across an array of otherwise disparate materials, including modern opera, Bertolt Brecht's Epic Theater, poetic tragedies, and miracle plays. By reexamining the twentieth century's engagements with Gianlorenzo Bernini, William Shakespeare, Claudio Monteverdi, Calderón de la Barca, and other seventeenth-century predecessors, the book delineates an enduring tradition of baroque performance. Along the way, Cermatori expands our familiar narratives of "the modern" and traces a history of theatricality that reverberates into the twenty-first century. Baroque Modernity will appeal to readers in a wide array of disciplines, including comparative literature, theater and performance, art and music history, intellectual history, and aesthetic theory.